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HAMISH FULTON - Galerie van der Mieden

HAMISH FULTON - Galerie van der Mieden

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Hamish Fulton characterises himself as a ‘walking artist’. Fulton’s time as a student at St Martin’s<br />

College of Art in London (1966-68) and his journeys in South Dakota and Montana in 1969,<br />

encouraged him to think that art could be ‘how you view life’, and not tied necessarily to the production<br />

of objects. He began to make short walks, and then to make photographic works about the experience<br />

of walking. At this time, and subsequently, his practice was influenced by an unusually broad set of<br />

interests including the subject of the environment and the culture of American Indians. In 1973, having<br />

walked 1,022 miles in 47 days from Duncansby Head (near John O’Groats) to Lands End, Fulton<br />

decided to ‘only make art resulting from the experience of individual walks.’ Since then the act of<br />

walking has remained central to Fulton’s practice. He has stated ‘If I do not walk, I cannot make a work<br />

of art’ and has summed up this way of thinking in the simple statement of intent: ‘no walk, no work’.<br />

Although Fulton experiences the walk itself, the texts and photographs he presents in exhibitions and<br />

books allow us to engage with his experience. He says: “My art has to do with specific places and<br />

particular occurrences which are not present in the gallery, and the information I give is minimal. My<br />

hope is that a separate image will be formed in the observer’s mind, based on that which my work<br />

imparts.” Fulton doesn’t seek to distort the landscape: he only seeks to walk across it. The visible part<br />

of his work relies on artefacts he creates after the hike: wall paintings, pictures, drawings or gouaches,<br />

that all testifies of his physical experience. Every image that he makes includes some geographic or<br />

chronologic indications. His observations have something in common with ‘explorers’ or ‘scientists’<br />

stories, but the posture that he embraces since the beginning is the one of an assumed artist that<br />

makes him one of the pillars of conceptual art (with Robert Barry, Mel Bochner, On kawara, Jan<br />

Dibbets or Richard Long). His largest exhibition to date, “Walking Journey”, was held in Tate Britain in<br />

2002.<br />

<strong>Galerie</strong> <strong>van</strong> <strong>der</strong> <strong>Mieden</strong>, Pourbusstraat 15, B-2000 Antwerp, t. +32 3 231 77 42, info@<strong>van</strong><strong>der</strong>mieden.com, www.<strong>van</strong><strong>der</strong>mieden.com<br />

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