STOP! - Arrowhead Collecting On The Web
STOP! - Arrowhead Collecting On The Web
STOP! - Arrowhead Collecting On The Web
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ACOTW<br />
<strong>Arrowhead</strong> <strong>Collecting</strong> <strong>On</strong> <strong>The</strong> <strong>Web</strong><br />
<strong>Arrowhead</strong> <strong>Collecting</strong> <strong>On</strong> <strong>The</strong> <strong>Web</strong><br />
TM<br />
A Close-Up Look At <strong>The</strong> Edge Treatment Of A Modern-Made<br />
Stone Blade, Knapped From A Cut Slab Of Jasper, Ground To A<br />
Pre-Form Shape To Minimize <strong>The</strong> Pressure Flaking Finish Work.<br />
This Bullseye Jasper knife blade or<br />
spear point was made by my<br />
friend, Clifford Carney, of<br />
Las Vegas, Nevada. <strong>The</strong><br />
jasper is from out in the<br />
desert north of Las Vegas a<br />
couple of hundred miles.<br />
I am showing this blade to<br />
illustrate the technique<br />
which you will often see in<br />
modern knapped pieces.<br />
You see, this was made from<br />
a ground pre-form. Cliff cuts<br />
the jasper into slabs, then he<br />
cuts the slabs into the rough<br />
outline of the piece he intends<br />
to pressure flake. However,<br />
before the pressure flaking<br />
stage, he grinds the piece close<br />
to the desired lens-shaped cross<br />
section. It is also heat treated, to<br />
make the jasper a little easier to<br />
work; this also gives it the glossy<br />
surface which you can see.<br />
After the pressure flaking, he<br />
trims the “deltas”, the high spots<br />
remaining at the edge, between<br />
each large pressure flake. Using a<br />
smaller tool, he removes 3 or 4<br />
small flakes to eliminate the high<br />
spots and leave a sharpened edge.<br />
<strong>The</strong> small flakes which are visible<br />
are typical of this finishing step<br />
for what knappers call “flake over<br />
ground” preforms.<br />
Cliff sells his knapped pieces on<br />
eBay, and always identifies his<br />
artwork as modern. His eBay ID<br />
is “Stonefusion.”<br />
If you are looking at a piece which<br />
someone is telling you is ancient<br />
and authentic, and it looks glossy<br />
and perfect like this, with this<br />
style of edge treatment and<br />
uniform large pressure flaking<br />
like this, you should definitely<br />
consider that it is possibly a piece<br />
of modern flintknapper’s art, and<br />
that probably it is not ancient.<br />
Volume I, Number 7 14<br />
November 2009