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Index of Works by Charpentier Cited<br />

This index does not make reference to the lists in Appendix 1, in which the tit<strong>le</strong>s of works<br />

generally appear in a non-standard form.<br />

Works cited by H number only<br />

H8, Messe pour <strong>le</strong> samedy de Pasques a 4<br />

voix 123<br />

H11, Assumpta est Maria: Missa sex<br />

vocibus cum simphonia 16n, 32<br />

H16, ‘Regina cœli lætare’ 16n<br />

H18, Salve regina 16n<br />

H19, Ave regina cœlorum 16n<br />

H20, Sub tuum præsidium 16n, 26n<br />

H21, Alma redem[ptoris] 16n<br />

H25, Antiphona in honorem Beatæ Virginis<br />

a redemptione captivorum 16n, 26n<br />

H26, ‘Inviolata, integra et casta es Maria’<br />

16n<br />

H27, Salve regina des Jesuïtes 16n, 229n<br />

H28, Antiphona sine organo ad Virginum<br />

16n<br />

H30, ‘Regina cœli lætare’ 16n<br />

H31, Regina cœli voce sola cum flauti 16n<br />

H32, Antiene a la Vierge a 2 dessus 16n<br />

H44, Alma redemptoris a quatre voix et<br />

deux vi[ol]ons 16n<br />

H45, Ave regina cœlorum a 4 voix et deux<br />

dessus de violon 16n<br />

H46, Regina cœli a quatre voix et 2 dessus<br />

de vi[ol]on 16n<br />

H47, Salve regina a 4 voix et 2 vi[ol]ons<br />

16n<br />

H48, Inviolata reformé 16n<br />

H50–52, Antienes pour <strong>le</strong>s vespres de<br />

l’assomption de la Vierge 301<br />

H58, Pange lingua 26n<br />

H59, Gaudia Virginis Mariæ 16n<br />

H60, Hymne pour toutes <strong>le</strong>s festes de la<br />

Vierge 16n<br />

H63, ‘Ave maris stella’ 16n<br />

H65, Ave maris stella 16n<br />

H67, Ave maris stella 16n<br />

H72, ‘Magnificat anima mea’ 14n, 16n<br />

H74, Magnificat a 8 voix et 8 instrumens<br />

14n, 16n<br />

H77, Magnificat 14n, 16n<br />

H78, Magnificat 14n, 16n, 123<br />

H79, Troisieme Magnificat a 4 voix avec<br />

instr[uments] 14n, 16n<br />

H82, Litanies de la Vierge a 3 v[oix]<br />

p[areil<strong>le</strong>s] 16n, 26n<br />

H84, Litanies de la Vierge a 3 v[oix]<br />

pareil<strong>le</strong>s avec instr[uments] 16n<br />

H85, Litanies de la Vierge 16n, 168n<br />

H86, Litanies de la Vierge a 2 dessus et<br />

une basse chantante 16n<br />

H87, Litanies de la Vierge a 4 voix 16n<br />

H88, Litanies de la Vierge a 4 voix 16n<br />

H89, Litanies de la Vierge 16n<br />

H90, Courtes litanies de la Vierge a 4 voix<br />

16n<br />

H96–110, Les neuf <strong>le</strong>çons de tenebres 103n<br />

H148, 6 eme Te Deum a 4 voix 123<br />

H150, ‘Nisi Dominus’ 14n<br />

H151, Confitebor a 4 voix et 2 violons 14n<br />

H153, ‘Dixit D[omi]nus’ 14n<br />

H158, Psalmus David 147 14n<br />

H161, Lætatus sum: Psalmus David<br />

vigesimus primus post centesimum<br />

14n<br />

H164, Priere pour <strong>le</strong> <strong>Roy</strong> 20n


364<br />

New Perspectives on Marc-Antoine Charpentier<br />

H170, Psalmus David centesimus<br />

trigesimus sextus: Super flumina<br />

Babilonis 272n<br />

H183, Psalm[us] David 107 26n<br />

H187, Psalmus 86 24n<br />

H188, Psalmus 62 13<br />

H196, Psalm[us] David 12 us 149n, 174,<br />

272n, 275n<br />

H201, Psalm[us] David 34 us 149n, 174,<br />

272n<br />

H202, Dixit D[omi]nus: Psalm[us] David<br />

109 tus 14n<br />

H204, Pseaume 109 14n<br />

H206, Psal[mus] David 5 tus post<br />

septuagesimum 14n, 32, 165n<br />

H207, Psalmus Davidis post octogesimum<br />

septimus 14n<br />

H208, Psalmus undecimus Davidis post<br />

centesimum: Beatus vir ... 14n<br />

H211, Psalmus Davidis vigesimus nonus<br />

supra centesimum: De profundis a<br />

4 voix 14n<br />

H212, Psalmus David 129 us quatuor<br />

vocibus 14n<br />

H214, Psalmus Davidis decimus sextus<br />

post centesimum 14n<br />

H215, Psalmus David 67 us 14n<br />

H216, Psal[mus] Davidis CXXI us 14n<br />

H217, Psalmus 123 us 14n<br />

H218, Psalm[us] David 45 us 14n<br />

H219, S[econ]d Miserere: [Psalmus] 50 a<br />

4 voix et 4 instr[uments] 14n<br />

H220, Psalmus David 110 us a 4 voix 14n<br />

H221, Psal[mus] David 111 us a 4 voix 14n<br />

H225, Confitebor a 4 voix et instrumens<br />

14n<br />

H226, Dixit D[omi]nus pour <strong>le</strong> P[ort]<br />

<strong>Roy</strong>al 32<br />

H228, Psalm[us] David LXX 14n<br />

H229, Psalmus David 26 tus 14n<br />

H230, Psalmus David 15 us 14n<br />

H275, ‘Panis quem ego dabo’ 272n<br />

H288, Domine salvum pour trois<br />

religieuses 103n<br />

H309, Nativite de la Vierge 16n<br />

H313, Pour la conception de la Vierge 16n<br />

H319, Motet pour la Trinité 26n<br />

H320, Motet de S t Louis 20n, 26n<br />

H321, Mottet de S t Laurent 26n<br />

H322 Motet de la Vierge pour toutes ses<br />

festes 103n<br />

H326, Gratiarum actiones ex sacris<br />

codicibus excerptæ ... 20n, 149n,<br />

169n, 174, 271, 272n, 275n<br />

H327 Motet pour toutes <strong>le</strong>s festes de la<br />

Vierge 16n, 33<br />

H329, ‘Ave veru[m] corpus’ 24n, 32<br />

H330, Gaudia beatæ Virginis Mariæ 16n<br />

H332, In honorem Sancti Ludovici regis<br />

Galliæ 20n, 24n, 26n, 28n<br />

H334, Motet pour la Vierge 16n<br />

H340, Ad beatam Virginem canticum 16n,<br />

26n<br />

H352, Second motet pour <strong>le</strong> catechisme a<br />

la pause du milieu 16n<br />

H355, In honorem Sancti Xaverij canticum<br />

32<br />

H357, In purificationem B[eatæ] V[irginis]<br />

M[ariæ] canticum 16n<br />

H359, Motet pour la Vierge a 2 voix 16n<br />

H360, Pour la Vierge 16n<br />

H363, Mottet pendant la guerre 14n, 20n<br />

H367, La priere a la Vierge du Pere<br />

Bernard 16n<br />

H371, A la Vierge a 4 v[oix] p[areil<strong>le</strong>s] 16n<br />

H373, ‘So<strong>le</strong> vivebat in antris’ 99n, 100n<br />

H374, ‘Flores, flores o Gallia’ 100n<br />

H388, Neuvième [méditation:] Magda<strong>le</strong>na<br />

lugens 99n<br />

H392, Canticum pro pace 17n, 20n<br />

H395, Pour la feste de l’Epiphanie 17n<br />

H394, In honorem Cæciliæ, Va<strong>le</strong>riani et<br />

Tiburtij canticum 17n, 18n<br />

H401, Extremum Dei judicium 17n, 32<br />

H405, In resurrectione Domini N[ostri]<br />

J[esu] C[hristi] 17n<br />

H406, In circumcisione D[omi]ni: Dialogus<br />

inter angelum et pastores 17n<br />

H407, Dialogus inter esurientem, sitientem<br />

et Christum 17n, 24n<br />

H408, E<strong>le</strong>vation 13, 17n, 169n<br />

H410, Prælium Michaelis Archangeli<br />

factu[m] in cœlo cum dracone 17n<br />

H416, In nativitatem D[omi]ni canticum<br />

17n


Index of Works by Charpentier Cited 365<br />

H417, Dialogus inter Christum et homines<br />

17n<br />

H418, In honorem S ti Ludovici regis Galliæ<br />

17n, 20n, 168n<br />

H420, Dialogus inter angelos et pastores<br />

Judeæ: In nativitatem Domini 16n,<br />

17<br />

H430, Motet fragment ‘... gaudium meum<br />

qui es pax’ 307n<br />

H431, Gratitudinis erga Deum canticum<br />

20n, 149n, 174, 271, 272n<br />

H471, Orphee descendant aux enfers 11n,<br />

20n, 26n, 27<br />

H472, Serenata a tre voci e simphonia<br />

26n, 27<br />

H481a, Acteon change en biche 11n, 20n<br />

H483a, Seconde partie du noël francois<br />

qui commence par Que nos soupirs<br />

11n, 20n, 26n, 274n<br />

H483b, Seconde partie du noel francois qui<br />

commence par Que nos soupirs,<br />

Seigneur 11n, 20n<br />

H495b, Le malade imaginaire rajusté<br />

autrement pour la 3 eme fois 11n, 13n<br />

H497, Serenade pour Le sicilien 11n, 13n<br />

H498, Ouverture du prologue de<br />

Polieu[c]te pour <strong>le</strong> co<strong>le</strong>ge<br />

d’Harcourt 11n, 13n<br />

H501, La pierre philosofa<strong>le</strong> 11n, 13n<br />

H503, Air pour des paysans dans La nopce<br />

de village 11n, 13n<br />

H505, Le rendez-vous des Tui<strong>le</strong>ries 11n,<br />

13n<br />

H509, Simphonie devant Regina 16n<br />

H518, Pour <strong>le</strong> sacre d’un evesque 158n<br />

H523, Pour un reposoir: Ouverture dez<br />

que la procession paroist 24n<br />

H524, Ouverture pour l’eglise 13<br />

H527, Prelude pour Sub tuum præsidium a<br />

trois vi[ol]ons 16n<br />

H540, Ou[v]erture pour quelque bel<strong>le</strong><br />

entreprise, a cinq 158n<br />

Works cited by tit<strong>le</strong><br />

Acteon (H481) 11n, 20n, 207n<br />

Aestas (H336) 104, 187<br />

Air p[ou]r <strong>le</strong> <strong>Roy</strong> (<strong>H440</strong>) 11n, 55<br />

‘Amor vince ogni cosa’ (H492) 47<br />

Les amours d’Acis et de Galatée 13n, 21n;<br />

see also L’inconnu (H499)<br />

Andromède (H504) 11n, 13n, 51n, 167–8,<br />

176, 179, 181n, 182, 248n<br />

Angélique et Médor (H506) 11n, 13<br />

Antiene apres Lætatus sum (H51) 305<br />

Apothéose de Laodamus à la mémoire<br />

de M. <strong>le</strong> Maréchal duc de<br />

Luxembourg (lost) 20n, 21n<br />

Apres Confitebor: Antiene (H516) 235<br />

Les arts florissans (H487, H487a) 11n,<br />

20n, 26n, 55, 218n, 274n, 279<br />

Ave regina (H22) 16n, 289–310 passim<br />

‘Beate mie pene’ (H475) 47<br />

‘Beatus vir’ (H154) 14n, 247<br />

Beatus vir qui inventus est (H376) 289,<br />

306–7<br />

Beatus vir qui timet D[omi]num 8 vocib[us]<br />

et totidem instr[umentis] (H224)<br />

14n, 201<br />

‘Bonum certamen’; see Pour S t Augustin<br />

mourant (H419)<br />

Bonum est confiteri D[omi]no: Psal[mus]<br />

David 91 us (H195) 14n, 208, 210,<br />

213, 214, 218n, 219, 221n, 222,<br />

223n<br />

Cæcilia virgo et martyr (H413) 17n, 26n,<br />

123, 208, 210, 214, 215, 221, 222,<br />

274n<br />

Cæcilia virgo et martyr (H415) 17n, 26n,<br />

208, 210, 214, 222, 224, 247n,<br />

274n<br />

Cæcilia virgo et martyr octo vocib[us]<br />

(H397) 17n, 122–3, 197, 201<br />

Cædes sanctorum innocentium (H411) 17n,<br />

208, 209, 210, 214, 218, 222<br />

‘Cantate Domino’ (H176) 245


366<br />

New Perspectives on Marc-Antoine Charpentier<br />

Canticum B[eatæ] V[irginis] M[ariæ]<br />

(H76) 14n, 16n, 188, 189<br />

Canticum in honorem Beatæ Virginis<br />

Mariæ (H400) 16n, 17n, 26n, 27,<br />

234, 248n<br />

Canticum in nativitatem Domini (H393)<br />

17n, 246<br />

Canticum Zachariæ (H345) 208, 210, 213,<br />

214, 218n, 219, 222, 247<br />

Celse Martyr (lost), 5n, 11, 20n, 21n<br />

Chant joyeux du temps de Pasques (H339)<br />

26n, 207n, 274n<br />

Circé (H496) 11n, 13n, 82–3, 144n, 163,<br />

165, 167, 169, 170, 175, 179, 181,<br />

182, 247n, 248n<br />

La comtesse d’Escarbagnas / Le mariage<br />

forcé (music for, H494) 11n, 13n,<br />

60, 162, 164, 175, 229n<br />

Concert pour quatre parties de vio<strong>le</strong>s<br />

(H545) 247<br />

La couronne de f<strong>le</strong>urs (H486) 11n, 20n,<br />

26n, 55, 207n, 241, 247n, 274n<br />

‘Cupido perfido dentr’al mio cor’ (H493) 47<br />

Cur mundus militat (H379) 290, 304,<br />

310n, 312<br />

David et Jonathas (H490) 5n, 11, 20n, 21n,<br />

28n, 314<br />

De profundis (H156) 26n, 136<br />

De profundis (H189) 13, 45, 55, 136, 158<br />

De profundis (H192) 237<br />

La descente d’Orphee aux enfers (H488)<br />

11n, 20n, 21, 26n, 55, 57n, 70n,<br />

220n, 272n, 274n<br />

Dialogus inter Christum et peccatores<br />

(H425) 5n, 73n, 96, 186, 187<br />

Dixit D[omi]nus: Psalm[us] David 109 us :<br />

Prelude (H202a) 249<br />

Domine salvum (H286) 233<br />

‘Domine salvum’ (H291) 136n, 190, 197,<br />

199<br />

Domine salvum (H305) 290, 304, 310n, 312<br />

Domine salvum pour un haut et un bas<br />

dessus (H297) 213<br />

Egredimini Filiæ Sion (H280) 289<br />

E<strong>le</strong>vatio (H257) 248n<br />

E<strong>le</strong>vatio (H258) 238<br />

E<strong>le</strong>vatio (‘O sacramentum pietatis’)<br />

(H260) 101<br />

E<strong>le</strong>vation (H248) 247n<br />

E<strong>le</strong>vation (‘O cœ<strong>le</strong>stis Jerusa<strong>le</strong>m’) (H252)<br />

26n, 92, 94, 244<br />

E<strong>le</strong>vation (‘O sacramentum pietatis’)<br />

(H274) 101<br />

E<strong>le</strong>vation a 5 sans dessus de violon (H251)<br />

58–9, 101<br />

E<strong>le</strong>vation a voix seu<strong>le</strong> pour une tail<strong>le</strong><br />

(H268) 289, 306–7, 310n, 312<br />

E<strong>le</strong>vation au S t Sacrement (‘O amantissime<br />

salvator noster’) (H264) 92, 95<br />

E<strong>le</strong>vation pour la paix (H237) 20n, 197n<br />

Endimion (H502) 11n, 13n, 51, 53, 70n,<br />

166, 179, 180<br />

Epitaphium Carpentarij (H474) 5n, 17,<br />

55, 285<br />

Epithalamio (H473) 20n, 47<br />

Euge serve bone (H375) 289<br />

Exaudiat a 8 voix, flutes et vi[ol]ons<br />

(H162) 14n, 194, 201<br />

Exaudiat pour <strong>le</strong> roy a 4 (H180) 14n, 20n,<br />

134, 135, 155–6, 157, 192, 193<br />

La feste de Ruel (H485) 11n, 13, 20n, 49,<br />

51, 55, 56, 158n<br />

Filius prodigus (H399, H399b, H399c)<br />

17n, 202–4, 205<br />

Les fous divertissants (H500) 11n, 13n,<br />

181n, 279<br />

Gratiarum actiones pro restituta regis<br />

xtianissimi sanitate an[no] 1686<br />

(H341) 70–71<br />

Historia Esther (H396) 17n, 231, 239<br />

Idy<strong>le</strong> sur <strong>le</strong> retour de la santé du roy<br />

(H489) 11n, 20n, 207n, 246<br />

Il faut rire et chanter: dispute de bergers<br />

(H484) 11n, 20n, 26n, 238, 274n<br />

‘Incipit oratio Hieremiæ’ (H95) 51n<br />

L’inconnu (music for, H499) 11n, 13, 20n,<br />

21n, 165, 169, 173n, 175, 178,<br />

241–2, 250<br />

In assumptione Beatæ Mariæ Virginis<br />

(H353) 16n, 217n


Index of Works by Charpentier Cited 367<br />

In festo corporis Christi canticum (H344)<br />

134, 135–6, 156–7<br />

In honorem Sancti Ludovici Regis Galliæ<br />

canticum (H365) 20<br />

In honorem Sancti Ludovici Regis Galliæ<br />

canticum tribus vocibus cum<br />

simphonia (H323) 20n, 301, 304<br />

In nativitate Domini N[ost]ri Jesu Christi<br />

canticum (H421) 17n, 18<br />

In nativitatem D[omini] N[ostri] J[esu]<br />

C[hristi] canticum (H414) 17n,<br />

208, 210, 213, 214, 218n, 222<br />

In obitum augustissimæ nec non piissimæ<br />

gallorum Reginæ lamentum (H409)<br />

13, 17, 20n, 55, 71n, 136, 158, 240,<br />

247n<br />

In S[anc]tu[m] Nicasium Rothomagensem<br />

archiepiscopum et martyrem<br />

(H55–7) 5n, 14<br />

Jesu corona Virginu[m] (H53) 222n<br />

Josue (H404) 17n, 18n, 194–5, 249n<br />

Josue ... Prelude (H404a) 194, 249<br />

Judicium Salomonis (H422) 17n, 18, 123,<br />

338<br />

Judith sive Bethulia liberata (H391) 17,<br />

233, 235, 305<br />

Languentibus a 3 voix (lost) 305<br />

Lauda Jerusa<strong>le</strong>m: Psalm[us] David 147 us<br />

(H210) 14n, 186<br />

Lauda Sion (H268), see E<strong>le</strong>vation a voix<br />

seu<strong>le</strong> pour une tail<strong>le</strong><br />

‘Laudate D[omi]num’ (H152) 14n, 37,<br />

235–6<br />

‘Laudate Dominum’ (H177) 33, 235<br />

Laudate D[omi]num o[mn]es g[en]tes octo<br />

vocibus et totidem instrumentis<br />

(H223) 14n, 201<br />

‘Laudate pueri Dominum’ (H149) 14n,<br />

44–5<br />

Litanies de la Vierge a 6 voix et deux<br />

dessus de viol<strong>le</strong>s (H83) 16n, 26n,<br />

73, 208–26 passim, 274n<br />

Luctus de morte augustissimæ Mariæ<br />

Theresiæ reginæ Galliæ (H331)<br />

20n, 24n, 26n, 28n<br />

Magda<strong>le</strong>na lugens (H343) 33, 72, 73n,<br />

97–8, 100n, 101n, 104n<br />

Magnificat (H73) 16n, 83–6<br />

Magnificat a 3 dessus (H75) 16n, 217<br />

Le malade imaginaire (H495) / Le malade<br />

imaginaire avec <strong>le</strong>s deffenses<br />

(H495a) 11n, 13, 47, 58, 60, 82n,<br />

163–82 passim, 247n, 250<br />

Le mariage forcé (music for, H494); see La<br />

comtesse d’Escarbagnas /<br />

Le mariage forcé<br />

Médée (H491) xxv, 11, 20n, 21, 24, 28, 82n,<br />

158n, 251–68 passim, 287, 314<br />

Méditations pour <strong>le</strong> carême (H380–89) 99n<br />

‘Memento Domine’ (H155) 14n, 73<br />

Messe a 8 voix et 8 violons et flutes (H3)<br />

123, 201<br />

Messe a quatre chœurs (H4) 32, 47–8, 55n,<br />

57, 186, 239n<br />

Messe de minuit (H9) 283<br />

Messe pour <strong>le</strong> Port <strong>Roy</strong>al (H5) 13, 55n<br />

Messe pour <strong>le</strong>s trepasses a 8 (H2) 136,<br />

157, 190, 192, 201–2<br />

Messe pour plusieurs instruments au lieu<br />

des orgues (H513) xxiv, 105–31<br />

passim<br />

Miserere (H193); see Psalm[us] David[is]<br />

50 mus / Miserere des Jesuites<br />

Miserere a 2 dessus, 2 flutes et basse<br />

cont[inue] (H157) 73n<br />

Miserere a 2 dessus, une haute contre et<br />

basse continue (H173) 243<br />

Mors Saülis et Jonathæ (H403) 17n, 18n,<br />

32, 33, 232–3, 248n<br />

Motet pour <strong>le</strong>s trepasses a 8 (H311) 136,<br />

157, 190, 192, 201–2<br />

Motet pour S t François de Borgia (H354)<br />

289, 306–7<br />

Noëls (H531) 51n<br />

Noëls sur <strong>le</strong>s instruments (H534) 123, 248<br />

‘Notte’e di’ (Le malade imaginaire avec <strong>le</strong>s<br />

deffenses, H495a) 47<br />

Nuptiæ sacræ (H412) 17n, 26n, 208, 210,<br />

212, 213, 214, 215, 217, 222, 274n


368<br />

New Perspectives on Marc-Antoine Charpentier<br />

‘O amantissime salvator noster’ (H264);<br />

see E<strong>le</strong>vation au S t Sacrement<br />

(‘O amantissime salvator noster’)<br />

O amor: E<strong>le</strong>vation … (H253) 72–3, 187<br />

O amor, ô bonitas (H279) 289<br />

‘O cœ<strong>le</strong>stis Jerusa<strong>le</strong>m’ (H252); see<br />

E<strong>le</strong>vation (‘O cœ<strong>le</strong>stis Jerusa<strong>le</strong>m’)<br />

O cœ<strong>le</strong>stis Jerusa<strong>le</strong>m (H435) 11n, 92n<br />

‘O doctor optime’ (H307) 73<br />

O sacrum a trois (H239) 101, 233<br />

O sacrum convivium a 3 dess[us:] E<strong>le</strong>vatio<br />

(H235) 101<br />

O sacru[m] p[ou]r trois religieuses (H240)<br />

32, 101<br />

‘O sacramentum pietatis’ (H260); see<br />

E<strong>le</strong>vatio (‘O sacramentum<br />

pietatis’)<br />

‘O vere, o bone’ (H273) 101–2<br />

O vos amici Dei (H377) 289, 310n<br />

Offerte pour l’orgue et pour <strong>le</strong>s violons,<br />

flutes et hautbois (H514) 105,<br />

127–8<br />

Ouverture pour <strong>le</strong> sacre d’un evesque<br />

(H536) 193<br />

Panis angelicus (H243) 290–310 passim<br />

Pastora<strong>le</strong> sur la naissance de N[otre]<br />

S[eigneur] J[ésus] C[hrist] (H483)<br />

11n, 20n, 26n, 216, 274n<br />

Peccavi Domine (H378) 96, 290, 307–8<br />

Pestis Mediolanensis (H398) 17n, 71n,<br />

196–7, 199<br />

Petite pastora<strong>le</strong> (H479) 11n, 20n, 26n,<br />

244, 246<br />

Philomè<strong>le</strong> (with the duc de Chartres, lost)<br />

28n<br />

Les plaisirs de Versail<strong>le</strong>s (H480) 11n, 20n,<br />

21n, 26n, 70n, 134, 269–85 passim<br />

Pour <strong>le</strong> jour de S te Geneviefve (H317) 33,<br />

247n<br />

Pour <strong>le</strong> S t Sacrement au reposoir (H346)<br />

135, 157<br />

Pour S t Augustin mourant (H419) 17,<br />

290–310 passim<br />

Pour S te Anne (H315) 305, 306<br />

Pour S te Therese (‘Flores O Gallia’) (H342)<br />

100, 101n, 104n<br />

Precatio pro filio regis (H166) 20n, 73<br />

Precatio pro Rege (H165) 20n, 243<br />

Prelude en A mi la re pour O bone Jesu a 3<br />

voix pareil<strong>le</strong>s pour la paix (H237a)<br />

197n<br />

Prelude pour Credidi (H209a) 186, 188<br />

Prelude pour Horrenda pestis (H398a) 199<br />

Prelude pour l’Enfant prodigue (H399a)<br />

203<br />

Prelude pour L’esté a 3 flutes (H336a) 187<br />

Prelude pour l’Exaudiat a 8 esprouve /<br />

Prelude pour ce qu’on voudra non<br />

encore employé (H521) 194<br />

Prelude pour Laudate pueri D[omi]num a<br />

4 voix sans instr[uments] en G re<br />

sol nat[urel] (H203a) 188<br />

Prelude pour <strong>le</strong> Miserere a 6 et<br />

instr[uments] (H193a) 203, 204,<br />

226n<br />

Prelude pour <strong>le</strong> premier Beatus vir a 4 voix<br />

sans instr[uments] [en] fa mi<br />

(H199a) 188, 189<br />

Prelude pour <strong>le</strong> p[remie]r Confitebor a 4<br />

voix sans instr[uments] (H200a)<br />

188<br />

Prelude p[ou]r <strong>le</strong> premier Dixit D[omi]nus<br />

en petit en G re sol b[é]mol<br />

(H197a) 192, 193<br />

Prelude pour <strong>le</strong> p[remie]r Magnificat a 4<br />

voix sans instr[uments] [en] C sol<br />

ut (H76a) 188<br />

Prelude pour <strong>le</strong> Te Deum a 8 (H145a) 194,<br />

249<br />

Prelude pour Mementote peccatores<br />

(H425a) 5n, 187<br />

Prelude pour Nisi D[omi]nus a 4 voix sans<br />

instr[uments] [en] C sol ut (H160a)<br />

188<br />

Prelude pour O amor a 3 vi[ol]ons<br />

(H253a) 187<br />

Prelude pour Quare fremuerunt gentes a 8<br />

voix (H168a) 198<br />

Prelude pour Salve regina a 3 (H23a) 16n,<br />

187<br />

Prelude pour Super flumina (H171a) 199<br />

P[remie]r prelude pour l’Exaudiat a 4 voix<br />

sans instr[uments:] D la re sol a 2<br />

vi[ol]ons (H180a) 192, 193


Index of Works by Charpentier Cited 369<br />

P[remiè]re antiene pour <strong>le</strong>s vespres d’un<br />

confesseur non pontife (H33) 146n,<br />

225n<br />

Pro omnibus festis B[eatæ] V[irginis]<br />

M[ariæ] (H333) 16n, 170n, 205,<br />

208–26 passim<br />

Prologue de S te La Cæci<strong>le</strong> a 6 et<br />

instr[uments] (H415a) 17n, 224<br />

Prose des morts (H12) 33, 197, 198,<br />

201–2, 204n<br />

Psalm David 115 e : Credidi propter q[uo]d<br />

(H209) 14n, 186, 188, 189<br />

Psalm[us] 2 us 6 us supra centesimum a 4 voix<br />

(H160) 14n, 188, 189–90<br />

Psalmus 109 us Dixit D[omi]nus 8 vocibus<br />

et totidem instr[umentis] (H190)<br />

14n, 197, 201, 202<br />

Psalmus 147 (H191) 14n, 32, 196, 197,<br />

199, 200, 201<br />

Psalm[us] David 4 us (H198) 14n, 190,<br />

196n, 197, 199<br />

Psalmus David 5 tus (H184) 231<br />

Psalmus David 5 tus in tempore belli pro<br />

Rege (H168) 14n, 20n, 49–50,<br />

196–7, 198<br />

Psalm[us] David 109 us (H197) 14n, 192<br />

Psalmus David 125 tus (H169) 14n, 190–92,<br />

195–7, 198<br />

Psalmus David centesim[us] undecimus<br />

(H199) 14n, 188, 189<br />

Psalmus David VIII (H163) 32<br />

Psalm[us] David[is] 50 mus / Miserere des<br />

Jesuites (H193) 14n, 18n, 26n, 203,<br />

204, 205, 208–27 passim, 274n,<br />

307n<br />

Psalmus Davidis centesimus vigesimus<br />

septimus (H178) 248n<br />

Psalmus supra centesimum duodecimus<br />

(H203) 14n, 188, 189–90<br />

Psaume 110 eme : Confitebor (H200) 14n,<br />

188, 189<br />

‘Quæ est ista’ (H426) 37<br />

Quam di<strong>le</strong>cta: Psalm Dav[id] octogesimus<br />

tertius (H167) 14n, 196, 198<br />

Quatuor anni tempestates (H335–8) 100n,<br />

103<br />

‘Que je sens de rudes combats’ (H459) 47,<br />

67, 68<br />

‘Quemadmodum’ (H174) 199, 247, 272n<br />

Le reniement de St Pierre (H424) 11n,<br />

71–2, 96n, 307n, 314<br />

Sacrificium Abrahæ (H402) 17n, 203,<br />

204–5, 248n<br />

S t Francois (H310) 33, 58<br />

Salve regina a trois chœurs (H24) 16n, 187<br />

Salve regina a trois voix pareil<strong>le</strong>s (H23)<br />

16n, 26n, 187, 298, 301, 302<br />

S[econ]d prelude a 4 vi[ol]ons pour <strong>le</strong><br />

mesme Exaudiat (H180b) 192,<br />

193<br />

Seconde <strong>le</strong>con de tenebres du Mercredy<br />

s[ain]t (H138) 236–7<br />

Seconde <strong>le</strong>çon de tenebres du Vendredy<br />

s[ain]t (H140) 240<br />

Seconde <strong>le</strong>çon du Mercredy (H97) 240<br />

Septieme respons, ‘Seniores populi’ (H117)<br />

71n<br />

Simph[onie] en G re sol b[é]mol a 3 fl[ûtes]<br />

ou vi[ol]ons (H529) 83n<br />

Simphonies ajustees au Sacrifice<br />

d’Abraham (H402a) 203<br />

[Simphonies] pour un reposoir (H508) 120,<br />

158n<br />

Simphonies pour un reposoir (H515) 120<br />

Sonate (H548) 170n<br />

Super flumina: Psalmus 136 octo vocib[us]<br />

cum instr[umentis] (H171) 14n,<br />

196–7, 199<br />

Supplicatio pro defunctis (H328) 16n, 32,<br />

45, 55n, 247, 275n<br />

Sur la naissance de N[otre] S[eigneur]<br />

J[ésus] C[hrist]: Pastora<strong>le</strong><br />

(H482) 11n, 20n, 26n, 250,<br />

274n<br />

Te Deum (H146) 234, 283<br />

Te Deum (lost) 136n<br />

Te Deum a 8 voix avec fl[ûtes] et violons<br />

(H145) 194, 201, 249n<br />

‘Transfige dulcissime Jesu’ (H251); see<br />

E<strong>le</strong>vation a 5 sans dessus de violon


370<br />

New Perspectives on Marc-Antoine Charpentier<br />

Troisieme <strong>le</strong>çon de tenebres du Mercredy<br />

saint (H123) 243<br />

Troisieme <strong>le</strong>çon du Mercredy a trois parties<br />

(H108) 231<br />

‘Veni sponsa Christi’ (H17) 222n<br />

Vénus et Adonis (H507) 11n, 13n, 51–2,<br />

55n, 170–71, 172, 179, 182, 264


General Index<br />

Abbaye-aux-Bois (convent) 103<br />

Académie <strong>Roy</strong>a<strong>le</strong> de Musique (Paris<br />

Opéra) 161, 162, 165, 174, 177,<br />

178, 207, 225n, 251–68 passim<br />

Académie <strong>Roy</strong>a<strong>le</strong> des Opéra 162n, 165, 178<br />

acrobats 170, 177, 179, 180, 183<br />

Adams, Martin 48<br />

air, air de cour 34, 39n, 47, 66, 67, 68–9,<br />

70n, 178n, 179, 198–9, 243–5,<br />

254, 255n, 256, 258, 259, 263, 265,<br />

266n, 278, 279, 280, 281n, 287<br />

air italien 47, 261, 266n<br />

Albergati, Pirro Capacelli, Corono de Pregi<br />

di Maria 37n<br />

alternatim 105, 106, 108–10<br />

Alvini, Laura 37n<br />

Amayenne, Jean 138–40, 142, 155<br />

André, Car<strong>le</strong> 169<br />

André, Jacques 138–9<br />

Anet, Jean-Baptiste 164<br />

Anne of Austria, queen of France 172<br />

Anthoine, François 211, 214, 215n, 217, 218<br />

Anthony, James R. 70n, 75n, 105, 130n,<br />

150n, 151, 152n, 264n<br />

Apel, Willi 31n, 34n<br />

Arnoulx, Joseph 149<br />

Les Arts Florissants (ensemb<strong>le</strong>) 251n, 269n<br />

Asselin, Claude 138, 142<br />

Attaingnant, Pierre 34<br />

Aubert, Florentin 149<br />

Aura, Jacques 138–40, 142, 147, 148<br />

Babet, Ml<strong>le</strong> (‘Babet la Chanteuse’) 175<br />

Bach, Johann Sebastian 46n, 81, 109n,<br />

229, 312n<br />

Cantata no. 78, 81<br />

Ciaccona for Solo Violin (BWV<br />

1004/5) 81n<br />

Bacilly, Bénigne de 97n<br />

Baglan, Antoine 107<br />

Bagniera (Baniera), Antonio 145, 149,<br />

157n<br />

bal<strong>le</strong>t 21n, 34, 74, 76, 137, 162, 172, 177,<br />

178n, 179, 181, 254, 256n; see also<br />

comédie-bal<strong>le</strong>t; opéra-bal<strong>le</strong>t<br />

bal<strong>le</strong>t pantomime 254, 255<br />

Bank, Joannes Antonius 42n<br />

Barber, Clarence H. 105, 129n, 130n<br />

Bardet, Bernard 164n<br />

Baron, Michel 175<br />

Barthé<strong>le</strong>my, Maurice 260n<br />

bas-dessus (defined) 213<br />

Bassani, Giovanni Battista 37<br />

basse-contre (defined) xxviii<br />

basse de vio<strong>le</strong>, see vio<strong>le</strong><br />

basse-tail<strong>le</strong> (defined) xxviii<br />

basson / bassoon 116–17, 152, 154–5<br />

Bastonnet, Ml<strong>le</strong> 175<br />

Batail<strong>le</strong>, Nicolas 138, 142<br />

Baudrexel, Philipp Jakob 43n<br />

Baussen, Henri de 26, 211, 214–15, 217n,<br />

218<br />

Bauyn Manuscript 34n<br />

Beauchamps, Pierre 164n, 177–8<br />

Beaupuis, Pierre 26, 211, 214–16, 217, 218<br />

Beaussant, Philippe 253n, 255n, 262n<br />

Belard, Jacques 139–40<br />

Bénichou, Paul 251, 253n<br />

Benoit, Marcel<strong>le</strong> 17n, 116n, 136n, 137n,<br />

142n, 143n, 144n, 145n, 146n,<br />

147n, 148n, 150n, 153, 154, 161n,<br />

163n, 164n, 166n, 174n<br />

Benserade, Isaac de 75n<br />

Bent, Margaret 39n<br />

Beretta, Francesco, Missa Mirabi<strong>le</strong>s<br />

elationes maris 5n, 239n<br />

Bergerotti, Anna 66<br />

Bernard, Michel 149, 155<br />

Bernard of Clairvaux 103<br />

Bernhard, Christoph 94n


372<br />

New Perspectives on Marc-Antoine Charpentier<br />

Bernier, Nicolas 37–9<br />

Bernini, Gian Lorenzo 101<br />

Berthod (Berthold), Blaise 138–9, 145<br />

Berton, Nathalie 269n<br />

Bessart, Jean 124<br />

Bibliothèque du roi xxv, xxvi, 2n, 305n,<br />

306, 315; see also royal library<br />

Bignon, Jean-Paul 318n<br />

Bisaro, Xavier 208n<br />

Blanchard, Roger 224n<br />

Blond, Louis 16n<br />

Blondel, Jean 138–9, 144<br />

Blondel, Simon 148<br />

Blunt, Wilfrid 150n<br />

Boësset, Claude-Jean-Baptiste, Alphée et<br />

Aréthuse 257<br />

Boi<strong>le</strong>au-Despréaux, Nicolas 261n<br />

Bona, Va<strong>le</strong>rio 44<br />

Bonaventure, St 101<br />

Bonfils, Jean 110n<br />

Bonnassies, Ju<strong>le</strong>s 165n, 173n<br />

Bononcini, Giovanni Maria 42n, 43, 44n<br />

Borngässer, Barbara 89n<br />

Borrel, Eugène 32, 49n, 60<br />

Bosseur, Jean-Yves 38n<br />

Boucher, de (librettist) 257n<br />

Boudet, André 165<br />

Bouissou, Sylvie 38n, 266<br />

Boulanger, Nadia xxi<br />

Bourgeois, Louis Thomas, Cantates<br />

françoises ou Musique de chambre<br />

… livre II. e 290n<br />

Bourguil<strong>le</strong>ux, Guy 38n<br />

Bowers, Roger 40n<br />

Boyer, Char<strong>le</strong>s 263n<br />

Boyer, Claude 178n, 261n<br />

Brémond, Henri 89n<br />

Brenet, Michel 5n<br />

Brion, Geneviève de 211, 214, 217n, 220n<br />

Brooks, William 175n<br />

Brossard, Sébastien de 9n, 31n, 35, 48–9,<br />

94n, 153n, 288n, 312, 315<br />

Brossard Col<strong>le</strong>ction 9n, 71n, 96n, 186,<br />

226n, 289<br />

Brossard, Yolande de 136n, 144n, 145n,<br />

146n, 147n, 148n, 151n, 153n, 154,<br />

155n, 156n<br />

Brosses, Anthoine des 177–8<br />

Brown, Leslie El<strong>le</strong>n 264n<br />

Brunault (singer) 137n<br />

Brunelli, Antonio 42n<br />

Brunold, Paul 129n, 130n<br />

Buelow, George J. 94n, 95n, 99n<br />

Bukofzer, Manfred xxi<br />

Burgess, Geoffrey 67n, 76, 82n, 86, 87n<br />

Burke, John 34n<br />

Buxtehude, Dieterich 46n<br />

Caccini, Giulio, ‘Non ha’l ciel cotanti<br />

lumi’ 40–41<br />

cahier / notebook<br />

cahier françois (arabic) 6, 9n, 11n,<br />

13n, 14n, 16, 17n, 20n, 22–3, 24n,<br />

26, 54, 101n, 196, 201, 209, 305,<br />

315<br />

cahier romain (roman) 6, 9, 11n, 13,<br />

14n, 16, 17n, 20, 22–3, 24n, 54–5,<br />

201, 209, 211, 315<br />

defined 6<br />

gros cahier 5n, 17, 301n, 303–6, 307,<br />

336<br />

missing, misnumbered cahiers 7n,<br />

9–10, 18, 23, 211, 303n<br />

partitions chiffre françois 305, 318<br />

partitions chiffre romain 326<br />

‘prob<strong>le</strong>matic’ cahiers (“I”, “II”, [a],<br />

[b], [c], [d]) 5n, 8, 11n, 13, 17, 20n,<br />

21, 23n, 26n, 57n, 60, 70n, 82n,<br />

92n, 181n, 182, 229n, 247n, 250,<br />

290, 301, 303, 304, 305<br />

Caldara, Antonio 39n<br />

Cambert, Robert 3–4<br />

Les peines et <strong>le</strong>s plaisirs d’Amour<br />

162n, 178n<br />

Pomone 162n, 178n<br />

Campistron, Jean Galbert de 257<br />

Campra, André 265, 266n, 267<br />

L’Europe galante 264<br />

Motets a I et II voix … livre troisième<br />

312<br />

Motets a I, II, et III voix … livre<br />

quatriéme 290n<br />

cantata<br />

French 26n, 27, 38, 53n, 67, 266n, 312<br />

Italian 26n, 66<br />

Spanish 53


General Index 373<br />

canticum 17–18; see also oratorio<br />

caprice 179, 258<br />

Carissimi, Giacomo 4, 9, 36, 42, 43n, 44,<br />

46, 92n, 207n, 337<br />

‘Bel tempo per me se n’andò’ 41–2<br />

Carli (Carly), Tomasso / Thomas 146, 149,<br />

225n<br />

Carlier, Germain 211, 214–16, 217, 218<br />

Carlot, Edmé 140–41, 144<br />

Carmelites 20, 90, 101; see also Grand<br />

Carmel (convent); Litt<strong>le</strong> Carmel<br />

(convent)<br />

Carter, Tim 63, 64, 86, 87n<br />

castrati 145–6, 225n<br />

Cavalli, Pier Franceso 63–4<br />

Cazzati, Maurizio 37<br />

Ceberet, Cebret, see Sebret<br />

Centre de Musique Baroque de Versail<strong>le</strong>s<br />

(CMBV) xxi, 190n, 269n, 284<br />

Cessac, Catherine xxi, xxiii, xxv, 7n, 28n,<br />

46n, 47n, 55n, 57, 97n, 103n, 104n,<br />

105, 107n, 108, 127, 133, 134n,<br />

135n, 136n, 149n, 154n, 157n,<br />

190n, 194n, 204n, 208n, 213n,<br />

215n, 225n, 230n, 232n, 241n, 244,<br />

247n, 249n, 263n, 267, 271, 272n,<br />

279n, 280n, 284n, 285n, 287n,<br />

288n, 291n, 301, 303n, 305n, 307n,<br />

311, 338n, 341<br />

Cesti, Antonio 92n<br />

chaconne 74, 76–8, 80, 82–3, 86, 179,<br />

180, 256, 258, 261, 278; see also<br />

ciaccona<br />

Chambre (du Roi) 137, 142n, 151, 154<br />

Chambure, Geneviève Thibault, comtesse<br />

de 287n<br />

Champaigne, Philippe de 90n<br />

Champenois (singer) 174<br />

Chapel<strong>le</strong> <strong>Roy</strong>a<strong>le</strong> xxv, 107, 129n, 133–59,<br />

207, 276, 282<br />

sous-maître 133, 137, 146, 150, 153,<br />

276<br />

competition (‘Concours’) for post<br />

of 133, 137n, 276, 277, 281<br />

Chap(p)eron, François 3n, 4n, 5, 9n, 55n<br />

Chappuzeau, Samuel 172, 173–4<br />

Charlot, Prosper 152–4<br />

Charpentier, Etiennette 287–8<br />

Charpentier, Marc-Antoine<br />

archaisms, fondness for xxiv, 57, 84,<br />

312<br />

autograph mss 32, 99n, 100n,<br />

218n, 220n, 239n, 272n; see<br />

also Mélanges autographes<br />

(Charpentier)<br />

chronology, dating of works xxv, 5–8,<br />

9, 20, 23n, 27, 28n, 37, 45, 54,<br />

61n, 84n, 107–8, 120, 127, 134n,<br />

135n, 136, 146n, 149n, 157n, 182,<br />

189, 190, 194, 197, 201, 205, 208,<br />

209–10, 211, 212, 213, 218, 270,<br />

271, 275n, 313, 316<br />

commissions 1–29 passim, 54, 55, 205,<br />

304; see also Charpentier, Marc-<br />

Antoine, patrons, employers<br />

compositional process xxv, 229–50<br />

passim<br />

compositional sty<strong>le</strong> xxiv, 84, 111–12,<br />

114, 126, 201, 209, 219–20, 223<br />

‘Energies des modes’ 98n, 110,<br />

127, 263, 280n; see also key<br />

characteristics<br />

handwriting 7n, 8n, 197, 201, 229–30,<br />

239n, 316<br />

c<strong>le</strong>f formations 195, 201, 202<br />

illness 23n, 24, 28n, 133, 194<br />

incidental theatre music xxvii, 6n,<br />

11–13, 21n, 46, 51, 70n, 161–83<br />

passim, 230, 241, 247n, 279, 280n<br />

incomp<strong>le</strong>te works 109–10, 130, 250,<br />

307n<br />

influence of xxiv, xxv, 38–9, 106, 121,<br />

124, 130, 252, 259–67 passim<br />

influences on his sty<strong>le</strong> xxiv, 85,<br />

106, 112, 121, 252–9; see also<br />

Charpentier, Marc-Antoine,<br />

Italianate features; Charpentier,<br />

Marc-Antoine, studies in Italy<br />

Italian terms, use of 48–9, 100, 104n<br />

Italianate features xxiv, 1, 16, 18, 26–7,<br />

31–61 passim, 84, 92, 96, 100, 101,<br />

104, 122, 129, 207n, 220n, 222n,<br />

233, 251, 256n, 261, 266n, 267,<br />

312; see also air italien<br />

keyboard player 106, 121–2


374<br />

New Perspectives on Marc-Antoine Charpentier<br />

lost works, sources xxv, 5, 9n, 11, 18,<br />

21n, 84, 136n, 194, 195, 198, 203,<br />

204, 218, 249, 305, 306, 310, 316;<br />

see also cahier / notebook,<br />

missing, misnumbered cahiers<br />

Motets melêz de symphonie 39n, 96n,<br />

287–314 passim<br />

non-autograph mss / annotations 5n,<br />

9n, 47n, 71n, 72, 92n, 96n, 97n,<br />

99n, 100n, 186–7, 204, 224, 226n,<br />

229n, 288n, 289n, 290, 291–9,<br />

304–5, 307–8<br />

notebooks, see cahier / notebook<br />

operas xxv, 4, 11, 13, 20–1, 28, 251–68<br />

passim, 274n, 278, 282, 287; see<br />

also pastora<strong>le</strong>, pastora<strong>le</strong>-héroïque;<br />

tragédie en musique<br />

originality xxiv, 1, 207–8, 251n, 253,<br />

256, 259, 260, 261, 263, 266<br />

patrons, employers xxiv, 1–29 passim,<br />

48, 54, 55, 107, 129, 133–4, 205,<br />

217, 270, 271, 275n, 278, 282,<br />

285; see also Charpentier, Marc-<br />

Antoine, commissions<br />

performance parts 182–3, 186, 193,<br />

195, 204, 205, 218, 221<br />

Règ<strong>le</strong>s de composition 67n, 97n, 121,<br />

232–3, 249n, 279n, 288n<br />

revisions, re-scorings xxv, 83–5, 120,<br />

134–5, 156, 157n, 173, 175, 177,<br />

182, 185–205 passim, 224–7,<br />

229–50 passim, 307n, 308<br />

sings haute-contre 25–7, 55, 121,<br />

214–15, 274<br />

studies in Italy xxiv, 46–8, 84, 233,<br />

267; see also Rome<br />

text expression, underlay xxiv, 44,<br />

57–61, 70–73, 84–6, 89–104<br />

passim, 232, 237, 239, 240–41,<br />

243–6, 267, 272<br />

variant versions of works xxv, 185–205<br />

passim, 216, 224–7, 248–9, 289,<br />

306–7<br />

Chartres, Philippe d’Orléans, duc de 4, 11,<br />

24, 28, 121, 134, 287, 288n; see<br />

also Orléans, Philippe II, duc de<br />

Cheval<strong>le</strong>y, Sylvie 175n<br />

Choquel, Henri-Louis 31n, 44<br />

choreography, choreographers 77n, 79,<br />

81–2, 162, 177–8<br />

Christie, William 251n, 269n, 275n<br />

Chrysander, Friedrich 53n<br />

Chuprel, abbé 148n<br />

Churnside, Carrie 37n<br />

ciaccona 47, 74, 76, 81n, 82–3<br />

Clark, Jan(et) 83n, 162<br />

‘clavecim’ / clavecin 155, 167, 168–9,<br />

170n, 275n; see also harpsichord<br />

Clédières, Bernard 149<br />

Clérambault, Louis-Nicolas 311n<br />

I. er livre de pieces de claveçin 290n<br />

Coeyman, Barbara 145n, 276n, 277<br />

Cohen, Albert 35n, 46n, 56n, 70n<br />

Colbert, Jean-Baptiste 7n, 165<br />

Collard, Louis-Henri 146n<br />

Collasse, Pascal 116, 257n, 260<br />

Achil<strong>le</strong> et Polyxène (see Lully,<br />

Jean-Baptiste)<br />

Bal<strong>le</strong>t des Saisons 264<br />

Enée et Lavinie 257<br />

Thétis et Pélée 259n<br />

Collège Louis-<strong>le</strong>-Grand, Paris, see Jesuits<br />

colouration 36, 40–41, 44, 53, 56, 57, 312<br />

Colton, Judith 283n<br />

comédie-bal<strong>le</strong>t 74, 76, 144n, 162, 176, 178<br />

Comédie-Française xxv, 13, 51, 161–83<br />

Comédiens du <strong>Roy</strong> 161–2, 166, 178<br />

Commire, Jean 5n, 14, 96n<br />

Comptes de la Maison du Roi 142–3, 146n<br />

Concert Spirituel (series) 282<br />

Le Concert Spirituel (ensemb<strong>le</strong>) 251n<br />

Conisbee, Philip 90n<br />

continuo accompaniment 48, 122, 130,<br />

134–6, 155, 156–7, 162, 165,<br />

168–72, 186–7, 221, 225n, 239n,<br />

275, 277<br />

continuo figuring 57, 122, 130, 170–72,<br />

275, 280, 307n, 309–10, 312<br />

contrabass / ‘contre-basse’ 117n, 152n<br />

Converset, Jean 164, 165, 169<br />

copyists, scribes 2, 9, 41, 70n, 142–3,<br />

167n, 182–3, 221, 229n, 231n,<br />

275–6, 278, 285, 307–8, 316–17,<br />

338n<br />

Corbetta, Francesco 74<br />

Corelli, Archangelo 37, 280


General Index 375<br />

Corneil<strong>le</strong>, Pierre 51n, 67, 167, 176n, 253n,<br />

262<br />

Corneil<strong>le</strong>, Thomas 46, 82, 83n, 165, 179n,<br />

253, 255, 257, 258, 259, 261, 262,<br />

263, 264<br />

cornet (instrument) 138–41, 143, 146,<br />

150–51<br />

cornet (organ stop) 114, 122, 123, 126, 130<br />

Corrette, Gaspard 110, 117<br />

Messe du 8 e ton pour l’orgue 106, 109,<br />

117n<br />

Corrette, Michel 311n<br />

Cottet, Olivier 116<br />

Couperin, François xxiiin, xxiv, 37, 39,<br />

106, 124, 127, 128–30, 312<br />

L’apothéose de Lully 130<br />

Messe à l’usage ordinaire des<br />

paroisses 109n, 110, 111, 119, 124,<br />

125, 128<br />

Messe propre pour <strong>le</strong>s couvents de<br />

religieux et religieuses 109n, 110,<br />

124n<br />

Pièces de clavecin, second livre 38n<br />

Pièces d’orgue consistantes en deux<br />

messes 109<br />

Couperin, Louis 74, 117, 126, 220n<br />

courante 279, 327<br />

Courbois, Philippe, Cantates françoises, à<br />

I. et II. voix 290n<br />

Cousu, Antoine de 35<br />

Couvreur, Manuel 257n<br />

Crasset, Jean 16n, 86n<br />

croches blanches, see void notation<br />

(croches blanches)<br />

crome bianche, see void notation (croches<br />

blanches)<br />

cromorne (instrument) 57, 105, 113–18,<br />

152<br />

cromorne (organ stop) 111, 114–18<br />

Cul<strong>le</strong>y, Thomas D. 4n<br />

d’Alma, Francesco 53<br />

d’Ang<strong>le</strong>bert, Jean-Henri 81<br />

dancers xxv, 75–6, 79, 162, 177–8, 181,<br />

183<br />

Dandrieu, Jean-François 290n, 291n<br />

Danielis, Daniel 28n, 37<br />

Danneret, Elisabeth 175<br />

Daquin, Louis-Claude 311n<br />

Dassoucy, Char<strong>le</strong>s 46<br />

Dassy, Jean 138–41, 144<br />

Dauphin, Louis de France, Monseigneur<br />

<strong>le</strong> Grand 2, 6n, 7n, 16, 17, 21, 24n,<br />

26n, 28, 133–4, 149n, 157, 158,<br />

174, 220n, 272, 275n, 282<br />

musical establishment 21, 24n, 154n,<br />

271–2<br />

Dauphine, Marie-Anne-Christine de<br />

Bavière, Madame la 20n, 152, 276<br />

David, Mathurin 149<br />

Davis, Alan 116n<br />

Decobert, Laurence 144, 148–9, 152, 153,<br />

154<br />

Deierkauf-Holsboer, S. Wilma 178n, 180n<br />

Delalande, see Lalande, Michel-Richard de<br />

Demars, Char<strong>le</strong>s 311n<br />

Deschamps, Jean, see Villiers, de (Jean<br />

Deschamps, dit)<br />

Desjardins (Du Jardin), Pierre 138–9, 144<br />

Desmarets, Henry xxv, 252, 259–61, 267<br />

Circé 257n<br />

Didon 257n, 259<br />

dessus (defined) xxviii<br />

dessus mués (defined) 145<br />

Destouches, André Cardinal 265, 266n<br />

Develoy (de Veloy), Nicolas 139–41, 143<br />

Develoy (Desvelloy), Pierre 137, 138–40,<br />

142–3, 148<br />

dévotions (defined) 2<br />

Devriès(-Lesure), Anik 290, 291n, 295n,<br />

311n<br />

dialogue 92n, 103n, 207n<br />

divertissement 55, 66, 76–7, 134, 224,<br />

255–6, 257, 258, 261, 267, 271,<br />

278–9, 282, 285<br />

Donneau de Visé, Jean 46, 82, 178n<br />

Douglass, Fenner 111n<br />

dramatic motet 71, 185, 197, 204, 207–8,<br />

310n; see also oratorio<br />

Du Bois, see Goibaut, Philippe, sieur du<br />

Bois<br />

Du Moncel, Char<strong>le</strong>s 141<br />

Du Mont, Henry xxv, 92n, 107, 133, 135,<br />

136, 137n, 144, 145, 146–7, 148n,<br />

150n, 151, 153, 154–5, 156, 158–9<br />

Dufresne, Guillaume 164n


376<br />

New Perspectives on Marc-Antoine Charpentier<br />

Dumage, Pierre, I. er livre d’orgue 290n<br />

Dumont, Edme 164, 165<br />

Dun, Jean 190, 225n<br />

Dupont, Pierre 213<br />

Dupré, abbé 28n<br />

Dupré, Pierre 137, 139–40, 143n, 144<br />

Dupuis, Hilaire 66<br />

Durastanti, Margarita 53<br />

Duron, Jean 39n, 71n, 135n, 147n, 156n,<br />

158, 163n, 187n, 193n, 263n<br />

Duval, François 290n, 291n<br />

Duvivier, Jacques 164, 165, 169<br />

Eco, Umberto 252n<br />

Ecorchevil<strong>le</strong>, Ju<strong>le</strong>s 38n<br />

Ecurie, Grand 116, 137, 151, 153<br />

Edouard, Jacques xxvi, 9n, 96n, 287–314<br />

passim, 315–16, 318, 339<br />

en bas (usage defined) 135, 225n, 308<br />

en haut (usage defined) 308<br />

en survivance (defined) 146–7<br />

engraving process 288, 290–313 passim<br />

Ennebaut, Ml<strong>le</strong> (Françoise Jacob) 176, 182<br />

entr’acte 82, 83n, 170, 179, 180, 267<br />

Erickson, Raymond 81n<br />

Essen, Thomas van 117n<br />

Estival, Guillaume d’ 137, 138–9, 155<br />

Estriché, Guérin d’ 176<br />

L’Etat de la France 144, 146, 147–8, 151,<br />

153, 154n<br />

Etat des Officiers de la Maison du Roi<br />

142–3, 145–6, 147, 150<br />

exclamatio 232<br />

Expilly, Gabriel 153–4<br />

Fader, Don 164, 287n, 288n, 313<br />

falsetti 145<br />

Faré, Fabrice 90n<br />

Favalli (Favally), Antonio / Antoine 145,<br />

146n, 149, 225n<br />

Fernon, Louis <strong>le</strong> cadet 137, 139–41, 144,<br />

148, 155, 157n<br />

Fernon (Fernoud), Nicolas l’aîné 137,<br />

138–41<br />

Ferrier, Claude 139–41, 143n, 150<br />

Ferrier, Louis 143n<br />

Ferrier, Pierre 138–41, 143<br />

Ferriere (sic), Pierre 138, 143<br />

fifths, paral<strong>le</strong>l / consecutive 231–2, 249,<br />

250<br />

flute / flûte 75–6, 106, 151, 152n, 154, 157,<br />

158, 204, 224, 226, 243–4, 260n,<br />

272n, 275, 306; see also recorder<br />

basse de flûte 113, 115, 118, 158, 247,<br />

272–3<br />

flûte à bec 136<br />

flûte d’Al<strong>le</strong>magne / al<strong>le</strong>mande 113,<br />

136, 152, 154n<br />

flûte douce 108, 113, 115–16<br />

octave 115–16<br />

organ registration 107, 111<br />

sixth flute 116<br />

transverse flute 105, 157, 220, 222, 275<br />

voice flute 116<br />

Foggia, Francesco 92n<br />

Fontaineb<strong>le</strong>au 149, 257n<br />

Fontenel<strong>le</strong>, Bernard <strong>le</strong> Bovier de 257n<br />

Forestier (singer) 174–5<br />

forlane 260n<br />

Forqueray, Antoine 38n<br />

Fossard, François 152–4<br />

Foucquet, Antoine 147, 155<br />

Freillon-Poncein, Jean-Pierre 213n<br />

Frescobaldi, Girolamo 74, 82<br />

‘Così mi disprezzate?’ 63n<br />

Frévil<strong>le</strong>, Ml<strong>le</strong> 176, 177n<br />

Frizon, Antoine 148n, 149, 174, 272, 282<br />

Froberger, Johann Jacob 36n<br />

Toccata 34n<br />

Ful<strong>le</strong>r, David 311n<br />

Furetière, Antoine 193<br />

Gabillard, Pierre 138–9, 147<br />

Gallat-Morin, Elisabeth 109<br />

Gatti, Theobaldi di 262n<br />

Gaye, Jean 137, 139–41, 143n, 144–5,<br />

155–6, 176<br />

Gazette de France 20n<br />

Gendreau, François 139–41, 145n, 147<br />

Gendron, Jean 138, 142<br />

Genette, Gérard 252n<br />

Gervais, Char<strong>le</strong>s-Hubert, Méduse 261n,<br />

263–4<br />

Gherardi, Evaristo 175<br />

Gigault, Nicolas 110, 127<br />

Livre de musique pour l’orgue 109


General Index 377<br />

Gilbert, Gabriel, Les amours de Diane et<br />

d’Endimion 166, 180<br />

Gilbert, Kenneth 38n, 109n, 129n, 130<br />

Gil<strong>le</strong>t, Bertrand 149<br />

Gingand (Guigant), Louis 137, 138–9, 155<br />

Gingant, Léonore 149<br />

Gird<strong>le</strong>stone, Cuthbert 266n<br />

Godon(n)esche, Jacques 141, 149<br />

Gohin, Henry 116<br />

Goibaut, Philippe, sieur du Bois 2, 3n, 4,<br />

14, 26, 27, 170n, 220, 229n<br />

Gosine, C. Jane xxiv, 3n, 7n, 8n, 37n, 54n,<br />

71n, 72n, 73n, 84n, 92n, 96n, 107n,<br />

108, 120, 127, 134, 157n, 190n,<br />

201n, 208n, 229n, 246n, 305n,<br />

306n, 307n<br />

Gottlieb, Anna 175n<br />

Goubault, Christian 38n<br />

Grand Carmel (convent) 101<br />

grand chœur 117, 146, 156, 219, 225, 227,<br />

312<br />

grand motet 134, 136, 149, 151, 153n, 154,<br />

156, 185, 219, 221n, 282, 284<br />

Grandmaison, Marie Guil<strong>le</strong>bault de 211,<br />

214, 217<br />

Grandpré, Ml<strong>le</strong> 174<br />

Graziani (Gratiani), Bonifazio 92n<br />

Great Guise Music 11, 21, 23, 26–7, 55,<br />

217, 225; see also Guise Music<br />

Green, Thomas R. 230n<br />

Grigny, Nicolas de 110, 312n<br />

Premier livre d’orgue 109, 290n, 312n<br />

Offertoire 126, 127<br />

Premier Kyrie en tail<strong>le</strong> 118n<br />

Récit de tierce en tail<strong>le</strong> 118n<br />

Grimarest, Jean-Léonor de 97n<br />

ground bass 47, 63–9, 73, 76, 80, 84, 86;<br />

see also ostinato; tetrachord,<br />

descending minor<br />

Guand, Guillaume de 148<br />

Guérin, M., see Estriché, Guérin d’<br />

Guerrini, Pietro 27<br />

Guichard, Henri 165<br />

Guil<strong>le</strong>gault, André 149<br />

Guillo, Laurent 8n, 197n, 201n<br />

Guillot, Pierre 85n<br />

Guilmant, A<strong>le</strong>xandre 109n<br />

Guintrand(y), Joseph 140–41, 145n<br />

Guise, Elisabeth (‘Isabel<strong>le</strong>’) d’Orléans, see<br />

‘Madame de Guise’<br />

Guise, Hôtel de 2–3, 4, 9, 13–14, 17, 26–7,<br />

56, 100, 107, 121, 129, 209, 212,<br />

214, 216–17, 220, 303<br />

Guise, House of 2, 21, 208, 281<br />

Guise, Louis-Joseph, duc de Guise 2<br />

Guise, Marie de Lorraine, princesse de<br />

Guise, see ‘Mademoisel<strong>le</strong> de<br />

Guise’<br />

Guise Music 2, 3n, 21n, 26–7, 209,<br />

211–12, 213, 215n, 216–17, 222,<br />

224, 229n, 272n, 274n; see also<br />

Great Guise Music<br />

Gustafson, Bruce 311n<br />

Guyot, Jeanne 211, 214, 217<br />

Guyot, Ml<strong>le</strong> (Judith de Nevers, dite) 176,<br />

182<br />

Haar, James 40n<br />

Hamel, Louis du 149<br />

Hammond, Frederick 74n<br />

Handel, George Frideric 37, 53<br />

No se emendará jamás (HWV140) 53<br />

Hardouin, Pierre 109n, 312n<br />

Hardy, Ml<strong>le</strong> 174, 177<br />

harpsichord 34, 81, 168–70, 277<br />

Harris-Warrick, Rebecca 70n, 74n<br />

Haskell, Francis 89n<br />

haut-dessus (defined) 213<br />

hautbois, see oboe / hautbois<br />

haute-contre (defined) xxviii<br />

haute-contre de violon 226<br />

haute-tail<strong>le</strong> (defined) xxviii<br />

Haynes, Bruce 116, 117n<br />

Hedouin, Nicolas 138–9<br />

Hefling, Stephen 49n<br />

Helmholtz system of pitch differentiation<br />

xxviii<br />

Herlin, Denis 39n<br />

Higginbottom, Edward 109n, 111, 112n<br />

Himelfarb, Hélène 149n<br />

histoire sacrée 17, 185, 197, 204n, 205,<br />

208; see also oratorio<br />

Hitchcock, H. Wi<strong>le</strong>y xxiin, xxiii, xxvi,<br />

xxvii, 2n, 7n, 32, 55n, 70n, 71n,<br />

82n, 92n, 105, 107n, 108, 127, 133,<br />

134n, 162n, 185n, 186n, 187, 204n,


378<br />

New Perspectives on Marc-Antoine Charpentier<br />

209n, 213n, 229n, 271n, 272n,<br />

274n, 278, 289n, 291, 303n, 313,<br />

316, 318n<br />

Holman, Peter 64<br />

Hopkinson, Cecil 290n<br />

Hôtel de Bourgogne 165, 174, 176<br />

Hôtel Guénégaud 161, 165–6, 169, 173,<br />

175, 177–8, 183; see also Théâtre<br />

de Guénégaud<br />

Hotteterre dynasty 276<br />

Marie-Marguerite 153n<br />

Nicolas 152–4<br />

Houdiart, Pierre 140–41<br />

Hou<strong>le</strong>, George 44n<br />

Hubert, André 175n, 176<br />

Huguenet, Char<strong>le</strong>s 153<br />

Huguenet, Pierre 152–5<br />

Huguenet, Sébastien 152–5<br />

hypotextuality (defined) 252n<br />

intertextuality (defined) 252n<br />

James II (exi<strong>le</strong>d British king) 5n<br />

James, Clive 269<br />

Jantzen, Grace 89n, 101n<br />

Jesuits 1, 3–5, 6, 9, 11, 14, 16, 17–18, 20,<br />

23–4, 28, 72, 85, 90, 91, 92, 96,<br />

129, 146n, 211, 212, 216, 217n,<br />

224, 225n, 265, 281, 303<br />

Church of Saint-Louis, Paris 3, 9, 14,<br />

16, 18, 27–8, 83, 129, 204, 224,<br />

225n<br />

Collège Louis-<strong>le</strong>-Grand, Paris 5n, 11,<br />

14, 28n, 123, 204<br />

Jesuit collèges 11, 20n, 21<br />

Jesuit paper 8n, 9n, 11n<br />

Maison Professe (profess house) 4, 95n<br />

Noviciate 14, 18n<br />

Jeu de Paume de Béquet (‘Le Bel-Air’) 178n<br />

Joly (Guise singer) 211, 214–17<br />

Jones, Andrew V. 46n<br />

Jonquet, Jean 149<br />

Jouilhac, Jean 140–41<br />

Jourdain, abbé 318n<br />

jours d’ appartement 134, 270–71, 275,<br />

276n, 278, 281<br />

Jurgens, Made<strong>le</strong>ine 164n, 169n, 173n<br />

Keiser, Reinhard 37<br />

Kendrick, Robert 103<br />

Kerll, Johann Casper 36n<br />

key characteristics 64, 67, 71, 72, 260n,<br />

265, 280; see also Charpentier,<br />

Marc-Antoine, ‘Energies des<br />

modes’<br />

King’s Music 2, 135, 136n, 137; see also<br />

Chambre (du Roi)<br />

Kircher, Athanasius 42n, 95n<br />

Kirkenda<strong>le</strong>, Ursula 53n<br />

Klakowich, Robert J. 66n<br />

Kocevar, Erik 124n, 136n, 144n, 145n,<br />

146n, 147n, 148n, 151n, 154, 155n,<br />

156n, 215n<br />

L’Affilard, Michel 213n<br />

La Barre, Anne de 66<br />

La Barre, Pierre Chabanceau de 152–5<br />

La Fontaine, Char<strong>le</strong>s de 153–5<br />

La Fontaine, Jean Ba(p)tiste 152–5<br />

La Forest, Michel de 137, 140–41, 155<br />

La Fosse [?Jean Routy] 153–4<br />

La Gorce, Jérôme de 21n, 28n, 252n, 258,<br />

259n<br />

La Grange, Char<strong>le</strong>s Var<strong>le</strong>t de 176<br />

La Laurencie, Lionel de 215n<br />

La Mesnardière, Hippolyte-Ju<strong>le</strong>s Pi<strong>le</strong>t de<br />

262<br />

La Montagne, Pierre de 177–8<br />

La Quièze, Jacques de 152–5<br />

La Tour, Georges de 90–91, 97<br />

La Voye Mignot, de 35<br />

Lacoste, Louis, Créuse l’Athénienne 263<br />

Ladvocat, Louis 252n<br />

Lalande, Michel-Richard de 129, 157, 207,<br />

222n, 269–70, 276–85<br />

Bal<strong>le</strong>t de la Jeunesse 145n, 157n, 282<br />

Le concert d’Esculape 276<br />

De Profundis 280, 283, 284<br />

Les folies de Cardenio 284<br />

Les fontaines de Versail<strong>le</strong>s 157n,<br />

269–70, 275–82, 285<br />

Le palais de Flore 157n<br />

Symphonies pour <strong>le</strong>s soupers du roi<br />

282, 283, 284<br />

Te Deum 284<br />

Une sérénade en forme d’opéra 277


General Index 379<br />

lament 63–4, 66–70, 71<br />

Langeais, Louis 139–40<br />

Langer, Francois 138–9<br />

Laporte (keyboard player) 169<br />

Launay, Denise 251<br />

Laurent, Pierre 138–9, 143<br />

Le Bœuf, Jean 138, 142<br />

Le Coigneux, Angélique 107<br />

Le Gallois, Pierre 220n<br />

Le Gros, Claude 137, 138–40, 155<br />

Le Maire, Char<strong>le</strong>s 140–41, 143n, 147–8,<br />

157n<br />

Le Mesnager, Pierre 142, 148<br />

Le Peintre, (Jean) Augustin 152–5<br />

Le <strong>Roy</strong>, Fursy 149<br />

Le <strong>Roy</strong> (singer) 175<br />

Lebègue, Nicolas-Antoine 110, 111,<br />

114–15, 116, 117, 121, 122, 124,<br />

125, 130<br />

Les pièces d’orgue (1676) 113, 114,<br />

115n, 118, 120, 122, 125, 130n<br />

Second livre d’orgue (c. 1678) 109,<br />

114, 120, 121<br />

organ mass 110, 119, 120, 127<br />

Troisième livre d’orgue (c. 1685) 127<br />

Lecerf de la Viévil<strong>le</strong>, Jean-Laurent 66, 77,<br />

129n, 266n<br />

<strong>le</strong>çons de ténèbres 51, 103n, 240<br />

Legrand, Raphaël<strong>le</strong> 83n<br />

Lemaître, Edmond 253n<br />

Léon, Jean-Char<strong>le</strong>s 239n<br />

Lescat, Philippe 109n, 312n<br />

Lind<strong>le</strong>y, Mark 67n<br />

Lionnet, Jean 39n, 46n, 84n, 92n<br />

Litt<strong>le</strong> Carmel (convent) 13, 20, 24n, 158<br />

Livre d’orgue attribué à J. N. Geoffroy 109<br />

Livre d’orgue de Marguerite Thiéry 109,<br />

126<br />

Livre d’orgue de Montréal 109<br />

livre tournois 163n<br />

Locatelli, Sebastiano 150<br />

Lochon, Michel van 172<br />

Lockwood, Lewis H. 229<br />

Longepierre, Hilaire-Bernard de 262–5<br />

Lorenzani, Paolo 17n, 225n<br />

Louis XIII, king of France 172<br />

Louis XIV, king of France xxv, 2, 13n, 20,<br />

21, 24n, 66, 74, 82n, 105n, 109,<br />

133, 148, 149n, 161, 165, 172, 179,<br />

194, 208n, 269, 315<br />

Louis XV, king of France xxi<br />

Loulié, Etienne 21n, 31n, 35–6, 56–7, 121,<br />

220, 288n<br />

Lowe, C. Jane, see Gosine<br />

Loyola, St Ignatius de 91<br />

Lully, Jean-Baptiste xxi, xxiv–v, 11, 13n,<br />

21, 24, 28, 63–70, 74–82, 84–6,<br />

116, 127, 136, 151, 156, 161, 162,<br />

163, 165, 174, 175, 177–8, 180n,<br />

183, 207, 216, 251–61, 266, 271,<br />

276, 281, 282, 283, 285<br />

Acis et Galatée 81, 256n<br />

Achil<strong>le</strong> et Polyxène 74n, 257<br />

Alceste 75–6, 258, 262<br />

Armide 77–82, 85–6, 253, 254, 255–7,<br />

263<br />

Atys 68–9, 82<br />

Bal<strong>le</strong>t de Flore 69, 70n, 75<br />

Bal<strong>le</strong>t des Amours déguisez 70n<br />

Bal<strong>le</strong>t des Muses 75<br />

Cadmus et Hermione 178n<br />

Les fêtes de l’Amour et de Bacchus<br />

178n<br />

Miserere 151<br />

Persée 76, 77n, 256<br />

Phaëton 70, 216<br />

privilège, monopoly 21, 163, 260, 281<br />

Psyché 70n, 172–5, 177<br />

Roland 69<br />

‘Scocca pur’ (LWV 76/3) 64–7, 85<br />

Te Deum 151<br />

Thésée 253–5, 257, 258, 263, 265<br />

Le triomphe de l’Amour 137<br />

Lully, Louis 258–61<br />

Alcide (see Marais, Marin)<br />

lute 34, 66, 130<br />

Luxembourg, François-Henri de<br />

Montmorency-Boutevil<strong>le</strong>, duc de<br />

11, 20n, 21n<br />

machine play, see pièce en machines,<br />

machine play<br />

‘Madame de Guise’ 2–3, 7n, 13, 16, 17–18,<br />

20–21, 24n, 28, 48, 107, 134, 136,<br />

208n, 217n, 271


380<br />

New Perspectives on Marc-Antoine Charpentier<br />

‘Mademoisel<strong>le</strong> de Guise’ 2–4, 7n, 11, 16,<br />

18, 20–21, 27n, 55, 56n, 100, 107,<br />

157n, 204, 207–27 passim, 271<br />

Maland, David 104<br />

Marais, Marin 252, 258–61, 262<br />

Alcide 256n, 257, 258–9, 261, 263<br />

Maral, A<strong>le</strong>xandre 149n<br />

Marchand, Jean 123, 155<br />

Marchand, Jean-Ba(p)tiste 152, 153n<br />

Marchand, Jean-Noël 152–5<br />

Marchand, Louis 106, 117–18, 123<br />

Grand dialogue 128<br />

Pièces choisies pour l’orgue 118n<br />

Marchand, Pierre 164, 165, 169<br />

Marie-Thérèse, queen of France 55, 136,<br />

158<br />

Marion, Ml<strong>le</strong> (singer) 174, 177<br />

Marshall, Robert L. 229<br />

Martelli, Francesco 27n<br />

Mary Magda<strong>le</strong>ne 72, 90–91, 96, 97, 99, 100<br />

Marx, Hans Joachim 53n<br />

Masselin, Robert 140–41<br />

Massip, Catherine 129n, 134n, 153n, 275n,<br />

276n, 277, 279n, 280, 284, 311n<br />

Masson, Char<strong>le</strong>s 67n<br />

Masson, Paul-Marie 267n<br />

Mathas, Jacques-François 287–8, 295<br />

Maugars, André 46<br />

Maupoint 265n<br />

Maurel (Morel), Antoine 137, 140–41,<br />

143n, 150, 276<br />

Maxfield-Mil<strong>le</strong>r, Elisabeth 164n, 169n, 173n<br />

Mayes, Andrew 116<br />

Mazarin, Cardinal Ju<strong>le</strong>s 66<br />

Mélanges autographes (Charpentier)<br />

binding of 300, 303, 304–6, 316<br />

chronology, dating of, see Charpentier,<br />

Marc-Antoine, chronology, dating<br />

of works<br />

corrections, emendations in xxv, 58n,<br />

194, 225–6, 229–50 passim, 272n,<br />

302, 306<br />

paper 7n, 8, 9n, 11n, 23–4, 34n, 195,<br />

197, 201, 303, 316<br />

performance rubrics and cues xxv,<br />

134, 162–3, 166–70, 173, 179–83,<br />

185–205 passim, 221–3, 271, 275<br />

performers’ names in 11, 21n, 26, 56n,<br />

103n, 135, 144n, 146n, 149n, 156,<br />

162, 164–5, 174–7, 182, 190, 199,<br />

211–18, 220n, 225n, 272, 274n<br />

recopying in 1, 7–8, 54n, 120, 127,<br />

134n, 201, 205, 226, 232n, 240n,<br />

246n, 305<br />

repairs to 300–301, 306<br />

sa<strong>le</strong> of xxi, xxv, 2n, 134, 283, 288, 301,<br />

305n, 306, 311, 313, 315, 317, 318<br />

structure, organization of xxvi, 5–10,<br />

205, 209n, 288, 316; see also<br />

cahier / notebook<br />

tit<strong>le</strong>, origin of 2<br />

transposition, instructions for 135–6,<br />

156, 189–90, 225, 226, 300<br />

watermarks 7n, 316<br />

Mémoire des ouvrages de musique<br />

latine et françoise de défunt M. r<br />

Charpentier xxvi, 5n, 18n, 103n,<br />

134, 193, 221n, 271n, 301, 303,<br />

305, 307, 311n, 313, 315–39<br />

Ménard, Michel 91n<br />

Ménestrier, François 85n<br />

menuet / minuet 179, 266, 275, 279–80<br />

Menus Plaisirs, financial accounts of 147,<br />

150<br />

Mercedarians 107; see also Notre Dame de<br />

la Mercy, Paris<br />

Mercier (royal binder) 306<br />

Mercy, see Notre Dame de la Mercy, Paris<br />

Mercure galant 6, 21, 24n, 39n, 46–7, 67n,<br />

68, 103n, 151n, 261, 271, 272, 277<br />

Mersenne, Marin 35, 94n, 117<br />

Meslanges autographes, see Mélanges<br />

autographes (Charpentier)<br />

Meslanges de musique latine, françoise &<br />

italienne; divisez par saisons 186n<br />

Milliot, Sylvette 258<br />

Minkoff (Charpentier facsimi<strong>le</strong>) xxi, xxvii,<br />

2n, 284, 295n<br />

Minkoff, Sylvie xxi<br />

Mirac<strong>le</strong>, Jean Borel de 141, 149<br />

Molière (Jean-Baptiste Poquelin) 60, 70n,<br />

82n, 161, 162, 164–5, 169, 172n,<br />

173, 174–5, 177–8<br />

Mongrédien, Georges 174n, 176n<br />

Montagnier, Jean-Paul 287n, 288n


General Index 381<br />

Montéclair, Michel Pigno<strong>le</strong>t de 267<br />

Cantates a voix seu<strong>le</strong>, et avec<br />

simfonie … premier livre 313n<br />

Jephté 268n<br />

Le retour de la paix 313n<br />

Montespan, Françoise de Rochechouart,<br />

marquise de 276, 277, 281<br />

Monteverdi, Claudio 36, 63–4<br />

‘Altri canti d’Amor’ 63–4<br />

‘Lamento della Ninfa’ 63<br />

‘Zefiro torna’ (1632) 47<br />

Morche, Gunther 231n<br />

Moreau, François 149<br />

Morel, Antoine, see Maurel (Morel),<br />

Antoine<br />

Morin, Jean-Baptiste, Cantates françoises<br />

a une et deux voix … premier livre<br />

312n<br />

Moroney, Davitt xxiii, 34n, 46n, 61, 74n,<br />

129n, 130<br />

Mortier, Roland 251n<br />

Mosnier (singer) 174<br />

Mouvant, Ml<strong>le</strong> (singer) 174<br />

Mozart, Wolfgang Amadeus, Le nozze de<br />

Figaro 175n<br />

Murata, Margaret 63n<br />

Musique de la Chapel<strong>le</strong> 143, 151, 155; see<br />

also Chapel<strong>le</strong> <strong>Roy</strong>a<strong>le</strong><br />

Musique de la Reine 149n, 155; see also<br />

Queen’s Music<br />

Musique du Roi, see King’s Music;<br />

Chambre (du Roi)<br />

mutes 256<br />

Nardi (Nardy), Giuseppe / Joseph 145, 149<br />

nat[urel] (usage defined) 135, 225n<br />

Nicol(l)e, Pierre 138–9, 145<br />

Niert, Pierre de 46<br />

Niquet, Hervé 251n<br />

Nivelon, Jacques 164<br />

Nivers, Guillaume-Gabriel 110, 111, 120,<br />

122, 124, 127<br />

Les lamentations du prophéte Jérémie<br />

290n<br />

Livre d’orgue (1665) 126<br />

2. livre d’orgue (1667) 106, 109, 126<br />

organ mass 110, 119<br />

3. livre d’orgue (1675) 114, 120, 126<br />

noël settings 51, 248–9<br />

Normand, Marc-Roger (‘Couperin de<br />

Turin’) 39n<br />

Noske, Frits 89, 90n<br />

Notre Dame de la Mercy, Paris 24n, 26n,<br />

107, 113, 121, 129, 131, 159; see<br />

also Mercedarians<br />

Nuitter, Char<strong>le</strong>s 3n, 175n<br />

oboe / hautbois 106, 114, 117, 151, 152n,<br />

153–4, 243–4<br />

offertoire 110, 112, 114, 126–8<br />

Oland, Erik 3n, 71n, 72n, 73n, 91n, 92n,<br />

96n<br />

Olin, Jean 91n<br />

Opéra (Paris), see Paris Opéra<br />

opéra-bal<strong>le</strong>t 264, 266n<br />

oratorio 16–18, 92, 96, 207, 221n; see also<br />

canticum; dramatic motet; histoire<br />

sacrée<br />

ordinance (royal) 163, 165, 167, 169, 173,<br />

175, 177<br />

organ 105–31 passim<br />

organ genres 106, 111–14, 124–5, 127,<br />

130<br />

organ mass xxiv, 105–31 passim<br />

registration 106–7, 111–20, 122–4,<br />

126, 130<br />

Orléans, Philippe I, duc d’ 20<br />

Orléans, Philippe II, duc d’ 121, 134, 164,<br />

287, 288n, 291n, 311, 313; see<br />

also Chartres, Philippe d’Orléans,<br />

duc de<br />

Osnabrück, Duchess of 278<br />

ostinato 63–70, 74–5, 77, 78, 80, 82n,<br />

84, 86, 96; see also ground bass;<br />

tetrachord, descending minor<br />

Ouvrard, René 46<br />

overture / ouverture 21n, 127–8, 162, 164,<br />

166, 167n, 170, 179–80, 254–5,<br />

257n, 265<br />

Pa<strong>le</strong>strina, Giovanni Pierluigi da, Missa<br />

L’homme armé a 5 39<br />

pantomime 75, 179, 180, 254, 255<br />

Papasergio, Jérémie 116<br />

Parfaict, Claude and François 165n


382<br />

New Perspectives on Marc-Antoine Charpentier<br />

Paris Opéra 4, 20n, 85, 153, 175, 178n,<br />

207, 216, 251, 259, 261; see also<br />

Académie <strong>Roy</strong>a<strong>le</strong> de Musique<br />

(Paris Opéra)<br />

Par<strong>le</strong>ment of Paris 18<br />

Parm<strong>le</strong>y, Andrew 280n<br />

parodie 13n, 256<br />

paronomasia 99<br />

Parran, Antoine 35<br />

parterre 172–3<br />

passacaglia 63, 74–5, 80–82<br />

passacail<strong>le</strong> 63, 74–83, 84–6, 256–7, 258<br />

pastora<strong>le</strong>, pastora<strong>le</strong>-héroïque 19, 20, 26,<br />

47, 81, 207, 224, 241, 250<br />

Péan (Pian, Pihan), Simon 138, 142–3<br />

Peers, E. Allison 100n<br />

Pel<strong>le</strong>grin, Simon-Joseph 73n, 252, 264–5,<br />

268<br />

Penna, Lorenzo 42n, 43n<br />

performance practice xxiv–v, 8n, 32, 53–6,<br />

161–83 passim, 227<br />

ensemb<strong>le</strong> size xxv, 71n, 76, 144,<br />

148–58, 162, 163–70, 174–7, 183,<br />

208, 209, 213–14, 217–19, 220–21,<br />

225–7, 274, 275, 276–7<br />

metre signatures 31–4, 35, 36, 39–40,<br />

42, 43–4, 45, 47, 54–60, 61, 63, 66,<br />

68, 70, 95, 96, 101, 244, 248n, 249<br />

notes inéga<strong>le</strong>s, inequality 49, 51<br />

ornaments 101, 102, 117, 197, 236,<br />

309, 310n<br />

tempo 32–4, 42, 48–9, 57–60, 66, 74,<br />

83, 103n<br />

Perrin, Pierre 97, 162n, 165, 178<br />

petit chœur 146, 165, 199, 219, 225, 227<br />

petit motet xxiv, 89–104 passim, 154n,<br />

186, 187, 222n<br />

Petits Violons du Cabinet 151, 155<br />

Philidor, André Danican 70n, 152–3, 154n,<br />

275–6, 279n<br />

Philidor, Jacques Danican 152–3, 154n<br />

Picerli, Silverio 42n<br />

pièce en machines, machine play 83, 177,<br />

178n, 179<br />

stage machinery 165, 173, 174, 180,<br />

252, 259<br />

Pièche family 154n, 199, 220n, 272n<br />

Pièche, Antoine (Pierre Antoine) 21, 154,<br />

157, 158, 220n, 272<br />

Pièche, Joseph 152, 154n, 272<br />

Pièche, Magdelon 272, 282<br />

Pièche, Marguerite 272, 282<br />

Pièche, Pierre I 153–4<br />

Pièche, Pierre II 21, 152, 154, 157, 158,<br />

220n, 272<br />

Pierce, Ken 77n<br />

Pierre Pascual, St 107<br />

Pincas, Stéphane 279n<br />

Pintiaux, Benjamin xxv, 264n<br />

Pirro, André 109n<br />

Pirrotta, Nino 75n<br />

plainchant 38, 110, 111, 113–14, 118n, 119,<br />

120–21, 124, 146n<br />

plainte 69–70, 74–5<br />

Plank, Steven 92n<br />

Poirier, Jean 139–41, 143n, 145n<br />

Ponsford, David xxiv, 105n, 106n, 109n,<br />

130n<br />

Poo<strong>le</strong>, H. Edmund 295, 311n<br />

Port-<strong>Roy</strong>al (convent) 5n, 13<br />

Porter, William V. 40n<br />

Portes, Pierre 28n<br />

Pothenot (Potenot), Edmé 138–9, 142, 147<br />

Poussin, Louis-Joseph 174, 175, 177<br />

Pouyadon, Jean 149<br />

Povo<strong>le</strong>do, E<strong>le</strong>na 75<br />

Powell, John S. xxv, 13n, 61n, 83n, 161n,<br />

162n, 172n, 177n, 179n<br />

Powney, Adrian 249n<br />

Prieur, J.B. 164n<br />

Provenza<strong>le</strong>, Francesco 37<br />

Prunières, Henry 75, 76n, 151n<br />

Psychoyou, Théodora xxv, 73n, 204n,<br />

208n, 220n, 226n<br />

Purcell, Henry 37, 48, 64<br />

Dido and Aeneas (lament) 64<br />

King Arthur 81<br />

Laudate Ceciliam 48<br />

Ode on Saint Cecilia’s Day 64<br />

Puvigné, Vincent 140–41, 149, 157n<br />

Queen’s Music 147, 158; see also Musique<br />

de la Reine<br />

Quinault, Philippe 252, 253n, 255, 258,<br />

259, 262


General Index 383<br />

quinte 152, 154<br />

Quittard, Henri 159n<br />

Racine, Jean 262, 268n<br />

Raison, André 110, 111, 117, 120, 124<br />

Livre d’orgue contenant cinq messes<br />

(1688) 109, 116, 119–20, 127n<br />

Offerte du 5 e . ton 127<br />

Rameau, Jean-Philippe xxv, 266–8, 311n<br />

Hippolyte et Aricie 266, 267, 268n<br />

Orphée 38<br />

Premier livre de pieces de clavecin<br />

290n, 291n, 312n<br />

Ramoneur (defined) 267<br />

Ranum, Patricia M. xxiii–iv, 2n, 3n, 4n,<br />

6n, 7n, 8n, 9n, 17n, 18n, 20n, 21n,<br />

24n, 26n, 28n, 46n, 48n, 54, 55,<br />

57n, 72n, 84n, 94n, 95, 97n, 100n,<br />

101n, 106–8, 110, 127, 133, 134,<br />

135, 136, 157, 158, 193n, 201n,<br />

208n, 209n, 211, 215n, 216n, 217,<br />

222n, 229n, 231n, 248n, 270n, 271,<br />

272n, 281, 287n, 288, 295, 303,<br />

304, 305–6, 311n, 313, 314n, 315n,<br />

316n, 318n<br />

Rapin, René 76n<br />

Rastall, Richard 39n<br />

Rayl, David C. 73n<br />

Rebel, Anne 276<br />

Rebel, Jean 137, 138–41, 155<br />

récit (defined) 167<br />

recorder 76n, 105, 106, 113, 116, 118, 157,<br />

220, 222, 271–2, 274, 275; see also<br />

flute / flûte<br />

Le Registre de La Grange 163, 174, 176–7<br />

répertoire (defined) 193<br />

réunion des goûts xxiv, 130, 266n<br />

rhetoric xxiv, 70, 76–7, 79, 84–5, 94–104<br />

passim, 232, 239, 253, 260n, 279<br />

Riants, Armand-Jean de 6n, 13, 21<br />

Ribou (singer) 174<br />

Richelieu, Armand-Jean du P<strong>le</strong>ssis,<br />

cardinal de 172<br />

Richelieu, Armand-Jean du P<strong>le</strong>ssis, duc de<br />

6n, 13, 55<br />

Rieux, Ml<strong>le</strong> de 174<br />

Robert, Jean 174n, 176n<br />

Robert, Pierre xxv, 133, 136, 156<br />

Robin, Vincent 116<br />

Roennfeldt, Peter xxv<br />

Rome 1, 4, 17n, 36, 37, 39n, 40n, 42, 44,<br />

46–7, 53–4, 69, 84, 92n, 129, 161,<br />

222n<br />

Romecan, Germain (de) 138–9<br />

Roquefort, Jean-Baptiste-Bonaventure de<br />

45n<br />

Rosand, El<strong>le</strong>n 63–4, 86, 87n<br />

Rosow, Lois xxiv, 69n, 77n, 78, 79, 80n,<br />

180n, 253n<br />

Rossi, Luigi 36, 44, 74, 92n<br />

‘Udite amanti’ 41<br />

‘Mio ben, teco il tormento’ (Orfeo) 66n<br />

‘Piangea l’Aurora’ 42<br />

‘Passacail<strong>le</strong>’ 74<br />

Rossi, Michaelangelo, Erminia sul<br />

Giordano 36<br />

Rousseau, Antoine 139–41, 147, 148n<br />

Rousseau, Jean 31n, 36, 67<br />

Roussel, Claude 290–91, 295, 299, 300,<br />

307–8, 310n, 312n<br />

Routy, Jean 153–4<br />

<strong>Roy</strong>, Pierre-Char<strong>le</strong>s 263n<br />

royal chapel 133, 135–6, 147, 150–51, 174;<br />

see also Chapel<strong>le</strong> <strong>Roy</strong>a<strong>le</strong><br />

royal library xxvi, 134, 186n, 283, 288,<br />

301, 305, 311, 313, 315n; see also<br />

Bibliothèque du roi<br />

Ruff, Lilian 97n<br />

Ruspoli, Francesco Maria, marquis 53<br />

Sabbattini, Nicola 172<br />

Sadie, Julie Anne 283n<br />

Sad<strong>le</strong>r, Graham xxiv, 48n, 57n, 61n, 122,<br />

170n, 171n, 261n, 267n, 309n,<br />

312n<br />

Sainctonge, Louise-Geneviève Gillot de<br />

257n<br />

Saint-Arroman, Jean 109n, 112n, 312n<br />

Saint-Germain-en-Laye 149<br />

Saint-Germain l’Auxerrois, Paris 150<br />

Saint-Gervais, Paris 129<br />

Saint-Jean-en-Grève, Paris 26n<br />

Sainte-Chapel<strong>le</strong> du Palais, Paris 3, 4–5, 6,<br />

9, 11, 18, 27–8, 121, 212<br />

Sainte-Gudu<strong>le</strong>, Brussels 38<br />

Salomon, Joseph-François xxv, 261, 264


384<br />

New Perspectives on Marc-Antoine Charpentier<br />

Médée et Jason 252, 264–5<br />

saltus duriusculus 232, 237<br />

Santoni (Santony), Filippo / Philippe<br />

145–6, 149<br />

savant / sçavant (defined) 220n<br />

Sawkins, Lionel 32, 37n, 60, 103n, 129n,<br />

145, 157n, 225n, 276n, 277, 282n,<br />

284<br />

Scarlatti, A<strong>le</strong>ssandro 47n<br />

Scheibe, Johann Adolpe 99n<br />

Scheibert, Beverly 130n<br />

Schmid, Ernest Fritz 43n<br />

Schneider, Herbert xxv, 35n, 74n, 266<br />

Schwartz, Judith L. 79, 82n, 86, 87n<br />

Scott, Virginia 175n<br />

Seay, Albert 34n<br />

Sebret (Ceberet, Cebret) 135, 156, 157n<br />

Secrétariat de la Maison du Roi 143, 144<br />

semiminim (defined) 31<br />

Seneca, Lucius Annaeus 262–3, 264–5, 268<br />

Serignan, Vincent Valin de 138–41<br />

serpent 57, 139–41, 146, 150–51, 152n<br />

Silbiger, A<strong>le</strong>xander 74n, 76n, 81n, 82<br />

Simó, Josep Pavia i 36n<br />

Smith, Anthea xxiv–v, 135n, 154n, 159n<br />

soggetto 232, 234, 235, 238, 239, 244<br />

Sonnet, Martin 111, 112n<br />

Souberbiel<strong>le</strong>, Léon 109n<br />

Sourches, Louis François de Bouchet,<br />

marquis de 278n<br />

Sourdeval, Francois 139–41<br />

sourdines 256<br />

Speer, Klaus 36n<br />

Spitzer, John 207n<br />

stage directions 76, 162, 173, 179, 181, 183<br />

Steblin, Rita 64n, 67n, 110n<br />

Steffani, Agostino 37<br />

Stevenson, Robert 36n<br />

Strozzi, Gregorio, Capricci da sonare<br />

cembali et organi 37n<br />

suspirans 97, 128<br />

synonymia 99<br />

tail<strong>le</strong> (defined) xxviii<br />

tail<strong>le</strong> de violon 226<br />

Talbot, Michael 37n<br />

Talon, Antoinette 211, 214, 217<br />

Tannevot, A<strong>le</strong>xandre 129n<br />

tetrachord, descending minor xxiv, 1,<br />

63–87 passim, 99; see also ground<br />

bass; ostinato<br />

Theatines (monastic order) 1<br />

church, Sainte-Anne-la-<strong>Roy</strong>a<strong>le</strong> 17, 48<br />

Théâtre de Guénégaud xxv, 161–83 passim<br />

Théâtre du Marais 161, 165, 176, 178<br />

Théâtre du Palais-<strong>Roy</strong>al 161, 163–5,<br />

172–3, 174<br />

theorbo, théorbe 61, 152, 154–5, 156–7,<br />

169–70, 220–21, 227<br />

Theresa, St 100–101<br />

Thianges, Gabriel<strong>le</strong> de Rochechouart,<br />

marquise de 277, 281<br />

Thierry (organ builders) 107, 129<br />

Thoinan, Ernest 3n, 175n<br />

Thompson, Shir<strong>le</strong>y xxii, 8n, 31n, 32, 33,<br />

37n, 39, 43n, 44, 54n, 57n, 84n,<br />

108n, 116, 122, 134n, 135n, 158n,<br />

165n, 168n, 170n, 222n, 225n,<br />

256n, 274n, 275n, 308n, 309n, 312n<br />

Thorin, Isabel<strong>le</strong> 211, 214, 217n<br />

Thorp, Jennifer 77n<br />

Tilney, Colin 38n<br />

Timms, Colin 40n<br />

Tiphaine (Thiphaine), Etienne 137,<br />

139–40, 142–3<br />

Tiphaine, Jacques 142n<br />

Tiphaine (Thifane, Triphaine), Jean Louis<br />

138–41, 142<br />

Tissu, Guillaume 138–41<br />

Titon du Til<strong>le</strong>t, Evrard 4n, 283, 313–14<br />

Toman, Rolf 89n<br />

Tomlinson, Gary 86–7<br />

Tosi, Jean-Christophe 109n, 112n, 312<br />

tragédie en musique xxv, 11, 68, 76, 82n,<br />

129, 178, 251–68<br />

Traversier, Michel 138–9, 145<br />

trompette (organ stop) 111, 114–15, 116,<br />

117–18, 122<br />

Troupe du <strong>Roy</strong> 162–3, 165, 174–5, 177–8<br />

trumpet 117, 151, 313<br />

Tun<strong>le</strong>y, David 32, 38n, 112n, 130n, 313n<br />

Tupin, Char<strong>le</strong>s 138–9, 145<br />

Turpin, Ml<strong>le</strong> (singer) 174–5<br />

Tuscany, Grand Duchess of (‘Madame de<br />

Toscane’) 17n<br />

Tyson, Alan 229


General Index 385<br />

Vagué, M. r 31<br />

Va<strong>le</strong>ncy, Pierre de 157n<br />

Val(<strong>le</strong>)mont, Sulpice 139–40, 147, 150<br />

Valls, Francesc 36n<br />

Van den Borren, Char<strong>le</strong>s 38<br />

vanitas art and culture 90, 92<br />

Vate<strong>le</strong>t (Vuate<strong>le</strong>t), Jacques 138–41, 145<br />

Vautier, Adolphe 150<br />

Veillot, Jean 151<br />

Vernaz, Fanny 134n<br />

Verneuil (singer) 176<br />

Versail<strong>le</strong>s 13n, 24n, 133–5, 145n, 149,<br />

156–8, 173n, 193–4, 269, 270–71,<br />

276, 277, 281, 282<br />

Vesme, A<strong>le</strong>xandre de 172n<br />

Vidal, Antoine 164n<br />

Vigneron, Isaac 138–9, 144<br />

Viladesau, Richard 91<br />

Vil<strong>le</strong>, Joseph de 137, 140–41<br />

Villiers, de (Jean Deschamps, dit) 174,<br />

176–7<br />

Vingt-Quatre Violons de la Chambre 151,<br />

155, 164n<br />

viol 46, 117, 130, 220, 222n, 275; see also<br />

vio<strong>le</strong><br />

bass viol 117, 153, 157, 169, 221–2<br />

treb<strong>le</strong> viol 57, 204, 221–2, 275<br />

viola 152n, 153, 162–3, 167, 226; see also<br />

haute-contre de violon; quinte;<br />

tail<strong>le</strong> de violon<br />

vio<strong>le</strong> 205, 221–3, 275; see also viol<br />

basse de 117n, 150n, 154–5, 156, 168n,<br />

169–70, 221, 262<br />

dessus de 221<br />

Visé, see Donneau de Visé, Jean<br />

Visée, Robert de, Pieces de theorbe et de<br />

luth 290n<br />

voice-types, French (defined) xxviii<br />

void notation (croches blanches) xxiv, 1,<br />

8n, 31–61 passim, 114, 309, 312<br />

Vol<strong>le</strong>n, Gene E. 38n<br />

Vouet, Simon 90n<br />

Walther, Johann Gottfried 99n, 109n, 312n<br />

Wate<strong>le</strong>t (Vuate<strong>le</strong>t), Guillaume 138, 142<br />

Wolf, R. Peter 291n, 312n<br />

Wood, Bruce 48n<br />

Wood, Caroline 261n, 267n<br />

Wright, Anthony 89n<br />

Zarlino, Gioseffo 64<br />

Zaslaw, Neal 173n, 207n<br />

Zieg<strong>le</strong>r, Gi<strong>le</strong>tte 278n

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