Annual News&Financial Report - The Mount
Annual News&Financial Report - The Mount
Annual News&Financial Report - The Mount
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<strong>The</strong> Books Come Home<br />
Edith Wharton’s Library: A Short History<br />
When you see Edith Wharton’s books arrayed on her shelves<br />
at <strong>The</strong> <strong>Mount</strong>, you are first struck by the “expanse of<br />
warm lustrous color” created by the bindings, an effect<br />
she recommended in <strong>The</strong> Decoration of Houses. But as you study<br />
the titles, and delve into the books themselves, you realize that this<br />
is far more than a decorative assemblage of beautiful volumes. It<br />
is, in fact, a history of Wharton’s intellectual and emotional life – her<br />
autobiography in books.<br />
<strong>The</strong> chronological history of the collection begins well before<br />
Wharton’s birth, in the gentleman’s library compiled by her father,<br />
George Frederic Jones, beginning in the mid-19th century. <strong>The</strong>re<br />
among her father’s books of philosophy, poetry and the classics,<br />
young Edith gave herself the education that, because she was a girl,<br />
she was not allowed to receive formally. She cherished his books to<br />
the end of her life and they come to us as a testimony to her native<br />
intelligence and her fierce desire for knowledge.<br />
Wharton began to amass her own library as a young girl, and she<br />
mentions many of these formative books in her memoir, A Backward<br />
Glance. On one memorable birthday, she received an especially<br />
meaningful gift:<br />
…I woke to find beside my bed Buxton Forman’s great<br />
editions of Keats and Shelley! <strong>The</strong>n the gates of the realms<br />
of gold swung wide, and from that day to this I don’t believe I<br />
was ever again, in my inmost self, wholly lonely or unhappy.<br />
In the collection we find books from every period of Wharton’s life,<br />
written in the languages she learned as a child and spoke fluently—<br />
English, French, German, and Italian. <strong>The</strong>re is even a volume of<br />
Anglo-Saxon, which she taught herself at age 14 to impress the<br />
minister of her church, on whom she had a secret crush. Still<br />
preserved in the book is her hand-written translation from one of the<br />
Saxon chronicles.<br />
Included in the library are a significant number of Wharton’s own<br />
works, many with corrections penciled in. In her first edition of<br />
<strong>The</strong> House of Mirth, for example, she crossed out the name of the<br />
illustrator and removed all of the plates, apparently because she<br />
disliked them (future printings of the book continued to include the<br />
illustrations, however). <strong>The</strong>re are also quite a few books written<br />
by her friends, many containing personal inscriptions. Perhaps<br />
the most interesting (and valuable) is a first edition of <strong>The</strong> Golden<br />
Bowl, with the cryptic hand-written dedication, “To Edith Wharton / in<br />
sympathy / Henry James / November 1904.” <strong>The</strong> date coincides with<br />
James’ first visit to <strong>The</strong> <strong>Mount</strong>, and biographers have speculated<br />
that his expression of sympathy relates to the mounting difficulties<br />
of her marriage to Edward “Teddy” Wharton, whose behavior was<br />
becoming increasingly erratic.<br />
<strong>The</strong> range of subjects represented is remarkable, demonstrating<br />
Wharton’s wide-ranging curiosity. In addition to areas with which<br />
she was associated, such as literature, gardening, and travel, there<br />
are numerous volumes of history, philosophy, religion, and science.<br />
Several books on astronomy attest to her love of stargazing, which<br />
she would enjoy from the terrace of <strong>The</strong> <strong>Mount</strong>, and studies of<br />
evolution show her interest in the great scientific and philosophical<br />
debates of her day.<br />
Even more revealing is the fact that Wharton often annotated<br />
her books – gently marking in pencil using ticks, check marks,<br />
Volumes from the library of George Frederic Jones, Edith’s father<br />
Edith Wharton’s Library at <strong>The</strong> <strong>Mount</strong> circa 1910<br />
Henry James’ inscription in <strong>The</strong> Golden Bowl, among other books<br />
from Wharton’s collection.<br />
underlining, and, very occasionally, words. In some books that are<br />
heavily marked, it seems almost as if one is following Wharton’s<br />
thoughts as she reads. <strong>The</strong>se markings will provide a fascinating<br />
resource for scholars, and <strong>The</strong> <strong>Mount</strong> hopes to eventually make them<br />
all available on the internet.<br />
Wharton died in 19 7 at the age of 75, and her will divided the library<br />
between William Royall Tyler and Colin Clark, the sons of two close<br />
friends. To Tyler, who was in his twenties and had known Wharton all<br />
his life, she left most of the books dealing with art, archaeology, and<br />
art history. <strong>The</strong>se volumes, perhaps 1400 in number, were tragically<br />
destroyed during the London Blitz in 1940. <strong>The</strong> rest of the collection—<br />
the portion now at <strong>The</strong> <strong>Mount</strong> comprising some 700 books—was<br />
left to art historian Kenneth Clark in trust for his six-year-old son (and<br />
Wharton’s godson), Colin. <strong>The</strong> elder Clark integrated them into his<br />
own extensive library, where, divided among several residences, they<br />
remained for over 40 years. After Kenneth Clark’s death in 198 , Colin<br />
sold the books to the London booksellers, Maggs Brothers, who in turn<br />
sold them to George Ramsden, a book dealer in York, England.<br />
<strong>The</strong> sale to Ramsden could not have been<br />
more fortuitous, for in him the library found<br />
a champion and protector. Studying his<br />
purchase, Ramsden quickly realized that<br />
the real value of the collection lay in its<br />
intactness, despite the fact that he could<br />
have made a quick profit selling off valuable<br />
individual volumes. He also suspected<br />
that he had not gotten all the Wharton<br />
books that the Clarks owned, and over<br />
the next few years was able to work with<br />
the three Clark children, Colin, Colette,<br />
and Alan, to retrieve another 600 volumes<br />
that were scattered among their libraries.<br />
Ramsden then began to meticulously<br />
catalog the collection, in the process<br />
transforming himself into a Wharton<br />
scholar. He published the catalog in 1999,<br />
and continued to hold onto the books until<br />
a buyer appeared who would agree to keep<br />
the collection intact after the sale.<br />
<strong>The</strong> <strong>Mount</strong> was in communication with<br />
Ramsden about the library for many years,<br />
but was never able to meet his asking price<br />
until the fall of 005, when, with the help<br />
of Lord Christopher Tugendhat, benefactors<br />
were found who would advance the money<br />
for the purchase. (See pp. 14-15). Robert<br />
and Elisabeth Wilmers were already good<br />
friends of <strong>The</strong> <strong>Mount</strong>, and saw in the library<br />
acquisition an opportunity to generate<br />
significant donations for the restoration by<br />
using the books as a fundraising tool. With<br />
their generous commitment, things moved<br />
quickly, and the transaction was completed<br />
on December 1 , with the books arriving<br />
in Lenox in early January of this year.<br />
<strong>The</strong> books were carefully unpacked and<br />
cleaned, and Ramsden arrived in time to<br />
arrange them on the shelves for the grand<br />
celebration on April 4 with <strong>The</strong> <strong>Mount</strong>’s<br />
honored guest, First Lady Laura Bush.<br />
Stephanie Copeland and George Ramsden sign the contract that transfers<br />
ownership of the books to <strong>The</strong> <strong>Mount</strong> on December 12, 2005.<br />
Wharton’s godson Colin Clark Colin’s father, Art Historian<br />
Kenneth Clark<br />
George Ramsden among Wharton’s<br />
books in his Yorkshire library<br />
Cadogan Tate, a British fine arts moving firm, delivers the books on a<br />
frigid day in January.<br />
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