34-37 Degrees South: Easy reading version
34-37 Degrees South digital anthology Easy reading version
34-37 Degrees South digital anthology
Easy reading version
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Introduction<br />
From my window I can see,<br />
Where the sandhills dip,<br />
One far glimpse of open sea.<br />
Dorothea Mackellar, ‘The Open Sea’ (c.1908)<br />
Australians are a coastal bunch. Many of us live within 50<br />
kilometres of the ocean. Our holidays, our tourism marketing, our<br />
postcards with ‘Wish you were here’ feature turquoise oceans and<br />
uncrowded sands. Even our national anthem references (albeit<br />
awkwardly) our coastal lifestyle.<br />
Given that, it seems natural that our poetry should turn to the sea<br />
as a place of relaxation, pleasure and fond memories. Yet, while<br />
celebrating the coast, these poems also speak of disasters such as<br />
the fires of 2019-20, which affected so many on the coast, as well<br />
as personal histories such as a car carking it in sight of the coast.<br />
Train trips, dispossession, migration, love and loss are all here.<br />
The collection is divided into three chapters. Coasting Along<br />
features poems about journeys: international, regional and the<br />
daily commute. Hyper-local showcases poems that celebrate place:<br />
evocations of a bridge, a lake or a forest in blossom. The final<br />
chapter On the Edge: Coastal Histories, Coastal Anxieties presents<br />
poems about personal histories as well as worries for the future in<br />
unstable times.<br />
The editorial committee, Peter Frankis, Linda Godfrey and Judi<br />
Morison, would like to thank each of the 24 poets who submitted<br />
works to this our first digital anthology. To those who were selected,<br />
bravo; to those who were unsuccessful this time, keep writing, keep<br />
working at this most difficult craft.<br />
Our thanks also to the reader panel—Linda Albertson, Norm<br />
Fairbairn and Amelia Fielden—who, along with the committee, read<br />
all 41 submissions and provided clear feedback and guidance. And<br />
our thanks particularly to the fantastic Ms Tao Gower-Jones, the<br />
University of Wollongong intern for this project for her work as<br />
reader and with the editorial committee.<br />
v