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34-37 Degrees South: Easy reading version

34-37 Degrees South digital anthology Easy reading version

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Introduction<br />

From my window I can see,<br />

Where the sandhills dip,<br />

One far glimpse of open sea.<br />

Dorothea Mackellar, ‘The Open Sea’ (c.1908)<br />

Australians are a coastal bunch. Many of us live within 50<br />

kilometres of the ocean. Our holidays, our tourism marketing, our<br />

postcards with ‘Wish you were here’ feature turquoise oceans and<br />

uncrowded sands. Even our national anthem references (albeit<br />

awkwardly) our coastal lifestyle.<br />

Given that, it seems natural that our poetry should turn to the sea<br />

as a place of relaxation, pleasure and fond memories. Yet, while<br />

celebrating the coast, these poems also speak of disasters such as<br />

the fires of 2019-20, which affected so many on the coast, as well<br />

as personal histories such as a car carking it in sight of the coast.<br />

Train trips, dispossession, migration, love and loss are all here.<br />

The collection is divided into three chapters. Coasting Along<br />

features poems about journeys: international, regional and the<br />

daily commute. Hyper-local showcases poems that celebrate place:<br />

evocations of a bridge, a lake or a forest in blossom. The final<br />

chapter On the Edge: Coastal Histories, Coastal Anxieties presents<br />

poems about personal histories as well as worries for the future in<br />

unstable times.<br />

The editorial committee, Peter Frankis, Linda Godfrey and Judi<br />

Morison, would like to thank each of the 24 poets who submitted<br />

works to this our first digital anthology. To those who were selected,<br />

bravo; to those who were unsuccessful this time, keep writing, keep<br />

working at this most difficult craft.<br />

Our thanks also to the reader panel—Linda Albertson, Norm<br />

Fairbairn and Amelia Fielden—who, along with the committee, read<br />

all 41 submissions and provided clear feedback and guidance. And<br />

our thanks particularly to the fantastic Ms Tao Gower-Jones, the<br />

University of Wollongong intern for this project for her work as<br />

reader and with the editorial committee.<br />

v

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