Game over…Play again? - Audio Media

All of the Lexicon promise of When you hear the name ‘lexicon’
you automatically associate it with being
great sound quality, but in plug-
very high end and the best in the business.
in format? SIMON ALLEN tests
This is partly down to Lexicon’s extensive
history of hardware units that established it many years
the top-notch in-the-box LXP. ago. We all have come across some of its products at
some point, and many of us have our favourites. I have
used many of Lexicon’s hardware units in live sound
reinforcement and in the studio, such as the two iconic
480L units we have at City Studios. With second-hand
hardware units available at reasonable prices at the
moment, which have already stood the test of time and
will continue to do so; it raises many
questions. Will a software version have
the same sound, will the price be
competitive even compared to secondhand
units, and will it stand the test of
time in the same way?
44
native reverb
plug-in bundle
THE REVIEWER
SIMON ALLEN is a full time sound
engineer and record producer.
Previously studio manager at High
Barn Studios in Essex, he is now
based at City Studios in Cyprus
where he is Senior Engineer and
heads up the new music studio.
Lexicon LXP
Overview
Firstly, it is important to note that this
is not a software version/emulation of
Lexicon’s old LXP-1 hardware unit, or the
LXP5 and 15 multi-effects units – even
though the name might imply something
of the sort. Also, laid out similarly to the
LARC remote controllers, you don’t need
earlier experience with Lexicon’s products
to fully get to grips with this plug-in,
anyone can find their way round.
This LXP bundle comes in VST, AU,
and RTAS formats, making it suitable for
any DAW. It can be installed on either
Windows XP or later and Mac OS 10.4 or
later for PowerPC or Intel Macs. Installation
requires iLok authorisation. I tested this on City Studios’
(www.citystudios.com) Pro Tools HD rig on the Mac and
installation was very simple and easy.
The LXP plug-in bundle has four of Lexicon’s classic
reverbs: Room, Hall, Chamber, and Plate. Each one can
be run as mono, stereo, or mono in and stereo out. I tried
using the plug-in as a traditional AUX set up and also as an
inserted effect on the tracks and it works well both ways.
There are over 200 excellent presets that come with the
bundle and they are organised into small, medium, and
large, except for the Hall plug-in that has small spaces,
“A major
advantage of
having this
plug-in is the
ability to access
a really great
sounding reverb
from within the
box immediately
without having
to wire in some
hardware.”
AUDIO MEDIA DECEMBER 2010
small halls, medium halls, large halls, and huge halls.
Of course, as with most DAWs you can save your own
presets and take them with you to another studio which
is very handy.
I like the layout of the LXP’s GUI window very much.
It is very clear, no unusual terminology, and really
quick to use. Too often a plug-in is let down by its small
controls that you have to squint at the screen to use, or
the button you want to press is slightly offset to where
the graphic suggests.
On the GUI there are navigation buttons that bring
up different parameters relating to the name, which are
controlled by the ‘soft row’ buttons and
rotary knobs. Presets can be managed
by some ‘control switches’ and viewed in
categories then individual presets. The LXP
also shows level meters for ins and outs.
Lastly, on the GUI is a realtime display
that has four modes; off, frequency, multiband,
or impulse. This is a really great tool
that aids when trying to help build the
right ‘colours’ in a mix. With this display
off it helps reduce CPU power, which is
handy when working in processor hungry
sessions. The frequency display I found
most useful was a simple frequency
spectrum in real time. ‘Multi-band’ shows
five ranging frequencies in time, and the
‘Impluse’ is a great visual representation of
the reverb tail true to what you are feeding
the plug-in with, rather than a static image
that most reverb plug-ins offer.
In Use
The first part to answering those questions
that I asked myself when I came across this plug-in is
simple. A major advantage of having this plug-in is the
ability to access a great sounding reverb from within
the box immediately without having to wire in some
hardware. Ok, in most permanent studio set-ups it’s not
too time consuming to access hardware, but let’s be
honest – in the real world it’s not always comfortable.
For example, you need to remember patching, and send
and return levels, not to mention anything else you
might decide to use in the chain incase you visit the mix
again another day.
>