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Christmas - The American Century Theater

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<strong>The</strong> <strong>American</strong> <strong>Century</strong> <strong>The</strong>ater<br />

“<strong>The</strong>ater you can afford to see —<br />

Plays you can’t afford to miss!”<br />

Now celebrating it’s 14th year<br />

Cofounded by, and under the Artistic Direction of ,CEO Jack Marshall, TACT is<br />

one of the region’s outstanding, award-winning, non–profit professional theaters.<br />

TACT performs on stages in Arlington and regionally, as well as sponsoring radio<br />

and touring productions, and special education and theater intern projects. TACT also<br />

seeks and produces new stage works about significant events, movements and figures<br />

in 20 th century through its “Robert L. McElwaine <strong>American</strong> Reflections Project”, an<br />

initiative designed to complement the company’s repertoire of important <strong>American</strong><br />

plays and musicals from the twentieth century. Stunt Girl and <strong>The</strong> Titans are the most<br />

recent examples.<br />

<strong>The</strong> <strong>American</strong> <strong>Century</strong> <strong>The</strong>ater’s mission is to promote 20 th century theater as<br />

a vital part of our cultural dialogue. Our mission is based on the firm conviction<br />

that this theatrical repertoire — influential and critically acclaimed dramas,<br />

comedies, and teleplays first produced during what Henry Luce called the<br />

<strong>American</strong> <strong>Century</strong> — portrays a uniquely <strong>American</strong> vision that is vital to our<br />

shared cultural heritage. In today’s increasingly polarized society, finding this<br />

common ground has become essential.<br />

Our mission is also driven by the belief that theater should be accessible to<br />

all. For the mainstream audience today, the combination of prohibitive<br />

cost and adult-only themes makes it increasingly difficult to find appropriate<br />

theatergoing experiences for the entire family. We know this need not be the<br />

case, and that America’s finest theatrical works — written for a broad audience<br />

— contain significant themes and ideas that should be part of our collective<br />

wisdom as a nation.<br />


<br />

Oh, jingle bells, jingle bells, Jingle all the way<br />

Oh, what fun it is to ride, In a one horse open sleigh<br />

Jingle bells, jingle bells, Jingle all the way<br />

Oh, what fun it is to ride, In a one horse open sleig<br />

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