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Toyota Community Spirit Gallery presents<br />
riptide<br />
an undercurrent of emerging artists<br />
from the communities<br />
of Hobsons Bay and Port Phillip<br />
October 5 to December 3<br />
155 Bertie St Port Melbourne<br />
Gallery Hours<br />
Thursday & Friday 1pm to 6pm or by appointment<br />
Inquiries phone Ken Wong 03 9690 0902
Introduction<br />
riptide<br />
Toyota Community Spirit Gallery<br />
The Toyota Community Spirit Gallery is an initiative<br />
of the Toyota Community Spirit program.<br />
The Toyota Community Spirit Gallery aims to<br />
provide space for artists from the City of Port<br />
Phillip and City of Hobsons Bay to exhibit their<br />
work.<br />
Toyota is pleased to present RIPTIDE curated by<br />
Ken Wong. Toyota is working with the Hobsons<br />
Bay City Council and the City of Port Phillip on this<br />
project.
iptide<br />
an undercurrent of emerging artists from the communities of<br />
Hobsons Bay and Port Phillip<br />
Artists<br />
Curator<br />
Garry Arnephy<br />
Anita Bielinski<br />
Florence Blanchot<br />
Mahmoud Zein Elabdin<br />
Peter Gresham<br />
David Jephcott<br />
Jenny Johnson<br />
Joel Magpayo<br />
Gregory Mather<br />
Ross Morgan<br />
Ronald John Neal<br />
Carl Reis<br />
Graham Satterley<br />
David Weston<br />
Gail Willoughby<br />
Sabine Von Graz<br />
Ken Wong<br />
Thanks to Katarina Persic, Hobsons Bay City Council<br />
Sharyn Dawson, City of Port Phillip<br />
Cath Templeton, Toyota Community Spirit<br />
Eliza Swinton, DAS Management<br />
Mary-Anne Doyle, Toyota<br />
Invitation and catalogue design<br />
<strong>Watch</strong> Tower Studio
Ken Wong<br />
Curator<br />
riptide<br />
Welcome to Riptide, the first exhibition for the Toyota Community Spirit Gallery dedicated<br />
specifically to the works of emerging artists from the communities of Hobsons Bay and Port<br />
Phillip.<br />
The term emerging artist generally is associated with younger artists who are at the<br />
beginning of their careers, but the definition of emerging for the purposes of this exhibition<br />
has been taken from the Australia Council for the <strong>Arts</strong> grant application literature which<br />
defines an emerging artist as someone in the first five years of their current practice or who<br />
for reasons of their own, still regard themselves as emerging.<br />
Consequently, Riptide features the works of sixteen artists who live, work or have connection<br />
to the local community from a broad range of age groups and social and cultural<br />
backgrounds. This diversity of participants provides a broad cross-section of the diversity of<br />
local practice and also I believe highlights the quality of the work being produced locally.<br />
While many of the artists participating in this exhibition are successfully pursuing a career in<br />
their chosen art form, there are also those who are purely pursuing their practice for its own<br />
sake. Whatever the reason, the serious pursuit of art is a process rather than a destination,<br />
a process that inspires and challenges us to explore our humanity and the physical,<br />
emotional and social environment we all exist in.<br />
We live in a world which has many problems, many of which could be seen as of our own<br />
making. If this is true then the pursuit of a better understanding of ourselves as human<br />
beings must be a valuable tool for use in the pursuit of solutions.<br />
One of our great attributes as humans is the ability to learn, the ability to take the knowledge<br />
of what and who we were yesterday, and incorporate that into who we are today and who we<br />
will be tomorrow. In this way, we are indeed all "emerging" and an awareness and dedication<br />
to the serious pursuit of this process can hopefully lead us toward a brighter future for<br />
ourselves and our children.<br />
While the selection of artists for Riptide was based around the works submitted, it is<br />
noteworthy (and perhaps more than just a matter of coincidence) that seven of the sixteen<br />
artists are migrants from other countries around the world. This fact highlights the enormous<br />
benefits derived from our multicultural society and the potential to incorporate the best of<br />
what the world has to offer into our ever emerging Australian culture.<br />
Hopefully the creative spark that inspires the artists in this exhibition to create their art will<br />
also inspire you the viewer to think more deeply and creatively about our common emerging<br />
humanity.<br />
Biography<br />
Ken Wong has been working in the fine arts industry since 1997, as the Director of <strong>Watch</strong><br />
Tower Studio. Between 2001-2004 he worked at Gasworks <strong>Arts</strong> Park in Albert Park, most<br />
recently as the Visual <strong>Arts</strong> Manager. He has curated and managed a host of projects<br />
including gallery and outdoor sculpture exhibitions. He is a founding member of Southside<br />
<strong>Arts</strong> and curated the inaugural exhibition at Treasury Place and the launch of the Southside<br />
<strong>Arts</strong> Precinct Map at Linden Gallery. He has recently returned to private arts consultancy<br />
with <strong>Watch</strong> Tower Studio and was the curator of the inaugural exhibition for the Toyota<br />
Community Spirit Gallery.
<strong>Catalogue</strong> of works<br />
riptide<br />
Artist & Title Medium Year Size Price<br />
Garry Arnephy<br />
Crimson Pirate Oil on canvas 2004 125x95cm $2500<br />
Anita Bielinski<br />
Incendiary Acrylic on linen 2004 120x120cm $900<br />
Florence Blanchot<br />
The Birth of Lyrics Pastel on paper/music sheet 2002 168x139cm $4800<br />
Mahmoud Zein Elabdin<br />
Buffalo Dancing Acrylic on canvas 2004 60x90cm $1700<br />
Peter Gresham<br />
The Long Run Oil on canvas 2004 120x90cm $1500<br />
David Jephcott<br />
West Gate Bridge 1 Enamel on acrylic 2004 60x30cm $275<br />
Tower Enamel on acrylic 2004 60x30cm $275<br />
Walkers Enamel on acrylic 2004 30x105.5cm $275<br />
Jenny Johnson<br />
Mirror Image Lambda Print 1/5 2003 81x81cm $650<br />
Joel Magpayo<br />
Mates Watercolour on paper 2003 71x91cm $950<br />
Gregory Mather<br />
Juggler Acrylic on canvas 2004 70x52cm $1100<br />
Ross Morgan<br />
Meeting Place Acrylic on canvas 2003 120x100cm $1100<br />
Ronald John Neal<br />
Backyard Oil on canvas 2004 200x300cm $17,500<br />
Carl Reis<br />
Seascape Oil on canvas 2004 92x168cm $1700<br />
Graham Satterley<br />
Pier Street Watercolour on paper 2004 44x53cm $175<br />
David Weston<br />
Ozone Wreck Ilfochrome print 1/25 2002 68x77cm $700<br />
Gail Willoughby<br />
Resting Place Oil on canvas 2004 122x107cm $1200<br />
Sabine Von Graz<br />
My Harbour Acrylic on canvas 2004 92x92cm $1390
Garry Arnephy<br />
Crimson Pirate<br />
Oil on canvas 2004<br />
125cm x 95cm<br />
riptide<br />
Community of Port Phillip<br />
Garry Arnephy was born in South Melbourne in 1967 and has lived there all his life. He has<br />
pursued a passionate interest in painting for many years. His works have been shown in many<br />
community based exhibitions as well as Art in Motion in South Yarra and Richmond and more<br />
recently at Gallery M in South Melbourne. He is currently the proprietor of his own business<br />
selling promotional products but would one day like to develop a career from his art practice.<br />
Artist Statement<br />
My interest in painting began in high school and over the years I have experimented with<br />
surreal and contemporary styles. Recently I have become more interested in abstract art and<br />
am enjoying the simplicity and freedom of working purely with colour and form. Crimson Pirate<br />
was inspired by a particular aspect of an earlier painting.
Anita Bielinski<br />
Incendiary<br />
Acrylic on linen 2004, 120cm x120cm<br />
riptide<br />
Community of Port Phillip<br />
Anita Bielinski was born in Krakow, Poland in 1965 and migrated to Australia with her parents<br />
in 1983. While raising her family she decided to pursue her lifelong interest in painting and<br />
returned to study at Monash University, graduating in 2001. Earlier this year she held her<br />
second solo exhibition at Gasworks <strong>Arts</strong> Park in Albert Park. She is married and has three<br />
children.<br />
Artist CV<br />
1995-96 Associate Diploma in Fine <strong>Arts</strong>, Dandenong TAFE<br />
2000 'Fast Lane Exit', Monash Students Group Exhibition. Installation work won the $500<br />
cash award, judged by Robert Nelson<br />
Participated in the repainting of the art panels project at CHAPEL OF CHAPEL <strong>Arts</strong><br />
Leisure, Tourism Centre<br />
2001 Graduated at Monash University, Faculty of Art and Design, Department of Fine<br />
<strong>Arts</strong>,Bachelor of Fine <strong>Arts</strong> (Painting)<br />
2003 Solo Exhibition at the Civic Centre ART Space, Council Offices,Narre Warren<br />
2004 Solo Exhibition at the Angela Robarts-Bird Gallery, Gasworks <strong>Arts</strong> Park, Albert Park<br />
Artist Statement<br />
I consider my work to be a subconscious response and reaction to the real and unreal world-<br />
my own interpretation and expression of what I see of our existence. In my work, I like to<br />
include an element of chance (e.g. spilling washes of paint on the canvas) followed by a<br />
decision-making process about which surfaces to keep and which will be painted over and<br />
developed further. This process is dedicated to the investigation of what can happen by<br />
chance as opposed to what I can achieve by a premeditated action. This is then passed on to<br />
the viewer when they examine the works and compare the different surfaces. It is a constant<br />
struggle between the natural law of chance against the traditional laws and logic of painting.<br />
I use this process as a metaphor for the human existence, our constant struggle to control our<br />
own destiny. My aim is to create an environment that encourages contemplation and a<br />
positive spiritual emotion and to evoke feelings of strength, peacefulness and contentment<br />
through the experience of beauty in art.
Florence Blanchot<br />
The Birth of Lyrics<br />
Pastel on paper & music sheet 2002, 168cm x 139cm<br />
Florence Blanchot was born in 1969 in Brittany, France and migrated to Australia with her<br />
parents as a young child. In the late eighties she studied drawing at Prahran College and went<br />
on to complete a BA in Fine <strong>Arts</strong> (painting) at RMIT in 1994. While she is currently raising a<br />
young family she has still managed to continue to pursue her practice.<br />
She has exhibited regularly at her father's restaurant in Williamstown over the past 3 years.<br />
Artist CV<br />
1994 Les Parfums de La Vie, East Melbourne Gallery<br />
Romeo et Juliette, Hawthorn Town Hall<br />
Pientures Recents, Hawthorn Town Hall<br />
1995 Beach Bums, Alchemy<br />
Ici ou Aillers, Gallery 5<br />
L'embrace, MTEKI Gallery<br />
1996 Blanchot et Baudelaire, Arah Gallery<br />
1997 Faith and Fertility, MTEKI Gallery<br />
Symbols, MTEKI Gallery<br />
1998 Earth, Wind and Fire, Qdos, Lorne<br />
Slices of Life, Convent Gallery, Daylesford<br />
Opening of Gallery Florence Blanchot, Hawthorn, Victoria.<br />
1999 Symbols for the Millennium, Gallery Florence Blanchot<br />
2001 Opened Glen Iris Studio<br />
2002 Recent Works, Kudos Gallery, Phillip Island<br />
2003 Recent Works, Cafe Boheme, Richmond.<br />
2004 A World Within, Citroen Gallery, Doncaster<br />
People & Place, Gasworks <strong>Arts</strong> Park, Albert Park<br />
riptide<br />
Community of Hobsons Bay<br />
Artist Statement<br />
Whenever possible, I make the time to be in the natural environment. The sea always gives<br />
me a sense of freedom and peace.
Mahmoud Zein Elabdin riptide<br />
Community of Hobsons Bay<br />
Mahmoud Zein Elabdin was born in Sudan and graduated with a Degree from the Polytechnic<br />
Fine <strong>Arts</strong> College in 1989. He has enjoyed a long and successful career, but as a recent<br />
migrant to this country, his work is only now becoming widely known in Australia. He was<br />
recently featured on ABC TV's George Negus Tonight program. He currently resides in<br />
Williamstown and his work is held in public and private collections in London, Cairo, Singapore,<br />
Khartoum, Auckland and across Australia.<br />
Solo Exhibitions<br />
1990, 1991 Khartoum University, Sudan<br />
1993 Hilton International Hotel, Sudan<br />
1994 Goeth Institute, Sudan<br />
1996, 1998, 1999, 2000<br />
Cairo Berlin Gallery, Cairo, Egypt<br />
2001 Axiom Gallery, North Melbourne.<br />
2002 Gabriel Gallery Footscray Community <strong>Arts</strong><br />
2002 Art Affairs Gallery Carlton, Melbourne<br />
2003 Art Affairs Gallery, Carlton, Melbourne<br />
2003 Customs Wharf Gallery, Williamstown<br />
Joint Exhibitions<br />
2002 Convent Gallery, Daylesford, Victoria<br />
2003 Manyung Gallery, Mt Eliza<br />
2003 Convent Gallery, Daylesford<br />
2004 Manyung Gallery, Mt Eliza<br />
Buffalo Dancing<br />
Acrylic on canvas 2004, 60cm x 90cm<br />
Group Exhibitions<br />
1992 Goethe Institute, Khartoum, Sudan<br />
1993 Sudanese Environment Society, Sudan<br />
1993 Sudanese National Museum, Sudan<br />
1993 Sudanese Arabic Academy, Sudan<br />
1993 Bashir EIriah Library, Sudanese Theatre<br />
1995 UNESCO, Friendship Hall, Sudan<br />
1996 American University, under the auspices<br />
of the Sudanese Victims of Torture<br />
Group, Cairo<br />
1996 St Andrews African <strong>Arts</strong> program, Cairo<br />
2001 Adult Multi-cultural Education Services,<br />
Melbourne<br />
2002 Manningham Art Gallery, Melbourne<br />
2002 Equal Opportunity Board, Melbourne<br />
2004 Melbourne Affordable Art Show<br />
Artist Statement<br />
My father’s tribe, the Dinka (pronounced Denka) are herdsmen in the Sudan whose long-horned<br />
cattle are revered for providing milk daily and, very occasionally, meat for special celebrations.<br />
The horned figure has a human face. This painting poses the question whether it is man or<br />
animal which is the beast of burden. The figure is dancing under the hot sun to find pleasure in<br />
its work, for both man and beast must toil and be joyful.
Peter Gresham<br />
The Long Run<br />
Oil on canvas 2004<br />
120cm x 90cm<br />
Peter Gresham was born in Melbourne in 1957 and has worked in the printing and graphics<br />
trade for 30 years. He has painted for his own enjoyment for many years but has only recently<br />
developed a strong desire to create and show an original body of work. His first experience of<br />
exhibiting came at a group exhibition in the City of Port Phillip earlier this year.<br />
Group Exhibitions<br />
2004 'People & Place' Gasworks <strong>Arts</strong> Park, Melbourne, Australia<br />
Bendigo Easter Art Show<br />
riptide<br />
Community of Port Phillip<br />
Artist Statement<br />
Over the past year or two while searching for a subject for a series of works, I have become<br />
fascinated by these "urban installations" which I assume are some sort of symbol for youth<br />
culture. As I discover these pieces, I document them photographically to use as points of<br />
reference for my own original compositions. Strangely, as I get older, I realise that I identify<br />
strongly with these obscure yet subliminal attempts to be seen or heard and recognise that I<br />
too have become interested in making my mark.
David Jephcott<br />
Tower<br />
Enamel on acrylic 2004, 60cm x 30cm<br />
riptide<br />
Community of Hobsons Bay<br />
Born and raised in the inner eastern suburbs of Melbourne David had a liberal education which<br />
led him on a path to creativity. After finishing high school David studied Furniture Design at<br />
Box Hill Institute (1998-2000), after which he moved to London to travel and work in museums<br />
around the world. Returning in early 2003, David moved west of the bridge for the first time.<br />
He found that the urban landscape and the area's industrial history quickly became the most<br />
prominent influence on his art. David is currently exploring different mediums to best<br />
showcase the area around the West Gate Bridge.<br />
Artist CV<br />
1998 Chiaro Scuro – Group Sculpture, Box Hill Institute<br />
Furniture Firsts – Group Furniture, Box Hill Community Centre<br />
1999 Melbourne Fringe Furniture – Group Furniture, Fitzroy Town Hall<br />
Splinter ’99 – Group Furniture, Reserve Bank of Australia<br />
2004 Quenos Art Prize – Group Painting, Altona Civic Centre<br />
Art Vendor – Group Art, New Wave Festival<br />
Other Art<br />
2000-04 Stencil Art - Streets of London and Melbourne<br />
2001-04 T-Shirt Art - London and Melbourne<br />
2004 daveinyourear.com – Currently constructing a web site dedicated to Melbourne<br />
visual arts and artists<br />
Guest Lecturing to arts and design students on exhibition design and installation,<br />
Box Hill Institute, RMIT, Melbourne Uni and Preshil School<br />
.<br />
Artist Statement<br />
Taking the everyday urban landscape and turning it into art primarily using industrial waste<br />
materials that are bound for landfill.
Jenny Johnson<br />
Mirror Image<br />
Lambda Print 1/5 2003<br />
81cm x 81cm block mounted<br />
riptide<br />
Community of Port Phillip<br />
Jenny Johnson resides in Albert Park but was born in Vienna in 1980. She came to Australia<br />
to study in 2000 and graduated with a Bachelor of <strong>Arts</strong> (Photography) from RMIT in 2003.<br />
She has exhibited widely in both group and solo exhibitions across Australia.<br />
Solo Exhibitions<br />
2001 'Child Like View', Kingston <strong>Arts</strong> Centre, Moorabbin<br />
2002 'Untitled' at the Restaurant Sugar, Collingwood<br />
2003 'Melbourne Unnoticed', Lab X Gallery, St Kilda<br />
2004 'Unnoticed' In Situ, Sydney<br />
'Nocturnal Fantasies' with Designer Label Tunguska, Charles Smith Gallery, Fitzroy<br />
Grants & Awards<br />
2001 Roslyn A. King Memorial Award, Best Alternative Photo - Processes Portfolio, RMIT<br />
Nominated Member of the Golden Key International Honor Society<br />
Kingston <strong>Arts</strong> Centre Award for the work titled Face Off<br />
2002 Winner of the Sanpellegrino Melbourne Café Society Photography Competition<br />
2004 Invitation for Artist Representation and Participation in The Fine Art Photography<br />
Exhibition, by Agora Gallery, Soho & Chelsea, New York City<br />
Finalist 16th Annual Heritage Acquisitive Photographic Competition<br />
Finalist Josephine Ulrick & Win Schubert Foundation of the <strong>Arts</strong> Photography Award<br />
Artist Statement<br />
This photograph was taken in Port Phillip Bay as part of the 17 piece series “Nocturnal<br />
Fantasies”. It was created at night utilizing a long exposure and has not been digitally<br />
manipulated in any way. The image presents a visual dream and/or fantasy designed to take<br />
the viewer into a world of emotions evoking pleasure, fear and desire. It also portrays the sort<br />
of duality that surrounds us and life at all times.
Joel Magpayo<br />
Mates<br />
Watercolour on paper 2003, 71cm x 91cm<br />
Joel Magpayo was born in the Philippines in 1941 and migrated to Australia in 1979 with his<br />
wife Linda and five children. He is a co-founder and past president of FAME (Filipino<br />
Australian Artists of Melbourne). As a migrant, Joel still finds himself emerging culturally and<br />
artistically in Australia. Over the past few years he has been exhibiting in art shows in Altona<br />
and Williamstown.<br />
Education<br />
1962 Fine <strong>Arts</strong>, University of the Philippines<br />
Cartooning & Design, Cartoonist exchange, Ohio, USA<br />
Solo Exhibitions<br />
1976- 77 Solidaridad Galleries, Manila, Philippines<br />
1978 Mabini <strong>Arts</strong> Centre, Manila, Philippines<br />
1990 Red Cross Headquarters, Geelong, Victoria<br />
1996 Casa Marciana, Prahran, Melbourne<br />
1997 Keilor Gatehouse, Keilor, Victoria<br />
1998 Daimaru Gallery, Melbourne<br />
1999 Shearers Arms Gallery, Geelong<br />
2000 Shearers Arms Gallery, Geelong<br />
2001-04 Rotary Art Show, Victoria Circuit<br />
Private Collections held in Philippines, Australia, USA, Japan, England, Hong Kong, Germany<br />
and Scotland.<br />
Awards<br />
Winner of over 100 arts awards and commendations since 1990<br />
riptide<br />
Community of Hobsons Bay
Gregory Mather<br />
represented by Greenwich Gallery<br />
Juggler<br />
Acrylic on canvas 2004, 70cm x 52cm<br />
riptide<br />
Community of Hobsons Bay<br />
Gregory Mather was born in Melbourne in 1955 and spent the early part of his working life in<br />
the building industry. In 1987 he returned to study and completed a Bachelor of Fine Art at<br />
Monash University. He has worked patiently away at his craft for many years developing his<br />
whimsical, almost magical style of painting. His works have been represented locally at<br />
Greenwich Gallery in Williamstown since 2001. A perfectionist, Greg still considers himself an<br />
emerging artist as he believes there is more work to do before he will be personally satisfied<br />
with his painting.<br />
Artist CV<br />
1995 End of Year Selected Group Show & 'Winter Works on Paper', Yume Ya Gallery<br />
Summer Exhibition & Group Exhibition, 292 Gallery<br />
1996 Artwork for 'Satellite' CD, 'Feed the Monster', T-shirt and posters.<br />
Created cartoon strip 'Peter and Lenny', first published in Drivel Indiemagcomixeen<br />
Closing exhibition, 292 Gallery<br />
1997 Solo Exhibition '10,000 Trees', Kingston <strong>Arts</strong> Centre<br />
'Collective Singularities' Group Exhibition, Yume Ya Gallery<br />
Glen Eira Festival, Caulfield <strong>Arts</strong> Complex<br />
'A3 Piece', end of year Group Exhibition, Moorabbin <strong>Arts</strong> Centre<br />
1999 Represented at Muddy Waters Cafe, Prahran<br />
'8x8' Group Exhibition, Roar Studios, Fitzroy<br />
Art Blitz Community Competition, Kingston <strong>Arts</strong> Centre<br />
2000 '8x8' Group Exhibition, Roar Studios, Fitzroy<br />
'Line' Group Exhibition, Trinity Grammer School Daley Art Gallery<br />
2001 Greenwich Gallery, Williamstown<br />
2002 '8x8' Hortihall, Melbourne<br />
Artist Statement<br />
If my work can cause the spectator to pause and consider something about it, then I feel some<br />
sense of achievement.
Ross Morgan<br />
Meeting Place<br />
Acrylic on canvas 2003, 120cm x 100cm<br />
riptide<br />
Community of Port Phillip<br />
Ross Morgan was born in 1977 and comes from a family of artists whose traditions go back<br />
thousands of years. His father Ross senior and brother Wayne are also painters. Originally<br />
from the Goulburn Valley in Victoria, their work has its origins in the traditional tribal culture of<br />
their clan the Yorta Yorta.<br />
In the 1990's, the Morgans moved to St Kilda and held a stall at the St Kilda Esplanade market<br />
for many years selling their own art and craft.<br />
Exhibitions, Prizes & Publications<br />
1999 First Prize, Ecotopia Exhibition, Blue Devil Day Environmental <strong>Arts</strong> Festival, Yarra<br />
Bend<br />
2000 SOUTH 2001 emerging artists calendar signing and launch, South Melbourne<br />
Town Hall<br />
2001 Southside <strong>Arts</strong> inagural exhibition, Office of the Deputy Premier, Treasury Place,<br />
Melbourne<br />
Southside <strong>Arts</strong>, Office of the Premier of Victoria, Treasury Place, Melbourne<br />
2002 Southern Indigenous Artists, Gasworks <strong>Arts</strong> Park, Albert Park<br />
2004 People & Place, Gasworks <strong>Arts</strong> Park, Albert Park<br />
Artist Statement<br />
This piece is based around tribal story and is my interpretation of the waterhole as a meeting<br />
place for all kinds of creatures. It uses traditional place and animal spirit symbols.
Ronald John Neal<br />
represented by Pollock Gallery<br />
Backyard<br />
Oil on canvas 2004, 200cm x 300cm<br />
Ronald John Neal lived and worked in Albert Park in the late 1990's. He has exhibited widely<br />
and his extraordinary ability as a painter has seen him the recipient of numerous awards. In<br />
2002 he completed his Masters in Fine Art at Monash University. He currently lives on the<br />
Mornington Peninsula with his wife and two children.<br />
Biography<br />
1997-98 Bachelor of Fine <strong>Arts</strong>, Faculty of Art & Design, Monash University, Victoria<br />
1999 Bachelor of Fine <strong>Arts</strong>, Honours, Faculty of Art & Design, Monash University, Victoria<br />
The New York Studio School Drawing Marathon, Adelaide Centra School of Art, SA<br />
2000-02 Masters of Fine <strong>Arts</strong> (by research), Faculty of Art & Design, Monash University, Vic<br />
Solo Exhibitions<br />
2002 'Headspace' Windows on Church Galleries, Richmond, Victoria<br />
2003 Trevor Victor Harvey Gallery, Seaforth, NSW<br />
'Recent Works' Windows on Church Galleries, Richmond, Victoria<br />
2004 'The Journeyman' Trevor Victor Harvey Gallery, Seaforth, NSW<br />
'Peregrinator' Pollock Gallery, Richmond, Victoria<br />
riptide<br />
Community of Port Phillip<br />
Group Exhibitions<br />
1998 'Impact: Art for a World Identity' Monash Gallery, Clayton, Victoria<br />
'Graduate Exhibition' Monash University, Faculty of Art & Design, Victoria<br />
1999 'Stand 33', 'Review 99' & 'Panorama' Gallery 101, Melbourne, Victoria<br />
'The Lucato Peace Prize' Monash University, Faculty of Art & Design<br />
2000 'Square' Gallery 101, Melbourne, Victoria<br />
'ARTART' Monash Gallery, Clayton, Victoria<br />
Finalist 'The Brett Whiteley Travelling Art Scholarship 2000' exhibition, Sydney, NSW<br />
2001 Southside <strong>Arts</strong> inagural exhibition, Deputy Premier's Office, Melbourne, Victoria<br />
'South, <strong>Watch</strong> Tower Studio, South Melbourne, Victoria<br />
2002 32nd Alice Invitation Prize, Alice Springs, NT<br />
2004 Pollock Gallery, Affordable Art Show<br />
Temple Gallery, Sorrento, Victoria
Carl Reis<br />
Seascape<br />
Oil on canvas 2004<br />
92cm x 168cm<br />
riptide<br />
Community of Port Phillip<br />
English born, Melbourne raised Carl Reis has been involved in the creative field for several<br />
years. Originally trained as a signwriter, Carl’s talent developed and led him into the design<br />
arena within the display/exhibition and retail environment. It was from this point that Carl<br />
recognized another need within him and commenced his journey into the creative field of<br />
contemporary modern oil painting.<br />
Carl created a new body of work developed around the theme of the transient landscape, from<br />
an urban, rural and now the bayside perspective. These impressive works depict the<br />
landscape and seascape in an innovative and exciting form – capturing a moment moving<br />
through space and transcending time. Carl has boldly used color and composition to effectively<br />
communicate movement in a manner that transcends the landscape and delivers us to a point<br />
of clarity and tranquility.<br />
Throughout 2004, Carl continues to explore his relationship with the urban landscape with the<br />
introduction of new works exploring a journey through the ever changing and unpredictable<br />
transient seascape, the lure of the bay and the unpredictable powerful force of mother nature.<br />
Artist CV<br />
2003 Solo Exhibition, Metropolis Gallery, St Kilda<br />
2004 Group Exhibition 'People & Place', Gasworks, Albert Park<br />
Group Exhibition 'Winter', Miller Gallery, Hampton<br />
Group Exhibition 'Bridge', Toyota Community Spirit Gallery Launch, Port Melbourne<br />
Artist Statement<br />
The new “night-tide” seascape works are a continuation of the exploration of the urban<br />
landscape, with the focus shifting from the land to the bay. The work depicts a journey through<br />
the ever changing and unpredictable transient seascape - an image representative of the<br />
journey I have experienced in pursuing my art.
Graham Satterley<br />
Pier Street<br />
Watercolour on paper 2004<br />
44cm x 53cm<br />
Graham Satterley was born in Adelaide in 1933 and moved to Melbourne during the 1970's.<br />
He is a retired insurance executive who took up painting only four years ago. He currently<br />
attends an art class each week at the Altona Meadows Community Centre.<br />
Artist CV<br />
I have exhibited my watercolour paintings in the Hobsons Bay and Wyndham Libraries. In<br />
2001, I won the first prize for the best watercolour painting at the Sanctuary Lakes inaugural<br />
art exhibition.<br />
This work 'Pier Street' was exhibited recently in the Williamstown Art Show.<br />
riptide<br />
Community of Hobsons Bay
David Weston<br />
Ozone Wreck<br />
Ilfochrome print 2002, Edition 1 of 25<br />
68cm x 77cm framed<br />
David Weston was born in Melbourne in 1966. In the 1980's he was apprenticed as an<br />
electrician with the Port of Melbourne Harbour Authority based in Williamstown. His interest in<br />
photography began in early childhood, but it is only in recent years that he has begun to<br />
pursue it as a potential career path.<br />
Education<br />
2002 RMIT Diploma, Applied Photography (incomplete)<br />
Solo Exhibition<br />
2004 Reportage Gallery, Collingwood<br />
riptide<br />
Community of Hobsons Bay<br />
Artist Statement<br />
This was one of the paddle steamers that transported people from Melbourne to Queenscliff.<br />
While the wives and families of businessmen holidayed in the coastal town during the summer<br />
months, the men would return to Melbourne for the week via paddle steamer.<br />
This image captures the incredible beauty of natural light combined with the environment and<br />
was created without the aid of any special filters or digital enhancement in the reproduction<br />
process.
Gail Willoughby<br />
Resting Place<br />
Oil on canvas 2004, 122cm x 107cm<br />
riptide<br />
Community of Hobsons Bay<br />
Gail Willoughby was born in Melbourne in 1957 and has been a resident of Hobsons Bay for<br />
the past ten years. In 1977 she completed a BA in Fine <strong>Arts</strong> (painting) at RMIT and a<br />
Graduate Diploma in Art Education at the State College of Victoria in 1979. While she has<br />
participated in many exhibitions over the years, she still considers herself an emerging artist,<br />
ever trying to bring together a body of work that will satisfy her artistic aspiration. Her works<br />
are held in private collections in Amsterdam and throughout Australia. She currently lives in<br />
Newport with her husband and two children.<br />
Artist CV<br />
1980 Lynch’s Restaurant, Sth Yarra<br />
1983 Rhumberallas Gallery, Fitzroy<br />
1985 Arthaus, Darlinghurst<br />
1990 Artefact, Richmond<br />
1991 Artefact, Richmond; Settlement Gallery, Sorrento.<br />
1993 Settlement Gallery, Sorrento<br />
1996 Customs Wharf Gallery Williamstown; MaenadArt, Kensington<br />
1997 Solo Exhibition ‘Recent Paintings’, Maenad Art, Kensington<br />
1998 Customs Wharf Gallery, Williamstown; Maenad Art, Kensington<br />
1999 Melbourne <strong>Arts</strong> Club, St.Kilda; Customs Wharf Gallery,Williamstown<br />
2000 Shell Contemporary Art Prize Exhibition, Williamstown<br />
Customs Wharf Gallery, Williamstown; Melbourne <strong>Arts</strong> Club, Nth Melbourne<br />
2001 Customs Wharf Gallery, Williamstown<br />
2002 Smorgon Contemporary Art Prize Exhibition, Williamstown<br />
2003 ‘Urban Life’ Jackman Gallery, St Kilda.<br />
‘Blue Show’ Jackman Gallery, St Kilda<br />
Artist Statement<br />
By using figurative elements I have an anchor from where I can push or challenge the colour<br />
and expression in the act of painting. The domestic images I hope create a little sense of fun<br />
or warmth for the viewer. I am always striving to achieve a satisfying outcome.
Sabine Von Graz<br />
represented by Jackman Gallery<br />
Sabine von Graz grew up in a household that lived and breathed art, surrounded by the work<br />
of her mother, well-known Austrian sculpture and painter Gerlinde Bartelt-Stelzer. As a young<br />
woman she studied fashion design in Austria and then moved to LA where she worked crafting<br />
unique fashion pieces for an exclusive Melrose Drive retailer. Eventually moving to Australia,<br />
she opened her own fashion retail outlets in Melbourne and then worked in costume design for<br />
the multi-million dollar musical “Beauty and the Beast” and later the Victorian State Opera. But<br />
Sabine’s creative drive was beginning to take a new turn. Having studied graphic design,<br />
illustration and multimedia, Sabine is now known for being the creative force behind her own<br />
successful new media design studio, SVG. The pursuit of her painting practice began in<br />
earnest in 2001.<br />
Solo Exhibitions<br />
2002 Alloura Plaza, Melbourne<br />
2003 CO.AS.IT Center, Carlton<br />
Where Art Is At, Fitzroy<br />
My Harbour<br />
Acrylic on canvas 2004, 92cm x 92cm<br />
Group Exhibitions<br />
2002 Jackman Gallery, St Kilda<br />
2003 Jackman Gallery, St Kilda<br />
Castle Harrachegg St Andra Hoch, Austria<br />
Artholes, Fitzroy<br />
Galerie Kleiner Prinz, Baden-Baden, Germany<br />
Pavillon Josephine, Avenue De L’Europe, Strasbourg, France<br />
2004 Kreuzwirt Gutjahr, Austria<br />
Women’s Art Register Inc. ‘Genetics’ exhibition, Horti Hall, Melbourne.<br />
Artholes, Fitzroy<br />
Maree Mizon Gallery, Sydney Affordable Art Show<br />
riptide<br />
Community of Port Phillip<br />
Artist Statement<br />
The ideas and technique for a painting begin well before I start to paint. My work is finished<br />
when my first intentions have evolved into visual messages as bold as I can make them.<br />
The inspiration for this painting was a reunion and 60th birthday celebration for my mother<br />
around Port Phillip Bay. We roared over to Williamstown riding a Harley Davidson returning by<br />
water taxi to Southbank. The image is an impression of my powerful day on the waterfront.