Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
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Lindgren as a writer<br />
Another <strong>of</strong> Ernest’s skills was his ability as a writer. He had a reputation<br />
for preparing several handwritten drafts <strong>of</strong> letters before sending out<br />
the final copy. They were always longer than necessary, but every word<br />
was carefully chosen to imply a particular nuance. He was extremely<br />
prolific during the war years, when he was confined to the Home Front<br />
because <strong>of</strong> his withered arm. He obviously had a lot <strong>of</strong> time to think<br />
about the future <strong>of</strong> the film archive.<br />
In a pamphlet called Unless We Plan Now: The Cinema, written for the<br />
Association for Education in Citizenship probably around 1945, Ernest<br />
lists seven key reasons why the cinema is important:<br />
(1) The Cinematograph is a new instrument <strong>of</strong> scientific research.<br />
(2) The Cinematograph is a new and invaluable instrument <strong>of</strong> historical<br />
record.<br />
(3) It is a new educational aid for the teacher and lecturer.<br />
(4) It can play an important part in democratic society by giving people<br />
a fuller and more significant picture <strong>of</strong> the world in which they live<br />
than they could get by direct experience.<br />
(5) The cinema can do much to facilitate international understanding<br />
and, similarly, if misused, it can equally foster international<br />
misunderstanding.<br />
(6) The cinema is a new art form, indeed the only new art form in our<br />
time.<br />
(7) The cinema is a new form <strong>of</strong> entertainment.<br />
A few years later, with the war behind him, in the January 1948 Penguin<br />
<strong>Film</strong> Review (No. 5), Ernest outlines his utopian archive:<br />
“Through one side <strong>of</strong> the vestibule <strong>of</strong> a large and attractive building in<br />
the heart <strong>of</strong> the metropolis, one passes into an exhibition hall occupying<br />
an area <strong>of</strong> some 3,000 square feet. The exhibits illustrate every aspect<br />
<strong>of</strong> film production and film history. … Attached to the exhibition hall,<br />
and accessible through it, is a small cinema <strong>of</strong> some 500 seats. Here a<br />
programme <strong>of</strong> film classics is shown three times a day. … [Topics might<br />
include] The Foundations <strong>of</strong> Modern Technique, The Realist Trend in the<br />
British <strong>Film</strong>, The Comedy <strong>of</strong> Chaplin or <strong>Film</strong>s <strong>of</strong> Travel and Exploration. …<br />
There is a modest charge to the public for admission … but bona fide<br />
students are in certain circumstances admitted at a reduced fee….<br />
“There is a well-equipped book library and reading room….There is a large<br />
library <strong>of</strong> stills … for the use <strong>of</strong> the student, the author, the journalist, the<br />
lecturer and the compiler <strong>of</strong> film-strips and exhibitions. The originals<br />
never leave the Library, but … copies can be made in an hour or two.<br />
There is a large and representative store <strong>of</strong> film scripts, and virtually all<br />
the scripts <strong>of</strong> British films, and the most important foreign ones…. The<br />
Library also has a music department, where important film-music scores<br />
are kept, … and a collection <strong>of</strong> discs <strong>of</strong> recorded film music … which the<br />
student can play in a sound-pro<strong>of</strong> cubicle adjoining. Elsewhere in the<br />
building are other cubicles where individual students may examine<br />
films, either on a 16-mm. projector, or on a … Moviola. Finally, there is<br />
<strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 71 / 2006