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12<br />
Ceremonial coverlets from Japan<br />
Hiroko McDermott discovers that Japanese embroidered fukusa textiles traditionally<br />
used for covering gifts found many admirers in the West<br />
Viewing the Japanese fabrics shown at the Paris World Fair in 1878, Philippe Burty wrote an<br />
enthusiastic review of the Japanese exhibition: “The fukusas – fabric squares used to wrap a<br />
lacquer box that contained a letter, frits, or presents sent to a friend by means of a servant – are<br />
the most interesting of all. The boldness of the silhouettes, the beauty of the col<strong>our</strong> contrasts, are<br />
unrivalled in any other people’s art. Our friends Edmond de Gonc<strong>our</strong>t and G. de Nittis have<br />
collected the finest specimens known in France and have had them framed like masterpieces of<br />
painting .... Sometimes these pieces are entirely covered with embroidery, either flat or in a relief<br />
calculated to catch and hold the light – as in the two pigeons in E. de Gonc<strong>our</strong>t’s collection.<br />
Sometimes they are partially painted with a brush with marvellous freedom and flow.”(l)<br />
In present Japan, the fukusa is rarely seen, and even more rarely used except perhaps at a<br />
tea ceremony. A piece of cloth 10 inches square or so in size, the tea-fukusa is tucked in between<br />
a tea<br />
Fig.1 Display of fukusa and nishijin silk at the 1873 Vienna World Fair<br />
. . . ‘ *<br />
master’s obi and kimono and half hung so as to be pulled <strong>out</strong> when needed, for instance, to dust a<br />
tea scoop or a tea container.<br />
The other type called kake-fukusa (cover-fokusa) has almost disappeared from use in Japanese<br />
life. More than two decades ago, I was rather surprised to find such a fukusa, three-feet<br />
square with an auspicious pattern, hanging on a wall in a Japanese museum. It was the first time I<br />
had seen a kake-fukusa, which was labelled as a congratulatory gift cover.<br />
This type of fukusa has been used in the West, I later learned, as a wall hanging, a bed cover,<br />
or even as a framed picture, as P. Burty mentioned. While <strong>recently</strong> studying late 19 th century Japa-