r le Roy (H440) - Ashgate

General Index 373
canticum 17–18; see also oratorio
caprice 179, 258
Carissimi, Giacomo 4, 9, 36, 42, 43n, 44,
46, 92n, 207n, 337
‘Bel tempo per me se n’andò’ 41–2
Carli (Carly), Tomasso / Thomas 146, 149,
225n
Carlier, Germain 211, 214–16, 217, 218
Carlot, Edmé 140–41, 144
Carmelites 20, 90, 101; see also Grand
Carmel (convent); Little Carmel
(convent)
Carter, Tim 63, 64, 86, 87n
castrati 145–6, 225n
Cavalli, Pier Franceso 63–4
Cazzati, Maurizio 37
Ceberet, Cebret, see Sebret
Centre de Musique Baroque de Versailles
(CMBV) xxi, 190n, 269n, 284
Cessac, Catherine xxi, xxiii, xxv, 7n, 28n,
46n, 47n, 55n, 57, 97n, 103n, 104n,
105, 107n, 108, 127, 133, 134n,
135n, 136n, 149n, 154n, 157n,
190n, 194n, 204n, 208n, 213n,
215n, 225n, 230n, 232n, 241n, 244,
247n, 249n, 263n, 267, 271, 272n,
279n, 280n, 284n, 285n, 287n,
288n, 291n, 301, 303n, 305n, 307n,
311, 338n, 341
Cesti, Antonio 92n
chaconne 74, 76–8, 80, 82–3, 86, 179,
180, 256, 258, 261, 278; see also
ciaccona
Chambre (du Roi) 137, 142n, 151, 154
Chambure, Geneviève Thibault, comtesse
de 287n
Champaigne, Philippe de 90n
Champenois (singer) 174
Chapelle Royale xxv, 107, 129n, 133–59,
207, 276, 282
sous-maître 133, 137, 146, 150, 153,
276
competition (‘Concours’) for post
of 133, 137n, 276, 277, 281
Chap(p)eron, François 3n, 4n, 5, 9n, 55n
Chappuzeau, Samuel 172, 173–4
Charlot, Prosper 152–4
Charpentier, Etiennette 287–8
Charpentier, Marc-Antoine
archaisms, fondness for xxiv, 57, 84,
312
autograph mss 32, 99n, 100n,
218n, 220n, 239n, 272n; see
also Mélanges autographes
(Charpentier)
chronology, dating of works xxv, 5–8,
9, 20, 23n, 27, 28n, 37, 45, 54,
61n, 84n, 107–8, 120, 127, 134n,
135n, 136, 146n, 149n, 157n, 182,
189, 190, 194, 197, 201, 205, 208,
209–10, 211, 212, 213, 218, 270,
271, 275n, 313, 316
commissions 1–29 passim, 54, 55, 205,
304; see also Charpentier, Marc-
Antoine, patrons, employers
compositional process xxv, 229–50
passim
compositional style xxiv, 84, 111–12,
114, 126, 201, 209, 219–20, 223
‘Energies des modes’ 98n, 110,
127, 263, 280n; see also key
characteristics
handwriting 7n, 8n, 197, 201, 229–30,
239n, 316
clef formations 195, 201, 202
illness 23n, 24, 28n, 133, 194
incidental theatre music xxvii, 6n,
11–13, 21n, 46, 51, 70n, 161–83
passim, 230, 241, 247n, 279, 280n
incomplete works 109–10, 130, 250,
307n
influence of xxiv, xxv, 38–9, 106, 121,
124, 130, 252, 259–67 passim
influences on his style xxiv, 85,
106, 112, 121, 252–9; see also
Charpentier, Marc-Antoine,
Italianate features; Charpentier,
Marc-Antoine, studies in Italy
Italian terms, use of 48–9, 100, 104n
Italianate features xxiv, 1, 16, 18, 26–7,
31–61 passim, 84, 92, 96, 100, 101,
104, 122, 129, 207n, 220n, 222n,
233, 251, 256n, 261, 266n, 267,
312; see also air italien
keyboard player 106, 121–2