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charged anthems of Dead
Americans. Jam band favorite
Reeble Jar repeatedly
packs in fans. Eleven Eyes
showcases original, hiphop-influenced
jazz. Disco
Organica earns kudos for
its funk-a-fied groove rock.
And the Ginger Hustlers
proffer quirky, psychedelic
“gothabilly.”
If there’s a standout trend
on the club scene, the banner
is being carried by a
parade of hard-working, politically
engaged, businesssavvy
bands.
There’s also a trend exploring
theme-driven performance
series. Examples
include the recent, highly
successful GRRRRLZ Rock
series, the upcoming KIDZ
Rock series and the first
Eugene Women’s Music
Festival, scheduled for this
summer.
The local Musicians As-
sociation has cast an eye
toward innovative music
projects—especially those
fostering partnership with
businesses and government.
According to union officer
Violetta Tarpinian, immediate
plans include a series of
free community jazz shows
in April, staged as part of
National Jazz Month.
And so, the Eugene beat
goes on.
When it comes to variety
January 24, 2012
and innovation, passion and
promise, sophistication and
soul, the vibrant sounds
of Eugene’s contemporary
music scene are irrepressible.
They echo from the
core of Eugene’s reputation
for the arts and its clarion
call to music lovers.
Non core endae sitatias
entiisc imilit rehendestia
estio et rem nihiciae pos es
enis qui od quunt inveliqui
denis aspita sim elendunt
Photo by Brian Lanker
Vintage Guitar Magazine has described Don Latarski as “a guitarist of great taste and chops.” Latarski’s fluid, uniquely American
style incorporates genres from jazz and blues to rockabilly and swing. He can serve up a plate of steaming Cajun funk on a
Fender Stratocaster just as effortlessly as he dishes out Texas twang on an archtop acoustic.
Latarski’s original melodies have been a staple of the Eugene music scene since the ‘70s, when he first began mixing it up
with local players as his jazz-rock combo, Lon Guitarski, performed at prime local venues.
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