Eugenio Dittborn - 75 Years of Collecting - Vancouver Art Gallery
Eugenio Dittborn - 75 Years of Collecting - Vancouver Art Gallery
Eugenio Dittborn - 75 Years of Collecting - Vancouver Art Gallery
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<strong>Eugenio</strong> <strong>Dittborn</strong><br />
The III History <strong>of</strong> the Human Face (Sydney Camino), 1989<br />
<strong>75</strong> <strong>Years</strong> <strong>of</strong> <strong>Collecting</strong><br />
<strong>Vancouver</strong> <strong>Art</strong> <strong>Gallery</strong><br />
garde in Latin America which began in the mid 1960’s. His work <strong>of</strong>ten takes<br />
uppolitical themesand can be seen as developing upon the imperative set forth<br />
by Brazilian artist,HelioOiticica who wrote <strong>of</strong> the "necessity <strong>of</strong> complete participation<br />
by the poet, theartist the intellectual in general, in the events and problems<br />
<strong>of</strong> theworld refusing to restrict oneself to aesthetic problems.”<br />
<strong>Dittborn</strong> has produced an extended series on the History <strong>of</strong> he Human Face and<br />
The III History <strong>of</strong> the Human Face (The Sydney Camino) is a very good example.<br />
This work has been exhibited at the 4th Havana Bienal in Cuba as well as in<br />
Sydney, Australia. It is <strong>of</strong>ten not realized how Latin American artists embrace<br />
strategies that we think <strong>of</strong> as our own. In his case a conceptually based phototext<br />
practice. I feel that the addition <strong>of</strong> this work to the collection would join<br />
with works by Ian Wallace, Mary Kelly, Christian Botanski, Angela<br />
Graverholz, Thomas Ruff, Arnaud Maggs and others, each <strong>of</strong> which address the<br />
questions <strong>of</strong> history and identity, many <strong>of</strong> which use portraits. His work adds<br />
breadth to our ability to represent this important area <strong>of</strong> focus for artists<br />
throughout the past two decades.<br />
Recommend purchase.<br />
Gary Dufour<br />
Senior Curator<br />
Oct.1992<br />
Transcription<br />
Miscellaneous History<br />
1992<br />
[transcription]<br />
Transcription <strong>of</strong> texts written on <strong>Eugenio</strong> <strong>Dittborn</strong>'s III History <strong>of</strong> the<br />
Human Face Envelopes<br />
Envelope No: 67 Right<br />
UNA PINTURA AEROPOSTAL DE DITTBOAN<br />
AN AIRMAIL PAINTING BY DITTBORN<br />
DESTINATARIO/ DESTINATION FRANQUEO/POSTAGE<br />
Gary Dufour, <strong>Vancouver</strong> <strong>Art</strong> <strong>Gallery</strong><br />
<strong>75</strong>0 Hornby Street, <strong>Vancouver</strong><br />
British Columbia V6Z 2H7, Canada<br />
ITINERARIO I ITINERARY<br />
1. E, <strong>Dittborn</strong><br />
Stgo., Chile, May 89.<br />
2. Denise Robinson<br />
Sydney Australia, June 89.<br />
3. III Bienal de la Habana,<br />
14 / 19