Volume 29 - Cincinnati Romance Review

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CONOCIMIENTO EN CAÍDOS DEL CIELO Y LA PISTOLA DE MI HERMANO DE RAY LORIGA 75 Everly, Katryn. “Beauty and Death as Simulacra in Ray Loriga’s Caídos del cielo and El hombre que inventó Manhattan”. Novels of the Contemporary Extreme. Ed. Alain- Philippe Durand y Naomi Mandel. London & New York: Continuum, 2006. 143-52. Print. ---. “Television and the Power of Image in Caídos del cielo and La pistola de mi hermano by Ray Loriga”. Henseler y Pope 170-83. Print. Featherstone, Mike. Cultura de consumo y posmodernismo. Buenos Aires: Amorrurtu, 2000. Print. Giddens, Anthony. Consecuencias de la modernidad. Madrid: Alianza Editorial, 2004. Print. Henseler, Christine y Randolph D. Pope, eds. Generation X Rocks. Contemporary Peninsular Fiction, Film, and Rock Culture. Nashville: Vanderbilt University Press, 2007. Print. Klein, Naomi. No logo. El poder de las marcas. Barcelona: Paidós, 2007. Print. Loriga, Ray. Caídos del cielo. 4ª ed. Barcelona: Plaza & Janés, 1995. Print. Loriga, Ray, dir. La pistola de mi hermano. Enrique Cerezo Producciones. 1997. Film. Muñoz, Jacobo y Julián Velarde, eds. Compendio de epistemología. Madrid: Trotta, 2000. Print. Naremore, James, ed. Film Adaptation. New Brunswick: Rutgers UP, 2000. Print. Pérez, Jorge. “Reckless Driving: Speed, Mobility, and Transgression in the Spanish “Rock” ‘n’ “Road” Novel”. Henseler y Pope 153-69. Print. Platón. República. Apuntes de Escolar.com. Web. Ritzer, George. The McDonalization Thesis. Explorations and Extensions. London: Sage, 1998. Print. Rosenvinge, Christina. “Muertos o algo mejor”. De Christina Rosevinge. Flores Raras. Madrid: Warner Music Spain, 1998. CD. Stam, Robert y Alessandra Raengo. A Companion to Literature and Film. Malden: Blackwell Publishing, 2004. Print. Cincinnati Romance Review 29 (Fall 2010): 62-75.
Representing the Occupation in the Novel of the 1950s: Ne jugez pas Margaret Atack University of Leeds I t has become something of a truism in critical discussion about the Occupation in France to say that 1944 saw the creation of a “Resistance myth,” carefully promoted and nurtured by de Gaulle and the French Communist Party. This mythic narrative of the French united in their resistance against the German occupiers, apart from the clearly identified traitors of Vichy and Paris, held sway, it is argued, until the late 1960s, when the convergence of several strands: the film Le chagrin et la pitié, the death of de Gaulle, the Modiano novel La place de l’étoile and other creative manifestations collectively dubbed la mode rétro, and the translation of Robert Paxton’s Vichy France: Old Guard New Order, opened the doors to a many-facetted challenge to this dominant story. However, a careful reading of the large numbers of novels on the Occupation published in the 1950s presents a serious challenge to this critical narrative. The aims of this article are to show how these novels, far from endorsing a story of heroic Resistance and a united nation, foreground confusion, division and moral complexity, and to point to some of the thematic configurations—such as a critique of heroism and male subjectivity, and a crisis of patriotism—through which the moral aporia of behavior and commitment is played out. The context for this article is a major research council-funded project that is reexamining the fiction of and about the Occupation since 1939. 1 Having constructed a database containing thematic and bibliographical details of the texts (primarily fictional and filmic, but including some plays, autobiographies and memoirs), we want to explore how we should remap the landscape and examine whether fictional production across the decades supports this notion of historical reality being suppressed or might be considered as one of the vectors of a heroic Resistance myth. Because of the size of the corpus, I am concentrating here upon the 1950s. 1950 marked the outbreak of the Korean War, a major intensification of the Cold War. The domination of the aftermath of war is being replaced by decolonization and the Cold War. There is a new literary 1 The FRAME (FRAnce roMan guErre) project: Narratives of the Second World War and Occupation in France 1939 to the present: Cultural Production and National Identity, led by Professors Margaret Atack, University of Leeds, and Christopher Lloyd, University of Durham, and funded by the Arts and Humanities Research Council. For more details, see www.frame.leeds.ac.uk.
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