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SYNoPSIS<br />
1950s New York. In<br />
the dimly-lit sanctum<br />
of the artist’s studio,<br />
abstract expressionist<br />
painter Mark Rothko<br />
drinks, smokes and<br />
works. His project:<br />
a series of enormous<br />
red murals to grace<br />
the walls of a new<br />
restaurant in the<br />
Seagram Building.<br />
Into this carefully controlled<br />
environment comes Rothko’s<br />
new assistant, Ken, bringing<br />
with him Chinese takeaways,<br />
his own aspirations, and<br />
a new perspective on the<br />
changing outside world.<br />
Layer by layer the foundations<br />
of the paintings – and the<br />
relationship – are laid.<br />
Rothko’s rants and revelations<br />
are punctuated and proved by<br />
Ken’s insights. The past and<br />
future are brought together<br />
in the deepening hues that<br />
demonstrate the meaning of<br />
tragedy for both men.<br />
As Rothko’s contemplations<br />
on canvas draw near<br />
completion, Ken begins<br />
to challenge the painter’s<br />
assumptions about his<br />
assistant and his art. Reading<br />
between the rough lines of<br />
colour, much is revealed about<br />
the messy art of living.<br />
deveLoPed<br />
And toured<br />
<strong>By</strong> te PAPA<br />
Brian Brake<br />
Lens on the World<br />
1 June to 14 August<br />
free Admission<br />
<strong>Auckland</strong> Art Gallery<br />
Toi o Tāmaki<br />
open daily 10am–5pm<br />
Corner Wellesley and Lorne streets<br />
www.aucklandartgallery.com<br />
Brian Brake (1927–1988) Monsoon girl from<br />
the series: monsoon, 1960, india. gift of<br />
mr raymond Wai-man Lau, 2001, te Papa