Children's Television: Trends Around the World
Children's Television: Trends Around the World
Children's Television: Trends Around the World
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CHILDREN’S TELEVISION: TRENDS AROUND THE WORLD<br />
125<br />
Japanese children’s television. This reflects a worldwide trend brought on by<br />
<strong>the</strong> increase in children’s channels: cartoons from Europe are increasingly<br />
being shown on American and Japanese television, as well as American and<br />
Japanese cartoons being exported to o<strong>the</strong>r countries.<br />
Despite <strong>the</strong> huge volume of cartoons, <strong>the</strong>re are very few that create a big<br />
splash at events like <strong>the</strong> Prix Jeunesse International. An exception is Pingu,<br />
<strong>the</strong> Swiss animation that is now shown worldwide. In Europe, <strong>the</strong>re are strong<br />
calls for <strong>the</strong> expansion and development of European animation, so as to avoid<br />
being swamped with cartoons from Japan and <strong>the</strong> United States. The EBU<br />
Children and Youth Program Group is pursuing a joint production project for<br />
cartoons. However, global success is yet to be attained.<br />
Ano<strong>the</strong>r development is to combine <strong>the</strong> technique of animation—which<br />
could be considered <strong>the</strong> technique perfectly suited to <strong>the</strong> medium of television—with<br />
o<strong>the</strong>r techniques. An example of this is seen in Jakers! The<br />
Adventures of Piggley Winks, a series that mixes animation and live action,<br />
produced in <strong>the</strong> United Kingdom. Specifically, real scenes of a rural village in<br />
Ireland are combined with cutting-edge CGI technology. The series centers<br />
around Piggley Winks, a grandfa<strong>the</strong>r pig, who reminisces about his childhood<br />
adventures in <strong>the</strong> Irish village of Tara in <strong>the</strong> 1950s. His audience is his three<br />
grandchildren, born and bred in a bustling American city, and often in need of<br />
some pearls of Grandpa’s wisdom about how <strong>the</strong> world works. The animation<br />
is beautifully produced, and <strong>the</strong> voices are provided by a dazzling cast of<br />
well-known actors. The program won a prize in <strong>the</strong> web category at <strong>the</strong> 2004<br />
Prix Jeunesse International. How it will be received by <strong>the</strong> children of <strong>the</strong><br />
North America and Europe is still to be seen.<br />
Dreams and Fantasy<br />
In Europe, <strong>the</strong>re is a long tradition of live-action drama as ano<strong>the</strong>r important<br />
children’s television genre. Drama series are usually broadcast on public television,<br />
and, for Britain’s BBC, drama is as important in <strong>the</strong> children’s television<br />
schedule as education and <strong>the</strong> news. On <strong>the</strong> children’s channel for<br />
6-to-12 year-olds, CBBC, 650 hours per year are devoted to drama programs.<br />
The variety is broad, including literary dramatizations, suspense-packed mysteries,<br />
comedies, and drama series that feature <strong>the</strong> day-to-day concerns of<br />
children, such as <strong>the</strong> long-running school-life drama Grange Hill.<br />
A Polish drama, The Wooden Dog, won <strong>the</strong> Grand Prix at <strong>the</strong> 2004 Prix<br />
Jeunesse International. The story is set in a snow-covered land, and begins<br />
with <strong>the</strong> disappointment of a young boy who had been looking forward to getting<br />
a sled dog, but, due to an allergy to dogs, has to abandon <strong>the</strong> idea. He is<br />
given an old wooden sled, instead, and when he tries calling out to it, <strong>the</strong> sled