Rapporto Annuale 2012 - Palazzo Strozzi
Rapporto Annuale 2012 - Palazzo Strozzi
Rapporto Annuale 2012 - Palazzo Strozzi
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American Dreamers.<br />
Reality and Imagination in Contemporary American Art<br />
CCC <strong>Strozzi</strong>na 9 March–15 July <strong>2012</strong><br />
Does the “American dream” still exist? Taking its cue from this question, the Centre for Contemporary<br />
Culture <strong>Strozzi</strong>na hosted an exhibition entitled American Dreamers. Reality and Imagination in Contemporary<br />
American Art (9 March–15 July <strong>2012</strong>), curated by Bartholomew Bland (Hudson River Museum, New York)<br />
and offering a reflection on the work of artists who use their vision, their imagination and their dreams to<br />
build potentially alternative worlds as a response to an increasingly complex and harsh reality.<br />
Fleeing reality is a way of coping with the adversity of the present – a psychological break with daily<br />
life or the creation of a better alternative become strategies designed to avert such concrete threats<br />
as the high unemployment rate, the crisis in the international financial situation and the plethora<br />
of apocalyptic forecasts for our environment. For some artists the construction of fantasy worlds<br />
constitutes their own personal critique of contemporary society, while it allows others to forge new<br />
solutions in which they can rediscover meaning and values that appear to have fallen by the wayside<br />
in this day and age. Some of them also appear to share an interest in manual work which harks back to<br />
manufacturing methods typical of the past or to different ways of organising our existence.<br />
The eleven American artists involved in the exhibition – Laura Ball, Adrien Broom, Nick Cave, Will Cotton,<br />
Adam Cvijanovic, Richard Deon, Thomas Doyle, Mandy Greer, Kirsten Hassenfeld, Patrick Jacobs and<br />
Christy Rupp – offered a personal interepretation of the present, or even a flight from that present, by<br />
building alternative parallel worlds which explicitly turn their back reality. Some of the works encapsulated<br />
the essence of reality in miniaturised systems, while others expanded into space, creating alternative<br />
worlds with which the visitor was challenged to interact, and yet others fed on fantastic, dreamlike images<br />
or else they reflected on such symbolic themes as the home and the family, which continue to play such<br />
a crucial role even today in the construction of the myth of the American way of life.<br />
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