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Pablo<br />

Espada<br />

Carlos<br />

Larrieu<br />

story: Maud Deitch<br />

Speaking over the phone from his house in San<br />

Juan, Puerto Rico, director Pablo Espada matter-of-factly<br />

describes his music video making<br />

style: “It’s kind of a trashy <strong>natural</strong> thing that’s<br />

more about what you can put together with<br />

what you have than trying to get something really<br />

clean and perfectly photographed.” Working<br />

in partnership with Carlos Larrieu, the duo<br />

have been doing music videos, tour visuals and<br />

generally chronicling the band Davila 666 since<br />

2007, when, according to Espada, they were<br />

“just talking, partying one night, and [the idea of<br />

collaborating on a video] just sort of came up.”<br />

Those resulting early videos—grimy, staticky<br />

things shot on VHS and Super-8—are a perfect<br />

compliment to Davila’s frenetic and dirty brand<br />

of garage rock. However, the years the directing<br />

team has spent with the band have also given<br />

them time and experience to begin exploring<br />

other media. “Now that technology is a bit better<br />

with high definition, I’ve been doing some animation,”<br />

says Espada. “These last eight months,<br />

everything we’ve done has had a lot to do with<br />

animation and green screen and special effects.”<br />

Espada and Larrieu have been documenting Davila<br />

666 as they transition from Puerto Rican rockers<br />

to a major force on the US garage rock scene.<br />

By touring with them, Larrieu says, the two have<br />

not only gathered enough footage for a full-length<br />

documentary, but they have also acquired “a really<br />

good education in American garage rock & roll.”<br />

And after all these years of collaboration and<br />

documentation, how will the directors know when<br />

its time for the Davila film to finally be released?<br />

“The idea would be to stop after this tour and see<br />

what happens,” say Larrieu. “I have a whole storyline<br />

that changes and changes and changes. I<br />

already have the ending that I want, but I want<br />

to see what happens to see if there’s something<br />

I should add.”<br />

vimeo.com/user2379619<br />

watch “esa nena nunca regreso” by<br />

Davila 666, directed by Pablo espada and<br />

carlos larrieu for the scion a/V Video<br />

series, at scionav.com/music/scionavvideo

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