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STOP! - Arrowhead Collecting On The Web

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ACOTW<br />

<strong>Arrowhead</strong> <strong>Collecting</strong> <strong>On</strong> <strong>The</strong> <strong>Web</strong><br />

<strong>Arrowhead</strong> <strong>Collecting</strong> <strong>On</strong> <strong>The</strong> <strong>Web</strong><br />

TM<br />

A Close-Up Look At <strong>The</strong> Edge Treatment Of A Modern-Made<br />

Stone Blade, Knapped From A Cut Slab Of Jasper, Ground To A<br />

Pre-Form Shape To Minimize <strong>The</strong> Pressure Flaking Finish Work.<br />

This Bullseye Jasper knife blade or<br />

spear point was made by my<br />

friend, Clifford Carney, of<br />

Las Vegas, Nevada. <strong>The</strong><br />

jasper is from out in the<br />

desert north of Las Vegas a<br />

couple of hundred miles.<br />

I am showing this blade to<br />

illustrate the technique<br />

which you will often see in<br />

modern knapped pieces.<br />

You see, this was made from<br />

a ground pre-form. Cliff cuts<br />

the jasper into slabs, then he<br />

cuts the slabs into the rough<br />

outline of the piece he intends<br />

to pressure flake. However,<br />

before the pressure flaking<br />

stage, he grinds the piece close<br />

to the desired lens-shaped cross<br />

section. It is also heat treated, to<br />

make the jasper a little easier to<br />

work; this also gives it the glossy<br />

surface which you can see.<br />

After the pressure flaking, he<br />

trims the “deltas”, the high spots<br />

remaining at the edge, between<br />

each large pressure flake. Using a<br />

smaller tool, he removes 3 or 4<br />

small flakes to eliminate the high<br />

spots and leave a sharpened edge.<br />

<strong>The</strong> small flakes which are visible<br />

are typical of this finishing step<br />

for what knappers call “flake over<br />

ground” preforms.<br />

Cliff sells his knapped pieces on<br />

eBay, and always identifies his<br />

artwork as modern. His eBay ID<br />

is “Stonefusion.”<br />

If you are looking at a piece which<br />

someone is telling you is ancient<br />

and authentic, and it looks glossy<br />

and perfect like this, with this<br />

style of edge treatment and<br />

uniform large pressure flaking<br />

like this, you should definitely<br />

consider that it is possibly a piece<br />

of modern flintknapper’s art, and<br />

that probably it is not ancient.<br />

Volume I, Number 7 14<br />

November 2009

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