Descárgatelo en pdf - Mery Cuesta
Descárgatelo en pdf - Mery Cuesta
Descárgatelo en pdf - Mery Cuesta
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Creo que a Clark le da un poco igual. No hace mucho com<strong>en</strong>taba que no le importaba si le<br />
dedicaban retrospectivas de sus fotografías y collages o no. Clark se ha <strong>en</strong>tregado desde su<br />
primer film al medio que le apasiona, que es el cinematográfico, y que a la postre considera el<br />
medio ideal de culminación de su individualidad creativa: “I've always be<strong>en</strong> a storyteller, and I<br />
felt like I had done everything I could with photography. I was bored--I'd done a number of<br />
books, I'd done collages, and I'd done work in all these forms that tell stories… but I always felt<br />
my work was cinematic. I mean, the first project I did was laid out like a film. In fact, I remember<br />
wanting it to be a film, but I couldn't do it because I wasn't a filmmaker th<strong>en</strong>. So, I've always<br />
wanted to make films. You could say it's a natural ext<strong>en</strong>sion of all my other work”. 19 Triunfo<br />
personal para Larry.<br />
19 Wakefield, Neville: “Larry Clark: a big-box look back at the revered—and reviled—chronicler of the<br />
underbelly of adolesc<strong>en</strong>ce”; <strong>en</strong>trevista para la revista Interview, Abril 2005, Gale Group, Nueva York.