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Photography Composition - 12 Composition Rules for Your Photos to Shine By James Carren

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Shape<br />

Shape is another great guide you can use <strong>to</strong> your advantage, <strong>to</strong> cause the viewer’s eye <strong>to</strong><br />

move where you want it <strong>to</strong> go. We obviously know that everything has a shape, but if you<br />

are a new pho<strong>to</strong>grapher, have you ever s<strong>to</strong>pped <strong>to</strong> look around you and really consider the<br />

shapes that are in a room?<br />

Repetitive shapes are especially pleasing, and these can be anything, from lines <strong>to</strong><br />

triangles <strong>to</strong> circles. The repetition can be used <strong>to</strong> guide the eye in a circle, or in any shape<br />

you want, around the pho<strong>to</strong>. Let’s continue with the example of circles. I have a<br />

pho<strong>to</strong>graph of mine which audiences have found especially pleasing due <strong>to</strong> the presence of<br />

three concentric circles which I didn’t even realize at first. The pho<strong>to</strong>graph is of a girl in a<br />

circle skirt. On the circle skirt is a pattern of trees around the hem. And the girl happens <strong>to</strong><br />

be sitting in a patch of grass that has been flattened down in a circle. The first circle of<br />

grass draws your eyes <strong>to</strong> the dress, which in turn draws your eyes <strong>to</strong> the girl.<br />

Like me, as you become a better pho<strong>to</strong>grapher, you will learn <strong>to</strong> actively notice shape<br />

be<strong>for</strong>e you take the picture.<br />

Another thing that’s great <strong>to</strong> consider with shapes is number. If you have a number of<br />

repetitive shapes in a pho<strong>to</strong>graph, it’s best if that’s an odd number. It just does something<br />

<strong>to</strong> help with balance, which at first brush you might think is strange. But symmetrical<br />

doesn’t always mean balance.<br />

Consider not only the existing shapes that are around you (don’t <strong>for</strong>get about those<br />

polygons), but shapes that you can make with the existing components of your<br />

pho<strong>to</strong>graph. If, <strong>for</strong> example, you have three girls that you are pho<strong>to</strong>graphing, consider<br />

putting them in a triangular <strong>for</strong>mation <strong>to</strong> guide the viewer’s eye around the pho<strong>to</strong>. You can<br />

use the point of that <strong>for</strong>mulated triangle <strong>to</strong> draw attention <strong>to</strong> the subject of your pho<strong>to</strong>, be<br />

it the third girl or something else entirely.

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