Music for Schools Bestsellers - Universal Edition
Music for Schools Bestsellers - Universal Edition
Music for Schools Bestsellers - Universal Edition
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<strong>Music</strong> <strong>for</strong> <strong>Schools</strong><br />
11 – 17 years . <strong>Bestsellers</strong><br />
<strong>Universal</strong> <strong>Edition</strong><br />
Teaching Material<br />
Ensemble<br />
Choral<br />
Operas and <strong>Music</strong>als<br />
The School Concert<br />
Mack the Knife‘s gang members in:<br />
The Threepenny Opera<br />
Kurt Weill / Bertholt Brecht<br />
www.universaledition.com<br />
Wien · London · New York<br />
1
2<br />
e<br />
Ensemble<br />
CEntrE StagE<br />
Easy Popular Classics<br />
Arranged by James Rae<br />
Four-part, flexible, elementary chamber<br />
music arrangements featuring a soloist.<br />
These popular classics have been selected by<br />
James Rae <strong>for</strong> their suitability <strong>for</strong> developing<br />
players. Whilst written <strong>for</strong> a chamber group,<br />
any number of players could equally well<br />
join each part.<br />
(2-4)<br />
Centre Stage 3<br />
Centre Stage<br />
The Bird Catcher’s Song<br />
Largo (‘From the New World’) (The Magic Flute)<br />
by Antonin Dvoˇrák<br />
by Wolfgang Amadeus Mozart<br />
Promenade (Pictures at an<br />
Exhibition)<br />
by Modest Mussorgsky<br />
UE 21172<br />
Centre Stage 2<br />
Mack the Knife<br />
(The Threepenny Opera)<br />
by Kurt Weill<br />
Habanera (Carmen)<br />
by Georges Bizet<br />
UE 21266<br />
Oh My Dear Father<br />
(Gianni Schicchi )<br />
by Giacomo Puccini<br />
UE 21318<br />
Centre Stage 4<br />
Poco Adagio Cantabile<br />
(from The Emperor Quartet)<br />
by Joseph Haydn<br />
Prelude (from Te Deum)<br />
by Marc-Antoine Charpentier<br />
UE 21463<br />
Please note, a selected list of titles <strong>for</strong> Christmas<br />
may be found on the final pages of the catalogue.<br />
Instrumentation:<br />
PART 1 Solo in C, Bb,or Eb<br />
Flute, Oboe, Violin, Clarinet or Alto Sax.<br />
PART 2 in C, Bb or Eb<br />
Flute, Oboe, Violin, Clarinet or Alto Sax.<br />
PART 3 in C, Bb or F<br />
Violin, Viola, Clarinet, Tenor Sax. or French Horn<br />
PART 4 in C, Bb<br />
Cello, Double Bass, Bassoon or Bass Clarinet<br />
PIANO (optional) <strong>for</strong> rehearsal or to support the per<strong>for</strong>mance<br />
Chamberpops<br />
Popular pieces <strong>for</strong> flexible woodwind<br />
or saxophone ensemble<br />
(or, in combination) with optional<br />
rhythm section or bassoon.<br />
(3-5)<br />
The Lass of Richmond Hill<br />
arr. Mike Cornick<br />
Frère Jacques arr. James Rae<br />
UE 16518<br />
Men of Harlech<br />
arr. James Rae<br />
The Blaydon Races arr. James Rae<br />
UE 16557<br />
Cover: (Left to right) Felix Guyer, Ben Cork, Andy Lake and Ben Schilperoort in the Hills Road Sixth Form College, Cambridge<br />
production of The Threepenny Opera, directed by Richard Fredman. Members of Macheath‘s (Mack the Knife‘s) gang look on<br />
– transfixed as they listen to the gripping tale of “Pirate Jenny“.<br />
Photograph used with kind permission.<br />
Further stage productions suitable <strong>for</strong> secondary schools may be found on pages 8 and 9.
ChildrEn on StagE<br />
Each volume of arrangements <strong>for</strong> children contains a score (with piano) and parts <strong>for</strong> C and Bb instruments, and<br />
optional bass and percussion. Where applicable, there is a synopsis of the plot, or background in<strong>for</strong>mation.<br />
Some also include an optional singing part. For lower to middle grades.<br />
The Carnival of the<br />
Animals<br />
Camille Saint-Saëns<br />
Arr. Barbara Dobretsberger<br />
Incl. The Swan, The Elephant,<br />
Tortoises, The March of the Lions,<br />
Hens and Cockerels<br />
UE 30303<br />
Not <strong>for</strong> sale in France<br />
Peer Gynt<br />
Edvard Grieg<br />
Arr. Barbara Dobretsberger<br />
Incl. Morning Mood, In the<br />
Hall of the Mountain King,<br />
Peer Gynt’s Homecoming,<br />
Solveig’s Song<br />
UE 30304<br />
Gospels and Spirituals<br />
Arr. Michael Radanovics<br />
Incl. Go Down Moses, Michael Row<br />
the Boat Ashore, Nobody Knows<br />
the Trouble I’ve Seen and more.<br />
UE 30305<br />
The Magic Flute<br />
W. A. Mozart<br />
Arr. Barbara Dobretsberger<br />
A selection of themes from the<br />
opera which can be per<strong>for</strong>med<br />
separately. If per<strong>for</strong>med in total,<br />
text is provided to link the<br />
pieces and update the plot.<br />
UE 30307<br />
Hansel and Gretel<br />
Engelbert Humperdinck<br />
Arr. Georges Sanev<br />
7 selected highlights<br />
incl. Brother, Come and Dance<br />
with me and Evening Prayer<br />
Text and narrative provided.<br />
UE 30309<br />
Children’s Corner<br />
Claude Debussy<br />
Arr. Joseph Diermaier<br />
6 pieces arranged<br />
<strong>for</strong> middle-grade players<br />
UE 30313<br />
tEEnS on StagE<br />
A step further than Children on Stage, this series provides adaptations of the classics but at a slightly<br />
higher technical level. Arranged by experienced musicians and teachers these collections are not only<br />
inspiring but user-friendly.<br />
The Threepenny Opera<br />
Kurt Weill<br />
Arr. James Rae<br />
UE 31161<br />
Pictures at an Exhibition<br />
Modest Mussorgsky<br />
Arr. Sven Birch<br />
UE 31162<br />
Die Fledermaus<br />
Johann Strauss<br />
Arr. Sven Birch<br />
UE 31163<br />
Instrumentation:<br />
PARTS 1 and 2 in C Violin, Flute, Recorder<br />
PARTS 1 and 2 in Bb Clarinet, Trumpet, Saxophone<br />
PIANO<br />
BASS PARTS Cello, Bassoon, Double Bass,<br />
PERCUSSION ad lib. Drums, Triangle, Wood Block<br />
X<br />
Ensemble<br />
The Cunning Little Vixen<br />
Leoš Janá ˘cek<br />
Arr. Barbara Dobretsberger<br />
Selected musical highlights and<br />
narrative linking the pieces.<br />
UE 30310<br />
A Midsummer Night’s<br />
Dream<br />
Felix Mendelssohn<br />
Arr. Barbara Dobretsberger<br />
Narrative provided<br />
UE 30312<br />
Instrumentation:<br />
PARTS 1 and 2 in C Violin, Flute, Recorder<br />
PARTS 1 and 2 in Bb Clarinet, Trumpet, Saxophone<br />
PIANO<br />
BASS PARTS Cello, Bassoon, Double Bass<br />
PERCUSSION ad lib. Drums, Triangle, Wood Block<br />
Háry János<br />
Zoltan Kodály<br />
Arr. Kurt Schwertsik<br />
UE 31164<br />
Scheherazade<br />
Nikolay Rimsky-Korsakov<br />
Arr. Joseph Diermaier<br />
UE 31165<br />
Please note, a selected list of titles <strong>for</strong> Christmas<br />
may be found on the final pages of the catalogue.<br />
3
4<br />
EnSEMBlE - StringS<br />
Arranged by Michael Radanovics<br />
<strong>for</strong> 3 violins (or 2 violins and viola) and cello.<br />
Score and parts<br />
UE <strong>for</strong> Ensemble – Strings 1<br />
Winds and Waves<br />
Dorian Prelude<br />
UE 19840 (3)<br />
UE <strong>for</strong> Ensemble – Strings 2<br />
Scarborough Fair<br />
Midnight Special<br />
UE 19841 (3-4)<br />
UE <strong>for</strong> Ensemble – Strings 3<br />
Lily of the West<br />
Tom Dooley<br />
UE 19842 (3-5)<br />
UE <strong>for</strong> Ensemble – Strings 4<br />
Cotton Fields<br />
Amazing Grace<br />
UE 19843 (3-5)<br />
UE <strong>for</strong> Ensemble – Strings 5<br />
Clementine<br />
She’ll be Comin‘ Round the Mountain<br />
UE 19845 (4-5)<br />
Ensemble<br />
EnSEMBlE - Wind<br />
Arranged by Terry Kenny<br />
Well-known pieces of the Classical and Romantic eras arranged <strong>for</strong> flexible wind ensemble<br />
and suitable <strong>for</strong> middle-grade players.<br />
Score and parts provided.<br />
Instrumentation:<br />
PART 1 in C Flute, Oboe<br />
PART 1 in Bb Clarinet<br />
PART 2 in C Flute, Oboe<br />
PART 2 in Bb Clarinet<br />
PART 3 in Bb Clarinet, Tenor Sax.<br />
PART 3 in Eb Alto Saxophone<br />
PART 4 in C Bassoon<br />
PART 4 in Bb Clarinet<br />
PART 4 in Bb Tenor Saxophone<br />
UE <strong>for</strong> Ensemble – Wind 1<br />
Romance (Eine kleine Nachtmusik)<br />
Give me Your Hand (Don Giovanni)<br />
Wolfgang Amadeus Mozart<br />
UE 19901 (3-4)<br />
UE <strong>for</strong> Ensemble – Wind 2<br />
Air (Rinaldo)<br />
George Frideric Handel<br />
Dance Duet (Hansel and Gretel)<br />
Engelbert Humperdinck<br />
UE 19902 (3-4)<br />
UE <strong>for</strong> Ensemble – Wind 3<br />
Andante (Surprise Symphony)<br />
Joseph Haydn<br />
Minuet (Don Giovanni)<br />
Wolfgang Amadeus Mozart<br />
UE 19903 (3-4)<br />
g<br />
UE <strong>for</strong> Ensemble – Wind 5<br />
Champagne Polka (Die Fledermaus)<br />
Johann Strauss<br />
UE 19905 (3-5)<br />
UE <strong>for</strong> Ensemble – Wind 6<br />
Eine kleine Nachtmusik<br />
Wolfgang Amadeus Mozart<br />
UE 19906 (3-4)<br />
UE <strong>for</strong> Ensemble – Wind 7<br />
L’Arlèsienne<br />
Georges Bizet<br />
UE 19907 (3-5)<br />
UE <strong>for</strong> Ensemble – Wind 8<br />
A <strong>Music</strong>al Joke<br />
Wolfgang Amadeus Mozart<br />
UE 19908 (3-5)<br />
UE <strong>for</strong> Ensemble – Wind 9<br />
Three Slavonic Dances<br />
Antonin Dvoˇrák<br />
UE 19909 (4-5)<br />
UE <strong>for</strong> Ensemble – Wind 10<br />
Two Hungarian Dances Nos. 5 & 6<br />
Johannes Brahms<br />
UE 19910 (5-6)
EnSEMBlE - Jazz<br />
Arranged by James Rae<br />
Ensemble material in a jazzy style<br />
<strong>for</strong> players of moderate ability.<br />
Designed especially <strong>for</strong> schools, these<br />
arrangements are suitable <strong>for</strong> various<br />
combinations of instruments.<br />
Score and parts provided.<br />
UE <strong>for</strong> Ensemble – Jazz 1<br />
Down by the Riverside<br />
UE 19680 (3-5)<br />
UE <strong>for</strong> Ensemble – Jazz 2<br />
Oh, When the Saints<br />
UE 19681 (3-5)<br />
UE <strong>for</strong> Ensemble – Jazz 3<br />
Swing Low, Sweet Chariot<br />
UE 19682 (4)<br />
UE <strong>for</strong> Ensemble – Jazz 4<br />
Joshua Fought the Battle of Jericho<br />
UE 19683 (4-5)<br />
UE <strong>for</strong> Ensemble – Jazz 5<br />
Dry Bones<br />
UE 19684 (4)<br />
UE <strong>for</strong> Ensemble – Jazz 6<br />
Campdown Races<br />
UE 19685 (4-5)<br />
Ensemble<br />
trioS<br />
James Rae’s Jazz Trios<br />
These collections of original and contrasting pieces were written <strong>for</strong> players<br />
of moderate abilities to play music in the “jazz idiom” in a small ensemble.<br />
All three parts are of equal importance, the piano part occasionally sharing<br />
the limelight. Chord symbols are provided <strong>for</strong> the purpose of improvisation.<br />
(3 – 4)<br />
Flute, Clarinet and Piano<br />
UE 16593<br />
Clarinet, Alto Saxophone and Piano<br />
UE 16594<br />
2 Alto Saxophones and Piano<br />
UE 16595<br />
Workshop 21<br />
Four-part flexible ensembles<br />
arranged and edited by David Bed<strong>for</strong>d<br />
These eight pieces, from medieval times to the present day,<br />
may be played by a wide variety of instruments.<br />
The four-part arrangements (SATB) are offered in two tessituras <strong>for</strong> greater flexibility<br />
and are playable by as few as four (one to each part) to as many as 400 per<strong>for</strong>mers.<br />
Score and parts are included.<br />
UE 18786 Book 1 La Mourisque Tylman Susato / William’s Fancye Wilfred Josephs<br />
UE 18787 Book 2 Alleluia Anon. / The Indian Coffee House Tango Carey Blyton<br />
UE 18788 Book 3 Gavotte J. S. Bach / Minuet W. A. Mozart<br />
UE 18789 Book 4 Our House Madness / Bass Band and Sting Quartet John Paynter<br />
&<br />
5
6<br />
Brazil<br />
Jovino Santos Neto (Arr.)<br />
Incl: Choro da Luz, Quebrasamba,<br />
Maracatu, Cantigas de Roda<br />
and Coco<br />
UE 31526<br />
Ensemble<br />
World MUSiC<br />
The superbly produced CDs in this series <strong>for</strong> ensemble players and soloists immediately bring alive traditional music from around the world as well as pieces<br />
composed especially <strong>for</strong> the series with all its colours, idiosyncrasies and diversity.<br />
Each of the ensemble volumes contains parts <strong>for</strong> C or Bb instruments, accompanied by keyboard, bass and percussion, with particular reference to the<br />
country’s special requirements. The CD features demonstrations of the music and also serves as an accompaniment. Teachers and students will value the<br />
comprehensive notes on traditional instruments and interpretation. Intermediate-level players.<br />
Cuba<br />
Richard Graf & Richard Filz<br />
Bolero; Son Montuno; Cha Cha;<br />
Mambo; Rumba<br />
UE 31521<br />
Madagascar<br />
HAJAmadagascar &<br />
August Schmidhofer (Arr.)<br />
5 pieces including the traditional<br />
O! Dralako<br />
Vocal part also included.<br />
UE 31527<br />
Russia<br />
Ivan Malachovsky (Arr.)<br />
Kalinka; Black Eyes; The Moon is Shining,<br />
Steppe all Around; Valenky<br />
UE 31524<br />
Ireland<br />
Richard Graf (Arr.)<br />
Includes: The Foggy Dew, The Wind<br />
that Shakes the Barley, The Wild Rover,<br />
Danny Boy and The Connaughtman’s<br />
Rambles<br />
UE 31522<br />
Scotland<br />
James Rae (Arr.)<br />
Scotland the Brave; My Love is Like a<br />
Red, Red Rose; The Skye Boat Song;<br />
Mhairi’s Wedding, 100 Pipers<br />
UE 31525<br />
Klezmer<br />
Yale Strom (Arr.)<br />
Incl: The Silver Crown; Ma Yofes;<br />
Stoliner Nign; Dorohoi Khusidl<br />
CD features an authentic Klezmer band<br />
UE 31529<br />
Israel<br />
Timna Brauer & Elias Meiri<br />
Hava Nagila; Dror yikra; Ahavat Hadassa;<br />
Tchiribim Tchiribom; Shalosh bnot hapele<br />
UE 31523<br />
Argentina<br />
Diego Collatti<br />
Includes: Tango; Vals Criollo,<br />
Milonga, Zamba; Chacarera<br />
UE 31528
A source of reference<br />
and a guide <strong>for</strong> aspiring composers<br />
SoUnd<br />
FoUndationS<br />
James Rae & Mike Cornick<br />
THIS INFORMATIVE and stimulating volume with CD on the art and craft of<br />
composing will be welcomed by anyone who is learning to compose and is<br />
especially suitable <strong>for</strong> those taking secondary school music examinations.<br />
Two well-established music educationalists, James Rae and Mike Cornick,<br />
both of whom are composers with a combined wealth of teaching experience<br />
have, together, produced a practical and in<strong>for</strong>mative resource to meet the needs<br />
of developing composers.<br />
SOUND FOUNDATIONS includes:<br />
· The fundamentals of music theory, including time- and key-signatures,<br />
scales and a section to get you started in understanding harmony<br />
· Explanation of the basics as well as many of the finer points of<br />
musical notation and the applications of music software<br />
· A CD with over 100 recorded examples directly related to the text<br />
as well as two play-along tracks <strong>for</strong> jazz improvisation<br />
· Specific tips on writing <strong>for</strong> the voice and the piano as well as a<br />
thorough survey of virtually every other instrument, including<br />
ranges and characteristics<br />
· The meaning of <strong>for</strong>eign musical terms<br />
Explore sample pages of SOUND FOUNDATIONS at:<br />
www.universalediton.com/soundfoundations<br />
teaching Material<br />
· Adding dynamics, articulation and other essentials to your score<br />
· More than 150 suggestions <strong>for</strong> further listening in a wide range of genres<br />
· An extensive glossary of technical terms<br />
· A range of inspiring compositional assignments<br />
In Sound Foundations, James Rae and Mike Cornick present a vast amount of essential<br />
in<strong>for</strong>mation in an accessible and readable style. Historical background is introduced<br />
where necessary and many compositional approaches and starting points are explored.<br />
Amusingly illustrated with additional light relief in the <strong>for</strong>m of entertaining anecdotal<br />
snippets, this volume can be read in its entirety or dipped into whenever needed.<br />
UE 21483 ISBN 978-3-7024-6731-9<br />
Which comes first –<br />
the melody or the lyrics?<br />
with<br />
Cd<br />
Suitable <strong>for</strong><br />
gCSE music<br />
(UK)<br />
7
8<br />
operas<br />
Please note, if you would like to stage per<strong>for</strong>mances of these copyright works you can contact us regarding the per<strong>for</strong>mance fees and obtaining a licence<br />
on our website – similarly if you would like material that is only available on hire. Go to: www.universaledition.com, enter the catalogue number in the<br />
search box and click on the title – continue through to “More details on this work” <strong>for</strong> the options.<br />
UE 31544<br />
KU RT WEILL /BE R T O L T BRECHT<br />
DIE DREIGROSCHENOPER<br />
Ein Stück mit Musik<br />
in einem Vorspiel und acht Bildern<br />
Klavierauszug<br />
All the King’s Men<br />
Richard Rodney Bennett (music)<br />
Beverley Cross (libretto)<br />
Bennett’s moving opera <strong>for</strong> young people is a classic in its genre and continues to achieve success in many parts<br />
of the world. The story is set in the time of the English Civil War at the siege of Gloucester in 1643. A certain Dr<br />
Chillingworth has been enrolled by the King’s Council of War. His suggested way of taking the town is to construct a<br />
Roman style “tortoise” to bridge the river Severn and <strong>for</strong>m a covered way over the city walls. It is renamed “Humpty-<br />
Dumpty”. Their plan is foiled by the roundheads and it collapses into the river where “all the King’s horses and all<br />
the King’s men” were unable to rescue it. The opera ends poignantly with the appearance of the little drummer boy<br />
who, after the horrors of battle, reflects on the senselessness of war. “You can’t dig fields with drumsticks, you can’t<br />
plough with a gun”. He was not even sure who had won or who had lost.<br />
Scored <strong>for</strong> solo singers, speaking parts, choruses and school orchestra 2.1.2.1-2.2.1.0 – glock, xyl, chime bars, perc,<br />
pno (4 hands), guitar – strings. The pieces may be per<strong>for</strong>med with piano reduction and added percussion.<br />
40 – 45 minutes<br />
UE 14661 Vocal Score<br />
UE 14665a Choral Score (single copies not available)<br />
UE 14660 Full Score – on hire<br />
UE 14663 Set of parts – on hire<br />
Extra parts available<br />
Die Dreigroschenoper / The Threepenny Opera X))<br />
Kurt Weill (music)<br />
Bertolt Brecht (German adaptation)<br />
Based on Elisabeth Hauptmann’s translation of “The Beggar’s Opera” by John Gay<br />
English lyrics by Michael Feingold<br />
First per<strong>for</strong>med in 1928, The Threepenny Opera is one of the first collaborations between Kurt Weill and Bertolt<br />
Brecht. With the combination of Weill’s musical style and Brecht’s political comment, it has become a classic of<br />
modern musical theatre. This new edition, prepared by Edward Harsh, is based on the critical edition of the work<br />
and is edited by Stephen Hinton and Edward Harsh. It was published in 2000 and can be used with the 1928 libretto<br />
and critical edition of the full score.<br />
The show opens with one of the most well-known songs of the 20 th century: Mack the Knife. The song tells of his<br />
infamous deeds and sets the tone of the story that follows. The scene is London Soho’s underworld be<strong>for</strong>e the<br />
coronation of Queen Victoria.<br />
To summarise – Jonathan Peachum, all-powerful controller of the local beggars, is out to get the notorious Macheath<br />
(Mack the Knife) <strong>for</strong> his involvement with his daughter, Polly. In a confrontation with her parents, Polly lets slip that<br />
Macheath is an old friend of the Chief of Police who has saved him from arrest, many times. The Peachums use this<br />
knowlege to their own advantage by bribing Mac’s <strong>for</strong>mer girl-friend to betray him to the police. The plot becomes,<br />
in fact, much more convoluted but Mac is imprisoned, twice – and the second time is facing execution when a<br />
messenger appears with a reprieve from the queen who has granted him a castle, title and a pension. The cast sing<br />
the finale requesting that wrongdoers should not be punished too severely.<br />
55 minutes music<br />
UE 31544 Vocal Score (Eng. / Ger.)<br />
UE 34304 Study Score<br />
Orchestral material is available on hire<br />
Der Jasager / He Who Says Yes X))<br />
School Opera in 2 Acts<br />
Kurt Weill (music)<br />
Bertolt Brecht (libretto)<br />
English translation: J. M. Potts<br />
Although taken from the Japanese Noh play “Taniko”, the music <strong>for</strong> this school opera in 2 acts is entirely western in<br />
origin. Bertholt Brecht’s play is one of his “Lehrstücke” (teaching plays), written to instruct the young. A boy is part<br />
of a small party journeying high into the mountains, his mission is to bring back medicine <strong>for</strong> his ailing mother. The<br />
journey is too much <strong>for</strong> him, he falls ill and agrees to have himself hurled down the precipice so the expedition can<br />
proceed – a self-sacrificing act <strong>for</strong> the greater “collective” good. Scored <strong>for</strong> a small number of soloists and chorus,<br />
this opera is best staged simply.<br />
35 minutes.<br />
UE 8206E Vocal score English text<br />
UE 8206 Vocal score German text<br />
Orchestral material on hire: Instrumentation: 1 fl (ad lib), 1 cl (ad lib),<br />
1 alto sax (ad lib), 2 pnos, harmonium, perc (ad lib), plucked inst (ad lib),<br />
str – as many as possible.<br />
X)) Audio excerpts may be found<br />
on our website.<br />
C
<strong>Music</strong>als<br />
Ali Baba<br />
James Rae and Mike Cornick<br />
The story of Ali Baba has been updated and trans<strong>for</strong>med into an entertaining musical in<br />
pantomime style easily adapted to suit your resources. Ali is a pizza delivery boy and stumbles<br />
across the lock-up garage where the <strong>for</strong>ty thieves have stashed their stolen goodies.<br />
The incidental music cues assist the characters in their entries, exits and some of their jokes whilst<br />
there is much singing and dancing to entertain the audience.<br />
· Suitable <strong>for</strong> lower secondary school<br />
· Contains a CD of professional backing tracks and sound effects to stage the entire<br />
show and to assist with learning the songs<br />
· Easy piano accompaniment if preferred<br />
· Parts <strong>for</strong> soloists, comic characters, pizza ingredients (the younger per<strong>for</strong>mers)<br />
and not <strong>for</strong>getting Flash, the pantomime camel!<br />
· 90 minutes but easily adapted<br />
UE 14068 Vocal score, CD and script<br />
UE 14069 Pack of 5 further scripts available on hire<br />
UE 14070 Full score available on hire<br />
UE 14071 Set of parts available on hire<br />
Jack!<br />
James Rae and Mike Cornick<br />
Jack and the Beanstalk has been adapted … Jack lives in London’s Docklands<br />
with his mother and trades Morag, their cow, <strong>for</strong> three dishes and some<br />
magic beans from the mysterious No Kan Du, fairy godfather and proprietor<br />
of the 24 hour mobile kitchen “Wok Around the Clock”. As the story unfolds<br />
they encounter some strange and colourful characters but throughout opportunities<br />
abound <strong>for</strong> singing, dancing and lots of jokes!<br />
· Suitable <strong>for</strong> lower secondary school<br />
· Contains a CD of professional backing tracks and fun sound effects to<br />
stage the entire show and to assist with learning the songs<br />
· Easy piano accompaniment provided if preferred<br />
· 10 songs each exploring a different musical style with parts <strong>for</strong> soloists,<br />
choruses and Morag, the highland cow<br />
· 60 minutes but flexible and easily adapted <strong>for</strong> large or small groups<br />
UE 17376 Jack! Vocal score with CD accompaniment, script and lyrics sheet<br />
UE 17377 Pack of 5 further scripts and 10 lyric sheets<br />
Cinderella Jones<br />
James Rae and Mike Cornick<br />
Aimed at the lower secondary age group and above, this hilariously funny version of Cinderella takes some<br />
unexpected twists and turns and ends quite differently from the usual story. The quiet and studious Sally<br />
(Cinderella) Jones is lamenting the fact that she, unlike her sisters, has not been invited to the disco dance<br />
at Decibelles. Her sisters are excited about meeting the DJ and local heart-throb – Matt Vinyl. Aided by the<br />
appearance of the Fairy Godmother and part-time double-glazing saleswoman, Patti O’Dawes and other<br />
unlikely characters, Sally eventually makes it to the disco and even wins the dancing competition. Matt, not<br />
a person of great modesty, announces the prize – a date with, none other than – himself. But Sally has to<br />
leave of course and naturally without her shoes. The story ends happily and in an unexpected way as it has<br />
been pointed out to Sally that there are many more worthwhile goals <strong>for</strong> her to aspire to than winning a<br />
date with Matt Vinyl! The show ends on an optimistic and positive note with the entire cast singing the final<br />
number Aim High!<br />
Cinderella Jones includes a CD with backing tracks, lots of amusing sound effects and, <strong>for</strong> making learning<br />
easier, recordings of the songs by professional vocalists. Teachers have the option of staging the show using<br />
the CD throughout or providing live accompaniments, or to use a combination of both. This musical is a<br />
flexible “production package” and is easily adapted to suit resources.<br />
1 hour 15 minutes<br />
UE 21126 Vocal score, CD and script and lyrics sheet<br />
UE 21127 Extra pack: 6 scripts and 10 lyrics sheets<br />
9
10<br />
richard rodney<br />
Bennett<br />
The Aviary<br />
Five songs <strong>for</strong> unison or solo voices to words<br />
by Clare, Shelley, Tennyson and Coleridge.<br />
Each song can be per<strong>for</strong>med separately,<br />
but the five make an excellent song cycle.<br />
Voice(s) and piano<br />
UE 14168 Vocal Score (Eng. / Germ.)<br />
UE 14168a Melody <strong>Edition</strong> (Eng.) u<br />
The Insect World<br />
Four songs <strong>for</strong> unison or solo voices,<br />
based on poems about insects by Marvell,<br />
Clare and Oldys. Their contrasting moods<br />
make up a varied cycle, whilst each song<br />
can also be per<strong>for</strong>med separately.<br />
UE 14167 Vocal Score (Eng. / Germ.)<br />
UE 14167a Melody <strong>Edition</strong> (Eng.) u<br />
Note: An orchestral suite entitled<br />
Suite <strong>for</strong> Middle Voice(s) and Small Orchestra<br />
which contains items from both The Aviary and<br />
The Insect World is available on hire. 9 minutes<br />
UE 14174 1.1.1.1. – 2.1.1.0. – Perc,<br />
Hp (or pno) str.<br />
Choral<br />
Please note, u indicates multiple copies are available, not available singly.<br />
The Bermudas<br />
This atmospheric cantata may be per<strong>for</strong>med<br />
with orchestra or piano duet which appears<br />
in the vocal score. The poem by the 17 th C<br />
poet Andrew Marvell expresses the praise and<br />
thanksgiving offered by a party of exiles rowing<br />
towards the islands.<br />
For Choir S (boys or girls) T B and<br />
school orchestra or piano duet.<br />
10 minutes<br />
UE 15485 Vocal Score (Eng.)<br />
UE 15486 Choral Score u<br />
UE 15483 Full Score – <strong>for</strong> hire<br />
(also available on sale as a special print)<br />
UE 15484 Orch. Parts – <strong>for</strong> hire 2.1.2.1. –<br />
2.2.1.0. timp (2), Perc (3), pno duet, str (min)<br />
6.6.4.4.2.<br />
Paul<br />
Patterson<br />
Magnificat and Nunc Dimittis op. 59<br />
For choir SATB and organ<br />
UE 18476 Organ score (Eng.) u<br />
Canterbury Psalms op. 44<br />
For choir SATB and orchestra<br />
UE 16500 Vocal score (Eng.)<br />
Per<strong>for</strong>mance material available on hire<br />
Missa Brevis op. 54<br />
For choir SATB<br />
UE 17952 Choral Score (Latin) u<br />
zoltán<br />
Kodály<br />
Ave Maria<br />
For choir SSA a cappella<br />
UE 10756 Choral Score (Latin) u<br />
Evening<br />
For choir SATB a cappella<br />
Text by Paul Gyulai<br />
UE 1135 Choral Score (Eng.) u<br />
Jesus and the Traders<br />
For choir SATB a cappella<br />
Text by Paul Gyulai<br />
UE 10739 Choral Score (Eng.) u<br />
UE 30123 Choral Score (Germ. / Hung.) u<br />
Revised edition<br />
Frank<br />
Martin<br />
Frank Martin<br />
5 Songs of Ariel<br />
Text by William Shakespeare<br />
For choir SATB a cappella<br />
UE 14556 Choral Score (Eng.) u<br />
Please note, titles <strong>for</strong> Christmas may be<br />
found on the final pages of the catalogue<br />
Hire Material: To obtain hire material please<br />
go to: www.universaledition.com, enter the<br />
catalogue number in the search box and click<br />
on the title - continue through to “More<br />
details on this work“ <strong>for</strong> the options.
arvo Pärt<br />
Morning Star<br />
For choir SATB a cappella<br />
Commissioned by Durham University on the<br />
occasion of its 175 th anniversary in 2007 and<br />
premiered at St Martin-in-the-Fields, London.<br />
UE 33718 Choral Score (Eng.) u<br />
Summa<br />
For choir SATB or soloists<br />
UE 33686 Vocal Score (Latin) u<br />
Magnificat X))<br />
For choir SATB<br />
UE 19350 Vocal Score (Latin) u<br />
Da Pacem Domine X))<br />
For choir SATB or soloists<br />
UE 32941 Vocal Score (Latin) u<br />
Cantata Domino<br />
canticum novum X))<br />
For choir SATB or soloists and Organ<br />
UE 31058 Organ Score (Latin)<br />
UE 31059 Vocal Score (Latin) u<br />
I am the True Vine X))<br />
For choir SATB<br />
UE 30301 Vocal Score (Eng.) u<br />
Littlemore Tractus X))<br />
For choir SATB and Organ<br />
Text by John Henry Newman<br />
UE 31595 Organ Score (Eng.)<br />
UE 31596 Choral Score (Eng.) u<br />
Peace be upon you, Jerusalem<br />
For choir SA<br />
UE 32639 Choral Score (Eng.) u<br />
The Woman with the<br />
Alabaster Box X))<br />
For choir SATB<br />
UE 31127 Choral Score (Eng.) u<br />
richard<br />
Filz<br />
Rhythm Coach<br />
Rhythm Workouts<br />
<strong>for</strong> singers, dancers and instrumentalists<br />
Richard Filz<br />
This little book with CD is packed full of everything<br />
you need to get rhythmically fit. Not just<br />
a “hands-on” booklet but feet and voice join<br />
in too. It will stimulate and energise – building<br />
confidence and a strong sense of pulse.<br />
UE 32347<br />
All developing musicians from an early<br />
stage can use this as:<br />
· a “teach-yourself” book<br />
· a book <strong>for</strong> using parallel to music lessons<br />
· a book <strong>for</strong> using together with a teacher<br />
– individually or in a group<br />
Included are:<br />
· a few basic facts about notation of rhythms<br />
· call & response exercises<br />
(using the enclosed CD)<br />
· exercises using body and vocal percussion.<br />
· special rhythmic sing and play-alongs<br />
· a 5 minute daily rhythm workout and<br />
rhythm training plan<br />
UE 32347 (in English)<br />
UE 32346 (in German) X))<br />
UE 32348 level 1 (in German)<br />
Groove Karaoke X))<br />
Sung rhythms as song accompaniment<br />
Incl. He’s got the Whole World in His Hands,<br />
Rock Song in the Style of Queen, Swing Low,<br />
May the Road Rise to Meet You and more.<br />
UE 32345 (in German)<br />
Choral<br />
Vocal Percussion with CD<br />
Something completely different <strong>for</strong> choirs!<br />
These books are ideal <strong>for</strong> anyone seeking new<br />
and innovative material <strong>for</strong> their choir providing<br />
a break from the usual routine and an opportunity<br />
<strong>for</strong> sheer musical enjoyment. They will<br />
serve as an introduction to the many and varied<br />
capabilities of the human voice and provide<br />
energising rhythm training <strong>for</strong> singers.<br />
Each volume in the ‘Vocal Percussion’ series<br />
represents a different musical style<br />
focusing on:<br />
· the imitation and vocalisation<br />
of drum-set sounds<br />
· sounds that can be achieved with<br />
straight<strong>for</strong>ward articulation techniques<br />
· the exploration of various rhythmic patterns<br />
Vocal Percussion with CD X))<br />
– Drums ‘n’ Voice<br />
Vocalising the drum set. Incl. Rock, Funk,<br />
Hip Hop, Swing and more.<br />
UE 32350E (in English)<br />
UE 32350 (in German)<br />
Vocal Percussion with CD<br />
– Latin<br />
Vocalising typical Latin instruments and rhythms<br />
Incl. Surdo, Agogo Bells, Cabasa, Congas etc.<br />
Calypso, Mambo, Samba, Bossa Nova and more.<br />
UE 32341E (in English)<br />
UE 32341 (in German)<br />
Vocal Percussion with CD X))<br />
– Beatboxing<br />
Vocalising techno rhythms incl. Trip Hop,<br />
House, Ragga etc.<br />
UE 32342 (in German only)<br />
X)) Audio excerpts may be found<br />
on our website.<br />
Please note, titles <strong>for</strong> Christmas may be<br />
found on the final pages of the catalogue<br />
11
12<br />
the School Concert<br />
Although there is a world of choice when compiling the school concert programme, this selection of titles is particularly worth considering.<br />
Unusual, characterful solos and pieces providing the chance <strong>for</strong> playing in small ensemble are included as well as a special selection <strong>for</strong> Christmas.<br />
Where possible, approximate gradings are provided.<br />
Further titles <strong>for</strong> consideration may be found in the various catalogues displayed by each instrument heading.<br />
Go to: www.universaledition.com/catalogues and click on the relevant catalogue <strong>for</strong> perusing page by page.<br />
Piano<br />
Piano . <strong>Bestsellers</strong><br />
<strong>Universal</strong> <strong>Edition</strong><br />
supports young per<strong>for</strong>mer:<br />
Alexandra Dariescu<br />
4 hands<br />
www.universaledition.com<br />
Wien · London · New York<br />
1<br />
Cover photos by Tony Redmond (c) Alexandra Dariescu<br />
2 hands<br />
Solo Tango Solo Piano<br />
Gustavo Beytelmann<br />
Gustavo Beytelmann has taken some of the most<br />
beautiful tango music ever written and created his own<br />
arrangements <strong>for</strong> solo piano. This collection of ten pieces<br />
shows how varied the genre is, from the ragtime-like lilt<br />
of El esquinazo to the romantic waltz La loca de amor<br />
by Pablo José Vázquez and the energetic El entrettiano<br />
by Rosendo Menizabal, as well as a new arrangement of<br />
Carlos Gardel‘s immortal El dia que me quieres.<br />
Any of these immensely rewarding pieces would make<br />
an excellent choice <strong>for</strong> the concert stage.<br />
UE 34679 (5-7)<br />
Angel Villoldo • Pablo José Vázquez • Rosendo Mendizábal • Carlos Gardel<br />
Eduardo Arolas • Vicente Greco • Domingo Santa Cruz<br />
UE 34 679<br />
arrangements by Gustavo Beytelmann<br />
Mike Cornick’s popular “Tea <strong>for</strong> Two series” will provide a varied menu of duets <strong>for</strong> intermediate level players and beyond. From the comic and fun to the<br />
more reflective, these well-known pieces, receiving Mike Cornick’s inimitable touch, will certainly be a success with the audience. The CD includes the complete<br />
per<strong>for</strong>mance of each duet as well as play-along rehearsal tracks <strong>for</strong> primo and secondo players.<br />
6 hands<br />
Suitable <strong>for</strong> GCSE Ensemble Per<strong>for</strong>mance<br />
Tea <strong>for</strong> Two<br />
Incl. Tea <strong>for</strong> Two, Daisy Bell (A Bicycle Built <strong>for</strong><br />
Two), Country Gardens, I do Like to be Beside<br />
the Seaside, Beautiful Dreamer.<br />
UE 21299<br />
Charleston <strong>for</strong> Two<br />
Incl. The Charleston, Camptown Races, Down<br />
by the Riverside, Scott Joplin’s The Ragtime<br />
Dance and Shortnin’ Bread.<br />
UE 21368<br />
Love Songs For Two<br />
Incl. My Romance, Dark Eyes, I Gave my Love<br />
a Cherry, The Water is Wide and an arrangement<br />
of Yellow Bird and Come Back Liza.<br />
UE 21485<br />
subject to syllabus requirements<br />
Four Pieces <strong>for</strong> 6 Hands<br />
at 1 Piano<br />
Mike Cornick<br />
Includes: Blues <strong>for</strong> Three, Sempre<br />
Legato, Easy-Going Blues and<br />
Encore<br />
UE 21300 (2-4)<br />
Three Pieces For 6 Hands<br />
at 1 Piano<br />
Mike Cornick<br />
Unusual and fun, these pieces<br />
vary in style: Anyone <strong>for</strong> Tennis?<br />
Baroque to the Blues and<br />
Bénodet Breeze.<br />
UE 21123 (6-7)<br />
Also from Mike Cornick:<br />
Latin Piano Duets<br />
UE 21007 (4-6)<br />
Rhona Lawson, Charlotte Little and Lucy Finch play piano six hands.<br />
Photography by Sean Ebsworth Barnes
Piano<br />
6 hands<br />
Greensleeves<br />
Laura Shur (arr.)<br />
UE 21518 (1-2)<br />
Dance of the Sugar-Plum Fairy<br />
Pyotr Tchaikovsky arr. Laura Shur<br />
UE 21519 (2-3)<br />
At the Movies<br />
Mike Cornick<br />
UE 21520 (3-4)<br />
Module Five<br />
Mike Cornick<br />
E 21314-27 (4)<br />
Each of the above pieces can be separately downloaded<br />
by going to: www.universaledition.com/trinity and<br />
following the link – they are only available on line.<br />
These pieces are set on the 2009-2011 Trinity Guildhall<br />
syllabus <strong>for</strong> Piano 6 Hands.<br />
ClarinEt<br />
Klezmer Clarinet Duets<br />
Helmut Hödl<br />
Any of these 12 pieces would be a popular choice <strong>for</strong><br />
the concert programme. Includes Chiri Biri Bam and<br />
Hava Nagila. Both parts are of equal technical level<br />
UE 34531 (5-7)<br />
Celtic Clarinet Duets<br />
Florian Brämbock<br />
UE 34532<br />
Modest Mussorgsky<br />
Pictures at an Exhibition<br />
5 Easy Pieces, Arr. Sven Birch<br />
2 cl. & pno<br />
UE 31182 (3-4 )<br />
Kurt Weill<br />
Selected pieces from The Threepenny Opera<br />
arr. by James Rae <strong>for</strong> 4 clarinets or<br />
3 clarinets and bass clarinet.<br />
Incl. The Canon Song, The Ballad of<br />
Mack the Knife and more.<br />
UE 30117 (4-6)<br />
Clarinet . <strong>Bestsellers</strong><br />
<strong>Universal</strong> <strong>Edition</strong><br />
supports young per<strong>for</strong>mer:<br />
Sarah Williamson<br />
the School Concert<br />
www.universaledition.com<br />
Wien · London · New York<br />
FlUtE<br />
Pages 65-75<br />
Sarah Williamson‘s photographs by Simon Tottman - www.simontottman.com<br />
Mixed doubles<br />
Blue Duets<br />
James Rae<br />
Bb Clarinet & Eb Saxophone<br />
UE 14052 (4-6)<br />
Camille Saint-Saëns<br />
The Carnival of the Animals<br />
Arr. Barbara Dobretsberger<br />
5 pieces <strong>for</strong> 2 flutes & piano.<br />
UE 30349 (3-4)<br />
Wolfgang Amadeus Mozart<br />
Don Giovanni<br />
Ed. Gerhard Braun & Karl Heinz Füssl<br />
11 pieces <strong>for</strong> 2 flutes<br />
UE 17284 (4-5)<br />
The Marriage of Figaro<br />
Ed. Gerhard Braun<br />
12 pieces <strong>for</strong> 2 flutes<br />
UE 16773 (4-5)<br />
Pages 83-87<br />
SaxoPhonE<br />
Celtic Flute Duets<br />
Florian Brämbock (arr.)<br />
14 arrangements <strong>for</strong> 2 flutes of<br />
traditional music from Scotland<br />
and Ireland.<br />
UE 33040 (3-6)<br />
Afro Latin Flute Duets<br />
Florian Brämbock<br />
Includes Guantanamera,<br />
La Cucaracha, Pata Pata,<br />
Mardi Gras and many more.<br />
UE 33041 (3-6)<br />
Blue Baroque Saxophone<br />
James Rae (arr.)<br />
Re-workings in the Blues style of pieces by Corelli,<br />
J.S. Bach, Couperin, Vivaldi, Purcell Petzold and Handel.<br />
For alto or tenor saxophone and piano<br />
UE 21465 (3-6)<br />
Kurt Weill<br />
Songs <strong>for</strong> Alto or Tenor Saxophone and Piano<br />
Martin Reiter (arr.) With CD<br />
10 songs from Weill’s most famous stage works.<br />
UE 34328 (4+)<br />
<strong>Music</strong> from The Threepenny Opera<br />
John Harle (arr.), Saxophone quartet<br />
UE 17575 (5-6)<br />
Richard Rodney Bennett<br />
Conversations <strong>for</strong> 2 Saxophones, S, A(T)<br />
UE 17773 (4-6)<br />
George Gershwin<br />
3 Preludes, Wolfgang Schlei (arr.)<br />
Saxophone quartet<br />
UE 17778 (5-7)<br />
Jazzy Duets<br />
James Rae<br />
Flute & Bb Clarinet<br />
UE 19396 (4-5)<br />
Jazzy Duets<br />
James Rae<br />
Flute & Bb Clarinet<br />
UE 19396 (4-5)<br />
Blue Duets<br />
James Rae<br />
Flute & Eb Saxophone<br />
UE 19710 (3-4)<br />
13
14<br />
Take Five - Harry Lime<br />
Paul Desmond - Anton Karas<br />
Heidi Brunner (arr.)<br />
Recorder quartet (SATB)<br />
UE 30256<br />
Waiting <strong>for</strong> a Bus<br />
Pete Rose<br />
3 fantasies <strong>for</strong> recorder quintet.<br />
Descant, treble, treble (tenor),tenor, bass.<br />
S, A, A(T), T, B, Score and parts<br />
UE 30372 (4-6)<br />
Arvo Pärt<br />
Summa<br />
Adapted <strong>for</strong> recorder quartet<br />
by Irmhild Beutler and Sylvia C. Rosin.<br />
High version: descant, treble 1,treble 2 and<br />
tenor (S, A1, A2, T)<br />
Low version: tenor, bass 1, bass 2<br />
and great bass (T, B1, B2, Gr. B)<br />
UE 33 030 (4+)<br />
CEllo<br />
rECordEr<br />
Blue Baroque Cello<br />
Mike Cornick<br />
Adaptations of works by<br />
JS Bach, Purcell, Rameau,<br />
Telemann and Petzold in<br />
modern styles.<br />
Cello and piano<br />
UE 21381 (4+)<br />
Carlos Gardel<br />
Tango Cello Duets<br />
Arr. Diego Collatti <strong>for</strong> 2 cellos<br />
Carlos Gardel became a legend in his own<br />
lifetime and these arrangments retain all<br />
the captivating, magnetic charms we<br />
assocaite with the Tango<br />
UE 34681 (5-7)<br />
Arvo Pärt<br />
Fratres<br />
Fratres is a fine example of Arvo Pärt‘s<br />
“Tintinnabuli” style of composing.<br />
This version is <strong>for</strong> 4, 8 or 12 Cellos.<br />
UE 17710 Score<br />
the School Concert<br />
Pages 52-55<br />
Pages 56-64<br />
Violin<br />
Aleksy Igudesman<br />
“The pieces themselves are<br />
captivating and designed<br />
with the per<strong>for</strong>mer in mind.<br />
These pieces …are sure to<br />
be a hit wherever they<br />
are per<strong>for</strong>med.”<br />
Helena Ruinard reviewing<br />
Latin and More<br />
<strong>for</strong> <strong>Music</strong> Teacher<br />
Latin and More<br />
Violin Duets<br />
Aleksey Igudesman<br />
As usual, Igudesman inspires, in<strong>for</strong>ms<br />
and entertains. Here Latin styles are<br />
explored: Salsa, Rumba, Samba, Tango<br />
and more. Added notes and guidelines<br />
<strong>for</strong> playing in style provided.<br />
UE 33653 (4-5)<br />
Klezmer and More<br />
Violin Duets<br />
Aleksey Igudesman<br />
From his unusual arrangement of the<br />
all-time Klezmer classic, Hava Nagila to<br />
his own compositions stylistically based<br />
on Klezmer’s Eastern European roots,<br />
these pieces will go down well!<br />
UE 33650 (4-5)<br />
Latin America<br />
Folk Tunes and Dances<br />
Easy Arrangements by Karl Bruckner<br />
2 guitars<br />
UE 30454 (3-4)<br />
<strong>Music</strong> For Guitar<br />
Selected Pieces <strong>for</strong> Two Guitars<br />
Ed. Alexander Swete. With CD<br />
Pieces from the Renaissance to the 20 th C.<br />
UE 32769 (3-5)<br />
beat it 2<br />
Latin guitar groove ensemble<br />
Richard Graf<br />
Guitar ensemble<br />
UE 32662 (4)<br />
gUitar<br />
Pages 33-40<br />
Violin . <strong>Bestsellers</strong><br />
<strong>Universal</strong> <strong>Edition</strong><br />
supports young per<strong>for</strong>mer:<br />
Thomas Gould<br />
www.universaledition.com<br />
Wien · London · New York<br />
Celtic and More<br />
Violin Duets<br />
Aleksey Igudesman<br />
Here we are taken into the diverse realms of<br />
Celtic music. Incl. Morrison’s Jig, My Bonnie<br />
Flies over the Ocean, Auld Lang Syne and<br />
Igudesman’s own original pieces.<br />
UE 33652 (4-5)<br />
Kurt Weill<br />
Songs<br />
For violin and piano. With CD<br />
Martin Reiter (arr.)<br />
UE 34324 (middle-grade)<br />
Carlos Gardel<br />
Tango Violin Duets<br />
UE 33651 (4-5)<br />
Mixed doubles<br />
Mauro Giuliano<br />
Easy and Enjoyable Pieces op. 74<br />
Ed. Heinz Wallisch<br />
Flute (vln) & guitar<br />
UE 17286 (1-4)<br />
John Dowland<br />
3 Songs<br />
Violin (rec.) & guitar<br />
UE 12403 (4-5)<br />
Fernando Sor<br />
Romanze<br />
Violin (fl.) & guitar or 2 guitars<br />
UE 16685 (3-4)<br />
Wolfgang Amadeus Mozart<br />
Duo KV 423<br />
Arr. Eliot Fisk<br />
Violin & guitar<br />
UE 32987 (6-7)<br />
J. S. Bach<br />
Four Duets (after BWV 802-805)<br />
Trns. Johann Kortschak<br />
Violin & cello<br />
UE 10468a (4-5)<br />
Thomas Gould‘s photographs by Simon Weir - www.simonweir.com
Choral<br />
Richard Rodney Bennett<br />
Five Carols<br />
SATB For four voices or<br />
four-part choir<br />
UE 19157 Five Carols<br />
These beautiful a cappella carols<br />
are also available separately:<br />
UE 14010 There is No Rose<br />
(anon.) u<br />
UE 14011 Out of your Sleep<br />
(15 th C); u<br />
UE 14012 That Younge Child<br />
(anon.) u<br />
UE 14013 Sweet was the Song<br />
(William Ballett – 17 th C) u<br />
UE 14014 Susanni (14 th C) u<br />
What Sweeter <strong>Music</strong><br />
Text: Robert Herrick<br />
For Choir SATB a cappella<br />
From 2 Carols<br />
UE 14658 u<br />
Béla Bartók<br />
Shepherds’ Christmas Songs<br />
Melodies of the Romanian Colinde<br />
For choir SATB Germ. / Eng.<br />
Part 1 UE 13048 u<br />
Part 2 UE 13049 u<br />
Zoltán Kodály<br />
Christmas Dance of the<br />
Shepherds<br />
For choir SA and a wind instrument<br />
Choral score (Eng.)<br />
UE 10878 u<br />
Sing ‘n’ Swing<br />
Christopher Norton<br />
Five easy up-beat carols <strong>for</strong><br />
two-part voices and piano with<br />
optional percussion.<br />
Carols incl. The Inn-keeper’s Carol,<br />
Let’s go to Bethlehem, Mighty<br />
Kings, Child of the Evening,<br />
Rise up and Sing.<br />
UE 17614<br />
the School Christmas Concert<br />
Piano<br />
Deck the Hall<br />
Laura Shur<br />
Beautiful arrangements<br />
of 10 favourite carols.<br />
UE 19799 (4-6)<br />
Carol Jazz<br />
Christopher Norton<br />
Good King Wenceslas, Silent Night,<br />
We Three Kings, Shepherds‘ Rag,<br />
Jingle Bells<br />
UE 17615 (4-5)<br />
Béla Bartók<br />
Romanian Christmas Songs<br />
Rev. Peter Bartók<br />
UE 5890 (5)<br />
Piano Duets <strong>for</strong> Christmas<br />
Geoffry Russell-Smith<br />
From the serious to the light-<br />
hearted, these freely arranged<br />
traditional pieces are real<br />
show-stoppers.<br />
UE 19712 (3-4)<br />
Hire Material: To obtain hire material please go to:<br />
www.universaledition.com, enter the catalogue number<br />
in the search box and click on the title - continue through to<br />
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Sleigh Ride For Two<br />
With CD<br />
Mike Cornick<br />
Included are Leroy Anderson’s<br />
bouncy and happy Sleigh Ride,<br />
beautifully contrasting Silent Night,<br />
I Saw Three Ships, Jingle Bells and<br />
a medley of four other favourites to<br />
surprise and delight. (4-5+)<br />
UE 21454<br />
Christmas Carols<br />
Piano duets<br />
Christopher Norton<br />
14 well-known carols in very easy<br />
arrangements.<br />
UE 17314 (1)<br />
f<br />
ChriStMaS Jazz<br />
KEYBoard<br />
Christmas Keyboard<br />
Songbook<br />
Mike Cornick<br />
25 easy carols with words provided.<br />
Mike Cornick offers advice on<br />
keyboard settings.<br />
UE 21076 (1-2)<br />
d<br />
An interesting alternative to the more<br />
conventional settings at Christmas time<br />
Eight festive melodies <strong>for</strong> solo instrument and piano<br />
arranged in the jazz idiom by James Rae<br />
For the purpose of ensemble playing, CHRISTMAS JAZZ<br />
is published with the same piano accompaniment.<br />
Chord symbols are provided <strong>for</strong> the use of guitars or keyboards.<br />
Incl. Ding Dong! Merrily On High, God Rest Ye Merry,<br />
Gentlemen, Good King Wenceslas, Hark! The Herald Angels<br />
Sing, Jingle Bells, Joy To The World, O Little Town Of Bethlehem<br />
Christmas Jazz <strong>for</strong> Flute UE 19184<br />
Christmas Jazz <strong>for</strong> Clarinet UE 19187<br />
Christmas Jazz <strong>for</strong> Alto Saxophone UE 19188<br />
Christmas Jazz <strong>for</strong> Trumpet UE 19186<br />
Christmas Jazz <strong>for</strong> Trombone UE 19190<br />
Christmas Jazz <strong>for</strong> Violin UE 19185<br />
Christmas Jazz <strong>for</strong> Cello UE 19189<br />
f<br />
d<br />
15
16<br />
FlUtE<br />
2 Flutes and Piano<br />
Leopold Mozart<br />
A <strong>Music</strong>al Sleigh Ride<br />
Arr. Veronika Kainzbauer<br />
7 pieces<br />
UE 30352 (3-4)<br />
Pyotr Il’yich Tchaikovsky<br />
The Nutcracker<br />
Arr. Barbara Dobretsberger<br />
7 favourite pieces in easy<br />
arrangements<br />
UE 30357 (3-4)<br />
Engelbert Humperdinck<br />
Hansel and Gretel<br />
Arr. Georges Sanev<br />
7 favourite pieces<br />
UE 30355 (4)<br />
Happy Christmas Concert<br />
Arr. Karl Bruckner<br />
6 Christmas favourites in easy<br />
arrangements<br />
UE 30354 (2-3)<br />
Violin<br />
2 Violins and Piano<br />
Leopold Mozart<br />
A <strong>Music</strong>al Sleigh Ride<br />
Arr. Veronika Kainzbauer<br />
7 pieces<br />
UE 30326 (3-4)<br />
Pyotr Il’yich Tchaikovsky<br />
The Nutcracker<br />
Arr. Barbara Dobretsberger<br />
7 favourite pieces in easy<br />
arrangements<br />
UE 30331 (3-4)<br />
Engelbert Humperdinck<br />
Hansel and Gretel<br />
Arr. Georges Sanev<br />
7 favourite pieces<br />
UE 30329 (4)<br />
the School Christmas Concert<br />
rECordEr<br />
Rudolph the Red-Nosed<br />
Reindeer<br />
& other famous Christmas songs<br />
Sylvia Rosin / Irmhild Beutler<br />
For 3 Recorders (SAT(B))<br />
Score & Parts<br />
UE 31474 (3-4)<br />
French Christmas Songs<br />
E. P. Chedeville (1696-1762)<br />
2 Treble and 2 Descant Recorders<br />
Score & Parts<br />
UE 30250 (3-4)<br />
Béla Bartók<br />
Romanian Christmas Songs<br />
Arr. Christa Sokoll<br />
For recorder choir SATB (3-5)<br />
UE 11417 Score & Parts<br />
UE 11417A Soprano (descant)<br />
UE 11417B Alto (treble)<br />
UE 11417C Tenor<br />
UE 11417D Bass<br />
The Little Drummer Boy /<br />
Hallelujah<br />
Vincent Youmans / Anon.<br />
Arr. Heidi Brunner<br />
For Recorder Quartet Score & Parts<br />
UE 30458 (3-4)<br />
CEllo<br />
Weihnacht<br />
Arr. Alfred H. Bartles<br />
17 German Christmas songs in<br />
easy arrangements <strong>for</strong> 2 or 3 cellos<br />
UE 18703 (2 -3)<br />
f<br />
gUitar<br />
Old Christmas Carols<br />
Karl Scheit<br />
For 3 Guitars<br />
UE 18969<br />
Christmas Selection<br />
Arr. Karl Scheit <strong>for</strong> guitar solo<br />
German language carols incl. Alle<br />
Jahre wieder, Ihr Kinderheit kommet<br />
,O du fröhliche, Es ist ein Ros<br />
entsprungen and many more.<br />
UE 16720<br />
EnSEMBlE<br />
Chamberpops<br />
God Rest Ye Merry<br />
Gentlemen / Jingle Bells<br />
Arr. Mike Cornick<br />
Score & Parts<br />
See main feature, page 2,<br />
<strong>for</strong> instrumentation<br />
UE 19213 (3-5)<br />
d<br />
KAT 60735-99<br />
EnSEMBlE<br />
Centre Stage · Christmas<br />
Four-part flexible chamber music<br />
arrangements featuring a soloist<br />
Joy to the World music attributed<br />
to Lowell Mason (1792-1872)<br />
Silent Night<br />
by Franz Xaver Gruber (1787-1863)<br />
Arranged by James Rae<br />
See main feature, page 2,<br />
<strong>for</strong> instrumentation<br />
UE 21453 (2-4)<br />
The Nutcracker<br />
Pyotr Il’yich Tchaikovsky<br />
Arr. Barbara Dobretsberger<br />
Teens on Stage<br />
Pieces incl. The Dance of the Reed<br />
Flutes, Grandfather’s Dance, Waltz<br />
of the Flowers, The March of the<br />
Toy Soldiers and more.<br />
See main feature, page 3,<br />
<strong>for</strong> instrumentation<br />
UE 30311 (4-7)<br />
A <strong>Music</strong>al Sleigh Ride<br />
Leopold Mozart<br />
Arr. Veronika Kainzbauer<br />
Children on Stage<br />
Six selected pieces<br />
See main feature, page 3,<br />
<strong>for</strong> instrumentation<br />
UE 30306 (3-5)<br />
Three Christmas Songs<br />
Frank Martin<br />
Voice, flute and piano<br />
Les Cadeaux, Image de Noel,<br />
Les Bergers<br />
UE 13486 (4-5)<br />
www.universaledition.com<br />
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