He's Back! - New Jersey Jazz Society
He's Back! - New Jersey Jazz Society
He's Back! - New Jersey Jazz Society
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center for a featured flugelhorn solo on<br />
“Always and Forever” and he delivered big<br />
time on this warm, pensive ballad of lush and<br />
moving harmonies. Next up was “Better Days”<br />
with a lively Latin feel that sings with<br />
optimism and joy projected by melodic brass<br />
on the exciting input from the rhythm section<br />
with occasional emphatic punctuation by the<br />
trumpets. This was followed by “So It May<br />
Secretly Begin,” a bossa nova-ish style of chart<br />
that was a nice change of pace. The second<br />
ballad of the program was “In Her Family,”<br />
one of the most haunting of Metheny’s<br />
compositions with warm brass sounds and<br />
lush harmonies giving the piece a very special<br />
texture. The final selection of the evening was<br />
“See The World,” a real up-tempo contemporary<br />
swinger that was dominated by the<br />
excellent trumpet section but which also<br />
featured another excellent contribution from<br />
tenorist Kevin Sun. The audience rewarded the<br />
ensemble with well-deserved, thunderous and<br />
sustained applause.<br />
The next Princeton Concert <strong>Jazz</strong> Ensemble<br />
performance is scheduled for Saturday,<br />
ebruary, 28 at 8 PM at Richardson Auditorium.<br />
<strong>New</strong> <strong>Jersey</strong> City University,<br />
December 8<br />
TRUMPETER MARVIN STAMM AND<br />
UNIVERSITY ENSEMBLES What was once a<br />
small state teacher’s college is now a vibrant<br />
university with many out-of-state students and<br />
a first-rate <strong>Jazz</strong> Studies Program. This night<br />
was yet another marvelous concert with three<br />
excellent ensembles. Leading off was the Chick<br />
Corea Combo dedicated to the pianist’s music.<br />
Mr. Corea’s infectious “Spain” with arrangement<br />
by faculty ensemble mentor Joel<br />
Weiskopf was a great choice to set the table for<br />
the musical feast to follow. The quartet of<br />
Jason Teborek (piano), Mike Preem (bass),<br />
Ramsey Norman (drums) and Jeremy Fratti<br />
(tenor) could not be distinguished from a top<br />
professional group showcasing Jason’s obvious<br />
exceptional talent. The second selection, “Light<br />
as a Feather” was a major departure from the<br />
previous as Jason’s impressive arrangement<br />
produced an ethereal feel made possible by the<br />
sensitive lines from Jeremy’s soprano sax.<br />
Diversity seemed to be the watchword this<br />
night as The Afro-Cuban Ensemble took the<br />
stage to create Latin jazz excitement. The octet<br />
was led by trombonist Pablo Rodriguez (a<br />
2008 NJJS scholarship winner) and his was the<br />
dominant instrument in the classic Latin brass<br />
sound that we associate with the great Tito<br />
Puente. Vocalist Vanessa Perea provided fire to<br />
February 2009<br />
<strong>Jersey</strong>Articles<strong>Jazz</strong><br />
make “Camina y Prende El Fogon” really cook<br />
as she used her voice more like a musical<br />
instrument on this and the ensuing number,<br />
“Agua Pa Mi.” Ben Guadalupe’s spicy trumpet<br />
stirred the sauce on this second tune as the<br />
rhythm players got us moving in our seats.<br />
What fun! I think we need a dose of Latin <strong>Jazz</strong><br />
in all of our concerts.<br />
The first selection for the 18-piece NJCU <strong>Jazz</strong><br />
Ensemble was like nothing you’ve never heard.<br />
“Attack of the Killer Tomatoes” is a turbocharged<br />
tongue-in-cheek Gordon Goodwin<br />
composition. Of course, it’s up-tempo with<br />
something for everyone, and it requires highdecibel<br />
screaming trumpets for success. The<br />
solo spotlight shone on trombonist Pablo<br />
Rodriguez, who provided an essential ingredient<br />
on this clever and demanding chart. This<br />
was followed by Coltrane’s beautiful mellow<br />
ballad “Central Park West,” featuring tenorist<br />
Jeremy Fratti’s marvelous extended solo over<br />
soft full band harmonies as arranged by John<br />
Fedchock. Al Cohn’s “Lady Chatterley’s<br />
Mother” was next on the list. The great Gerry<br />
Mulligan frequently performed this lively tune<br />
and in this version we had a hot trumpet solo<br />
from Justin Hernandez and a dazzling passage<br />
for saxes only. Concluding the first half we had<br />
Thad Jones’s “To You” —<br />
one of my all-time<br />
favorite jazz ballads.<br />
Manhattan Transfer has<br />
recorded a marvelous<br />
version and in pure<br />
instrumental form it<br />
presents a lush harmonic<br />
sense with voices<br />
moving throughout<br />
the band.<br />
After the break, special<br />
guest Marvin Stamm<br />
made his appearance.<br />
Mr. Stamm is now 70<br />
years old but he still has<br />
the chops of a young<br />
lion. He became a star of<br />
the Stan Kenton band<br />
right out of college and<br />
has gone on to a<br />
fabulous career playing<br />
with several other<br />
famous bands and long<br />
list hall-of-fame<br />
musicians. He still<br />
maintains a busy<br />
schedule, performing<br />
with his quartet and<br />
conducting clinics at<br />
numerous universities and high schools across<br />
the U.S. and abroad. Marvin is a wonderful<br />
player and we quickly appreciated that fact as<br />
he soloed almost throughout Thad Jones’s<br />
“Low Down.” Marvin picked up his flugelhorn<br />
for Ray Brown’s “When You Go” to deliver the<br />
difficult long lines of this Latin feeling ballad.<br />
This was followed by a swinging version of “I<br />
Love You” which allowed several of the band<br />
members to show their chops. Professor Pete<br />
McGuiness came on stage to conduct his fine<br />
arrangement of Horace Silver’s “Peace,” as<br />
Marvin continued his clinic on ballad playing<br />
with flugelhorn while giving bassist Mike<br />
Preem a chance to shine. The penultimate<br />
selection was “Svensson” by Swedish composer<br />
Lars Jansson. “Secret Love” seemed an unusual<br />
choice to conclude the concert but the Jack<br />
Cortner up-tempo arrangement of the<br />
original ballad worked well to send us home<br />
with great admiration of Mr. Stamm’s<br />
virtuosity and an enhanced opinion of the<br />
NJCU ensemble.<br />
You hard-core jazz aficionados will want to make<br />
plans to attend the Phil Woods Concert and<br />
Master Class on March 30, 2009 at Ingalls Recital<br />
continued on page 32<br />
Skippers<br />
PLANE STREET PUB<br />
<strong>New</strong>ark’s Best Kept Live Music Secret!<br />
Serving great food. NO cover. $10 minimum.<br />
Mondays Live <strong>Jazz</strong> Jam (8PM–Midnight) hosted by<br />
<strong>New</strong>ark’s own Eugene “Goldie” Goldston (Vocalist)<br />
Greg Bufford (Drums); Radam Schwartz (Keyboard)<br />
Tuesdays TBA<br />
Visit our website or call for information<br />
Wednesdays TBA<br />
Visit our website or call for information<br />
Thursdays Featured Live <strong>Jazz</strong> Artist (8PM–Midnight))<br />
Check calendar/call 973.733.9300<br />
Fridays Karaoke Night (8PM–Midnight))<br />
hosted by the talented Denise Hamilton<br />
Saturdays Available for Special Events<br />
Sundays Live <strong>Jazz</strong> Matinee Sessions 4:00–8:00PM<br />
with Radam Schwartz (Organ)<br />
304 University Ave., <strong>New</strong>ark, NJ 07102<br />
973.733.9300 skippersplanestreetpub.com<br />
_________________________________ 31