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Music for Schools Bestsellers - Universal Edition

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<strong>Music</strong> <strong>for</strong> <strong>Schools</strong><br />

11 – 17 years . <strong>Bestsellers</strong><br />

<strong>Universal</strong> <strong>Edition</strong><br />

Teaching Material<br />

Ensemble<br />

Choral<br />

Operas and <strong>Music</strong>als<br />

The School Concert<br />

Mack the Knife‘s gang members in:<br />

The Threepenny Opera<br />

Kurt Weill / Bertholt Brecht<br />

www.universaledition.com<br />

Wien · London · New York<br />

1


2<br />

e<br />

Ensemble<br />

CEntrE StagE<br />

Easy Popular Classics<br />

Arranged by James Rae<br />

Four-part, flexible, elementary chamber<br />

music arrangements featuring a soloist.<br />

These popular classics have been selected by<br />

James Rae <strong>for</strong> their suitability <strong>for</strong> developing<br />

players. Whilst written <strong>for</strong> a chamber group,<br />

any number of players could equally well<br />

join each part.<br />

(2-4)<br />

Centre Stage 3<br />

Centre Stage<br />

The Bird Catcher’s Song<br />

Largo (‘From the New World’) (The Magic Flute)<br />

by Antonin Dvoˇrák<br />

by Wolfgang Amadeus Mozart<br />

Promenade (Pictures at an<br />

Exhibition)<br />

by Modest Mussorgsky<br />

UE 21172<br />

Centre Stage 2<br />

Mack the Knife<br />

(The Threepenny Opera)<br />

by Kurt Weill<br />

Habanera (Carmen)<br />

by Georges Bizet<br />

UE 21266<br />

Oh My Dear Father<br />

(Gianni Schicchi )<br />

by Giacomo Puccini<br />

UE 21318<br />

Centre Stage 4<br />

Poco Adagio Cantabile<br />

(from The Emperor Quartet)<br />

by Joseph Haydn<br />

Prelude (from Te Deum)<br />

by Marc-Antoine Charpentier<br />

UE 21463<br />

Please note, a selected list of titles <strong>for</strong> Christmas<br />

may be found on the final pages of the catalogue.<br />

Instrumentation:<br />

PART 1 Solo in C, Bb,or Eb<br />

Flute, Oboe, Violin, Clarinet or Alto Sax.<br />

PART 2 in C, Bb or Eb<br />

Flute, Oboe, Violin, Clarinet or Alto Sax.<br />

PART 3 in C, Bb or F<br />

Violin, Viola, Clarinet, Tenor Sax. or French Horn<br />

PART 4 in C, Bb<br />

Cello, Double Bass, Bassoon or Bass Clarinet<br />

PIANO (optional) <strong>for</strong> rehearsal or to support the per<strong>for</strong>mance<br />

Chamberpops<br />

Popular pieces <strong>for</strong> flexible woodwind<br />

or saxophone ensemble<br />

(or, in combination) with optional<br />

rhythm section or bassoon.<br />

(3-5)<br />

The Lass of Richmond Hill<br />

arr. Mike Cornick<br />

Frère Jacques arr. James Rae<br />

UE 16518<br />

Men of Harlech<br />

arr. James Rae<br />

The Blaydon Races arr. James Rae<br />

UE 16557<br />

Cover: (Left to right) Felix Guyer, Ben Cork, Andy Lake and Ben Schilperoort in the Hills Road Sixth Form College, Cambridge<br />

production of The Threepenny Opera, directed by Richard Fredman. Members of Macheath‘s (Mack the Knife‘s) gang look on<br />

– transfixed as they listen to the gripping tale of “Pirate Jenny“.<br />

Photograph used with kind permission.<br />

Further stage productions suitable <strong>for</strong> secondary schools may be found on pages 8 and 9.


ChildrEn on StagE<br />

Each volume of arrangements <strong>for</strong> children contains a score (with piano) and parts <strong>for</strong> C and Bb instruments, and<br />

optional bass and percussion. Where applicable, there is a synopsis of the plot, or background in<strong>for</strong>mation.<br />

Some also include an optional singing part. For lower to middle grades.<br />

The Carnival of the<br />

Animals<br />

Camille Saint-Saëns<br />

Arr. Barbara Dobretsberger<br />

Incl. The Swan, The Elephant,<br />

Tortoises, The March of the Lions,<br />

Hens and Cockerels<br />

UE 30303<br />

Not <strong>for</strong> sale in France<br />

Peer Gynt<br />

Edvard Grieg<br />

Arr. Barbara Dobretsberger<br />

Incl. Morning Mood, In the<br />

Hall of the Mountain King,<br />

Peer Gynt’s Homecoming,<br />

Solveig’s Song<br />

UE 30304<br />

Gospels and Spirituals<br />

Arr. Michael Radanovics<br />

Incl. Go Down Moses, Michael Row<br />

the Boat Ashore, Nobody Knows<br />

the Trouble I’ve Seen and more.<br />

UE 30305<br />

The Magic Flute<br />

W. A. Mozart<br />

Arr. Barbara Dobretsberger<br />

A selection of themes from the<br />

opera which can be per<strong>for</strong>med<br />

separately. If per<strong>for</strong>med in total,<br />

text is provided to link the<br />

pieces and update the plot.<br />

UE 30307<br />

Hansel and Gretel<br />

Engelbert Humperdinck<br />

Arr. Georges Sanev<br />

7 selected highlights<br />

incl. Brother, Come and Dance<br />

with me and Evening Prayer<br />

Text and narrative provided.<br />

UE 30309<br />

Children’s Corner<br />

Claude Debussy<br />

Arr. Joseph Diermaier<br />

6 pieces arranged<br />

<strong>for</strong> middle-grade players<br />

UE 30313<br />

tEEnS on StagE<br />

A step further than Children on Stage, this series provides adaptations of the classics but at a slightly<br />

higher technical level. Arranged by experienced musicians and teachers these collections are not only<br />

inspiring but user-friendly.<br />

The Threepenny Opera<br />

Kurt Weill<br />

Arr. James Rae<br />

UE 31161<br />

Pictures at an Exhibition<br />

Modest Mussorgsky<br />

Arr. Sven Birch<br />

UE 31162<br />

Die Fledermaus<br />

Johann Strauss<br />

Arr. Sven Birch<br />

UE 31163<br />

Instrumentation:<br />

PARTS 1 and 2 in C Violin, Flute, Recorder<br />

PARTS 1 and 2 in Bb Clarinet, Trumpet, Saxophone<br />

PIANO<br />

BASS PARTS Cello, Bassoon, Double Bass,<br />

PERCUSSION ad lib. Drums, Triangle, Wood Block<br />

X<br />

Ensemble<br />

The Cunning Little Vixen<br />

Leoš Janá ˘cek<br />

Arr. Barbara Dobretsberger<br />

Selected musical highlights and<br />

narrative linking the pieces.<br />

UE 30310<br />

A Midsummer Night’s<br />

Dream<br />

Felix Mendelssohn<br />

Arr. Barbara Dobretsberger<br />

Narrative provided<br />

UE 30312<br />

Instrumentation:<br />

PARTS 1 and 2 in C Violin, Flute, Recorder<br />

PARTS 1 and 2 in Bb Clarinet, Trumpet, Saxophone<br />

PIANO<br />

BASS PARTS Cello, Bassoon, Double Bass<br />

PERCUSSION ad lib. Drums, Triangle, Wood Block<br />

Háry János<br />

Zoltan Kodály<br />

Arr. Kurt Schwertsik<br />

UE 31164<br />

Scheherazade<br />

Nikolay Rimsky-Korsakov<br />

Arr. Joseph Diermaier<br />

UE 31165<br />

Please note, a selected list of titles <strong>for</strong> Christmas<br />

may be found on the final pages of the catalogue.<br />

3


4<br />

EnSEMBlE - StringS<br />

Arranged by Michael Radanovics<br />

<strong>for</strong> 3 violins (or 2 violins and viola) and cello.<br />

Score and parts<br />

UE <strong>for</strong> Ensemble – Strings 1<br />

Winds and Waves<br />

Dorian Prelude<br />

UE 19840 (3)<br />

UE <strong>for</strong> Ensemble – Strings 2<br />

Scarborough Fair<br />

Midnight Special<br />

UE 19841 (3-4)<br />

UE <strong>for</strong> Ensemble – Strings 3<br />

Lily of the West<br />

Tom Dooley<br />

UE 19842 (3-5)<br />

UE <strong>for</strong> Ensemble – Strings 4<br />

Cotton Fields<br />

Amazing Grace<br />

UE 19843 (3-5)<br />

UE <strong>for</strong> Ensemble – Strings 5<br />

Clementine<br />

She’ll be Comin‘ Round the Mountain<br />

UE 19845 (4-5)<br />

Ensemble<br />

EnSEMBlE - Wind<br />

Arranged by Terry Kenny<br />

Well-known pieces of the Classical and Romantic eras arranged <strong>for</strong> flexible wind ensemble<br />

and suitable <strong>for</strong> middle-grade players.<br />

Score and parts provided.<br />

Instrumentation:<br />

PART 1 in C Flute, Oboe<br />

PART 1 in Bb Clarinet<br />

PART 2 in C Flute, Oboe<br />

PART 2 in Bb Clarinet<br />

PART 3 in Bb Clarinet, Tenor Sax.<br />

PART 3 in Eb Alto Saxophone<br />

PART 4 in C Bassoon<br />

PART 4 in Bb Clarinet<br />

PART 4 in Bb Tenor Saxophone<br />

UE <strong>for</strong> Ensemble – Wind 1<br />

Romance (Eine kleine Nachtmusik)<br />

Give me Your Hand (Don Giovanni)<br />

Wolfgang Amadeus Mozart<br />

UE 19901 (3-4)<br />

UE <strong>for</strong> Ensemble – Wind 2<br />

Air (Rinaldo)<br />

George Frideric Handel<br />

Dance Duet (Hansel and Gretel)<br />

Engelbert Humperdinck<br />

UE 19902 (3-4)<br />

UE <strong>for</strong> Ensemble – Wind 3<br />

Andante (Surprise Symphony)<br />

Joseph Haydn<br />

Minuet (Don Giovanni)<br />

Wolfgang Amadeus Mozart<br />

UE 19903 (3-4)<br />

g<br />

UE <strong>for</strong> Ensemble – Wind 5<br />

Champagne Polka (Die Fledermaus)<br />

Johann Strauss<br />

UE 19905 (3-5)<br />

UE <strong>for</strong> Ensemble – Wind 6<br />

Eine kleine Nachtmusik<br />

Wolfgang Amadeus Mozart<br />

UE 19906 (3-4)<br />

UE <strong>for</strong> Ensemble – Wind 7<br />

L’Arlèsienne<br />

Georges Bizet<br />

UE 19907 (3-5)<br />

UE <strong>for</strong> Ensemble – Wind 8<br />

A <strong>Music</strong>al Joke<br />

Wolfgang Amadeus Mozart<br />

UE 19908 (3-5)<br />

UE <strong>for</strong> Ensemble – Wind 9<br />

Three Slavonic Dances<br />

Antonin Dvoˇrák<br />

UE 19909 (4-5)<br />

UE <strong>for</strong> Ensemble – Wind 10<br />

Two Hungarian Dances Nos. 5 & 6<br />

Johannes Brahms<br />

UE 19910 (5-6)


EnSEMBlE - Jazz<br />

Arranged by James Rae<br />

Ensemble material in a jazzy style<br />

<strong>for</strong> players of moderate ability.<br />

Designed especially <strong>for</strong> schools, these<br />

arrangements are suitable <strong>for</strong> various<br />

combinations of instruments.<br />

Score and parts provided.<br />

UE <strong>for</strong> Ensemble – Jazz 1<br />

Down by the Riverside<br />

UE 19680 (3-5)<br />

UE <strong>for</strong> Ensemble – Jazz 2<br />

Oh, When the Saints<br />

UE 19681 (3-5)<br />

UE <strong>for</strong> Ensemble – Jazz 3<br />

Swing Low, Sweet Chariot<br />

UE 19682 (4)<br />

UE <strong>for</strong> Ensemble – Jazz 4<br />

Joshua Fought the Battle of Jericho<br />

UE 19683 (4-5)<br />

UE <strong>for</strong> Ensemble – Jazz 5<br />

Dry Bones<br />

UE 19684 (4)<br />

UE <strong>for</strong> Ensemble – Jazz 6<br />

Campdown Races<br />

UE 19685 (4-5)<br />

Ensemble<br />

trioS<br />

James Rae’s Jazz Trios<br />

These collections of original and contrasting pieces were written <strong>for</strong> players<br />

of moderate abilities to play music in the “jazz idiom” in a small ensemble.<br />

All three parts are of equal importance, the piano part occasionally sharing<br />

the limelight. Chord symbols are provided <strong>for</strong> the purpose of improvisation.<br />

(3 – 4)<br />

Flute, Clarinet and Piano<br />

UE 16593<br />

Clarinet, Alto Saxophone and Piano<br />

UE 16594<br />

2 Alto Saxophones and Piano<br />

UE 16595<br />

Workshop 21<br />

Four-part flexible ensembles<br />

arranged and edited by David Bed<strong>for</strong>d<br />

These eight pieces, from medieval times to the present day,<br />

may be played by a wide variety of instruments.<br />

The four-part arrangements (SATB) are offered in two tessituras <strong>for</strong> greater flexibility<br />

and are playable by as few as four (one to each part) to as many as 400 per<strong>for</strong>mers.<br />

Score and parts are included.<br />

UE 18786 Book 1 La Mourisque Tylman Susato / William’s Fancye Wilfred Josephs<br />

UE 18787 Book 2 Alleluia Anon. / The Indian Coffee House Tango Carey Blyton<br />

UE 18788 Book 3 Gavotte J. S. Bach / Minuet W. A. Mozart<br />

UE 18789 Book 4 Our House Madness / Bass Band and Sting Quartet John Paynter<br />

&<br />

5


6<br />

Brazil<br />

Jovino Santos Neto (Arr.)<br />

Incl: Choro da Luz, Quebrasamba,<br />

Maracatu, Cantigas de Roda<br />

and Coco<br />

UE 31526<br />

Ensemble<br />

World MUSiC<br />

The superbly produced CDs in this series <strong>for</strong> ensemble players and soloists immediately bring alive traditional music from around the world as well as pieces<br />

composed especially <strong>for</strong> the series with all its colours, idiosyncrasies and diversity.<br />

Each of the ensemble volumes contains parts <strong>for</strong> C or Bb instruments, accompanied by keyboard, bass and percussion, with particular reference to the<br />

country’s special requirements. The CD features demonstrations of the music and also serves as an accompaniment. Teachers and students will value the<br />

comprehensive notes on traditional instruments and interpretation. Intermediate-level players.<br />

Cuba<br />

Richard Graf & Richard Filz<br />

Bolero; Son Montuno; Cha Cha;<br />

Mambo; Rumba<br />

UE 31521<br />

Madagascar<br />

HAJAmadagascar &<br />

August Schmidhofer (Arr.)<br />

5 pieces including the traditional<br />

O! Dralako<br />

Vocal part also included.<br />

UE 31527<br />

Russia<br />

Ivan Malachovsky (Arr.)<br />

Kalinka; Black Eyes; The Moon is Shining,<br />

Steppe all Around; Valenky<br />

UE 31524<br />

Ireland<br />

Richard Graf (Arr.)<br />

Includes: The Foggy Dew, The Wind<br />

that Shakes the Barley, The Wild Rover,<br />

Danny Boy and The Connaughtman’s<br />

Rambles<br />

UE 31522<br />

Scotland<br />

James Rae (Arr.)<br />

Scotland the Brave; My Love is Like a<br />

Red, Red Rose; The Skye Boat Song;<br />

Mhairi’s Wedding, 100 Pipers<br />

UE 31525<br />

Klezmer<br />

Yale Strom (Arr.)<br />

Incl: The Silver Crown; Ma Yofes;<br />

Stoliner Nign; Dorohoi Khusidl<br />

CD features an authentic Klezmer band<br />

UE 31529<br />

Israel<br />

Timna Brauer & Elias Meiri<br />

Hava Nagila; Dror yikra; Ahavat Hadassa;<br />

Tchiribim Tchiribom; Shalosh bnot hapele<br />

UE 31523<br />

Argentina<br />

Diego Collatti<br />

Includes: Tango; Vals Criollo,<br />

Milonga, Zamba; Chacarera<br />

UE 31528


A source of reference<br />

and a guide <strong>for</strong> aspiring composers<br />

SoUnd<br />

FoUndationS<br />

James Rae & Mike Cornick<br />

THIS INFORMATIVE and stimulating volume with CD on the art and craft of<br />

composing will be welcomed by anyone who is learning to compose and is<br />

especially suitable <strong>for</strong> those taking secondary school music examinations.<br />

Two well-established music educationalists, James Rae and Mike Cornick,<br />

both of whom are composers with a combined wealth of teaching experience<br />

have, together, produced a practical and in<strong>for</strong>mative resource to meet the needs<br />

of developing composers.<br />

SOUND FOUNDATIONS includes:<br />

· The fundamentals of music theory, including time- and key-signatures,<br />

scales and a section to get you started in understanding harmony<br />

· Explanation of the basics as well as many of the finer points of<br />

musical notation and the applications of music software<br />

· A CD with over 100 recorded examples directly related to the text<br />

as well as two play-along tracks <strong>for</strong> jazz improvisation<br />

· Specific tips on writing <strong>for</strong> the voice and the piano as well as a<br />

thorough survey of virtually every other instrument, including<br />

ranges and characteristics<br />

· The meaning of <strong>for</strong>eign musical terms<br />

Explore sample pages of SOUND FOUNDATIONS at:<br />

www.universalediton.com/soundfoundations<br />

teaching Material<br />

· Adding dynamics, articulation and other essentials to your score<br />

· More than 150 suggestions <strong>for</strong> further listening in a wide range of genres<br />

· An extensive glossary of technical terms<br />

· A range of inspiring compositional assignments<br />

In Sound Foundations, James Rae and Mike Cornick present a vast amount of essential<br />

in<strong>for</strong>mation in an accessible and readable style. Historical background is introduced<br />

where necessary and many compositional approaches and starting points are explored.<br />

Amusingly illustrated with additional light relief in the <strong>for</strong>m of entertaining anecdotal<br />

snippets, this volume can be read in its entirety or dipped into whenever needed.<br />

UE 21483 ISBN 978-3-7024-6731-9<br />

Which comes first –<br />

the melody or the lyrics?<br />

with<br />

Cd<br />

Suitable <strong>for</strong><br />

gCSE music<br />

(UK)<br />

7


8<br />

operas<br />

Please note, if you would like to stage per<strong>for</strong>mances of these copyright works you can contact us regarding the per<strong>for</strong>mance fees and obtaining a licence<br />

on our website – similarly if you would like material that is only available on hire. Go to: www.universaledition.com, enter the catalogue number in the<br />

search box and click on the title – continue through to “More details on this work” <strong>for</strong> the options.<br />

UE 31544<br />

KU RT WEILL /BE R T O L T BRECHT<br />

DIE DREIGROSCHENOPER<br />

Ein Stück mit Musik<br />

in einem Vorspiel und acht Bildern<br />

Klavierauszug<br />

All the King’s Men<br />

Richard Rodney Bennett (music)<br />

Beverley Cross (libretto)<br />

Bennett’s moving opera <strong>for</strong> young people is a classic in its genre and continues to achieve success in many parts<br />

of the world. The story is set in the time of the English Civil War at the siege of Gloucester in 1643. A certain Dr<br />

Chillingworth has been enrolled by the King’s Council of War. His suggested way of taking the town is to construct a<br />

Roman style “tortoise” to bridge the river Severn and <strong>for</strong>m a covered way over the city walls. It is renamed “Humpty-<br />

Dumpty”. Their plan is foiled by the roundheads and it collapses into the river where “all the King’s horses and all<br />

the King’s men” were unable to rescue it. The opera ends poignantly with the appearance of the little drummer boy<br />

who, after the horrors of battle, reflects on the senselessness of war. “You can’t dig fields with drumsticks, you can’t<br />

plough with a gun”. He was not even sure who had won or who had lost.<br />

Scored <strong>for</strong> solo singers, speaking parts, choruses and school orchestra 2.1.2.1-2.2.1.0 – glock, xyl, chime bars, perc,<br />

pno (4 hands), guitar – strings. The pieces may be per<strong>for</strong>med with piano reduction and added percussion.<br />

40 – 45 minutes<br />

UE 14661 Vocal Score<br />

UE 14665a Choral Score (single copies not available)<br />

UE 14660 Full Score – on hire<br />

UE 14663 Set of parts – on hire<br />

Extra parts available<br />

Die Dreigroschenoper / The Threepenny Opera X))<br />

Kurt Weill (music)<br />

Bertolt Brecht (German adaptation)<br />

Based on Elisabeth Hauptmann’s translation of “The Beggar’s Opera” by John Gay<br />

English lyrics by Michael Feingold<br />

First per<strong>for</strong>med in 1928, The Threepenny Opera is one of the first collaborations between Kurt Weill and Bertolt<br />

Brecht. With the combination of Weill’s musical style and Brecht’s political comment, it has become a classic of<br />

modern musical theatre. This new edition, prepared by Edward Harsh, is based on the critical edition of the work<br />

and is edited by Stephen Hinton and Edward Harsh. It was published in 2000 and can be used with the 1928 libretto<br />

and critical edition of the full score.<br />

The show opens with one of the most well-known songs of the 20 th century: Mack the Knife. The song tells of his<br />

infamous deeds and sets the tone of the story that follows. The scene is London Soho’s underworld be<strong>for</strong>e the<br />

coronation of Queen Victoria.<br />

To summarise – Jonathan Peachum, all-powerful controller of the local beggars, is out to get the notorious Macheath<br />

(Mack the Knife) <strong>for</strong> his involvement with his daughter, Polly. In a confrontation with her parents, Polly lets slip that<br />

Macheath is an old friend of the Chief of Police who has saved him from arrest, many times. The Peachums use this<br />

knowlege to their own advantage by bribing Mac’s <strong>for</strong>mer girl-friend to betray him to the police. The plot becomes,<br />

in fact, much more convoluted but Mac is imprisoned, twice – and the second time is facing execution when a<br />

messenger appears with a reprieve from the queen who has granted him a castle, title and a pension. The cast sing<br />

the finale requesting that wrongdoers should not be punished too severely.<br />

55 minutes music<br />

UE 31544 Vocal Score (Eng. / Ger.)<br />

UE 34304 Study Score<br />

Orchestral material is available on hire<br />

Der Jasager / He Who Says Yes X))<br />

School Opera in 2 Acts<br />

Kurt Weill (music)<br />

Bertolt Brecht (libretto)<br />

English translation: J. M. Potts<br />

Although taken from the Japanese Noh play “Taniko”, the music <strong>for</strong> this school opera in 2 acts is entirely western in<br />

origin. Bertholt Brecht’s play is one of his “Lehrstücke” (teaching plays), written to instruct the young. A boy is part<br />

of a small party journeying high into the mountains, his mission is to bring back medicine <strong>for</strong> his ailing mother. The<br />

journey is too much <strong>for</strong> him, he falls ill and agrees to have himself hurled down the precipice so the expedition can<br />

proceed – a self-sacrificing act <strong>for</strong> the greater “collective” good. Scored <strong>for</strong> a small number of soloists and chorus,<br />

this opera is best staged simply.<br />

35 minutes.<br />

UE 8206E Vocal score English text<br />

UE 8206 Vocal score German text<br />

Orchestral material on hire: Instrumentation: 1 fl (ad lib), 1 cl (ad lib),<br />

1 alto sax (ad lib), 2 pnos, harmonium, perc (ad lib), plucked inst (ad lib),<br />

str – as many as possible.<br />

X)) Audio excerpts may be found<br />

on our website.<br />

C


<strong>Music</strong>als<br />

Ali Baba<br />

James Rae and Mike Cornick<br />

The story of Ali Baba has been updated and trans<strong>for</strong>med into an entertaining musical in<br />

pantomime style easily adapted to suit your resources. Ali is a pizza delivery boy and stumbles<br />

across the lock-up garage where the <strong>for</strong>ty thieves have stashed their stolen goodies.<br />

The incidental music cues assist the characters in their entries, exits and some of their jokes whilst<br />

there is much singing and dancing to entertain the audience.<br />

· Suitable <strong>for</strong> lower secondary school<br />

· Contains a CD of professional backing tracks and sound effects to stage the entire<br />

show and to assist with learning the songs<br />

· Easy piano accompaniment if preferred<br />

· Parts <strong>for</strong> soloists, comic characters, pizza ingredients (the younger per<strong>for</strong>mers)<br />

and not <strong>for</strong>getting Flash, the pantomime camel!<br />

· 90 minutes but easily adapted<br />

UE 14068 Vocal score, CD and script<br />

UE 14069 Pack of 5 further scripts available on hire<br />

UE 14070 Full score available on hire<br />

UE 14071 Set of parts available on hire<br />

Jack!<br />

James Rae and Mike Cornick<br />

Jack and the Beanstalk has been adapted … Jack lives in London’s Docklands<br />

with his mother and trades Morag, their cow, <strong>for</strong> three dishes and some<br />

magic beans from the mysterious No Kan Du, fairy godfather and proprietor<br />

of the 24 hour mobile kitchen “Wok Around the Clock”. As the story unfolds<br />

they encounter some strange and colourful characters but throughout opportunities<br />

abound <strong>for</strong> singing, dancing and lots of jokes!<br />

· Suitable <strong>for</strong> lower secondary school<br />

· Contains a CD of professional backing tracks and fun sound effects to<br />

stage the entire show and to assist with learning the songs<br />

· Easy piano accompaniment provided if preferred<br />

· 10 songs each exploring a different musical style with parts <strong>for</strong> soloists,<br />

choruses and Morag, the highland cow<br />

· 60 minutes but flexible and easily adapted <strong>for</strong> large or small groups<br />

UE 17376 Jack! Vocal score with CD accompaniment, script and lyrics sheet<br />

UE 17377 Pack of 5 further scripts and 10 lyric sheets<br />

Cinderella Jones<br />

James Rae and Mike Cornick<br />

Aimed at the lower secondary age group and above, this hilariously funny version of Cinderella takes some<br />

unexpected twists and turns and ends quite differently from the usual story. The quiet and studious Sally<br />

(Cinderella) Jones is lamenting the fact that she, unlike her sisters, has not been invited to the disco dance<br />

at Decibelles. Her sisters are excited about meeting the DJ and local heart-throb – Matt Vinyl. Aided by the<br />

appearance of the Fairy Godmother and part-time double-glazing saleswoman, Patti O’Dawes and other<br />

unlikely characters, Sally eventually makes it to the disco and even wins the dancing competition. Matt, not<br />

a person of great modesty, announces the prize – a date with, none other than – himself. But Sally has to<br />

leave of course and naturally without her shoes. The story ends happily and in an unexpected way as it has<br />

been pointed out to Sally that there are many more worthwhile goals <strong>for</strong> her to aspire to than winning a<br />

date with Matt Vinyl! The show ends on an optimistic and positive note with the entire cast singing the final<br />

number Aim High!<br />

Cinderella Jones includes a CD with backing tracks, lots of amusing sound effects and, <strong>for</strong> making learning<br />

easier, recordings of the songs by professional vocalists. Teachers have the option of staging the show using<br />

the CD throughout or providing live accompaniments, or to use a combination of both. This musical is a<br />

flexible “production package” and is easily adapted to suit resources.<br />

1 hour 15 minutes<br />

UE 21126 Vocal score, CD and script and lyrics sheet<br />

UE 21127 Extra pack: 6 scripts and 10 lyrics sheets<br />

9


10<br />

richard rodney<br />

Bennett<br />

The Aviary<br />

Five songs <strong>for</strong> unison or solo voices to words<br />

by Clare, Shelley, Tennyson and Coleridge.<br />

Each song can be per<strong>for</strong>med separately,<br />

but the five make an excellent song cycle.<br />

Voice(s) and piano<br />

UE 14168 Vocal Score (Eng. / Germ.)<br />

UE 14168a Melody <strong>Edition</strong> (Eng.) u<br />

The Insect World<br />

Four songs <strong>for</strong> unison or solo voices,<br />

based on poems about insects by Marvell,<br />

Clare and Oldys. Their contrasting moods<br />

make up a varied cycle, whilst each song<br />

can also be per<strong>for</strong>med separately.<br />

UE 14167 Vocal Score (Eng. / Germ.)<br />

UE 14167a Melody <strong>Edition</strong> (Eng.) u<br />

Note: An orchestral suite entitled<br />

Suite <strong>for</strong> Middle Voice(s) and Small Orchestra<br />

which contains items from both The Aviary and<br />

The Insect World is available on hire. 9 minutes<br />

UE 14174 1.1.1.1. – 2.1.1.0. – Perc,<br />

Hp (or pno) str.<br />

Choral<br />

Please note, u indicates multiple copies are available, not available singly.<br />

The Bermudas<br />

This atmospheric cantata may be per<strong>for</strong>med<br />

with orchestra or piano duet which appears<br />

in the vocal score. The poem by the 17 th C<br />

poet Andrew Marvell expresses the praise and<br />

thanksgiving offered by a party of exiles rowing<br />

towards the islands.<br />

For Choir S (boys or girls) T B and<br />

school orchestra or piano duet.<br />

10 minutes<br />

UE 15485 Vocal Score (Eng.)<br />

UE 15486 Choral Score u<br />

UE 15483 Full Score – <strong>for</strong> hire<br />

(also available on sale as a special print)<br />

UE 15484 Orch. Parts – <strong>for</strong> hire 2.1.2.1. –<br />

2.2.1.0. timp (2), Perc (3), pno duet, str (min)<br />

6.6.4.4.2.<br />

Paul<br />

Patterson<br />

Magnificat and Nunc Dimittis op. 59<br />

For choir SATB and organ<br />

UE 18476 Organ score (Eng.) u<br />

Canterbury Psalms op. 44<br />

For choir SATB and orchestra<br />

UE 16500 Vocal score (Eng.)<br />

Per<strong>for</strong>mance material available on hire<br />

Missa Brevis op. 54<br />

For choir SATB<br />

UE 17952 Choral Score (Latin) u<br />

zoltán<br />

Kodály<br />

Ave Maria<br />

For choir SSA a cappella<br />

UE 10756 Choral Score (Latin) u<br />

Evening<br />

For choir SATB a cappella<br />

Text by Paul Gyulai<br />

UE 1135 Choral Score (Eng.) u<br />

Jesus and the Traders<br />

For choir SATB a cappella<br />

Text by Paul Gyulai<br />

UE 10739 Choral Score (Eng.) u<br />

UE 30123 Choral Score (Germ. / Hung.) u<br />

Revised edition<br />

Frank<br />

Martin<br />

Frank Martin<br />

5 Songs of Ariel<br />

Text by William Shakespeare<br />

For choir SATB a cappella<br />

UE 14556 Choral Score (Eng.) u<br />

Please note, titles <strong>for</strong> Christmas may be<br />

found on the final pages of the catalogue<br />

Hire Material: To obtain hire material please<br />

go to: www.universaledition.com, enter the<br />

catalogue number in the search box and click<br />

on the title - continue through to “More<br />

details on this work“ <strong>for</strong> the options.


arvo Pärt<br />

Morning Star<br />

For choir SATB a cappella<br />

Commissioned by Durham University on the<br />

occasion of its 175 th anniversary in 2007 and<br />

premiered at St Martin-in-the-Fields, London.<br />

UE 33718 Choral Score (Eng.) u<br />

Summa<br />

For choir SATB or soloists<br />

UE 33686 Vocal Score (Latin) u<br />

Magnificat X))<br />

For choir SATB<br />

UE 19350 Vocal Score (Latin) u<br />

Da Pacem Domine X))<br />

For choir SATB or soloists<br />

UE 32941 Vocal Score (Latin) u<br />

Cantata Domino<br />

canticum novum X))<br />

For choir SATB or soloists and Organ<br />

UE 31058 Organ Score (Latin)<br />

UE 31059 Vocal Score (Latin) u<br />

I am the True Vine X))<br />

For choir SATB<br />

UE 30301 Vocal Score (Eng.) u<br />

Littlemore Tractus X))<br />

For choir SATB and Organ<br />

Text by John Henry Newman<br />

UE 31595 Organ Score (Eng.)<br />

UE 31596 Choral Score (Eng.) u<br />

Peace be upon you, Jerusalem<br />

For choir SA<br />

UE 32639 Choral Score (Eng.) u<br />

The Woman with the<br />

Alabaster Box X))<br />

For choir SATB<br />

UE 31127 Choral Score (Eng.) u<br />

richard<br />

Filz<br />

Rhythm Coach<br />

Rhythm Workouts<br />

<strong>for</strong> singers, dancers and instrumentalists<br />

Richard Filz<br />

This little book with CD is packed full of everything<br />

you need to get rhythmically fit. Not just<br />

a “hands-on” booklet but feet and voice join<br />

in too. It will stimulate and energise – building<br />

confidence and a strong sense of pulse.<br />

UE 32347<br />

All developing musicians from an early<br />

stage can use this as:<br />

· a “teach-yourself” book<br />

· a book <strong>for</strong> using parallel to music lessons<br />

· a book <strong>for</strong> using together with a teacher<br />

– individually or in a group<br />

Included are:<br />

· a few basic facts about notation of rhythms<br />

· call & response exercises<br />

(using the enclosed CD)<br />

· exercises using body and vocal percussion.<br />

· special rhythmic sing and play-alongs<br />

· a 5 minute daily rhythm workout and<br />

rhythm training plan<br />

UE 32347 (in English)<br />

UE 32346 (in German) X))<br />

UE 32348 level 1 (in German)<br />

Groove Karaoke X))<br />

Sung rhythms as song accompaniment<br />

Incl. He’s got the Whole World in His Hands,<br />

Rock Song in the Style of Queen, Swing Low,<br />

May the Road Rise to Meet You and more.<br />

UE 32345 (in German)<br />

Choral<br />

Vocal Percussion with CD<br />

Something completely different <strong>for</strong> choirs!<br />

These books are ideal <strong>for</strong> anyone seeking new<br />

and innovative material <strong>for</strong> their choir providing<br />

a break from the usual routine and an opportunity<br />

<strong>for</strong> sheer musical enjoyment. They will<br />

serve as an introduction to the many and varied<br />

capabilities of the human voice and provide<br />

energising rhythm training <strong>for</strong> singers.<br />

Each volume in the ‘Vocal Percussion’ series<br />

represents a different musical style<br />

focusing on:<br />

· the imitation and vocalisation<br />

of drum-set sounds<br />

· sounds that can be achieved with<br />

straight<strong>for</strong>ward articulation techniques<br />

· the exploration of various rhythmic patterns<br />

Vocal Percussion with CD X))<br />

– Drums ‘n’ Voice<br />

Vocalising the drum set. Incl. Rock, Funk,<br />

Hip Hop, Swing and more.<br />

UE 32350E (in English)<br />

UE 32350 (in German)<br />

Vocal Percussion with CD<br />

– Latin<br />

Vocalising typical Latin instruments and rhythms<br />

Incl. Surdo, Agogo Bells, Cabasa, Congas etc.<br />

Calypso, Mambo, Samba, Bossa Nova and more.<br />

UE 32341E (in English)<br />

UE 32341 (in German)<br />

Vocal Percussion with CD X))<br />

– Beatboxing<br />

Vocalising techno rhythms incl. Trip Hop,<br />

House, Ragga etc.<br />

UE 32342 (in German only)<br />

X)) Audio excerpts may be found<br />

on our website.<br />

Please note, titles <strong>for</strong> Christmas may be<br />

found on the final pages of the catalogue<br />

11


12<br />

the School Concert<br />

Although there is a world of choice when compiling the school concert programme, this selection of titles is particularly worth considering.<br />

Unusual, characterful solos and pieces providing the chance <strong>for</strong> playing in small ensemble are included as well as a special selection <strong>for</strong> Christmas.<br />

Where possible, approximate gradings are provided.<br />

Further titles <strong>for</strong> consideration may be found in the various catalogues displayed by each instrument heading.<br />

Go to: www.universaledition.com/catalogues and click on the relevant catalogue <strong>for</strong> perusing page by page.<br />

Piano<br />

Piano . <strong>Bestsellers</strong><br />

<strong>Universal</strong> <strong>Edition</strong><br />

supports young per<strong>for</strong>mer:<br />

Alexandra Dariescu<br />

4 hands<br />

www.universaledition.com<br />

Wien · London · New York<br />

1<br />

Cover photos by Tony Redmond (c) Alexandra Dariescu<br />

2 hands<br />

Solo Tango Solo Piano<br />

Gustavo Beytelmann<br />

Gustavo Beytelmann has taken some of the most<br />

beautiful tango music ever written and created his own<br />

arrangements <strong>for</strong> solo piano. This collection of ten pieces<br />

shows how varied the genre is, from the ragtime-like lilt<br />

of El esquinazo to the romantic waltz La loca de amor<br />

by Pablo José Vázquez and the energetic El entrettiano<br />

by Rosendo Menizabal, as well as a new arrangement of<br />

Carlos Gardel‘s immortal El dia que me quieres.<br />

Any of these immensely rewarding pieces would make<br />

an excellent choice <strong>for</strong> the concert stage.<br />

UE 34679 (5-7)<br />

Angel Villoldo • Pablo José Vázquez • Rosendo Mendizábal • Carlos Gardel<br />

Eduardo Arolas • Vicente Greco • Domingo Santa Cruz<br />

UE 34 679<br />

arrangements by Gustavo Beytelmann<br />

Mike Cornick’s popular “Tea <strong>for</strong> Two series” will provide a varied menu of duets <strong>for</strong> intermediate level players and beyond. From the comic and fun to the<br />

more reflective, these well-known pieces, receiving Mike Cornick’s inimitable touch, will certainly be a success with the audience. The CD includes the complete<br />

per<strong>for</strong>mance of each duet as well as play-along rehearsal tracks <strong>for</strong> primo and secondo players.<br />

6 hands<br />

Suitable <strong>for</strong> GCSE Ensemble Per<strong>for</strong>mance<br />

Tea <strong>for</strong> Two<br />

Incl. Tea <strong>for</strong> Two, Daisy Bell (A Bicycle Built <strong>for</strong><br />

Two), Country Gardens, I do Like to be Beside<br />

the Seaside, Beautiful Dreamer.<br />

UE 21299<br />

Charleston <strong>for</strong> Two<br />

Incl. The Charleston, Camptown Races, Down<br />

by the Riverside, Scott Joplin’s The Ragtime<br />

Dance and Shortnin’ Bread.<br />

UE 21368<br />

Love Songs For Two<br />

Incl. My Romance, Dark Eyes, I Gave my Love<br />

a Cherry, The Water is Wide and an arrangement<br />

of Yellow Bird and Come Back Liza.<br />

UE 21485<br />

subject to syllabus requirements<br />

Four Pieces <strong>for</strong> 6 Hands<br />

at 1 Piano<br />

Mike Cornick<br />

Includes: Blues <strong>for</strong> Three, Sempre<br />

Legato, Easy-Going Blues and<br />

Encore<br />

UE 21300 (2-4)<br />

Three Pieces For 6 Hands<br />

at 1 Piano<br />

Mike Cornick<br />

Unusual and fun, these pieces<br />

vary in style: Anyone <strong>for</strong> Tennis?<br />

Baroque to the Blues and<br />

Bénodet Breeze.<br />

UE 21123 (6-7)<br />

Also from Mike Cornick:<br />

Latin Piano Duets<br />

UE 21007 (4-6)<br />

Rhona Lawson, Charlotte Little and Lucy Finch play piano six hands.<br />

Photography by Sean Ebsworth Barnes


Piano<br />

6 hands<br />

Greensleeves<br />

Laura Shur (arr.)<br />

UE 21518 (1-2)<br />

Dance of the Sugar-Plum Fairy<br />

Pyotr Tchaikovsky arr. Laura Shur<br />

UE 21519 (2-3)<br />

At the Movies<br />

Mike Cornick<br />

UE 21520 (3-4)<br />

Module Five<br />

Mike Cornick<br />

E 21314-27 (4)<br />

Each of the above pieces can be separately downloaded<br />

by going to: www.universaledition.com/trinity and<br />

following the link – they are only available on line.<br />

These pieces are set on the 2009-2011 Trinity Guildhall<br />

syllabus <strong>for</strong> Piano 6 Hands.<br />

ClarinEt<br />

Klezmer Clarinet Duets<br />

Helmut Hödl<br />

Any of these 12 pieces would be a popular choice <strong>for</strong><br />

the concert programme. Includes Chiri Biri Bam and<br />

Hava Nagila. Both parts are of equal technical level<br />

UE 34531 (5-7)<br />

Celtic Clarinet Duets<br />

Florian Brämbock<br />

UE 34532<br />

Modest Mussorgsky<br />

Pictures at an Exhibition<br />

5 Easy Pieces, Arr. Sven Birch<br />

2 cl. & pno<br />

UE 31182 (3-4 )<br />

Kurt Weill<br />

Selected pieces from The Threepenny Opera<br />

arr. by James Rae <strong>for</strong> 4 clarinets or<br />

3 clarinets and bass clarinet.<br />

Incl. The Canon Song, The Ballad of<br />

Mack the Knife and more.<br />

UE 30117 (4-6)<br />

Clarinet . <strong>Bestsellers</strong><br />

<strong>Universal</strong> <strong>Edition</strong><br />

supports young per<strong>for</strong>mer:<br />

Sarah Williamson<br />

the School Concert<br />

www.universaledition.com<br />

Wien · London · New York<br />

FlUtE<br />

Pages 65-75<br />

Sarah Williamson‘s photographs by Simon Tottman - www.simontottman.com<br />

Mixed doubles<br />

Blue Duets<br />

James Rae<br />

Bb Clarinet & Eb Saxophone<br />

UE 14052 (4-6)<br />

Camille Saint-Saëns<br />

The Carnival of the Animals<br />

Arr. Barbara Dobretsberger<br />

5 pieces <strong>for</strong> 2 flutes & piano.<br />

UE 30349 (3-4)<br />

Wolfgang Amadeus Mozart<br />

Don Giovanni<br />

Ed. Gerhard Braun & Karl Heinz Füssl<br />

11 pieces <strong>for</strong> 2 flutes<br />

UE 17284 (4-5)<br />

The Marriage of Figaro<br />

Ed. Gerhard Braun<br />

12 pieces <strong>for</strong> 2 flutes<br />

UE 16773 (4-5)<br />

Pages 83-87<br />

SaxoPhonE<br />

Celtic Flute Duets<br />

Florian Brämbock (arr.)<br />

14 arrangements <strong>for</strong> 2 flutes of<br />

traditional music from Scotland<br />

and Ireland.<br />

UE 33040 (3-6)<br />

Afro Latin Flute Duets<br />

Florian Brämbock<br />

Includes Guantanamera,<br />

La Cucaracha, Pata Pata,<br />

Mardi Gras and many more.<br />

UE 33041 (3-6)<br />

Blue Baroque Saxophone<br />

James Rae (arr.)<br />

Re-workings in the Blues style of pieces by Corelli,<br />

J.S. Bach, Couperin, Vivaldi, Purcell Petzold and Handel.<br />

For alto or tenor saxophone and piano<br />

UE 21465 (3-6)<br />

Kurt Weill<br />

Songs <strong>for</strong> Alto or Tenor Saxophone and Piano<br />

Martin Reiter (arr.) With CD<br />

10 songs from Weill’s most famous stage works.<br />

UE 34328 (4+)<br />

<strong>Music</strong> from The Threepenny Opera<br />

John Harle (arr.), Saxophone quartet<br />

UE 17575 (5-6)<br />

Richard Rodney Bennett<br />

Conversations <strong>for</strong> 2 Saxophones, S, A(T)<br />

UE 17773 (4-6)<br />

George Gershwin<br />

3 Preludes, Wolfgang Schlei (arr.)<br />

Saxophone quartet<br />

UE 17778 (5-7)<br />

Jazzy Duets<br />

James Rae<br />

Flute & Bb Clarinet<br />

UE 19396 (4-5)<br />

Jazzy Duets<br />

James Rae<br />

Flute & Bb Clarinet<br />

UE 19396 (4-5)<br />

Blue Duets<br />

James Rae<br />

Flute & Eb Saxophone<br />

UE 19710 (3-4)<br />

13


14<br />

Take Five - Harry Lime<br />

Paul Desmond - Anton Karas<br />

Heidi Brunner (arr.)<br />

Recorder quartet (SATB)<br />

UE 30256<br />

Waiting <strong>for</strong> a Bus<br />

Pete Rose<br />

3 fantasies <strong>for</strong> recorder quintet.<br />

Descant, treble, treble (tenor),tenor, bass.<br />

S, A, A(T), T, B, Score and parts<br />

UE 30372 (4-6)<br />

Arvo Pärt<br />

Summa<br />

Adapted <strong>for</strong> recorder quartet<br />

by Irmhild Beutler and Sylvia C. Rosin.<br />

High version: descant, treble 1,treble 2 and<br />

tenor (S, A1, A2, T)<br />

Low version: tenor, bass 1, bass 2<br />

and great bass (T, B1, B2, Gr. B)<br />

UE 33 030 (4+)<br />

CEllo<br />

rECordEr<br />

Blue Baroque Cello<br />

Mike Cornick<br />

Adaptations of works by<br />

JS Bach, Purcell, Rameau,<br />

Telemann and Petzold in<br />

modern styles.<br />

Cello and piano<br />

UE 21381 (4+)<br />

Carlos Gardel<br />

Tango Cello Duets<br />

Arr. Diego Collatti <strong>for</strong> 2 cellos<br />

Carlos Gardel became a legend in his own<br />

lifetime and these arrangments retain all<br />

the captivating, magnetic charms we<br />

assocaite with the Tango<br />

UE 34681 (5-7)<br />

Arvo Pärt<br />

Fratres<br />

Fratres is a fine example of Arvo Pärt‘s<br />

“Tintinnabuli” style of composing.<br />

This version is <strong>for</strong> 4, 8 or 12 Cellos.<br />

UE 17710 Score<br />

the School Concert<br />

Pages 52-55<br />

Pages 56-64<br />

Violin<br />

Aleksy Igudesman<br />

“The pieces themselves are<br />

captivating and designed<br />

with the per<strong>for</strong>mer in mind.<br />

These pieces …are sure to<br />

be a hit wherever they<br />

are per<strong>for</strong>med.”<br />

Helena Ruinard reviewing<br />

Latin and More<br />

<strong>for</strong> <strong>Music</strong> Teacher<br />

Latin and More<br />

Violin Duets<br />

Aleksey Igudesman<br />

As usual, Igudesman inspires, in<strong>for</strong>ms<br />

and entertains. Here Latin styles are<br />

explored: Salsa, Rumba, Samba, Tango<br />

and more. Added notes and guidelines<br />

<strong>for</strong> playing in style provided.<br />

UE 33653 (4-5)<br />

Klezmer and More<br />

Violin Duets<br />

Aleksey Igudesman<br />

From his unusual arrangement of the<br />

all-time Klezmer classic, Hava Nagila to<br />

his own compositions stylistically based<br />

on Klezmer’s Eastern European roots,<br />

these pieces will go down well!<br />

UE 33650 (4-5)<br />

Latin America<br />

Folk Tunes and Dances<br />

Easy Arrangements by Karl Bruckner<br />

2 guitars<br />

UE 30454 (3-4)<br />

<strong>Music</strong> For Guitar<br />

Selected Pieces <strong>for</strong> Two Guitars<br />

Ed. Alexander Swete. With CD<br />

Pieces from the Renaissance to the 20 th C.<br />

UE 32769 (3-5)<br />

beat it 2<br />

Latin guitar groove ensemble<br />

Richard Graf<br />

Guitar ensemble<br />

UE 32662 (4)<br />

gUitar<br />

Pages 33-40<br />

Violin . <strong>Bestsellers</strong><br />

<strong>Universal</strong> <strong>Edition</strong><br />

supports young per<strong>for</strong>mer:<br />

Thomas Gould<br />

www.universaledition.com<br />

Wien · London · New York<br />

Celtic and More<br />

Violin Duets<br />

Aleksey Igudesman<br />

Here we are taken into the diverse realms of<br />

Celtic music. Incl. Morrison’s Jig, My Bonnie<br />

Flies over the Ocean, Auld Lang Syne and<br />

Igudesman’s own original pieces.<br />

UE 33652 (4-5)<br />

Kurt Weill<br />

Songs<br />

For violin and piano. With CD<br />

Martin Reiter (arr.)<br />

UE 34324 (middle-grade)<br />

Carlos Gardel<br />

Tango Violin Duets<br />

UE 33651 (4-5)<br />

Mixed doubles<br />

Mauro Giuliano<br />

Easy and Enjoyable Pieces op. 74<br />

Ed. Heinz Wallisch<br />

Flute (vln) & guitar<br />

UE 17286 (1-4)<br />

John Dowland<br />

3 Songs<br />

Violin (rec.) & guitar<br />

UE 12403 (4-5)<br />

Fernando Sor<br />

Romanze<br />

Violin (fl.) & guitar or 2 guitars<br />

UE 16685 (3-4)<br />

Wolfgang Amadeus Mozart<br />

Duo KV 423<br />

Arr. Eliot Fisk<br />

Violin & guitar<br />

UE 32987 (6-7)<br />

J. S. Bach<br />

Four Duets (after BWV 802-805)<br />

Trns. Johann Kortschak<br />

Violin & cello<br />

UE 10468a (4-5)<br />

Thomas Gould‘s photographs by Simon Weir - www.simonweir.com


Choral<br />

Richard Rodney Bennett<br />

Five Carols<br />

SATB For four voices or<br />

four-part choir<br />

UE 19157 Five Carols<br />

These beautiful a cappella carols<br />

are also available separately:<br />

UE 14010 There is No Rose<br />

(anon.) u<br />

UE 14011 Out of your Sleep<br />

(15 th C); u<br />

UE 14012 That Younge Child<br />

(anon.) u<br />

UE 14013 Sweet was the Song<br />

(William Ballett – 17 th C) u<br />

UE 14014 Susanni (14 th C) u<br />

What Sweeter <strong>Music</strong><br />

Text: Robert Herrick<br />

For Choir SATB a cappella<br />

From 2 Carols<br />

UE 14658 u<br />

Béla Bartók<br />

Shepherds’ Christmas Songs<br />

Melodies of the Romanian Colinde<br />

For choir SATB Germ. / Eng.<br />

Part 1 UE 13048 u<br />

Part 2 UE 13049 u<br />

Zoltán Kodály<br />

Christmas Dance of the<br />

Shepherds<br />

For choir SA and a wind instrument<br />

Choral score (Eng.)<br />

UE 10878 u<br />

Sing ‘n’ Swing<br />

Christopher Norton<br />

Five easy up-beat carols <strong>for</strong><br />

two-part voices and piano with<br />

optional percussion.<br />

Carols incl. The Inn-keeper’s Carol,<br />

Let’s go to Bethlehem, Mighty<br />

Kings, Child of the Evening,<br />

Rise up and Sing.<br />

UE 17614<br />

the School Christmas Concert<br />

Piano<br />

Deck the Hall<br />

Laura Shur<br />

Beautiful arrangements<br />

of 10 favourite carols.<br />

UE 19799 (4-6)<br />

Carol Jazz<br />

Christopher Norton<br />

Good King Wenceslas, Silent Night,<br />

We Three Kings, Shepherds‘ Rag,<br />

Jingle Bells<br />

UE 17615 (4-5)<br />

Béla Bartók<br />

Romanian Christmas Songs<br />

Rev. Peter Bartók<br />

UE 5890 (5)<br />

Piano Duets <strong>for</strong> Christmas<br />

Geoffry Russell-Smith<br />

From the serious to the light-<br />

hearted, these freely arranged<br />

traditional pieces are real<br />

show-stoppers.<br />

UE 19712 (3-4)<br />

Hire Material: To obtain hire material please go to:<br />

www.universaledition.com, enter the catalogue number<br />

in the search box and click on the title - continue through to<br />

“More details on this work“ <strong>for</strong> the options.<br />

Sleigh Ride For Two<br />

With CD<br />

Mike Cornick<br />

Included are Leroy Anderson’s<br />

bouncy and happy Sleigh Ride,<br />

beautifully contrasting Silent Night,<br />

I Saw Three Ships, Jingle Bells and<br />

a medley of four other favourites to<br />

surprise and delight. (4-5+)<br />

UE 21454<br />

Christmas Carols<br />

Piano duets<br />

Christopher Norton<br />

14 well-known carols in very easy<br />

arrangements.<br />

UE 17314 (1)<br />

f<br />

ChriStMaS Jazz<br />

KEYBoard<br />

Christmas Keyboard<br />

Songbook<br />

Mike Cornick<br />

25 easy carols with words provided.<br />

Mike Cornick offers advice on<br />

keyboard settings.<br />

UE 21076 (1-2)<br />

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An interesting alternative to the more<br />

conventional settings at Christmas time<br />

Eight festive melodies <strong>for</strong> solo instrument and piano<br />

arranged in the jazz idiom by James Rae<br />

For the purpose of ensemble playing, CHRISTMAS JAZZ<br />

is published with the same piano accompaniment.<br />

Chord symbols are provided <strong>for</strong> the use of guitars or keyboards.<br />

Incl. Ding Dong! Merrily On High, God Rest Ye Merry,<br />

Gentlemen, Good King Wenceslas, Hark! The Herald Angels<br />

Sing, Jingle Bells, Joy To The World, O Little Town Of Bethlehem<br />

Christmas Jazz <strong>for</strong> Flute UE 19184<br />

Christmas Jazz <strong>for</strong> Clarinet UE 19187<br />

Christmas Jazz <strong>for</strong> Alto Saxophone UE 19188<br />

Christmas Jazz <strong>for</strong> Trumpet UE 19186<br />

Christmas Jazz <strong>for</strong> Trombone UE 19190<br />

Christmas Jazz <strong>for</strong> Violin UE 19185<br />

Christmas Jazz <strong>for</strong> Cello UE 19189<br />

f<br />

d<br />

15


16<br />

FlUtE<br />

2 Flutes and Piano<br />

Leopold Mozart<br />

A <strong>Music</strong>al Sleigh Ride<br />

Arr. Veronika Kainzbauer<br />

7 pieces<br />

UE 30352 (3-4)<br />

Pyotr Il’yich Tchaikovsky<br />

The Nutcracker<br />

Arr. Barbara Dobretsberger<br />

7 favourite pieces in easy<br />

arrangements<br />

UE 30357 (3-4)<br />

Engelbert Humperdinck<br />

Hansel and Gretel<br />

Arr. Georges Sanev<br />

7 favourite pieces<br />

UE 30355 (4)<br />

Happy Christmas Concert<br />

Arr. Karl Bruckner<br />

6 Christmas favourites in easy<br />

arrangements<br />

UE 30354 (2-3)<br />

Violin<br />

2 Violins and Piano<br />

Leopold Mozart<br />

A <strong>Music</strong>al Sleigh Ride<br />

Arr. Veronika Kainzbauer<br />

7 pieces<br />

UE 30326 (3-4)<br />

Pyotr Il’yich Tchaikovsky<br />

The Nutcracker<br />

Arr. Barbara Dobretsberger<br />

7 favourite pieces in easy<br />

arrangements<br />

UE 30331 (3-4)<br />

Engelbert Humperdinck<br />

Hansel and Gretel<br />

Arr. Georges Sanev<br />

7 favourite pieces<br />

UE 30329 (4)<br />

the School Christmas Concert<br />

rECordEr<br />

Rudolph the Red-Nosed<br />

Reindeer<br />

& other famous Christmas songs<br />

Sylvia Rosin / Irmhild Beutler<br />

For 3 Recorders (SAT(B))<br />

Score & Parts<br />

UE 31474 (3-4)<br />

French Christmas Songs<br />

E. P. Chedeville (1696-1762)<br />

2 Treble and 2 Descant Recorders<br />

Score & Parts<br />

UE 30250 (3-4)<br />

Béla Bartók<br />

Romanian Christmas Songs<br />

Arr. Christa Sokoll<br />

For recorder choir SATB (3-5)<br />

UE 11417 Score & Parts<br />

UE 11417A Soprano (descant)<br />

UE 11417B Alto (treble)<br />

UE 11417C Tenor<br />

UE 11417D Bass<br />

The Little Drummer Boy /<br />

Hallelujah<br />

Vincent Youmans / Anon.<br />

Arr. Heidi Brunner<br />

For Recorder Quartet Score & Parts<br />

UE 30458 (3-4)<br />

CEllo<br />

Weihnacht<br />

Arr. Alfred H. Bartles<br />

17 German Christmas songs in<br />

easy arrangements <strong>for</strong> 2 or 3 cellos<br />

UE 18703 (2 -3)<br />

f<br />

gUitar<br />

Old Christmas Carols<br />

Karl Scheit<br />

For 3 Guitars<br />

UE 18969<br />

Christmas Selection<br />

Arr. Karl Scheit <strong>for</strong> guitar solo<br />

German language carols incl. Alle<br />

Jahre wieder, Ihr Kinderheit kommet<br />

,O du fröhliche, Es ist ein Ros<br />

entsprungen and many more.<br />

UE 16720<br />

EnSEMBlE<br />

Chamberpops<br />

God Rest Ye Merry<br />

Gentlemen / Jingle Bells<br />

Arr. Mike Cornick<br />

Score & Parts<br />

See main feature, page 2,<br />

<strong>for</strong> instrumentation<br />

UE 19213 (3-5)<br />

d<br />

KAT 60735-99<br />

EnSEMBlE<br />

Centre Stage · Christmas<br />

Four-part flexible chamber music<br />

arrangements featuring a soloist<br />

Joy to the World music attributed<br />

to Lowell Mason (1792-1872)<br />

Silent Night<br />

by Franz Xaver Gruber (1787-1863)<br />

Arranged by James Rae<br />

See main feature, page 2,<br />

<strong>for</strong> instrumentation<br />

UE 21453 (2-4)<br />

The Nutcracker<br />

Pyotr Il’yich Tchaikovsky<br />

Arr. Barbara Dobretsberger<br />

Teens on Stage<br />

Pieces incl. The Dance of the Reed<br />

Flutes, Grandfather’s Dance, Waltz<br />

of the Flowers, The March of the<br />

Toy Soldiers and more.<br />

See main feature, page 3,<br />

<strong>for</strong> instrumentation<br />

UE 30311 (4-7)<br />

A <strong>Music</strong>al Sleigh Ride<br />

Leopold Mozart<br />

Arr. Veronika Kainzbauer<br />

Children on Stage<br />

Six selected pieces<br />

See main feature, page 3,<br />

<strong>for</strong> instrumentation<br />

UE 30306 (3-5)<br />

Three Christmas Songs<br />

Frank Martin<br />

Voice, flute and piano<br />

Les Cadeaux, Image de Noel,<br />

Les Bergers<br />

UE 13486 (4-5)<br />

www.universaledition.com<br />

Wien · London · New York<br />

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