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Spirit of Anne Frank Awards - Anne Frank Center

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Art and Propaganda in Nazi Occupied Holland<br />

Art and Propaganda in Nazi Occupied holland is a new<br />

exhibit <strong>of</strong> the <strong>Anne</strong> <strong>Frank</strong> <strong>Center</strong>, USA. The exhibition was<br />

researched and translated by AFC and the Netherlands,<br />

and translated by AFC Advisory Board member rolf<br />

Wolfswinkel. Both the henry Pieck and the de Zaayer<br />

collections were purchased and subsequently donated<br />

to the AFC by Jack Polak. This collection sheds further<br />

light on life under Nazi occupation in the Netherlands,<br />

as well as in the concentration camps where so many <strong>of</strong><br />

its inhabitants, including <strong>Anne</strong> <strong>Frank</strong>, her mother and her<br />

sister, perished in squalor and despair.<br />

Sketches from Buchenwald is a series <strong>of</strong> stark lithographs<br />

based on the concentration camp experience <strong>of</strong> the<br />

Dutch artist henri Pieck, the less famous <strong>of</strong> the Pieck<br />

twins. Brother Anton is well known for his vast portfolio<br />

<strong>of</strong> paintings, etchings, woodcarvings, and engravings.<br />

henri, whom Anton considered to be the more talented<br />

<strong>of</strong> the pair, turned to Communism and served as an<br />

informant for the Soviet Union. That work was unknown<br />

to the Nazis upon their occupation <strong>of</strong> the Netherlands.<br />

however, he was arrested for underground activities and<br />

sent to the Buchenwald camp in Germany. he managed<br />

to survive there from 1942 until its liberation in 1945<br />

partly due to his artistic talents.<br />

having secretly sketched fellow prisoners, Pieck made<br />

23 drawings from memory after his release. Seven <strong>of</strong><br />

these harrowing original works are included in the<br />

exhibit. The faces <strong>of</strong> the subjects reflect their bleak<br />

4<br />

suffering. Yet, remarkably, they also display hope for<br />

the freedom that many <strong>of</strong> them never would achieve,<br />

as in the sketch entitled Behind Barbed Wire, depicting<br />

a group <strong>of</strong> prisoners gazing out beyond the nightmare<br />

world in which they were trapped. The drawings are<br />

simultaneously disturbing and poignant, reflecting both<br />

hopelessness and unyielding perseverance.<br />

Oorlogsprentenboek (Book <strong>of</strong> War Prints – Illegally<br />

Published) is a collection <strong>of</strong> linocuts, created during the<br />

occupation by marie de Zaaijer, an artist about whom<br />

very little is known. The prints, 12 <strong>of</strong> which are on<br />

display at the <strong>Center</strong>, reflect the hardship <strong>of</strong> life in a small<br />

country smothered by the Nazi occupation, as well as the<br />

efforts <strong>of</strong> the resistance movement.<br />

The complete collection <strong>of</strong> 31 prints was presented by<br />

ms. De Zaaijer to Queen Wilhelmina in January <strong>of</strong> 1946.<br />

Serving in exile from Great Britain during the occupation,<br />

the Queen sought to rally her countrymen with radio<br />

broadcasts that were presented illegally and at significant<br />

risk. Though the Queen was said to be “filled with<br />

admiration,” she returned all <strong>of</strong> the prints to the artist.<br />

The prints on display are intricate in their detail; each<br />

image features text which explains and amplifies its<br />

meaning. In Concentration Camp, a bleak image <strong>of</strong> a<br />

prisoner in front <strong>of</strong> a cross but behind barbed wire,<br />

reads: Let us think about them / Who will one day ask us /<br />

What did you do then, and what did you suffer?

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