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Photography Composition - 12 Composition Rules for Your Photos to Shine By James Carren

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Combination Available Light and Studio Light<br />

For things like environmental portraiture, you could either be using available light or a<br />

combination of available light and studio equipment. Really, it all depends on the space<br />

you’re going <strong>to</strong> be working in. If, <strong>for</strong> example, you’re pho<strong>to</strong>graphing a chef working in<br />

the kitchen, you don’t want <strong>to</strong> get in the way of his job, and the kitchen may be <strong>to</strong>o tiny or<br />

<strong>to</strong>o busy <strong>for</strong> lighting equipment. In this case, you might just try a mounted flash paired<br />

with an external flash that fires just following the first <strong>to</strong> provide good fill light.<br />

If you don’t have an external flash <strong>to</strong> go along with your pop up flash, there is another<br />

technique you can use. Set your camera <strong>to</strong> program mode and a low ISO. Select evaluative<br />

metering mode, and then set up the flash. This combination should be able <strong>to</strong> provide<br />

enough fill <strong>to</strong> keep your pho<strong>to</strong>s from blowing out.<br />

If you don’t like the look that the flash gives, and you have the opportunity <strong>to</strong> bring in<br />

bigger lighting equipment, try using a simple three-point lighting setup <strong>to</strong> provide fill and<br />

rim light. I will discuss how <strong>to</strong> set up three-point lighting in the section on studio lighting<br />

shortly.

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