r le Roy (H440) - Ashgate
r le Roy (H440) - Ashgate
r le Roy (H440) - Ashgate
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Index of Works by Charpentier Cited<br />
This index does not make reference to the lists in Appendix 1, in which the tit<strong>le</strong>s of works<br />
generally appear in a non-standard form.<br />
Works cited by H number only<br />
H8, Messe pour <strong>le</strong> samedy de Pasques a 4<br />
voix 123<br />
H11, Assumpta est Maria: Missa sex<br />
vocibus cum simphonia 16n, 32<br />
H16, ‘Regina cœli lætare’ 16n<br />
H18, Salve regina 16n<br />
H19, Ave regina cœlorum 16n<br />
H20, Sub tuum præsidium 16n, 26n<br />
H21, Alma redem[ptoris] 16n<br />
H25, Antiphona in honorem Beatæ Virginis<br />
a redemptione captivorum 16n, 26n<br />
H26, ‘Inviolata, integra et casta es Maria’<br />
16n<br />
H27, Salve regina des Jesuïtes 16n, 229n<br />
H28, Antiphona sine organo ad Virginum<br />
16n<br />
H30, ‘Regina cœli lætare’ 16n<br />
H31, Regina cœli voce sola cum flauti 16n<br />
H32, Antiene a la Vierge a 2 dessus 16n<br />
H44, Alma redemptoris a quatre voix et<br />
deux vi[ol]ons 16n<br />
H45, Ave regina cœlorum a 4 voix et deux<br />
dessus de violon 16n<br />
H46, Regina cœli a quatre voix et 2 dessus<br />
de vi[ol]on 16n<br />
H47, Salve regina a 4 voix et 2 vi[ol]ons<br />
16n<br />
H48, Inviolata reformé 16n<br />
H50–52, Antienes pour <strong>le</strong>s vespres de<br />
l’assomption de la Vierge 301<br />
H58, Pange lingua 26n<br />
H59, Gaudia Virginis Mariæ 16n<br />
H60, Hymne pour toutes <strong>le</strong>s festes de la<br />
Vierge 16n<br />
H63, ‘Ave maris stella’ 16n<br />
H65, Ave maris stella 16n<br />
H67, Ave maris stella 16n<br />
H72, ‘Magnificat anima mea’ 14n, 16n<br />
H74, Magnificat a 8 voix et 8 instrumens<br />
14n, 16n<br />
H77, Magnificat 14n, 16n<br />
H78, Magnificat 14n, 16n, 123<br />
H79, Troisieme Magnificat a 4 voix avec<br />
instr[uments] 14n, 16n<br />
H82, Litanies de la Vierge a 3 v[oix]<br />
p[areil<strong>le</strong>s] 16n, 26n<br />
H84, Litanies de la Vierge a 3 v[oix]<br />
pareil<strong>le</strong>s avec instr[uments] 16n<br />
H85, Litanies de la Vierge 16n, 168n<br />
H86, Litanies de la Vierge a 2 dessus et<br />
une basse chantante 16n<br />
H87, Litanies de la Vierge a 4 voix 16n<br />
H88, Litanies de la Vierge a 4 voix 16n<br />
H89, Litanies de la Vierge 16n<br />
H90, Courtes litanies de la Vierge a 4 voix<br />
16n<br />
H96–110, Les neuf <strong>le</strong>çons de tenebres 103n<br />
H148, 6 eme Te Deum a 4 voix 123<br />
H150, ‘Nisi Dominus’ 14n<br />
H151, Confitebor a 4 voix et 2 violons 14n<br />
H153, ‘Dixit D[omi]nus’ 14n<br />
H158, Psalmus David 147 14n<br />
H161, Lætatus sum: Psalmus David<br />
vigesimus primus post centesimum<br />
14n<br />
H164, Priere pour <strong>le</strong> <strong>Roy</strong> 20n
364<br />
New Perspectives on Marc-Antoine Charpentier<br />
H170, Psalmus David centesimus<br />
trigesimus sextus: Super flumina<br />
Babilonis 272n<br />
H183, Psalm[us] David 107 26n<br />
H187, Psalmus 86 24n<br />
H188, Psalmus 62 13<br />
H196, Psalm[us] David 12 us 149n, 174,<br />
272n, 275n<br />
H201, Psalm[us] David 34 us 149n, 174,<br />
272n<br />
H202, Dixit D[omi]nus: Psalm[us] David<br />
109 tus 14n<br />
H204, Pseaume 109 14n<br />
H206, Psal[mus] David 5 tus post<br />
septuagesimum 14n, 32, 165n<br />
H207, Psalmus Davidis post octogesimum<br />
septimus 14n<br />
H208, Psalmus undecimus Davidis post<br />
centesimum: Beatus vir ... 14n<br />
H211, Psalmus Davidis vigesimus nonus<br />
supra centesimum: De profundis a<br />
4 voix 14n<br />
H212, Psalmus David 129 us quatuor<br />
vocibus 14n<br />
H214, Psalmus Davidis decimus sextus<br />
post centesimum 14n<br />
H215, Psalmus David 67 us 14n<br />
H216, Psal[mus] Davidis CXXI us 14n<br />
H217, Psalmus 123 us 14n<br />
H218, Psalm[us] David 45 us 14n<br />
H219, S[econ]d Miserere: [Psalmus] 50 a<br />
4 voix et 4 instr[uments] 14n<br />
H220, Psalmus David 110 us a 4 voix 14n<br />
H221, Psal[mus] David 111 us a 4 voix 14n<br />
H225, Confitebor a 4 voix et instrumens<br />
14n<br />
H226, Dixit D[omi]nus pour <strong>le</strong> P[ort]<br />
<strong>Roy</strong>al 32<br />
H228, Psalm[us] David LXX 14n<br />
H229, Psalmus David 26 tus 14n<br />
H230, Psalmus David 15 us 14n<br />
H275, ‘Panis quem ego dabo’ 272n<br />
H288, Domine salvum pour trois<br />
religieuses 103n<br />
H309, Nativite de la Vierge 16n<br />
H313, Pour la conception de la Vierge 16n<br />
H319, Motet pour la Trinité 26n<br />
H320, Motet de S t Louis 20n, 26n<br />
H321, Mottet de S t Laurent 26n<br />
H322 Motet de la Vierge pour toutes ses<br />
festes 103n<br />
H326, Gratiarum actiones ex sacris<br />
codicibus excerptæ ... 20n, 149n,<br />
169n, 174, 271, 272n, 275n<br />
H327 Motet pour toutes <strong>le</strong>s festes de la<br />
Vierge 16n, 33<br />
H329, ‘Ave veru[m] corpus’ 24n, 32<br />
H330, Gaudia beatæ Virginis Mariæ 16n<br />
H332, In honorem Sancti Ludovici regis<br />
Galliæ 20n, 24n, 26n, 28n<br />
H334, Motet pour la Vierge 16n<br />
H340, Ad beatam Virginem canticum 16n,<br />
26n<br />
H352, Second motet pour <strong>le</strong> catechisme a<br />
la pause du milieu 16n<br />
H355, In honorem Sancti Xaverij canticum<br />
32<br />
H357, In purificationem B[eatæ] V[irginis]<br />
M[ariæ] canticum 16n<br />
H359, Motet pour la Vierge a 2 voix 16n<br />
H360, Pour la Vierge 16n<br />
H363, Mottet pendant la guerre 14n, 20n<br />
H367, La priere a la Vierge du Pere<br />
Bernard 16n<br />
H371, A la Vierge a 4 v[oix] p[areil<strong>le</strong>s] 16n<br />
H373, ‘So<strong>le</strong> vivebat in antris’ 99n, 100n<br />
H374, ‘Flores, flores o Gallia’ 100n<br />
H388, Neuvième [méditation:] Magda<strong>le</strong>na<br />
lugens 99n<br />
H392, Canticum pro pace 17n, 20n<br />
H395, Pour la feste de l’Epiphanie 17n<br />
H394, In honorem Cæciliæ, Va<strong>le</strong>riani et<br />
Tiburtij canticum 17n, 18n<br />
H401, Extremum Dei judicium 17n, 32<br />
H405, In resurrectione Domini N[ostri]<br />
J[esu] C[hristi] 17n<br />
H406, In circumcisione D[omi]ni: Dialogus<br />
inter angelum et pastores 17n<br />
H407, Dialogus inter esurientem, sitientem<br />
et Christum 17n, 24n<br />
H408, E<strong>le</strong>vation 13, 17n, 169n<br />
H410, Prælium Michaelis Archangeli<br />
factu[m] in cœlo cum dracone 17n<br />
H416, In nativitatem D[omi]ni canticum<br />
17n
Index of Works by Charpentier Cited 365<br />
H417, Dialogus inter Christum et homines<br />
17n<br />
H418, In honorem S ti Ludovici regis Galliæ<br />
17n, 20n, 168n<br />
H420, Dialogus inter angelos et pastores<br />
Judeæ: In nativitatem Domini 16n,<br />
17<br />
H430, Motet fragment ‘... gaudium meum<br />
qui es pax’ 307n<br />
H431, Gratitudinis erga Deum canticum<br />
20n, 149n, 174, 271, 272n<br />
H471, Orphee descendant aux enfers 11n,<br />
20n, 26n, 27<br />
H472, Serenata a tre voci e simphonia<br />
26n, 27<br />
H481a, Acteon change en biche 11n, 20n<br />
H483a, Seconde partie du noël francois<br />
qui commence par Que nos soupirs<br />
11n, 20n, 26n, 274n<br />
H483b, Seconde partie du noel francois qui<br />
commence par Que nos soupirs,<br />
Seigneur 11n, 20n<br />
H495b, Le malade imaginaire rajusté<br />
autrement pour la 3 eme fois 11n, 13n<br />
H497, Serenade pour Le sicilien 11n, 13n<br />
H498, Ouverture du prologue de<br />
Polieu[c]te pour <strong>le</strong> co<strong>le</strong>ge<br />
d’Harcourt 11n, 13n<br />
H501, La pierre philosofa<strong>le</strong> 11n, 13n<br />
H503, Air pour des paysans dans La nopce<br />
de village 11n, 13n<br />
H505, Le rendez-vous des Tui<strong>le</strong>ries 11n,<br />
13n<br />
H509, Simphonie devant Regina 16n<br />
H518, Pour <strong>le</strong> sacre d’un evesque 158n<br />
H523, Pour un reposoir: Ouverture dez<br />
que la procession paroist 24n<br />
H524, Ouverture pour l’eglise 13<br />
H527, Prelude pour Sub tuum præsidium a<br />
trois vi[ol]ons 16n<br />
H540, Ou[v]erture pour quelque bel<strong>le</strong><br />
entreprise, a cinq 158n<br />
Works cited by tit<strong>le</strong><br />
Acteon (H481) 11n, 20n, 207n<br />
Aestas (H336) 104, 187<br />
Air p[ou]r <strong>le</strong> <strong>Roy</strong> (<strong>H440</strong>) 11n, 55<br />
‘Amor vince ogni cosa’ (H492) 47<br />
Les amours d’Acis et de Galatée 13n, 21n;<br />
see also L’inconnu (H499)<br />
Andromède (H504) 11n, 13n, 51n, 167–8,<br />
176, 179, 181n, 182, 248n<br />
Angélique et Médor (H506) 11n, 13<br />
Antiene apres Lætatus sum (H51) 305<br />
Apothéose de Laodamus à la mémoire<br />
de M. <strong>le</strong> Maréchal duc de<br />
Luxembourg (lost) 20n, 21n<br />
Apres Confitebor: Antiene (H516) 235<br />
Les arts florissans (H487, H487a) 11n,<br />
20n, 26n, 55, 218n, 274n, 279<br />
Ave regina (H22) 16n, 289–310 passim<br />
‘Beate mie pene’ (H475) 47<br />
‘Beatus vir’ (H154) 14n, 247<br />
Beatus vir qui inventus est (H376) 289,<br />
306–7<br />
Beatus vir qui timet D[omi]num 8 vocib[us]<br />
et totidem instr[umentis] (H224)<br />
14n, 201<br />
‘Bonum certamen’; see Pour S t Augustin<br />
mourant (H419)<br />
Bonum est confiteri D[omi]no: Psal[mus]<br />
David 91 us (H195) 14n, 208, 210,<br />
213, 214, 218n, 219, 221n, 222,<br />
223n<br />
Cæcilia virgo et martyr (H413) 17n, 26n,<br />
123, 208, 210, 214, 215, 221, 222,<br />
274n<br />
Cæcilia virgo et martyr (H415) 17n, 26n,<br />
208, 210, 214, 222, 224, 247n,<br />
274n<br />
Cæcilia virgo et martyr octo vocib[us]<br />
(H397) 17n, 122–3, 197, 201<br />
Cædes sanctorum innocentium (H411) 17n,<br />
208, 209, 210, 214, 218, 222<br />
‘Cantate Domino’ (H176) 245
366<br />
New Perspectives on Marc-Antoine Charpentier<br />
Canticum B[eatæ] V[irginis] M[ariæ]<br />
(H76) 14n, 16n, 188, 189<br />
Canticum in honorem Beatæ Virginis<br />
Mariæ (H400) 16n, 17n, 26n, 27,<br />
234, 248n<br />
Canticum in nativitatem Domini (H393)<br />
17n, 246<br />
Canticum Zachariæ (H345) 208, 210, 213,<br />
214, 218n, 219, 222, 247<br />
Celse Martyr (lost), 5n, 11, 20n, 21n<br />
Chant joyeux du temps de Pasques (H339)<br />
26n, 207n, 274n<br />
Circé (H496) 11n, 13n, 82–3, 144n, 163,<br />
165, 167, 169, 170, 175, 179, 181,<br />
182, 247n, 248n<br />
La comtesse d’Escarbagnas / Le mariage<br />
forcé (music for, H494) 11n, 13n,<br />
60, 162, 164, 175, 229n<br />
Concert pour quatre parties de vio<strong>le</strong>s<br />
(H545) 247<br />
La couronne de f<strong>le</strong>urs (H486) 11n, 20n,<br />
26n, 55, 207n, 241, 247n, 274n<br />
‘Cupido perfido dentr’al mio cor’ (H493) 47<br />
Cur mundus militat (H379) 290, 304,<br />
310n, 312<br />
David et Jonathas (H490) 5n, 11, 20n, 21n,<br />
28n, 314<br />
De profundis (H156) 26n, 136<br />
De profundis (H189) 13, 45, 55, 136, 158<br />
De profundis (H192) 237<br />
La descente d’Orphee aux enfers (H488)<br />
11n, 20n, 21, 26n, 55, 57n, 70n,<br />
220n, 272n, 274n<br />
Dialogus inter Christum et peccatores<br />
(H425) 5n, 73n, 96, 186, 187<br />
Dixit D[omi]nus: Psalm[us] David 109 us :<br />
Prelude (H202a) 249<br />
Domine salvum (H286) 233<br />
‘Domine salvum’ (H291) 136n, 190, 197,<br />
199<br />
Domine salvum (H305) 290, 304, 310n, 312<br />
Domine salvum pour un haut et un bas<br />
dessus (H297) 213<br />
Egredimini Filiæ Sion (H280) 289<br />
E<strong>le</strong>vatio (H257) 248n<br />
E<strong>le</strong>vatio (H258) 238<br />
E<strong>le</strong>vatio (‘O sacramentum pietatis’)<br />
(H260) 101<br />
E<strong>le</strong>vation (H248) 247n<br />
E<strong>le</strong>vation (‘O cœ<strong>le</strong>stis Jerusa<strong>le</strong>m’) (H252)<br />
26n, 92, 94, 244<br />
E<strong>le</strong>vation (‘O sacramentum pietatis’)<br />
(H274) 101<br />
E<strong>le</strong>vation a 5 sans dessus de violon (H251)<br />
58–9, 101<br />
E<strong>le</strong>vation a voix seu<strong>le</strong> pour une tail<strong>le</strong><br />
(H268) 289, 306–7, 310n, 312<br />
E<strong>le</strong>vation au S t Sacrement (‘O amantissime<br />
salvator noster’) (H264) 92, 95<br />
E<strong>le</strong>vation pour la paix (H237) 20n, 197n<br />
Endimion (H502) 11n, 13n, 51, 53, 70n,<br />
166, 179, 180<br />
Epitaphium Carpentarij (H474) 5n, 17,<br />
55, 285<br />
Epithalamio (H473) 20n, 47<br />
Euge serve bone (H375) 289<br />
Exaudiat a 8 voix, flutes et vi[ol]ons<br />
(H162) 14n, 194, 201<br />
Exaudiat pour <strong>le</strong> roy a 4 (H180) 14n, 20n,<br />
134, 135, 155–6, 157, 192, 193<br />
La feste de Ruel (H485) 11n, 13, 20n, 49,<br />
51, 55, 56, 158n<br />
Filius prodigus (H399, H399b, H399c)<br />
17n, 202–4, 205<br />
Les fous divertissants (H500) 11n, 13n,<br />
181n, 279<br />
Gratiarum actiones pro restituta regis<br />
xtianissimi sanitate an[no] 1686<br />
(H341) 70–71<br />
Historia Esther (H396) 17n, 231, 239<br />
Idy<strong>le</strong> sur <strong>le</strong> retour de la santé du roy<br />
(H489) 11n, 20n, 207n, 246<br />
Il faut rire et chanter: dispute de bergers<br />
(H484) 11n, 20n, 26n, 238, 274n<br />
‘Incipit oratio Hieremiæ’ (H95) 51n<br />
L’inconnu (music for, H499) 11n, 13, 20n,<br />
21n, 165, 169, 173n, 175, 178,<br />
241–2, 250<br />
In assumptione Beatæ Mariæ Virginis<br />
(H353) 16n, 217n
Index of Works by Charpentier Cited 367<br />
In festo corporis Christi canticum (H344)<br />
134, 135–6, 156–7<br />
In honorem Sancti Ludovici Regis Galliæ<br />
canticum (H365) 20<br />
In honorem Sancti Ludovici Regis Galliæ<br />
canticum tribus vocibus cum<br />
simphonia (H323) 20n, 301, 304<br />
In nativitate Domini N[ost]ri Jesu Christi<br />
canticum (H421) 17n, 18<br />
In nativitatem D[omini] N[ostri] J[esu]<br />
C[hristi] canticum (H414) 17n,<br />
208, 210, 213, 214, 218n, 222<br />
In obitum augustissimæ nec non piissimæ<br />
gallorum Reginæ lamentum (H409)<br />
13, 17, 20n, 55, 71n, 136, 158, 240,<br />
247n<br />
In S[anc]tu[m] Nicasium Rothomagensem<br />
archiepiscopum et martyrem<br />
(H55–7) 5n, 14<br />
Jesu corona Virginu[m] (H53) 222n<br />
Josue (H404) 17n, 18n, 194–5, 249n<br />
Josue ... Prelude (H404a) 194, 249<br />
Judicium Salomonis (H422) 17n, 18, 123,<br />
338<br />
Judith sive Bethulia liberata (H391) 17,<br />
233, 235, 305<br />
Languentibus a 3 voix (lost) 305<br />
Lauda Jerusa<strong>le</strong>m: Psalm[us] David 147 us<br />
(H210) 14n, 186<br />
Lauda Sion (H268), see E<strong>le</strong>vation a voix<br />
seu<strong>le</strong> pour une tail<strong>le</strong><br />
‘Laudate D[omi]num’ (H152) 14n, 37,<br />
235–6<br />
‘Laudate Dominum’ (H177) 33, 235<br />
Laudate D[omi]num o[mn]es g[en]tes octo<br />
vocibus et totidem instrumentis<br />
(H223) 14n, 201<br />
‘Laudate pueri Dominum’ (H149) 14n,<br />
44–5<br />
Litanies de la Vierge a 6 voix et deux<br />
dessus de viol<strong>le</strong>s (H83) 16n, 26n,<br />
73, 208–26 passim, 274n<br />
Luctus de morte augustissimæ Mariæ<br />
Theresiæ reginæ Galliæ (H331)<br />
20n, 24n, 26n, 28n<br />
Magda<strong>le</strong>na lugens (H343) 33, 72, 73n,<br />
97–8, 100n, 101n, 104n<br />
Magnificat (H73) 16n, 83–6<br />
Magnificat a 3 dessus (H75) 16n, 217<br />
Le malade imaginaire (H495) / Le malade<br />
imaginaire avec <strong>le</strong>s deffenses<br />
(H495a) 11n, 13, 47, 58, 60, 82n,<br />
163–82 passim, 247n, 250<br />
Le mariage forcé (music for, H494); see La<br />
comtesse d’Escarbagnas /<br />
Le mariage forcé<br />
Médée (H491) xxv, 11, 20n, 21, 24, 28, 82n,<br />
158n, 251–68 passim, 287, 314<br />
Méditations pour <strong>le</strong> carême (H380–89) 99n<br />
‘Memento Domine’ (H155) 14n, 73<br />
Messe a 8 voix et 8 violons et flutes (H3)<br />
123, 201<br />
Messe a quatre chœurs (H4) 32, 47–8, 55n,<br />
57, 186, 239n<br />
Messe de minuit (H9) 283<br />
Messe pour <strong>le</strong> Port <strong>Roy</strong>al (H5) 13, 55n<br />
Messe pour <strong>le</strong>s trepasses a 8 (H2) 136,<br />
157, 190, 192, 201–2<br />
Messe pour plusieurs instruments au lieu<br />
des orgues (H513) xxiv, 105–31<br />
passim<br />
Miserere (H193); see Psalm[us] David[is]<br />
50 mus / Miserere des Jesuites<br />
Miserere a 2 dessus, 2 flutes et basse<br />
cont[inue] (H157) 73n<br />
Miserere a 2 dessus, une haute contre et<br />
basse continue (H173) 243<br />
Mors Saülis et Jonathæ (H403) 17n, 18n,<br />
32, 33, 232–3, 248n<br />
Motet pour <strong>le</strong>s trepasses a 8 (H311) 136,<br />
157, 190, 192, 201–2<br />
Motet pour S t François de Borgia (H354)<br />
289, 306–7<br />
Noëls (H531) 51n<br />
Noëls sur <strong>le</strong>s instruments (H534) 123, 248<br />
‘Notte’e di’ (Le malade imaginaire avec <strong>le</strong>s<br />
deffenses, H495a) 47<br />
Nuptiæ sacræ (H412) 17n, 26n, 208, 210,<br />
212, 213, 214, 215, 217, 222, 274n
368<br />
New Perspectives on Marc-Antoine Charpentier<br />
‘O amantissime salvator noster’ (H264);<br />
see E<strong>le</strong>vation au S t Sacrement<br />
(‘O amantissime salvator noster’)<br />
O amor: E<strong>le</strong>vation … (H253) 72–3, 187<br />
O amor, ô bonitas (H279) 289<br />
‘O cœ<strong>le</strong>stis Jerusa<strong>le</strong>m’ (H252); see<br />
E<strong>le</strong>vation (‘O cœ<strong>le</strong>stis Jerusa<strong>le</strong>m’)<br />
O cœ<strong>le</strong>stis Jerusa<strong>le</strong>m (H435) 11n, 92n<br />
‘O doctor optime’ (H307) 73<br />
O sacrum a trois (H239) 101, 233<br />
O sacrum convivium a 3 dess[us:] E<strong>le</strong>vatio<br />
(H235) 101<br />
O sacru[m] p[ou]r trois religieuses (H240)<br />
32, 101<br />
‘O sacramentum pietatis’ (H260); see<br />
E<strong>le</strong>vatio (‘O sacramentum<br />
pietatis’)<br />
‘O vere, o bone’ (H273) 101–2<br />
O vos amici Dei (H377) 289, 310n<br />
Offerte pour l’orgue et pour <strong>le</strong>s violons,<br />
flutes et hautbois (H514) 105,<br />
127–8<br />
Ouverture pour <strong>le</strong> sacre d’un evesque<br />
(H536) 193<br />
Panis angelicus (H243) 290–310 passim<br />
Pastora<strong>le</strong> sur la naissance de N[otre]<br />
S[eigneur] J[ésus] C[hrist] (H483)<br />
11n, 20n, 26n, 216, 274n<br />
Peccavi Domine (H378) 96, 290, 307–8<br />
Pestis Mediolanensis (H398) 17n, 71n,<br />
196–7, 199<br />
Petite pastora<strong>le</strong> (H479) 11n, 20n, 26n,<br />
244, 246<br />
Philomè<strong>le</strong> (with the duc de Chartres, lost)<br />
28n<br />
Les plaisirs de Versail<strong>le</strong>s (H480) 11n, 20n,<br />
21n, 26n, 70n, 134, 269–85 passim<br />
Pour <strong>le</strong> jour de S te Geneviefve (H317) 33,<br />
247n<br />
Pour <strong>le</strong> S t Sacrement au reposoir (H346)<br />
135, 157<br />
Pour S t Augustin mourant (H419) 17,<br />
290–310 passim<br />
Pour S te Anne (H315) 305, 306<br />
Pour S te Therese (‘Flores O Gallia’) (H342)<br />
100, 101n, 104n<br />
Precatio pro filio regis (H166) 20n, 73<br />
Precatio pro Rege (H165) 20n, 243<br />
Prelude en A mi la re pour O bone Jesu a 3<br />
voix pareil<strong>le</strong>s pour la paix (H237a)<br />
197n<br />
Prelude pour Credidi (H209a) 186, 188<br />
Prelude pour Horrenda pestis (H398a) 199<br />
Prelude pour l’Enfant prodigue (H399a)<br />
203<br />
Prelude pour L’esté a 3 flutes (H336a) 187<br />
Prelude pour l’Exaudiat a 8 esprouve /<br />
Prelude pour ce qu’on voudra non<br />
encore employé (H521) 194<br />
Prelude pour Laudate pueri D[omi]num a<br />
4 voix sans instr[uments] en G re<br />
sol nat[urel] (H203a) 188<br />
Prelude pour <strong>le</strong> Miserere a 6 et<br />
instr[uments] (H193a) 203, 204,<br />
226n<br />
Prelude pour <strong>le</strong> premier Beatus vir a 4 voix<br />
sans instr[uments] [en] fa mi<br />
(H199a) 188, 189<br />
Prelude pour <strong>le</strong> p[remie]r Confitebor a 4<br />
voix sans instr[uments] (H200a)<br />
188<br />
Prelude p[ou]r <strong>le</strong> premier Dixit D[omi]nus<br />
en petit en G re sol b[é]mol<br />
(H197a) 192, 193<br />
Prelude pour <strong>le</strong> p[remie]r Magnificat a 4<br />
voix sans instr[uments] [en] C sol<br />
ut (H76a) 188<br />
Prelude pour <strong>le</strong> Te Deum a 8 (H145a) 194,<br />
249<br />
Prelude pour Mementote peccatores<br />
(H425a) 5n, 187<br />
Prelude pour Nisi D[omi]nus a 4 voix sans<br />
instr[uments] [en] C sol ut (H160a)<br />
188<br />
Prelude pour O amor a 3 vi[ol]ons<br />
(H253a) 187<br />
Prelude pour Quare fremuerunt gentes a 8<br />
voix (H168a) 198<br />
Prelude pour Salve regina a 3 (H23a) 16n,<br />
187<br />
Prelude pour Super flumina (H171a) 199<br />
P[remie]r prelude pour l’Exaudiat a 4 voix<br />
sans instr[uments:] D la re sol a 2<br />
vi[ol]ons (H180a) 192, 193
Index of Works by Charpentier Cited 369<br />
P[remiè]re antiene pour <strong>le</strong>s vespres d’un<br />
confesseur non pontife (H33) 146n,<br />
225n<br />
Pro omnibus festis B[eatæ] V[irginis]<br />
M[ariæ] (H333) 16n, 170n, 205,<br />
208–26 passim<br />
Prologue de S te La Cæci<strong>le</strong> a 6 et<br />
instr[uments] (H415a) 17n, 224<br />
Prose des morts (H12) 33, 197, 198,<br />
201–2, 204n<br />
Psalm David 115 e : Credidi propter q[uo]d<br />
(H209) 14n, 186, 188, 189<br />
Psalm[us] 2 us 6 us supra centesimum a 4 voix<br />
(H160) 14n, 188, 189–90<br />
Psalmus 109 us Dixit D[omi]nus 8 vocibus<br />
et totidem instr[umentis] (H190)<br />
14n, 197, 201, 202<br />
Psalmus 147 (H191) 14n, 32, 196, 197,<br />
199, 200, 201<br />
Psalm[us] David 4 us (H198) 14n, 190,<br />
196n, 197, 199<br />
Psalmus David 5 tus (H184) 231<br />
Psalmus David 5 tus in tempore belli pro<br />
Rege (H168) 14n, 20n, 49–50,<br />
196–7, 198<br />
Psalm[us] David 109 us (H197) 14n, 192<br />
Psalmus David 125 tus (H169) 14n, 190–92,<br />
195–7, 198<br />
Psalmus David centesim[us] undecimus<br />
(H199) 14n, 188, 189<br />
Psalmus David VIII (H163) 32<br />
Psalm[us] David[is] 50 mus / Miserere des<br />
Jesuites (H193) 14n, 18n, 26n, 203,<br />
204, 205, 208–27 passim, 274n,<br />
307n<br />
Psalmus Davidis centesimus vigesimus<br />
septimus (H178) 248n<br />
Psalmus supra centesimum duodecimus<br />
(H203) 14n, 188, 189–90<br />
Psaume 110 eme : Confitebor (H200) 14n,<br />
188, 189<br />
‘Quæ est ista’ (H426) 37<br />
Quam di<strong>le</strong>cta: Psalm Dav[id] octogesimus<br />
tertius (H167) 14n, 196, 198<br />
Quatuor anni tempestates (H335–8) 100n,<br />
103<br />
‘Que je sens de rudes combats’ (H459) 47,<br />
67, 68<br />
‘Quemadmodum’ (H174) 199, 247, 272n<br />
Le reniement de St Pierre (H424) 11n,<br />
71–2, 96n, 307n, 314<br />
Sacrificium Abrahæ (H402) 17n, 203,<br />
204–5, 248n<br />
S t Francois (H310) 33, 58<br />
Salve regina a trois chœurs (H24) 16n, 187<br />
Salve regina a trois voix pareil<strong>le</strong>s (H23)<br />
16n, 26n, 187, 298, 301, 302<br />
S[econ]d prelude a 4 vi[ol]ons pour <strong>le</strong><br />
mesme Exaudiat (H180b) 192,<br />
193<br />
Seconde <strong>le</strong>con de tenebres du Mercredy<br />
s[ain]t (H138) 236–7<br />
Seconde <strong>le</strong>çon de tenebres du Vendredy<br />
s[ain]t (H140) 240<br />
Seconde <strong>le</strong>çon du Mercredy (H97) 240<br />
Septieme respons, ‘Seniores populi’ (H117)<br />
71n<br />
Simph[onie] en G re sol b[é]mol a 3 fl[ûtes]<br />
ou vi[ol]ons (H529) 83n<br />
Simphonies ajustees au Sacrifice<br />
d’Abraham (H402a) 203<br />
[Simphonies] pour un reposoir (H508) 120,<br />
158n<br />
Simphonies pour un reposoir (H515) 120<br />
Sonate (H548) 170n<br />
Super flumina: Psalmus 136 octo vocib[us]<br />
cum instr[umentis] (H171) 14n,<br />
196–7, 199<br />
Supplicatio pro defunctis (H328) 16n, 32,<br />
45, 55n, 247, 275n<br />
Sur la naissance de N[otre] S[eigneur]<br />
J[ésus] C[hrist]: Pastora<strong>le</strong><br />
(H482) 11n, 20n, 26n, 250,<br />
274n<br />
Te Deum (H146) 234, 283<br />
Te Deum (lost) 136n<br />
Te Deum a 8 voix avec fl[ûtes] et violons<br />
(H145) 194, 201, 249n<br />
‘Transfige dulcissime Jesu’ (H251); see<br />
E<strong>le</strong>vation a 5 sans dessus de violon
370<br />
New Perspectives on Marc-Antoine Charpentier<br />
Troisieme <strong>le</strong>çon de tenebres du Mercredy<br />
saint (H123) 243<br />
Troisieme <strong>le</strong>çon du Mercredy a trois parties<br />
(H108) 231<br />
‘Veni sponsa Christi’ (H17) 222n<br />
Vénus et Adonis (H507) 11n, 13n, 51–2,<br />
55n, 170–71, 172, 179, 182, 264
General Index<br />
Abbaye-aux-Bois (convent) 103<br />
Académie <strong>Roy</strong>a<strong>le</strong> de Musique (Paris<br />
Opéra) 161, 162, 165, 174, 177,<br />
178, 207, 225n, 251–68 passim<br />
Académie <strong>Roy</strong>a<strong>le</strong> des Opéra 162n, 165, 178<br />
acrobats 170, 177, 179, 180, 183<br />
Adams, Martin 48<br />
air, air de cour 34, 39n, 47, 66, 67, 68–9,<br />
70n, 178n, 179, 198–9, 243–5,<br />
254, 255n, 256, 258, 259, 263, 265,<br />
266n, 278, 279, 280, 281n, 287<br />
air italien 47, 261, 266n<br />
Albergati, Pirro Capacelli, Corono de Pregi<br />
di Maria 37n<br />
alternatim 105, 106, 108–10<br />
Alvini, Laura 37n<br />
Amayenne, Jean 138–40, 142, 155<br />
André, Car<strong>le</strong> 169<br />
André, Jacques 138–9<br />
Anet, Jean-Baptiste 164<br />
Anne of Austria, queen of France 172<br />
Anthoine, François 211, 214, 215n, 217, 218<br />
Anthony, James R. 70n, 75n, 105, 130n,<br />
150n, 151, 152n, 264n<br />
Apel, Willi 31n, 34n<br />
Arnoulx, Joseph 149<br />
Les Arts Florissants (ensemb<strong>le</strong>) 251n, 269n<br />
Asselin, Claude 138, 142<br />
Attaingnant, Pierre 34<br />
Aubert, Florentin 149<br />
Aura, Jacques 138–40, 142, 147, 148<br />
Babet, Ml<strong>le</strong> (‘Babet la Chanteuse’) 175<br />
Bach, Johann Sebastian 46n, 81, 109n,<br />
229, 312n<br />
Cantata no. 78, 81<br />
Ciaccona for Solo Violin (BWV<br />
1004/5) 81n<br />
Bacilly, Bénigne de 97n<br />
Baglan, Antoine 107<br />
Bagniera (Baniera), Antonio 145, 149,<br />
157n<br />
bal<strong>le</strong>t 21n, 34, 74, 76, 137, 162, 172, 177,<br />
178n, 179, 181, 254, 256n; see also<br />
comédie-bal<strong>le</strong>t; opéra-bal<strong>le</strong>t<br />
bal<strong>le</strong>t pantomime 254, 255<br />
Bank, Joannes Antonius 42n<br />
Barber, Clarence H. 105, 129n, 130n<br />
Bardet, Bernard 164n<br />
Baron, Michel 175<br />
Barthé<strong>le</strong>my, Maurice 260n<br />
bas-dessus (defined) 213<br />
Bassani, Giovanni Battista 37<br />
basse-contre (defined) xxviii<br />
basse de vio<strong>le</strong>, see vio<strong>le</strong><br />
basse-tail<strong>le</strong> (defined) xxviii<br />
basson / bassoon 116–17, 152, 154–5<br />
Bastonnet, Ml<strong>le</strong> 175<br />
Batail<strong>le</strong>, Nicolas 138, 142<br />
Baudrexel, Philipp Jakob 43n<br />
Baussen, Henri de 26, 211, 214–15, 217n,<br />
218<br />
Bauyn Manuscript 34n<br />
Beauchamps, Pierre 164n, 177–8<br />
Beaupuis, Pierre 26, 211, 214–16, 217, 218<br />
Beaussant, Philippe 253n, 255n, 262n<br />
Belard, Jacques 139–40<br />
Bénichou, Paul 251, 253n<br />
Benoit, Marcel<strong>le</strong> 17n, 116n, 136n, 137n,<br />
142n, 143n, 144n, 145n, 146n,<br />
147n, 148n, 150n, 153, 154, 161n,<br />
163n, 164n, 166n, 174n<br />
Benserade, Isaac de 75n<br />
Bent, Margaret 39n<br />
Beretta, Francesco, Missa Mirabi<strong>le</strong>s<br />
elationes maris 5n, 239n<br />
Bergerotti, Anna 66<br />
Bernard, Michel 149, 155<br />
Bernard of Clairvaux 103<br />
Bernhard, Christoph 94n
372<br />
New Perspectives on Marc-Antoine Charpentier<br />
Bernier, Nicolas 37–9<br />
Bernini, Gian Lorenzo 101<br />
Berthod (Berthold), Blaise 138–9, 145<br />
Berton, Nathalie 269n<br />
Bessart, Jean 124<br />
Bibliothèque du roi xxv, xxvi, 2n, 305n,<br />
306, 315; see also royal library<br />
Bignon, Jean-Paul 318n<br />
Bisaro, Xavier 208n<br />
Blanchard, Roger 224n<br />
Blond, Louis 16n<br />
Blondel, Jean 138–9, 144<br />
Blondel, Simon 148<br />
Blunt, Wilfrid 150n<br />
Boësset, Claude-Jean-Baptiste, Alphée et<br />
Aréthuse 257<br />
Boi<strong>le</strong>au-Despréaux, Nicolas 261n<br />
Bona, Va<strong>le</strong>rio 44<br />
Bonaventure, St 101<br />
Bonfils, Jean 110n<br />
Bonnassies, Ju<strong>le</strong>s 165n, 173n<br />
Bononcini, Giovanni Maria 42n, 43, 44n<br />
Borngässer, Barbara 89n<br />
Borrel, Eugène 32, 49n, 60<br />
Bosseur, Jean-Yves 38n<br />
Boucher, de (librettist) 257n<br />
Boudet, André 165<br />
Bouissou, Sylvie 38n, 266<br />
Boulanger, Nadia xxi<br />
Bourgeois, Louis Thomas, Cantates<br />
françoises ou Musique de chambre<br />
… livre II. e 290n<br />
Bourguil<strong>le</strong>ux, Guy 38n<br />
Bowers, Roger 40n<br />
Boyer, Char<strong>le</strong>s 263n<br />
Boyer, Claude 178n, 261n<br />
Brémond, Henri 89n<br />
Brenet, Michel 5n<br />
Brion, Geneviève de 211, 214, 217n, 220n<br />
Brooks, William 175n<br />
Brossard, Sébastien de 9n, 31n, 35, 48–9,<br />
94n, 153n, 288n, 312, 315<br />
Brossard Col<strong>le</strong>ction 9n, 71n, 96n, 186,<br />
226n, 289<br />
Brossard, Yolande de 136n, 144n, 145n,<br />
146n, 147n, 148n, 151n, 153n, 154,<br />
155n, 156n<br />
Brosses, Anthoine des 177–8<br />
Brown, Leslie El<strong>le</strong>n 264n<br />
Brunault (singer) 137n<br />
Brunelli, Antonio 42n<br />
Brunold, Paul 129n, 130n<br />
Buelow, George J. 94n, 95n, 99n<br />
Bukofzer, Manfred xxi<br />
Burgess, Geoffrey 67n, 76, 82n, 86, 87n<br />
Burke, John 34n<br />
Buxtehude, Dieterich 46n<br />
Caccini, Giulio, ‘Non ha’l ciel cotanti<br />
lumi’ 40–41<br />
cahier / notebook<br />
cahier françois (arabic) 6, 9n, 11n,<br />
13n, 14n, 16, 17n, 20n, 22–3, 24n,<br />
26, 54, 101n, 196, 201, 209, 305,<br />
315<br />
cahier romain (roman) 6, 9, 11n, 13,<br />
14n, 16, 17n, 20, 22–3, 24n, 54–5,<br />
201, 209, 211, 315<br />
defined 6<br />
gros cahier 5n, 17, 301n, 303–6, 307,<br />
336<br />
missing, misnumbered cahiers 7n,<br />
9–10, 18, 23, 211, 303n<br />
partitions chiffre françois 305, 318<br />
partitions chiffre romain 326<br />
‘prob<strong>le</strong>matic’ cahiers (“I”, “II”, [a],<br />
[b], [c], [d]) 5n, 8, 11n, 13, 17, 20n,<br />
21, 23n, 26n, 57n, 60, 70n, 82n,<br />
92n, 181n, 182, 229n, 247n, 250,<br />
290, 301, 303, 304, 305<br />
Caldara, Antonio 39n<br />
Cambert, Robert 3–4<br />
Les peines et <strong>le</strong>s plaisirs d’Amour<br />
162n, 178n<br />
Pomone 162n, 178n<br />
Campistron, Jean Galbert de 257<br />
Campra, André 265, 266n, 267<br />
L’Europe galante 264<br />
Motets a I et II voix … livre troisième<br />
312<br />
Motets a I, II, et III voix … livre<br />
quatriéme 290n<br />
cantata<br />
French 26n, 27, 38, 53n, 67, 266n, 312<br />
Italian 26n, 66<br />
Spanish 53
General Index 373<br />
canticum 17–18; see also oratorio<br />
caprice 179, 258<br />
Carissimi, Giacomo 4, 9, 36, 42, 43n, 44,<br />
46, 92n, 207n, 337<br />
‘Bel tempo per me se n’andò’ 41–2<br />
Carli (Carly), Tomasso / Thomas 146, 149,<br />
225n<br />
Carlier, Germain 211, 214–16, 217, 218<br />
Carlot, Edmé 140–41, 144<br />
Carmelites 20, 90, 101; see also Grand<br />
Carmel (convent); Litt<strong>le</strong> Carmel<br />
(convent)<br />
Carter, Tim 63, 64, 86, 87n<br />
castrati 145–6, 225n<br />
Cavalli, Pier Franceso 63–4<br />
Cazzati, Maurizio 37<br />
Ceberet, Cebret, see Sebret<br />
Centre de Musique Baroque de Versail<strong>le</strong>s<br />
(CMBV) xxi, 190n, 269n, 284<br />
Cessac, Catherine xxi, xxiii, xxv, 7n, 28n,<br />
46n, 47n, 55n, 57, 97n, 103n, 104n,<br />
105, 107n, 108, 127, 133, 134n,<br />
135n, 136n, 149n, 154n, 157n,<br />
190n, 194n, 204n, 208n, 213n,<br />
215n, 225n, 230n, 232n, 241n, 244,<br />
247n, 249n, 263n, 267, 271, 272n,<br />
279n, 280n, 284n, 285n, 287n,<br />
288n, 291n, 301, 303n, 305n, 307n,<br />
311, 338n, 341<br />
Cesti, Antonio 92n<br />
chaconne 74, 76–8, 80, 82–3, 86, 179,<br />
180, 256, 258, 261, 278; see also<br />
ciaccona<br />
Chambre (du Roi) 137, 142n, 151, 154<br />
Chambure, Geneviève Thibault, comtesse<br />
de 287n<br />
Champaigne, Philippe de 90n<br />
Champenois (singer) 174<br />
Chapel<strong>le</strong> <strong>Roy</strong>a<strong>le</strong> xxv, 107, 129n, 133–59,<br />
207, 276, 282<br />
sous-maître 133, 137, 146, 150, 153,<br />
276<br />
competition (‘Concours’) for post<br />
of 133, 137n, 276, 277, 281<br />
Chap(p)eron, François 3n, 4n, 5, 9n, 55n<br />
Chappuzeau, Samuel 172, 173–4<br />
Charlot, Prosper 152–4<br />
Charpentier, Etiennette 287–8<br />
Charpentier, Marc-Antoine<br />
archaisms, fondness for xxiv, 57, 84,<br />
312<br />
autograph mss 32, 99n, 100n,<br />
218n, 220n, 239n, 272n; see<br />
also Mélanges autographes<br />
(Charpentier)<br />
chronology, dating of works xxv, 5–8,<br />
9, 20, 23n, 27, 28n, 37, 45, 54,<br />
61n, 84n, 107–8, 120, 127, 134n,<br />
135n, 136, 146n, 149n, 157n, 182,<br />
189, 190, 194, 197, 201, 205, 208,<br />
209–10, 211, 212, 213, 218, 270,<br />
271, 275n, 313, 316<br />
commissions 1–29 passim, 54, 55, 205,<br />
304; see also Charpentier, Marc-<br />
Antoine, patrons, employers<br />
compositional process xxv, 229–50<br />
passim<br />
compositional sty<strong>le</strong> xxiv, 84, 111–12,<br />
114, 126, 201, 209, 219–20, 223<br />
‘Energies des modes’ 98n, 110,<br />
127, 263, 280n; see also key<br />
characteristics<br />
handwriting 7n, 8n, 197, 201, 229–30,<br />
239n, 316<br />
c<strong>le</strong>f formations 195, 201, 202<br />
illness 23n, 24, 28n, 133, 194<br />
incidental theatre music xxvii, 6n,<br />
11–13, 21n, 46, 51, 70n, 161–83<br />
passim, 230, 241, 247n, 279, 280n<br />
incomp<strong>le</strong>te works 109–10, 130, 250,<br />
307n<br />
influence of xxiv, xxv, 38–9, 106, 121,<br />
124, 130, 252, 259–67 passim<br />
influences on his sty<strong>le</strong> xxiv, 85,<br />
106, 112, 121, 252–9; see also<br />
Charpentier, Marc-Antoine,<br />
Italianate features; Charpentier,<br />
Marc-Antoine, studies in Italy<br />
Italian terms, use of 48–9, 100, 104n<br />
Italianate features xxiv, 1, 16, 18, 26–7,<br />
31–61 passim, 84, 92, 96, 100, 101,<br />
104, 122, 129, 207n, 220n, 222n,<br />
233, 251, 256n, 261, 266n, 267,<br />
312; see also air italien<br />
keyboard player 106, 121–2
374<br />
New Perspectives on Marc-Antoine Charpentier<br />
lost works, sources xxv, 5, 9n, 11, 18,<br />
21n, 84, 136n, 194, 195, 198, 203,<br />
204, 218, 249, 305, 306, 310, 316;<br />
see also cahier / notebook,<br />
missing, misnumbered cahiers<br />
Motets melêz de symphonie 39n, 96n,<br />
287–314 passim<br />
non-autograph mss / annotations 5n,<br />
9n, 47n, 71n, 72, 92n, 96n, 97n,<br />
99n, 100n, 186–7, 204, 224, 226n,<br />
229n, 288n, 289n, 290, 291–9,<br />
304–5, 307–8<br />
notebooks, see cahier / notebook<br />
operas xxv, 4, 11, 13, 20–1, 28, 251–68<br />
passim, 274n, 278, 282, 287; see<br />
also pastora<strong>le</strong>, pastora<strong>le</strong>-héroïque;<br />
tragédie en musique<br />
originality xxiv, 1, 207–8, 251n, 253,<br />
256, 259, 260, 261, 263, 266<br />
patrons, employers xxiv, 1–29 passim,<br />
48, 54, 55, 107, 129, 133–4, 205,<br />
217, 270, 271, 275n, 278, 282,<br />
285; see also Charpentier, Marc-<br />
Antoine, commissions<br />
performance parts 182–3, 186, 193,<br />
195, 204, 205, 218, 221<br />
Règ<strong>le</strong>s de composition 67n, 97n, 121,<br />
232–3, 249n, 279n, 288n<br />
revisions, re-scorings xxv, 83–5, 120,<br />
134–5, 156, 157n, 173, 175, 177,<br />
182, 185–205 passim, 224–7,<br />
229–50 passim, 307n, 308<br />
sings haute-contre 25–7, 55, 121,<br />
214–15, 274<br />
studies in Italy xxiv, 46–8, 84, 233,<br />
267; see also Rome<br />
text expression, underlay xxiv, 44,<br />
57–61, 70–73, 84–6, 89–104<br />
passim, 232, 237, 239, 240–41,<br />
243–6, 267, 272<br />
variant versions of works xxv, 185–205<br />
passim, 216, 224–7, 248–9, 289,<br />
306–7<br />
Chartres, Philippe d’Orléans, duc de 4, 11,<br />
24, 28, 121, 134, 287, 288n; see<br />
also Orléans, Philippe II, duc de<br />
Cheval<strong>le</strong>y, Sylvie 175n<br />
Choquel, Henri-Louis 31n, 44<br />
choreography, choreographers 77n, 79,<br />
81–2, 162, 177–8<br />
Christie, William 251n, 269n, 275n<br />
Chrysander, Friedrich 53n<br />
Chuprel, abbé 148n<br />
Churnside, Carrie 37n<br />
ciaccona 47, 74, 76, 81n, 82–3<br />
Clark, Jan(et) 83n, 162<br />
‘clavecim’ / clavecin 155, 167, 168–9,<br />
170n, 275n; see also harpsichord<br />
Clédières, Bernard 149<br />
Clérambault, Louis-Nicolas 311n<br />
I. er livre de pieces de claveçin 290n<br />
Coeyman, Barbara 145n, 276n, 277<br />
Cohen, Albert 35n, 46n, 56n, 70n<br />
Colbert, Jean-Baptiste 7n, 165<br />
Collard, Louis-Henri 146n<br />
Collasse, Pascal 116, 257n, 260<br />
Achil<strong>le</strong> et Polyxène (see Lully,<br />
Jean-Baptiste)<br />
Bal<strong>le</strong>t des Saisons 264<br />
Enée et Lavinie 257<br />
Thétis et Pélée 259n<br />
Collège Louis-<strong>le</strong>-Grand, Paris, see Jesuits<br />
colouration 36, 40–41, 44, 53, 56, 57, 312<br />
Colton, Judith 283n<br />
comédie-bal<strong>le</strong>t 74, 76, 144n, 162, 176, 178<br />
Comédie-Française xxv, 13, 51, 161–83<br />
Comédiens du <strong>Roy</strong> 161–2, 166, 178<br />
Commire, Jean 5n, 14, 96n<br />
Comptes de la Maison du Roi 142–3, 146n<br />
Concert Spirituel (series) 282<br />
Le Concert Spirituel (ensemb<strong>le</strong>) 251n<br />
Conisbee, Philip 90n<br />
continuo accompaniment 48, 122, 130,<br />
134–6, 155, 156–7, 162, 165,<br />
168–72, 186–7, 221, 225n, 239n,<br />
275, 277<br />
continuo figuring 57, 122, 130, 170–72,<br />
275, 280, 307n, 309–10, 312<br />
contrabass / ‘contre-basse’ 117n, 152n<br />
Converset, Jean 164, 165, 169<br />
copyists, scribes 2, 9, 41, 70n, 142–3,<br />
167n, 182–3, 221, 229n, 231n,<br />
275–6, 278, 285, 307–8, 316–17,<br />
338n<br />
Corbetta, Francesco 74<br />
Corelli, Archangelo 37, 280
General Index 375<br />
Corneil<strong>le</strong>, Pierre 51n, 67, 167, 176n, 253n,<br />
262<br />
Corneil<strong>le</strong>, Thomas 46, 82, 83n, 165, 179n,<br />
253, 255, 257, 258, 259, 261, 262,<br />
263, 264<br />
cornet (instrument) 138–41, 143, 146,<br />
150–51<br />
cornet (organ stop) 114, 122, 123, 126, 130<br />
Corrette, Gaspard 110, 117<br />
Messe du 8 e ton pour l’orgue 106, 109,<br />
117n<br />
Corrette, Michel 311n<br />
Cottet, Olivier 116<br />
Couperin, François xxiiin, xxiv, 37, 39,<br />
106, 124, 127, 128–30, 312<br />
L’apothéose de Lully 130<br />
Messe à l’usage ordinaire des<br />
paroisses 109n, 110, 111, 119, 124,<br />
125, 128<br />
Messe propre pour <strong>le</strong>s couvents de<br />
religieux et religieuses 109n, 110,<br />
124n<br />
Pièces de clavecin, second livre 38n<br />
Pièces d’orgue consistantes en deux<br />
messes 109<br />
Couperin, Louis 74, 117, 126, 220n<br />
courante 279, 327<br />
Courbois, Philippe, Cantates françoises, à<br />
I. et II. voix 290n<br />
Cousu, Antoine de 35<br />
Couvreur, Manuel 257n<br />
Crasset, Jean 16n, 86n<br />
croches blanches, see void notation<br />
(croches blanches)<br />
crome bianche, see void notation (croches<br />
blanches)<br />
cromorne (instrument) 57, 105, 113–18,<br />
152<br />
cromorne (organ stop) 111, 114–18<br />
Cul<strong>le</strong>y, Thomas D. 4n<br />
d’Alma, Francesco 53<br />
d’Ang<strong>le</strong>bert, Jean-Henri 81<br />
dancers xxv, 75–6, 79, 162, 177–8, 181,<br />
183<br />
Dandrieu, Jean-François 290n, 291n<br />
Danielis, Daniel 28n, 37<br />
Danneret, Elisabeth 175<br />
Daquin, Louis-Claude 311n<br />
Dassoucy, Char<strong>le</strong>s 46<br />
Dassy, Jean 138–41, 144<br />
Dauphin, Louis de France, Monseigneur<br />
<strong>le</strong> Grand 2, 6n, 7n, 16, 17, 21, 24n,<br />
26n, 28, 133–4, 149n, 157, 158,<br />
174, 220n, 272, 275n, 282<br />
musical establishment 21, 24n, 154n,<br />
271–2<br />
Dauphine, Marie-Anne-Christine de<br />
Bavière, Madame la 20n, 152, 276<br />
David, Mathurin 149<br />
Davis, Alan 116n<br />
Decobert, Laurence 144, 148–9, 152, 153,<br />
154<br />
Deierkauf-Holsboer, S. Wilma 178n, 180n<br />
Delalande, see Lalande, Michel-Richard de<br />
Demars, Char<strong>le</strong>s 311n<br />
Deschamps, Jean, see Villiers, de (Jean<br />
Deschamps, dit)<br />
Desjardins (Du Jardin), Pierre 138–9, 144<br />
Desmarets, Henry xxv, 252, 259–61, 267<br />
Circé 257n<br />
Didon 257n, 259<br />
dessus (defined) xxviii<br />
dessus mués (defined) 145<br />
Destouches, André Cardinal 265, 266n<br />
Develoy (de Veloy), Nicolas 139–41, 143<br />
Develoy (Desvelloy), Pierre 137, 138–40,<br />
142–3, 148<br />
dévotions (defined) 2<br />
Devriès(-Lesure), Anik 290, 291n, 295n,<br />
311n<br />
dialogue 92n, 103n, 207n<br />
divertissement 55, 66, 76–7, 134, 224,<br />
255–6, 257, 258, 261, 267, 271,<br />
278–9, 282, 285<br />
Donneau de Visé, Jean 46, 82, 178n<br />
Douglass, Fenner 111n<br />
dramatic motet 71, 185, 197, 204, 207–8,<br />
310n; see also oratorio<br />
Du Bois, see Goibaut, Philippe, sieur du<br />
Bois<br />
Du Moncel, Char<strong>le</strong>s 141<br />
Du Mont, Henry xxv, 92n, 107, 133, 135,<br />
136, 137n, 144, 145, 146–7, 148n,<br />
150n, 151, 153, 154–5, 156, 158–9<br />
Dufresne, Guillaume 164n
376<br />
New Perspectives on Marc-Antoine Charpentier<br />
Dumage, Pierre, I. er livre d’orgue 290n<br />
Dumont, Edme 164, 165<br />
Dun, Jean 190, 225n<br />
Dupont, Pierre 213<br />
Dupré, abbé 28n<br />
Dupré, Pierre 137, 139–40, 143n, 144<br />
Dupuis, Hilaire 66<br />
Durastanti, Margarita 53<br />
Duron, Jean 39n, 71n, 135n, 147n, 156n,<br />
158, 163n, 187n, 193n, 263n<br />
Duval, François 290n, 291n<br />
Duvivier, Jacques 164, 165, 169<br />
Eco, Umberto 252n<br />
Ecorchevil<strong>le</strong>, Ju<strong>le</strong>s 38n<br />
Ecurie, Grand 116, 137, 151, 153<br />
Edouard, Jacques xxvi, 9n, 96n, 287–314<br />
passim, 315–16, 318, 339<br />
en bas (usage defined) 135, 225n, 308<br />
en haut (usage defined) 308<br />
en survivance (defined) 146–7<br />
engraving process 288, 290–313 passim<br />
Ennebaut, Ml<strong>le</strong> (Françoise Jacob) 176, 182<br />
entr’acte 82, 83n, 170, 179, 180, 267<br />
Erickson, Raymond 81n<br />
Essen, Thomas van 117n<br />
Estival, Guillaume d’ 137, 138–9, 155<br />
Estriché, Guérin d’ 176<br />
L’Etat de la France 144, 146, 147–8, 151,<br />
153, 154n<br />
Etat des Officiers de la Maison du Roi<br />
142–3, 145–6, 147, 150<br />
exclamatio 232<br />
Expilly, Gabriel 153–4<br />
Fader, Don 164, 287n, 288n, 313<br />
falsetti 145<br />
Faré, Fabrice 90n<br />
Favalli (Favally), Antonio / Antoine 145,<br />
146n, 149, 225n<br />
Fernon, Louis <strong>le</strong> cadet 137, 139–41, 144,<br />
148, 155, 157n<br />
Fernon (Fernoud), Nicolas l’aîné 137,<br />
138–41<br />
Ferrier, Claude 139–41, 143n, 150<br />
Ferrier, Louis 143n<br />
Ferrier, Pierre 138–41, 143<br />
Ferriere (sic), Pierre 138, 143<br />
fifths, paral<strong>le</strong>l / consecutive 231–2, 249,<br />
250<br />
flute / flûte 75–6, 106, 151, 152n, 154, 157,<br />
158, 204, 224, 226, 243–4, 260n,<br />
272n, 275, 306; see also recorder<br />
basse de flûte 113, 115, 118, 158, 247,<br />
272–3<br />
flûte à bec 136<br />
flûte d’Al<strong>le</strong>magne / al<strong>le</strong>mande 113,<br />
136, 152, 154n<br />
flûte douce 108, 113, 115–16<br />
octave 115–16<br />
organ registration 107, 111<br />
sixth flute 116<br />
transverse flute 105, 157, 220, 222, 275<br />
voice flute 116<br />
Foggia, Francesco 92n<br />
Fontaineb<strong>le</strong>au 149, 257n<br />
Fontenel<strong>le</strong>, Bernard <strong>le</strong> Bovier de 257n<br />
Forestier (singer) 174–5<br />
forlane 260n<br />
Forqueray, Antoine 38n<br />
Fossard, François 152–4<br />
Foucquet, Antoine 147, 155<br />
Freillon-Poncein, Jean-Pierre 213n<br />
Frescobaldi, Girolamo 74, 82<br />
‘Così mi disprezzate?’ 63n<br />
Frévil<strong>le</strong>, Ml<strong>le</strong> 176, 177n<br />
Frizon, Antoine 148n, 149, 174, 272, 282<br />
Froberger, Johann Jacob 36n<br />
Toccata 34n<br />
Ful<strong>le</strong>r, David 311n<br />
Furetière, Antoine 193<br />
Gabillard, Pierre 138–9, 147<br />
Gallat-Morin, Elisabeth 109<br />
Gatti, Theobaldi di 262n<br />
Gaye, Jean 137, 139–41, 143n, 144–5,<br />
155–6, 176<br />
Gazette de France 20n<br />
Gendreau, François 139–41, 145n, 147<br />
Gendron, Jean 138, 142<br />
Genette, Gérard 252n<br />
Gervais, Char<strong>le</strong>s-Hubert, Méduse 261n,<br />
263–4<br />
Gherardi, Evaristo 175<br />
Gigault, Nicolas 110, 127<br />
Livre de musique pour l’orgue 109
General Index 377<br />
Gilbert, Gabriel, Les amours de Diane et<br />
d’Endimion 166, 180<br />
Gilbert, Kenneth 38n, 109n, 129n, 130<br />
Gil<strong>le</strong>t, Bertrand 149<br />
Gingand (Guigant), Louis 137, 138–9, 155<br />
Gingant, Léonore 149<br />
Gird<strong>le</strong>stone, Cuthbert 266n<br />
Godon(n)esche, Jacques 141, 149<br />
Gohin, Henry 116<br />
Goibaut, Philippe, sieur du Bois 2, 3n, 4,<br />
14, 26, 27, 170n, 220, 229n<br />
Gosine, C. Jane xxiv, 3n, 7n, 8n, 37n, 54n,<br />
71n, 72n, 73n, 84n, 92n, 96n, 107n,<br />
108, 120, 127, 134, 157n, 190n,<br />
201n, 208n, 229n, 246n, 305n,<br />
306n, 307n<br />
Gottlieb, Anna 175n<br />
Goubault, Christian 38n<br />
Grand Carmel (convent) 101<br />
grand chœur 117, 146, 156, 219, 225, 227,<br />
312<br />
grand motet 134, 136, 149, 151, 153n, 154,<br />
156, 185, 219, 221n, 282, 284<br />
Grandmaison, Marie Guil<strong>le</strong>bault de 211,<br />
214, 217<br />
Grandpré, Ml<strong>le</strong> 174<br />
Graziani (Gratiani), Bonifazio 92n<br />
Great Guise Music 11, 21, 23, 26–7, 55,<br />
217, 225; see also Guise Music<br />
Green, Thomas R. 230n<br />
Grigny, Nicolas de 110, 312n<br />
Premier livre d’orgue 109, 290n, 312n<br />
Offertoire 126, 127<br />
Premier Kyrie en tail<strong>le</strong> 118n<br />
Récit de tierce en tail<strong>le</strong> 118n<br />
Grimarest, Jean-Léonor de 97n<br />
ground bass 47, 63–9, 73, 76, 80, 84, 86;<br />
see also ostinato; tetrachord,<br />
descending minor<br />
Guand, Guillaume de 148<br />
Guérin, M., see Estriché, Guérin d’<br />
Guerrini, Pietro 27<br />
Guichard, Henri 165<br />
Guil<strong>le</strong>gault, André 149<br />
Guillo, Laurent 8n, 197n, 201n<br />
Guillot, Pierre 85n<br />
Guilmant, A<strong>le</strong>xandre 109n<br />
Guintrand(y), Joseph 140–41, 145n<br />
Guise, Elisabeth (‘Isabel<strong>le</strong>’) d’Orléans, see<br />
‘Madame de Guise’<br />
Guise, Hôtel de 2–3, 4, 9, 13–14, 17, 26–7,<br />
56, 100, 107, 121, 129, 209, 212,<br />
214, 216–17, 220, 303<br />
Guise, House of 2, 21, 208, 281<br />
Guise, Louis-Joseph, duc de Guise 2<br />
Guise, Marie de Lorraine, princesse de<br />
Guise, see ‘Mademoisel<strong>le</strong> de<br />
Guise’<br />
Guise Music 2, 3n, 21n, 26–7, 209,<br />
211–12, 213, 215n, 216–17, 222,<br />
224, 229n, 272n, 274n; see also<br />
Great Guise Music<br />
Gustafson, Bruce 311n<br />
Guyot, Jeanne 211, 214, 217<br />
Guyot, Ml<strong>le</strong> (Judith de Nevers, dite) 176,<br />
182<br />
Haar, James 40n<br />
Hamel, Louis du 149<br />
Hammond, Frederick 74n<br />
Handel, George Frideric 37, 53<br />
No se emendará jamás (HWV140) 53<br />
Hardouin, Pierre 109n, 312n<br />
Hardy, Ml<strong>le</strong> 174, 177<br />
harpsichord 34, 81, 168–70, 277<br />
Harris-Warrick, Rebecca 70n, 74n<br />
Haskell, Francis 89n<br />
haut-dessus (defined) 213<br />
hautbois, see oboe / hautbois<br />
haute-contre (defined) xxviii<br />
haute-contre de violon 226<br />
haute-tail<strong>le</strong> (defined) xxviii<br />
Haynes, Bruce 116, 117n<br />
Hedouin, Nicolas 138–9<br />
Hefling, Stephen 49n<br />
Helmholtz system of pitch differentiation<br />
xxviii<br />
Herlin, Denis 39n<br />
Higginbottom, Edward 109n, 111, 112n<br />
Himelfarb, Hélène 149n<br />
histoire sacrée 17, 185, 197, 204n, 205,<br />
208; see also oratorio<br />
Hitchcock, H. Wi<strong>le</strong>y xxiin, xxiii, xxvi,<br />
xxvii, 2n, 7n, 32, 55n, 70n, 71n,<br />
82n, 92n, 105, 107n, 108, 127, 133,<br />
134n, 162n, 185n, 186n, 187, 204n,
378<br />
New Perspectives on Marc-Antoine Charpentier<br />
209n, 213n, 229n, 271n, 272n,<br />
274n, 278, 289n, 291, 303n, 313,<br />
316, 318n<br />
Holman, Peter 64<br />
Hopkinson, Cecil 290n<br />
Hôtel de Bourgogne 165, 174, 176<br />
Hôtel Guénégaud 161, 165–6, 169, 173,<br />
175, 177–8, 183; see also Théâtre<br />
de Guénégaud<br />
Hotteterre dynasty 276<br />
Marie-Marguerite 153n<br />
Nicolas 152–4<br />
Houdiart, Pierre 140–41<br />
Hou<strong>le</strong>, George 44n<br />
Hubert, André 175n, 176<br />
Huguenet, Char<strong>le</strong>s 153<br />
Huguenet, Pierre 152–5<br />
Huguenet, Sébastien 152–5<br />
hypotextuality (defined) 252n<br />
intertextuality (defined) 252n<br />
James II (exi<strong>le</strong>d British king) 5n<br />
James, Clive 269<br />
Jantzen, Grace 89n, 101n<br />
Jesuits 1, 3–5, 6, 9, 11, 14, 16, 17–18, 20,<br />
23–4, 28, 72, 85, 90, 91, 92, 96,<br />
129, 146n, 211, 212, 216, 217n,<br />
224, 225n, 265, 281, 303<br />
Church of Saint-Louis, Paris 3, 9, 14,<br />
16, 18, 27–8, 83, 129, 204, 224,<br />
225n<br />
Collège Louis-<strong>le</strong>-Grand, Paris 5n, 11,<br />
14, 28n, 123, 204<br />
Jesuit collèges 11, 20n, 21<br />
Jesuit paper 8n, 9n, 11n<br />
Maison Professe (profess house) 4, 95n<br />
Noviciate 14, 18n<br />
Jeu de Paume de Béquet (‘Le Bel-Air’) 178n<br />
Joly (Guise singer) 211, 214–17<br />
Jones, Andrew V. 46n<br />
Jonquet, Jean 149<br />
Jouilhac, Jean 140–41<br />
Jourdain, abbé 318n<br />
jours d’ appartement 134, 270–71, 275,<br />
276n, 278, 281<br />
Jurgens, Made<strong>le</strong>ine 164n, 169n, 173n<br />
Keiser, Reinhard 37<br />
Kendrick, Robert 103<br />
Kerll, Johann Casper 36n<br />
key characteristics 64, 67, 71, 72, 260n,<br />
265, 280; see also Charpentier,<br />
Marc-Antoine, ‘Energies des<br />
modes’<br />
King’s Music 2, 135, 136n, 137; see also<br />
Chambre (du Roi)<br />
Kircher, Athanasius 42n, 95n<br />
Kirkenda<strong>le</strong>, Ursula 53n<br />
Klakowich, Robert J. 66n<br />
Kocevar, Erik 124n, 136n, 144n, 145n,<br />
146n, 147n, 148n, 151n, 154, 155n,<br />
156n, 215n<br />
L’Affilard, Michel 213n<br />
La Barre, Anne de 66<br />
La Barre, Pierre Chabanceau de 152–5<br />
La Fontaine, Char<strong>le</strong>s de 153–5<br />
La Fontaine, Jean Ba(p)tiste 152–5<br />
La Forest, Michel de 137, 140–41, 155<br />
La Fosse [?Jean Routy] 153–4<br />
La Gorce, Jérôme de 21n, 28n, 252n, 258,<br />
259n<br />
La Grange, Char<strong>le</strong>s Var<strong>le</strong>t de 176<br />
La Laurencie, Lionel de 215n<br />
La Mesnardière, Hippolyte-Ju<strong>le</strong>s Pi<strong>le</strong>t de<br />
262<br />
La Montagne, Pierre de 177–8<br />
La Quièze, Jacques de 152–5<br />
La Tour, Georges de 90–91, 97<br />
La Voye Mignot, de 35<br />
Lacoste, Louis, Créuse l’Athénienne 263<br />
Ladvocat, Louis 252n<br />
Lalande, Michel-Richard de 129, 157, 207,<br />
222n, 269–70, 276–85<br />
Bal<strong>le</strong>t de la Jeunesse 145n, 157n, 282<br />
Le concert d’Esculape 276<br />
De Profundis 280, 283, 284<br />
Les folies de Cardenio 284<br />
Les fontaines de Versail<strong>le</strong>s 157n,<br />
269–70, 275–82, 285<br />
Le palais de Flore 157n<br />
Symphonies pour <strong>le</strong>s soupers du roi<br />
282, 283, 284<br />
Te Deum 284<br />
Une sérénade en forme d’opéra 277
General Index 379<br />
lament 63–4, 66–70, 71<br />
Langeais, Louis 139–40<br />
Langer, Francois 138–9<br />
Laporte (keyboard player) 169<br />
Launay, Denise 251<br />
Laurent, Pierre 138–9, 143<br />
Le Bœuf, Jean 138, 142<br />
Le Coigneux, Angélique 107<br />
Le Gallois, Pierre 220n<br />
Le Gros, Claude 137, 138–40, 155<br />
Le Maire, Char<strong>le</strong>s 140–41, 143n, 147–8,<br />
157n<br />
Le Mesnager, Pierre 142, 148<br />
Le Peintre, (Jean) Augustin 152–5<br />
Le <strong>Roy</strong>, Fursy 149<br />
Le <strong>Roy</strong> (singer) 175<br />
Lebègue, Nicolas-Antoine 110, 111,<br />
114–15, 116, 117, 121, 122, 124,<br />
125, 130<br />
Les pièces d’orgue (1676) 113, 114,<br />
115n, 118, 120, 122, 125, 130n<br />
Second livre d’orgue (c. 1678) 109,<br />
114, 120, 121<br />
organ mass 110, 119, 120, 127<br />
Troisième livre d’orgue (c. 1685) 127<br />
Lecerf de la Viévil<strong>le</strong>, Jean-Laurent 66, 77,<br />
129n, 266n<br />
<strong>le</strong>çons de ténèbres 51, 103n, 240<br />
Legrand, Raphaël<strong>le</strong> 83n<br />
Lemaître, Edmond 253n<br />
Léon, Jean-Char<strong>le</strong>s 239n<br />
Lescat, Philippe 109n, 312n<br />
Lind<strong>le</strong>y, Mark 67n<br />
Lionnet, Jean 39n, 46n, 84n, 92n<br />
Litt<strong>le</strong> Carmel (convent) 13, 20, 24n, 158<br />
Livre d’orgue attribué à J. N. Geoffroy 109<br />
Livre d’orgue de Marguerite Thiéry 109,<br />
126<br />
Livre d’orgue de Montréal 109<br />
livre tournois 163n<br />
Locatelli, Sebastiano 150<br />
Lochon, Michel van 172<br />
Lockwood, Lewis H. 229<br />
Longepierre, Hilaire-Bernard de 262–5<br />
Lorenzani, Paolo 17n, 225n<br />
Louis XIII, king of France 172<br />
Louis XIV, king of France xxv, 2, 13n, 20,<br />
21, 24n, 66, 74, 82n, 105n, 109,<br />
133, 148, 149n, 161, 165, 172, 179,<br />
194, 208n, 269, 315<br />
Louis XV, king of France xxi<br />
Loulié, Etienne 21n, 31n, 35–6, 56–7, 121,<br />
220, 288n<br />
Lowe, C. Jane, see Gosine<br />
Loyola, St Ignatius de 91<br />
Lully, Jean-Baptiste xxi, xxiv–v, 11, 13n,<br />
21, 24, 28, 63–70, 74–82, 84–6,<br />
116, 127, 136, 151, 156, 161, 162,<br />
163, 165, 174, 175, 177–8, 180n,<br />
183, 207, 216, 251–61, 266, 271,<br />
276, 281, 282, 283, 285<br />
Acis et Galatée 81, 256n<br />
Achil<strong>le</strong> et Polyxène 74n, 257<br />
Alceste 75–6, 258, 262<br />
Armide 77–82, 85–6, 253, 254, 255–7,<br />
263<br />
Atys 68–9, 82<br />
Bal<strong>le</strong>t de Flore 69, 70n, 75<br />
Bal<strong>le</strong>t des Amours déguisez 70n<br />
Bal<strong>le</strong>t des Muses 75<br />
Cadmus et Hermione 178n<br />
Les fêtes de l’Amour et de Bacchus<br />
178n<br />
Miserere 151<br />
Persée 76, 77n, 256<br />
Phaëton 70, 216<br />
privilège, monopoly 21, 163, 260, 281<br />
Psyché 70n, 172–5, 177<br />
Roland 69<br />
‘Scocca pur’ (LWV 76/3) 64–7, 85<br />
Te Deum 151<br />
Thésée 253–5, 257, 258, 263, 265<br />
Le triomphe de l’Amour 137<br />
Lully, Louis 258–61<br />
Alcide (see Marais, Marin)<br />
lute 34, 66, 130<br />
Luxembourg, François-Henri de<br />
Montmorency-Boutevil<strong>le</strong>, duc de<br />
11, 20n, 21n<br />
machine play, see pièce en machines,<br />
machine play<br />
‘Madame de Guise’ 2–3, 7n, 13, 16, 17–18,<br />
20–21, 24n, 28, 48, 107, 134, 136,<br />
208n, 217n, 271
380<br />
New Perspectives on Marc-Antoine Charpentier<br />
‘Mademoisel<strong>le</strong> de Guise’ 2–4, 7n, 11, 16,<br />
18, 20–21, 27n, 55, 56n, 100, 107,<br />
157n, 204, 207–27 passim, 271<br />
Maland, David 104<br />
Marais, Marin 252, 258–61, 262<br />
Alcide 256n, 257, 258–9, 261, 263<br />
Maral, A<strong>le</strong>xandre 149n<br />
Marchand, Jean 123, 155<br />
Marchand, Jean-Ba(p)tiste 152, 153n<br />
Marchand, Jean-Noël 152–5<br />
Marchand, Louis 106, 117–18, 123<br />
Grand dialogue 128<br />
Pièces choisies pour l’orgue 118n<br />
Marchand, Pierre 164, 165, 169<br />
Marie-Thérèse, queen of France 55, 136,<br />
158<br />
Marion, Ml<strong>le</strong> (singer) 174, 177<br />
Marshall, Robert L. 229<br />
Martelli, Francesco 27n<br />
Mary Magda<strong>le</strong>ne 72, 90–91, 96, 97, 99, 100<br />
Marx, Hans Joachim 53n<br />
Masselin, Robert 140–41<br />
Massip, Catherine 129n, 134n, 153n, 275n,<br />
276n, 277, 279n, 280, 284, 311n<br />
Masson, Char<strong>le</strong>s 67n<br />
Masson, Paul-Marie 267n<br />
Mathas, Jacques-François 287–8, 295<br />
Maugars, André 46<br />
Maupoint 265n<br />
Maurel (Morel), Antoine 137, 140–41,<br />
143n, 150, 276<br />
Maxfield-Mil<strong>le</strong>r, Elisabeth 164n, 169n, 173n<br />
Mayes, Andrew 116<br />
Mazarin, Cardinal Ju<strong>le</strong>s 66<br />
Mélanges autographes (Charpentier)<br />
binding of 300, 303, 304–6, 316<br />
chronology, dating of, see Charpentier,<br />
Marc-Antoine, chronology, dating<br />
of works<br />
corrections, emendations in xxv, 58n,<br />
194, 225–6, 229–50 passim, 272n,<br />
302, 306<br />
paper 7n, 8, 9n, 11n, 23–4, 34n, 195,<br />
197, 201, 303, 316<br />
performance rubrics and cues xxv,<br />
134, 162–3, 166–70, 173, 179–83,<br />
185–205 passim, 221–3, 271, 275<br />
performers’ names in 11, 21n, 26, 56n,<br />
103n, 135, 144n, 146n, 149n, 156,<br />
162, 164–5, 174–7, 182, 190, 199,<br />
211–18, 220n, 225n, 272, 274n<br />
recopying in 1, 7–8, 54n, 120, 127,<br />
134n, 201, 205, 226, 232n, 240n,<br />
246n, 305<br />
repairs to 300–301, 306<br />
sa<strong>le</strong> of xxi, xxv, 2n, 134, 283, 288, 301,<br />
305n, 306, 311, 313, 315, 317, 318<br />
structure, organization of xxvi, 5–10,<br />
205, 209n, 288, 316; see also<br />
cahier / notebook<br />
tit<strong>le</strong>, origin of 2<br />
transposition, instructions for 135–6,<br />
156, 189–90, 225, 226, 300<br />
watermarks 7n, 316<br />
Mémoire des ouvrages de musique<br />
latine et françoise de défunt M. r<br />
Charpentier xxvi, 5n, 18n, 103n,<br />
134, 193, 221n, 271n, 301, 303,<br />
305, 307, 311n, 313, 315–39<br />
Ménard, Michel 91n<br />
Ménestrier, François 85n<br />
menuet / minuet 179, 266, 275, 279–80<br />
Menus Plaisirs, financial accounts of 147,<br />
150<br />
Mercedarians 107; see also Notre Dame de<br />
la Mercy, Paris<br />
Mercier (royal binder) 306<br />
Mercy, see Notre Dame de la Mercy, Paris<br />
Mercure galant 6, 21, 24n, 39n, 46–7, 67n,<br />
68, 103n, 151n, 261, 271, 272, 277<br />
Mersenne, Marin 35, 94n, 117<br />
Meslanges autographes, see Mélanges<br />
autographes (Charpentier)<br />
Meslanges de musique latine, françoise &<br />
italienne; divisez par saisons 186n<br />
Milliot, Sylvette 258<br />
Minkoff (Charpentier facsimi<strong>le</strong>) xxi, xxvii,<br />
2n, 284, 295n<br />
Minkoff, Sylvie xxi<br />
Mirac<strong>le</strong>, Jean Borel de 141, 149<br />
Molière (Jean-Baptiste Poquelin) 60, 70n,<br />
82n, 161, 162, 164–5, 169, 172n,<br />
173, 174–5, 177–8<br />
Mongrédien, Georges 174n, 176n<br />
Montagnier, Jean-Paul 287n, 288n
General Index 381<br />
Montéclair, Michel Pigno<strong>le</strong>t de 267<br />
Cantates a voix seu<strong>le</strong>, et avec<br />
simfonie … premier livre 313n<br />
Jephté 268n<br />
Le retour de la paix 313n<br />
Montespan, Françoise de Rochechouart,<br />
marquise de 276, 277, 281<br />
Monteverdi, Claudio 36, 63–4<br />
‘Altri canti d’Amor’ 63–4<br />
‘Lamento della Ninfa’ 63<br />
‘Zefiro torna’ (1632) 47<br />
Morche, Gunther 231n<br />
Moreau, François 149<br />
Morel, Antoine, see Maurel (Morel),<br />
Antoine<br />
Morin, Jean-Baptiste, Cantates françoises<br />
a une et deux voix … premier livre<br />
312n<br />
Moroney, Davitt xxiii, 34n, 46n, 61, 74n,<br />
129n, 130<br />
Mortier, Roland 251n<br />
Mosnier (singer) 174<br />
Mouvant, Ml<strong>le</strong> (singer) 174<br />
Mozart, Wolfgang Amadeus, Le nozze de<br />
Figaro 175n<br />
Murata, Margaret 63n<br />
Musique de la Chapel<strong>le</strong> 143, 151, 155; see<br />
also Chapel<strong>le</strong> <strong>Roy</strong>a<strong>le</strong><br />
Musique de la Reine 149n, 155; see also<br />
Queen’s Music<br />
Musique du Roi, see King’s Music;<br />
Chambre (du Roi)<br />
mutes 256<br />
Nardi (Nardy), Giuseppe / Joseph 145, 149<br />
nat[urel] (usage defined) 135, 225n<br />
Nicol(l)e, Pierre 138–9, 145<br />
Niert, Pierre de 46<br />
Niquet, Hervé 251n<br />
Nivelon, Jacques 164<br />
Nivers, Guillaume-Gabriel 110, 111, 120,<br />
122, 124, 127<br />
Les lamentations du prophéte Jérémie<br />
290n<br />
Livre d’orgue (1665) 126<br />
2. livre d’orgue (1667) 106, 109, 126<br />
organ mass 110, 119<br />
3. livre d’orgue (1675) 114, 120, 126<br />
noël settings 51, 248–9<br />
Normand, Marc-Roger (‘Couperin de<br />
Turin’) 39n<br />
Noske, Frits 89, 90n<br />
Notre Dame de la Mercy, Paris 24n, 26n,<br />
107, 113, 121, 129, 131, 159; see<br />
also Mercedarians<br />
Nuitter, Char<strong>le</strong>s 3n, 175n<br />
oboe / hautbois 106, 114, 117, 151, 152n,<br />
153–4, 243–4<br />
offertoire 110, 112, 114, 126–8<br />
Oland, Erik 3n, 71n, 72n, 73n, 91n, 92n,<br />
96n<br />
Olin, Jean 91n<br />
Opéra (Paris), see Paris Opéra<br />
opéra-bal<strong>le</strong>t 264, 266n<br />
oratorio 16–18, 92, 96, 207, 221n; see also<br />
canticum; dramatic motet; histoire<br />
sacrée<br />
ordinance (royal) 163, 165, 167, 169, 173,<br />
175, 177<br />
organ 105–31 passim<br />
organ genres 106, 111–14, 124–5, 127,<br />
130<br />
organ mass xxiv, 105–31 passim<br />
registration 106–7, 111–20, 122–4,<br />
126, 130<br />
Orléans, Philippe I, duc d’ 20<br />
Orléans, Philippe II, duc d’ 121, 134, 164,<br />
287, 288n, 291n, 311, 313; see<br />
also Chartres, Philippe d’Orléans,<br />
duc de<br />
Osnabrück, Duchess of 278<br />
ostinato 63–70, 74–5, 77, 78, 80, 82n,<br />
84, 86, 96; see also ground bass;<br />
tetrachord, descending minor<br />
Ouvrard, René 46<br />
overture / ouverture 21n, 127–8, 162, 164,<br />
166, 167n, 170, 179–80, 254–5,<br />
257n, 265<br />
Pa<strong>le</strong>strina, Giovanni Pierluigi da, Missa<br />
L’homme armé a 5 39<br />
pantomime 75, 179, 180, 254, 255<br />
Papasergio, Jérémie 116<br />
Parfaict, Claude and François 165n
382<br />
New Perspectives on Marc-Antoine Charpentier<br />
Paris Opéra 4, 20n, 85, 153, 175, 178n,<br />
207, 216, 251, 259, 261; see also<br />
Académie <strong>Roy</strong>a<strong>le</strong> de Musique<br />
(Paris Opéra)<br />
Par<strong>le</strong>ment of Paris 18<br />
Parm<strong>le</strong>y, Andrew 280n<br />
parodie 13n, 256<br />
paronomasia 99<br />
Parran, Antoine 35<br />
parterre 172–3<br />
passacaglia 63, 74–5, 80–82<br />
passacail<strong>le</strong> 63, 74–83, 84–6, 256–7, 258<br />
pastora<strong>le</strong>, pastora<strong>le</strong>-héroïque 19, 20, 26,<br />
47, 81, 207, 224, 241, 250<br />
Péan (Pian, Pihan), Simon 138, 142–3<br />
Peers, E. Allison 100n<br />
Pel<strong>le</strong>grin, Simon-Joseph 73n, 252, 264–5,<br />
268<br />
Penna, Lorenzo 42n, 43n<br />
performance practice xxiv–v, 8n, 32, 53–6,<br />
161–83 passim, 227<br />
ensemb<strong>le</strong> size xxv, 71n, 76, 144,<br />
148–58, 162, 163–70, 174–7, 183,<br />
208, 209, 213–14, 217–19, 220–21,<br />
225–7, 274, 275, 276–7<br />
metre signatures 31–4, 35, 36, 39–40,<br />
42, 43–4, 45, 47, 54–60, 61, 63, 66,<br />
68, 70, 95, 96, 101, 244, 248n, 249<br />
notes inéga<strong>le</strong>s, inequality 49, 51<br />
ornaments 101, 102, 117, 197, 236,<br />
309, 310n<br />
tempo 32–4, 42, 48–9, 57–60, 66, 74,<br />
83, 103n<br />
Perrin, Pierre 97, 162n, 165, 178<br />
petit chœur 146, 165, 199, 219, 225, 227<br />
petit motet xxiv, 89–104 passim, 154n,<br />
186, 187, 222n<br />
Petits Violons du Cabinet 151, 155<br />
Philidor, André Danican 70n, 152–3, 154n,<br />
275–6, 279n<br />
Philidor, Jacques Danican 152–3, 154n<br />
Picerli, Silverio 42n<br />
pièce en machines, machine play 83, 177,<br />
178n, 179<br />
stage machinery 165, 173, 174, 180,<br />
252, 259<br />
Pièche family 154n, 199, 220n, 272n<br />
Pièche, Antoine (Pierre Antoine) 21, 154,<br />
157, 158, 220n, 272<br />
Pièche, Joseph 152, 154n, 272<br />
Pièche, Magdelon 272, 282<br />
Pièche, Marguerite 272, 282<br />
Pièche, Pierre I 153–4<br />
Pièche, Pierre II 21, 152, 154, 157, 158,<br />
220n, 272<br />
Pierce, Ken 77n<br />
Pierre Pascual, St 107<br />
Pincas, Stéphane 279n<br />
Pintiaux, Benjamin xxv, 264n<br />
Pirro, André 109n<br />
Pirrotta, Nino 75n<br />
plainchant 38, 110, 111, 113–14, 118n, 119,<br />
120–21, 124, 146n<br />
plainte 69–70, 74–5<br />
Plank, Steven 92n<br />
Poirier, Jean 139–41, 143n, 145n<br />
Ponsford, David xxiv, 105n, 106n, 109n,<br />
130n<br />
Poo<strong>le</strong>, H. Edmund 295, 311n<br />
Port-<strong>Roy</strong>al (convent) 5n, 13<br />
Porter, William V. 40n<br />
Portes, Pierre 28n<br />
Pothenot (Potenot), Edmé 138–9, 142, 147<br />
Poussin, Louis-Joseph 174, 175, 177<br />
Pouyadon, Jean 149<br />
Povo<strong>le</strong>do, E<strong>le</strong>na 75<br />
Powell, John S. xxv, 13n, 61n, 83n, 161n,<br />
162n, 172n, 177n, 179n<br />
Powney, Adrian 249n<br />
Prieur, J.B. 164n<br />
Provenza<strong>le</strong>, Francesco 37<br />
Prunières, Henry 75, 76n, 151n<br />
Psychoyou, Théodora xxv, 73n, 204n,<br />
208n, 220n, 226n<br />
Purcell, Henry 37, 48, 64<br />
Dido and Aeneas (lament) 64<br />
King Arthur 81<br />
Laudate Ceciliam 48<br />
Ode on Saint Cecilia’s Day 64<br />
Puvigné, Vincent 140–41, 149, 157n<br />
Queen’s Music 147, 158; see also Musique<br />
de la Reine<br />
Quinault, Philippe 252, 253n, 255, 258,<br />
259, 262
General Index 383<br />
quinte 152, 154<br />
Quittard, Henri 159n<br />
Racine, Jean 262, 268n<br />
Raison, André 110, 111, 117, 120, 124<br />
Livre d’orgue contenant cinq messes<br />
(1688) 109, 116, 119–20, 127n<br />
Offerte du 5 e . ton 127<br />
Rameau, Jean-Philippe xxv, 266–8, 311n<br />
Hippolyte et Aricie 266, 267, 268n<br />
Orphée 38<br />
Premier livre de pieces de clavecin<br />
290n, 291n, 312n<br />
Ramoneur (defined) 267<br />
Ranum, Patricia M. xxiii–iv, 2n, 3n, 4n,<br />
6n, 7n, 8n, 9n, 17n, 18n, 20n, 21n,<br />
24n, 26n, 28n, 46n, 48n, 54, 55,<br />
57n, 72n, 84n, 94n, 95, 97n, 100n,<br />
101n, 106–8, 110, 127, 133, 134,<br />
135, 136, 157, 158, 193n, 201n,<br />
208n, 209n, 211, 215n, 216n, 217,<br />
222n, 229n, 231n, 248n, 270n, 271,<br />
272n, 281, 287n, 288, 295, 303,<br />
304, 305–6, 311n, 313, 314n, 315n,<br />
316n, 318n<br />
Rapin, René 76n<br />
Rastall, Richard 39n<br />
Rayl, David C. 73n<br />
Rebel, Anne 276<br />
Rebel, Jean 137, 138–41, 155<br />
récit (defined) 167<br />
recorder 76n, 105, 106, 113, 116, 118, 157,<br />
220, 222, 271–2, 274, 275; see also<br />
flute / flûte<br />
Le Registre de La Grange 163, 174, 176–7<br />
répertoire (defined) 193<br />
réunion des goûts xxiv, 130, 266n<br />
rhetoric xxiv, 70, 76–7, 79, 84–5, 94–104<br />
passim, 232, 239, 253, 260n, 279<br />
Riants, Armand-Jean de 6n, 13, 21<br />
Ribou (singer) 174<br />
Richelieu, Armand-Jean du P<strong>le</strong>ssis,<br />
cardinal de 172<br />
Richelieu, Armand-Jean du P<strong>le</strong>ssis, duc de<br />
6n, 13, 55<br />
Rieux, Ml<strong>le</strong> de 174<br />
Robert, Jean 174n, 176n<br />
Robert, Pierre xxv, 133, 136, 156<br />
Robin, Vincent 116<br />
Roennfeldt, Peter xxv<br />
Rome 1, 4, 17n, 36, 37, 39n, 40n, 42, 44,<br />
46–7, 53–4, 69, 84, 92n, 129, 161,<br />
222n<br />
Romecan, Germain (de) 138–9<br />
Roquefort, Jean-Baptiste-Bonaventure de<br />
45n<br />
Rosand, El<strong>le</strong>n 63–4, 86, 87n<br />
Rosow, Lois xxiv, 69n, 77n, 78, 79, 80n,<br />
180n, 253n<br />
Rossi, Luigi 36, 44, 74, 92n<br />
‘Udite amanti’ 41<br />
‘Mio ben, teco il tormento’ (Orfeo) 66n<br />
‘Piangea l’Aurora’ 42<br />
‘Passacail<strong>le</strong>’ 74<br />
Rossi, Michaelangelo, Erminia sul<br />
Giordano 36<br />
Rousseau, Antoine 139–41, 147, 148n<br />
Rousseau, Jean 31n, 36, 67<br />
Roussel, Claude 290–91, 295, 299, 300,<br />
307–8, 310n, 312n<br />
Routy, Jean 153–4<br />
<strong>Roy</strong>, Pierre-Char<strong>le</strong>s 263n<br />
royal chapel 133, 135–6, 147, 150–51, 174;<br />
see also Chapel<strong>le</strong> <strong>Roy</strong>a<strong>le</strong><br />
royal library xxvi, 134, 186n, 283, 288,<br />
301, 305, 311, 313, 315n; see also<br />
Bibliothèque du roi<br />
Ruff, Lilian 97n<br />
Ruspoli, Francesco Maria, marquis 53<br />
Sabbattini, Nicola 172<br />
Sadie, Julie Anne 283n<br />
Sad<strong>le</strong>r, Graham xxiv, 48n, 57n, 61n, 122,<br />
170n, 171n, 261n, 267n, 309n,<br />
312n<br />
Sainctonge, Louise-Geneviève Gillot de<br />
257n<br />
Saint-Arroman, Jean 109n, 112n, 312n<br />
Saint-Germain-en-Laye 149<br />
Saint-Germain l’Auxerrois, Paris 150<br />
Saint-Gervais, Paris 129<br />
Saint-Jean-en-Grève, Paris 26n<br />
Sainte-Chapel<strong>le</strong> du Palais, Paris 3, 4–5, 6,<br />
9, 11, 18, 27–8, 121, 212<br />
Sainte-Gudu<strong>le</strong>, Brussels 38<br />
Salomon, Joseph-François xxv, 261, 264
384<br />
New Perspectives on Marc-Antoine Charpentier<br />
Médée et Jason 252, 264–5<br />
saltus duriusculus 232, 237<br />
Santoni (Santony), Filippo / Philippe<br />
145–6, 149<br />
savant / sçavant (defined) 220n<br />
Sawkins, Lionel 32, 37n, 60, 103n, 129n,<br />
145, 157n, 225n, 276n, 277, 282n,<br />
284<br />
Scarlatti, A<strong>le</strong>ssandro 47n<br />
Scheibe, Johann Adolpe 99n<br />
Scheibert, Beverly 130n<br />
Schmid, Ernest Fritz 43n<br />
Schneider, Herbert xxv, 35n, 74n, 266<br />
Schwartz, Judith L. 79, 82n, 86, 87n<br />
Scott, Virginia 175n<br />
Seay, Albert 34n<br />
Sebret (Ceberet, Cebret) 135, 156, 157n<br />
Secrétariat de la Maison du Roi 143, 144<br />
semiminim (defined) 31<br />
Seneca, Lucius Annaeus 262–3, 264–5, 268<br />
Serignan, Vincent Valin de 138–41<br />
serpent 57, 139–41, 146, 150–51, 152n<br />
Silbiger, A<strong>le</strong>xander 74n, 76n, 81n, 82<br />
Simó, Josep Pavia i 36n<br />
Smith, Anthea xxiv–v, 135n, 154n, 159n<br />
soggetto 232, 234, 235, 238, 239, 244<br />
Sonnet, Martin 111, 112n<br />
Souberbiel<strong>le</strong>, Léon 109n<br />
Sourches, Louis François de Bouchet,<br />
marquis de 278n<br />
Sourdeval, Francois 139–41<br />
sourdines 256<br />
Speer, Klaus 36n<br />
Spitzer, John 207n<br />
stage directions 76, 162, 173, 179, 181, 183<br />
Steblin, Rita 64n, 67n, 110n<br />
Steffani, Agostino 37<br />
Stevenson, Robert 36n<br />
Strozzi, Gregorio, Capricci da sonare<br />
cembali et organi 37n<br />
suspirans 97, 128<br />
synonymia 99<br />
tail<strong>le</strong> (defined) xxviii<br />
tail<strong>le</strong> de violon 226<br />
Talbot, Michael 37n<br />
Talon, Antoinette 211, 214, 217<br />
Tannevot, A<strong>le</strong>xandre 129n<br />
tetrachord, descending minor xxiv, 1,<br />
63–87 passim, 99; see also ground<br />
bass; ostinato<br />
Theatines (monastic order) 1<br />
church, Sainte-Anne-la-<strong>Roy</strong>a<strong>le</strong> 17, 48<br />
Théâtre de Guénégaud xxv, 161–83 passim<br />
Théâtre du Marais 161, 165, 176, 178<br />
Théâtre du Palais-<strong>Roy</strong>al 161, 163–5,<br />
172–3, 174<br />
theorbo, théorbe 61, 152, 154–5, 156–7,<br />
169–70, 220–21, 227<br />
Theresa, St 100–101<br />
Thianges, Gabriel<strong>le</strong> de Rochechouart,<br />
marquise de 277, 281<br />
Thierry (organ builders) 107, 129<br />
Thoinan, Ernest 3n, 175n<br />
Thompson, Shir<strong>le</strong>y xxii, 8n, 31n, 32, 33,<br />
37n, 39, 43n, 44, 54n, 57n, 84n,<br />
108n, 116, 122, 134n, 135n, 158n,<br />
165n, 168n, 170n, 222n, 225n,<br />
256n, 274n, 275n, 308n, 309n, 312n<br />
Thorin, Isabel<strong>le</strong> 211, 214, 217n<br />
Thorp, Jennifer 77n<br />
Tilney, Colin 38n<br />
Timms, Colin 40n<br />
Tiphaine (Thiphaine), Etienne 137,<br />
139–40, 142–3<br />
Tiphaine, Jacques 142n<br />
Tiphaine (Thifane, Triphaine), Jean Louis<br />
138–41, 142<br />
Tissu, Guillaume 138–41<br />
Titon du Til<strong>le</strong>t, Evrard 4n, 283, 313–14<br />
Toman, Rolf 89n<br />
Tomlinson, Gary 86–7<br />
Tosi, Jean-Christophe 109n, 112n, 312<br />
tragédie en musique xxv, 11, 68, 76, 82n,<br />
129, 178, 251–68<br />
Traversier, Michel 138–9, 145<br />
trompette (organ stop) 111, 114–15, 116,<br />
117–18, 122<br />
Troupe du <strong>Roy</strong> 162–3, 165, 174–5, 177–8<br />
trumpet 117, 151, 313<br />
Tun<strong>le</strong>y, David 32, 38n, 112n, 130n, 313n<br />
Tupin, Char<strong>le</strong>s 138–9, 145<br />
Turpin, Ml<strong>le</strong> (singer) 174–5<br />
Tuscany, Grand Duchess of (‘Madame de<br />
Toscane’) 17n<br />
Tyson, Alan 229
General Index 385<br />
Vagué, M. r 31<br />
Va<strong>le</strong>ncy, Pierre de 157n<br />
Val(<strong>le</strong>)mont, Sulpice 139–40, 147, 150<br />
Valls, Francesc 36n<br />
Van den Borren, Char<strong>le</strong>s 38<br />
vanitas art and culture 90, 92<br />
Vate<strong>le</strong>t (Vuate<strong>le</strong>t), Jacques 138–41, 145<br />
Vautier, Adolphe 150<br />
Veillot, Jean 151<br />
Vernaz, Fanny 134n<br />
Verneuil (singer) 176<br />
Versail<strong>le</strong>s 13n, 24n, 133–5, 145n, 149,<br />
156–8, 173n, 193–4, 269, 270–71,<br />
276, 277, 281, 282<br />
Vesme, A<strong>le</strong>xandre de 172n<br />
Vidal, Antoine 164n<br />
Vigneron, Isaac 138–9, 144<br />
Viladesau, Richard 91<br />
Vil<strong>le</strong>, Joseph de 137, 140–41<br />
Villiers, de (Jean Deschamps, dit) 174,<br />
176–7<br />
Vingt-Quatre Violons de la Chambre 151,<br />
155, 164n<br />
viol 46, 117, 130, 220, 222n, 275; see also<br />
vio<strong>le</strong><br />
bass viol 117, 153, 157, 169, 221–2<br />
treb<strong>le</strong> viol 57, 204, 221–2, 275<br />
viola 152n, 153, 162–3, 167, 226; see also<br />
haute-contre de violon; quinte;<br />
tail<strong>le</strong> de violon<br />
vio<strong>le</strong> 205, 221–3, 275; see also viol<br />
basse de 117n, 150n, 154–5, 156, 168n,<br />
169–70, 221, 262<br />
dessus de 221<br />
Visé, see Donneau de Visé, Jean<br />
Visée, Robert de, Pieces de theorbe et de<br />
luth 290n<br />
voice-types, French (defined) xxviii<br />
void notation (croches blanches) xxiv, 1,<br />
8n, 31–61 passim, 114, 309, 312<br />
Vol<strong>le</strong>n, Gene E. 38n<br />
Vouet, Simon 90n<br />
Walther, Johann Gottfried 99n, 109n, 312n<br />
Wate<strong>le</strong>t (Vuate<strong>le</strong>t), Guillaume 138, 142<br />
Wolf, R. Peter 291n, 312n<br />
Wood, Bruce 48n<br />
Wood, Caroline 261n, 267n<br />
Wright, Anthony 89n<br />
Zarlino, Gioseffo 64<br />
Zaslaw, Neal 173n, 207n<br />
Zieg<strong>le</strong>r, Gi<strong>le</strong>tte 278n