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He's Back! - New Jersey Jazz Society

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center for a featured flugelhorn solo on<br />

“Always and Forever” and he delivered big<br />

time on this warm, pensive ballad of lush and<br />

moving harmonies. Next up was “Better Days”<br />

with a lively Latin feel that sings with<br />

optimism and joy projected by melodic brass<br />

on the exciting input from the rhythm section<br />

with occasional emphatic punctuation by the<br />

trumpets. This was followed by “So It May<br />

Secretly Begin,” a bossa nova-ish style of chart<br />

that was a nice change of pace. The second<br />

ballad of the program was “In Her Family,”<br />

one of the most haunting of Metheny’s<br />

compositions with warm brass sounds and<br />

lush harmonies giving the piece a very special<br />

texture. The final selection of the evening was<br />

“See The World,” a real up-tempo contemporary<br />

swinger that was dominated by the<br />

excellent trumpet section but which also<br />

featured another excellent contribution from<br />

tenorist Kevin Sun. The audience rewarded the<br />

ensemble with well-deserved, thunderous and<br />

sustained applause.<br />

The next Princeton Concert <strong>Jazz</strong> Ensemble<br />

performance is scheduled for Saturday,<br />

ebruary, 28 at 8 PM at Richardson Auditorium.<br />

<strong>New</strong> <strong>Jersey</strong> City University,<br />

December 8<br />

TRUMPETER MARVIN STAMM AND<br />

UNIVERSITY ENSEMBLES What was once a<br />

small state teacher’s college is now a vibrant<br />

university with many out-of-state students and<br />

a first-rate <strong>Jazz</strong> Studies Program. This night<br />

was yet another marvelous concert with three<br />

excellent ensembles. Leading off was the Chick<br />

Corea Combo dedicated to the pianist’s music.<br />

Mr. Corea’s infectious “Spain” with arrangement<br />

by faculty ensemble mentor Joel<br />

Weiskopf was a great choice to set the table for<br />

the musical feast to follow. The quartet of<br />

Jason Teborek (piano), Mike Preem (bass),<br />

Ramsey Norman (drums) and Jeremy Fratti<br />

(tenor) could not be distinguished from a top<br />

professional group showcasing Jason’s obvious<br />

exceptional talent. The second selection, “Light<br />

as a Feather” was a major departure from the<br />

previous as Jason’s impressive arrangement<br />

produced an ethereal feel made possible by the<br />

sensitive lines from Jeremy’s soprano sax.<br />

Diversity seemed to be the watchword this<br />

night as The Afro-Cuban Ensemble took the<br />

stage to create Latin jazz excitement. The octet<br />

was led by trombonist Pablo Rodriguez (a<br />

2008 NJJS scholarship winner) and his was the<br />

dominant instrument in the classic Latin brass<br />

sound that we associate with the great Tito<br />

Puente. Vocalist Vanessa Perea provided fire to<br />

February 2009<br />

<strong>Jersey</strong>Articles<strong>Jazz</strong><br />

make “Camina y Prende El Fogon” really cook<br />

as she used her voice more like a musical<br />

instrument on this and the ensuing number,<br />

“Agua Pa Mi.” Ben Guadalupe’s spicy trumpet<br />

stirred the sauce on this second tune as the<br />

rhythm players got us moving in our seats.<br />

What fun! I think we need a dose of Latin <strong>Jazz</strong><br />

in all of our concerts.<br />

The first selection for the 18-piece NJCU <strong>Jazz</strong><br />

Ensemble was like nothing you’ve never heard.<br />

“Attack of the Killer Tomatoes” is a turbocharged<br />

tongue-in-cheek Gordon Goodwin<br />

composition. Of course, it’s up-tempo with<br />

something for everyone, and it requires highdecibel<br />

screaming trumpets for success. The<br />

solo spotlight shone on trombonist Pablo<br />

Rodriguez, who provided an essential ingredient<br />

on this clever and demanding chart. This<br />

was followed by Coltrane’s beautiful mellow<br />

ballad “Central Park West,” featuring tenorist<br />

Jeremy Fratti’s marvelous extended solo over<br />

soft full band harmonies as arranged by John<br />

Fedchock. Al Cohn’s “Lady Chatterley’s<br />

Mother” was next on the list. The great Gerry<br />

Mulligan frequently performed this lively tune<br />

and in this version we had a hot trumpet solo<br />

from Justin Hernandez and a dazzling passage<br />

for saxes only. Concluding the first half we had<br />

Thad Jones’s “To You” —<br />

one of my all-time<br />

favorite jazz ballads.<br />

Manhattan Transfer has<br />

recorded a marvelous<br />

version and in pure<br />

instrumental form it<br />

presents a lush harmonic<br />

sense with voices<br />

moving throughout<br />

the band.<br />

After the break, special<br />

guest Marvin Stamm<br />

made his appearance.<br />

Mr. Stamm is now 70<br />

years old but he still has<br />

the chops of a young<br />

lion. He became a star of<br />

the Stan Kenton band<br />

right out of college and<br />

has gone on to a<br />

fabulous career playing<br />

with several other<br />

famous bands and long<br />

list hall-of-fame<br />

musicians. He still<br />

maintains a busy<br />

schedule, performing<br />

with his quartet and<br />

conducting clinics at<br />

numerous universities and high schools across<br />

the U.S. and abroad. Marvin is a wonderful<br />

player and we quickly appreciated that fact as<br />

he soloed almost throughout Thad Jones’s<br />

“Low Down.” Marvin picked up his flugelhorn<br />

for Ray Brown’s “When You Go” to deliver the<br />

difficult long lines of this Latin feeling ballad.<br />

This was followed by a swinging version of “I<br />

Love You” which allowed several of the band<br />

members to show their chops. Professor Pete<br />

McGuiness came on stage to conduct his fine<br />

arrangement of Horace Silver’s “Peace,” as<br />

Marvin continued his clinic on ballad playing<br />

with flugelhorn while giving bassist Mike<br />

Preem a chance to shine. The penultimate<br />

selection was “Svensson” by Swedish composer<br />

Lars Jansson. “Secret Love” seemed an unusual<br />

choice to conclude the concert but the Jack<br />

Cortner up-tempo arrangement of the<br />

original ballad worked well to send us home<br />

with great admiration of Mr. Stamm’s<br />

virtuosity and an enhanced opinion of the<br />

NJCU ensemble.<br />

You hard-core jazz aficionados will want to make<br />

plans to attend the Phil Woods Concert and<br />

Master Class on March 30, 2009 at Ingalls Recital<br />

continued on page 32<br />

Skippers<br />

PLANE STREET PUB<br />

<strong>New</strong>ark’s Best Kept Live Music Secret!<br />

Serving great food. NO cover. $10 minimum.<br />

Mondays Live <strong>Jazz</strong> Jam (8PM–Midnight) hosted by<br />

<strong>New</strong>ark’s own Eugene “Goldie” Goldston (Vocalist)<br />

Greg Bufford (Drums); Radam Schwartz (Keyboard)<br />

Tuesdays TBA<br />

Visit our website or call for information<br />

Wednesdays TBA<br />

Visit our website or call for information<br />

Thursdays Featured Live <strong>Jazz</strong> Artist (8PM–Midnight))<br />

Check calendar/call 973.733.9300<br />

Fridays Karaoke Night (8PM–Midnight))<br />

hosted by the talented Denise Hamilton<br />

Saturdays Available for Special Events<br />

Sundays Live <strong>Jazz</strong> Matinee Sessions 4:00–8:00PM<br />

with Radam Schwartz (Organ)<br />

304 University Ave., <strong>New</strong>ark, NJ 07102<br />

973.733.9300 skippersplanestreetpub.com<br />

_________________________________ 31

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