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<strong>Basile</strong><br />

un vero<br />

cancilleresca di<br />

Tre variabili<br />

ispirato da<br />

Arrighi<br />

basile typeface . Darío Muhafara


asile es la conclusión de un proceso que<br />

comenzó con el aprendizaje de la caligrafía cancilleresca<br />

en el marco del taller de Roballos-Naab.<br />

Trabajé sobre una variación de cancilleresca que<br />

poseía, como característica marcada, un ancho<br />

más pronunciado que el modelo histórico.<br />

Al realizar la digitalización, las formas fueron<br />

modificándose para lograr un espíritu similar al<br />

que resultaba en la caligrafía pero pensando en<br />

el funcionamiento en texto corrido y en pequeños<br />

cuerpos. También la familia se agrandó incorporando<br />

tres sets de formas: itálicas, swash y extra<br />

swash. Con el agregado de un set de iniciales y un<br />

set de terminales.<br />

basile is the conclusion of a process that<br />

began with the learning of italic handwriting in<br />

a roballos-Naab studio course. In this workshop<br />

I developed a variation of chancery handwriting,<br />

which had, a more pronounced wider than its<br />

historical model.<br />

While making the digitalization, the forms were<br />

modified to obtain a similar spirit to which was<br />

in the handwriting, but thinking about the text in<br />

small sizes. Also incorporating three sets of forms<br />

enlarged the family: italic, swash and extra swash.<br />

And the addition of initials and terminals sets.<br />

-


f italic<br />

abcdefghijklmnopq<br />

rstuvwxyz chffqusp<br />

The basic chancery version has a classic calligraphic style<br />

look. The proportion is a bit wider from the original<br />

calligraphy. This modification gives a compact word<br />

construction and a less tight texture to the text with a<br />

bigger counter. The high contrast gives it a delicate look.<br />

It is useful for compose texts of intermediate length.<br />

Lorem ipsum dolor sit amet, consectetur adipiscing elit.<br />

Nulla eu erat ut nulla feugiat condimentum. Cras nec<br />

leo nibh, sed elementum nulla. Donec auctor, ligula<br />

sit amet tempor vulputate, purus sapien consectetur<br />

est, a sollicitudin odio orci eget felis. Maecenas gravida


f swash<br />

abcdefghijklmno<br />

qrstuwxyz chffsp<br />

These second version gives a more italic look. It has<br />

extended termination on some letters. The terminals has<br />

are more pronounced angle to emphasize the direction.<br />

Some letter as “s” and “v” has an extended up or down<br />

stroke to simulate a decorative calligraphic variation. The<br />

proportion and color is the same as the italic version so<br />

you can combine the different versions. The line spacing<br />

should be a couple of extra points from the italic version.<br />

It is useful for compose texts of intermediate length with<br />

more space inside and outside the text.<br />

Lorem ipsum dolor sit amet, consectetur adipiscing elit.


f xswash<br />

abcdefghijklmnop<br />

qrstuvwxyz chffld<br />

This last version is a very decorative one. It has very<br />

forced extended termination on some letters; the rest<br />

remains the same as swash version. It is very helpful<br />

to use it combine with the contextual alternate OTF<br />

feature to have important replacement combination.<br />

Anyway, you should take especial care at the time of<br />

using it. The proportion and colour is the same as the<br />

other two versions so you can combine altogether. The<br />

line spacing should be a couple of extra points from<br />

the other two versions. It is useful for compose strong<br />

decorative words as logotype.


italic<br />

Le truppe a difesa della citta erano poco<br />

numerose, non piu di cinquemila,<br />

avevano dalla loro parte le solide<br />

mura e l’artiglieria, di cui gli<br />

assedianti erano sprovisti.<br />

20/24<br />

swash<br />

Le true a difesa della citta erano oco<br />

numerose, non iu di cinquemila,<br />

aeano dalla loro arte le solide<br />

mura e l’artiglieria, di cui gli<br />

assedianti erano sproisti.<br />

20/27<br />

xswash<br />

Le trupe a difesa della citta erano poco<br />

numerose, non piu di cinquemila,<br />

aveano dalla loro parte le solide<br />

mura e l’artiglieria, di cui gli<br />

assedianti erano sproisti.<br />

20/30


Ludovico Vicentino Degli Arrighi<br />

was a papal scribe, and type designer<br />

in renaissance italy. He began his career<br />

AS A SCRIBE AT THE APOSTOLIC CHANCERY<br />

his experience in calligraphy led<br />

to create an influential pamphlet on<br />

Handwriting called La Oerina in 1522<br />

lanzichenecchi lasciarono tren<br />

il 12 novembre 1526, riuscirono ad<br />

Italic type script in the chancery style<br />

HE TURNED TO PRINTING HIS OWN ITALIC<br />

typefaces for his work which were widely<br />

il quale era l'unico capitano del<br />

last rinting was dated shortly before the<br />

Sack of rome, during which he was killed<br />

1527 . . 1527


ęðăʼn<br />

basic latin and latin 1<br />

AEFGHKLMNQRSTUVWXYZ ÀÁÂÃÄ<br />

ÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝÞ<br />

acdefghiklmnoqrstuvwxyzàáâãäå<br />

æçèéêëìíîïðñòóôõöøùúûüýÿþ<br />

extended latin a<br />

ĀĂĄĆĈĊČĎĐĒĔĖĘĚĜĞĠĢĤĦĨĪĬĮİIJĴ<br />

ĶĸĹĻĽĿŁŃŅŇŊŌŎŐŒŔŖŘŚŜŞŠŢŤŦ<br />

ŨŪŬŮŰŲŴŶŸŹŻŽāăąćĉċčďđēĕėę<br />

ěĝğġģĥħĩīĭįıijĵķĺļľŀłńņňʼnŋōŏőœŕ<br />

ŗřśŝşšţťŧũūŭůűųŵŷźżžſ<br />

<strong>Basile</strong> glyphs character maps<br />

are based on Adobe Latin 3. It<br />

covers over 50 languages that<br />

include major Western European<br />

Latin languages; Latin-<br />

based Central European (CE)<br />

languages.


all caps<br />

LLE TRUPPE A DIFESA DELLA CITTA NUMEROSE, NON PIU DI<br />

CINQUEMILA, MA DALLA LORO PARTE LE SOLIDE L’ARTIGLIERIA<br />

DI CUI GLI ASSEDIANTI ERANO MIA IL SACCO EBBE UN GRAVE COSTO<br />

PER LA FURONO VENTIMILA VITTIME, DANNI. LANZICHENECCHI LAS-<br />

CIARONO TRENTO, RIUSCIRONO AD UNIRSI AGLI SPAGNOLI PROVE-<br />

NIENTI DA MILANO E ALLA FINE DI NOVEMBRE LE TRUPPE IMPERIALI<br />

ATTRAVERSARONO IL PO. POCHI GIORNI PRIMA, A GOVERNOLO VENNE<br />

FERITO GRAVEMENTE GIOVANNI DALLE BANDE NERE, IL QUALE ERA<br />

L'UNICO CAPITANO DELLA LEGA ANTI-IMPERIALE A CONTRASTARNE LA<br />

DISCESA.DIFESA DELLA CITTA NUMEROSE, NON PIU DI CINQUEMILA,<br />

MA DALLA LORO PARTE LE SOLIDE L’ARTIGLIERIA DI CUI GLI ASSEDI-<br />

ANTI ERANO MIA IL SACCO EBBE UN GRAVE COSTO PER LA FURONO<br />

VENTIMILA VITTIME, DANNI. LANZICHENECCHI LASCIARONO TRENTO,<br />

RIUSCIRONO AD UNIRSI AGLI SPAGNOLI PROVENIENTI DA MILANO E<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

small caps<br />

lle truppe a difesa della citta numerose, non piu di<br />

cinquemila, ma dalla loro parte le solide l’artiglieria di<br />

cui gli assedianti erano mia il sacco ebbe un grave costo per<br />

la Furono ventimila vittime, danni. Lanzichenecchi lasciarono<br />

trento, riuscirono ad unirsi agli spagnoli provenienti da<br />

milano e alla fine di novembre le truppe imperiali attraversarono<br />

il po. Pochi giorni prima, a governolo venne ferito<br />

gravemente giovanni dalle bande nere, il quale era l'unico<br />

capitano della lega anti-imperiale a contrastarne la discesa.<br />

a difesa della citta numerose, non piu di cinquemila, ma dalla<br />

loro parte le solide l’artiglieria di cui gli assedianti erano<br />

mia il sacco ebbe un grave costo per la Furono ventimila vittime,<br />

danni. Lanzichenecchi lasciarono trento, riuscirono ad<br />

unirsi agli spagnoli provenienti da milano e alla fine di novi<br />

abcdefghijklmnopqrstuvwxyz


&&&<br />

italic<br />

small caps<br />

all caps<br />

puntuation &<br />

symbols<br />

€1234% chapón ¿Qué?<br />

compañía@inf c&a (ab-c} n*/<br />

€1234% chapón ¿qué?<br />

compañía@info c&a<br />

<strong>Basile</strong> has three different sets<br />

for punctuation and other<br />

symbols for italic, small caps<br />

and uppercase. Also there is a<br />

default combination of numbers<br />

for each case.<br />

€1234% CHAPÓN ¿QUÉ?<br />

COMPAÑÍA@INFO C&A (AB-C} N*/<br />

,;:.…‘’“”‚„‘”‹›«»(-–—)!¡¿?[|]{¦}<br />

&@*†‡§©®#ªº -•·<br />

!¡¿?&@<br />

•(-–—)!¡¿?&@[|]{¦}‹›«»


nina<br />

The structure is based on the chancery calligraphic style. The proportion is a bit wider<br />

from the original calligraphy. This modification gives a compact word construction<br />

and a less tight texture to the text. Subtle entasis on every character. Asymmetric<br />

serif The characters draw represent the one movement outline generate with a<br />

nib. Also the construction of the serif gives the same feeling. Asymmetric rounded<br />

arch to emphasize the cursive movement. High bifurcation to emphasize the sensation<br />

of continuous outline.<br />

<br />

calligraphic details<br />

Aikov<br />

<br />

<br />

<br />

<br />

serif, vertical<br />

metric & contrast<br />

<br />

<br />

<br />

<br />

Extra weight in ending of the strokes without serif. Calligraphic serif and terminal.<br />

Breakpoints to emphasize the calligraphic style. Large x weigh and long ascendant<br />

to give an elegant look. Sharp encounters. High contrast to emphasize a<br />

delicate look.


ligatures, alternates & contextual alternates<br />

mancha de actores<br />

fi fl ff fh fk fb fj ft ffi ffl fff ffj ch ct ck st qu sp LA ZA ty tv tw ‡ fi fl ff fh<br />

fk fb fj ft ffi ffl ch ct ck st sp ‡ ch fi fd fl ff fh fb fj ft ffi ffl ffj gy ll st sp<br />

Igor Garay ‡ Igor Garay<br />

cgy T · agosto cientos yardas THE SAME THING BUT DIFFERENT<br />

alternates. There are some special alternate glyphs for using at certain combinations of letters. These are useful<br />

to avoid collisions or modifications to the spirit of the word composed. OTF contextual alternate feature automatically<br />

sets some of these combinations.<br />

worldwide worldwide<br />

skiff skiff · acidify acidify · zygothic zygothic · evhoe ehoe<br />

xswash without otf features & xwash with ligatures & c. alternates. There are many<br />

letter combinations that collision. Even OTF feature avoid many of these errors by replacing xwash by swash glyphs,<br />

the use of xwash require some expertise to manually edit glyphs combination. Each case must be studied as a hole.


initial & end<br />

Amelie<br />

A ÀÁÃÄÅB DEFGH IJKLMNPRT UVWXY<br />

AÀÁÂÃÄÅEFGHKLMNQRTUVWXY Z<br />

beéêëěęfhi jkl mnprtu vwxyŷỳÿ<br />

a äåâãàáb d e fghi kl m n o r tuwxyz<br />

<strong>Basile</strong> has a complete set of initial and ending both<br />

upper and lowercase letters with their complete diacritic<br />

set. It can be use indistinct with the three different sets:<br />

italic, swash and xswash for constructing word with<br />

strong presence as logotypes or headlines.


Languages examples<br />

polish Při vyslovení jména Modigliani se lidem nejčastěji<br />

vybaví osobité a nezaměnitelné polish Při vyslovení jména<br />

Modigliani se lidem nejčastěji vybaví osobité a nezaměnitelné<br />

polish Při vyslovení jména Modigliani se lidem nejčastěji vy<br />

czech<br />

Od prosince 2010 až do<br />

konce února 2011 se v Praze,<br />

v historických prostorách<br />

Obecního domu, otevře<br />

dlouho připravovaná výstava<br />

světoznámého italského<br />

malíře a sochaře Amedea<br />

Modiglianiho (1884–1920).<br />

Na uspořádání této výstavy<br />

pracovala pražská galerie<br />

Vernon společně s italskou<br />

kurátorkou Serenou Baccaglini<br />

déle než rok.<br />

Při vyslovení jména Modigliani<br />

se lidem nejčastěji vybaví<br />

osobité a nezaměnitelné<br />

polish<br />

Wydawcami ksiązki są:<br />

Instytut Adama Mickiewicza<br />

i John Libbey Publishing Ltd.<br />

Publikacja “Polish Cinema<br />

Now!” prezentuje twórczość<br />

filmową powstałą po 1989<br />

roku. Jest to zbiór 11 tekstów w<br />

języku angielskim, napisanych<br />

przystępnie i z pasją przez<br />

czołowych specjalistów<br />

z Polski i zagranicy. Jak<br />

informuje wydawca, w książce<br />

kino polskie jest opisane<br />

z różnych perspektyw, od<br />

filmowej rozrywki, animacji<br />

i dokumentu, aż po kino<br />

gejowskie i feministyczne.<br />

Książka jest przeznaczona<br />

dla kinomanów, dla których<br />

kino Wajdy, Hasa, Munka,<br />

german<br />

Wenn es um Kreativität geht,<br />

kann es Berlin mit jeder<br />

anderen Metropole der Welt<br />

aufnehmen. Nirgendwo sonst<br />

entsteht aufregendere Kunst,<br />

kommt radikaleres Theater<br />

auf die Bühne, werden mehr<br />

Opern inszeniert oder lässigere<br />

Clubs eröffnet. In Berlin<br />

wird es nie langweilig – und<br />

das Beste ist: Berlin kommt<br />

ohne immerwährendes<br />

Verkehrschaos aus, hat weder<br />

brennende Vorstädte noch<br />

rüpelige Investmentbanker, die<br />

einem im Restaurant<br />

hungarian<br />

Kőszeg legtöbb embert<br />

megmozgató rendezvénye a<br />

Kőszegi Szüret, valamint az<br />

ehhez szorosan kapcsolódó<br />

Nemzetközi Fúvószenekari<br />

Találkozó. A háromnapos<br />

programsorozat immár több<br />

mint két évtizede mozgatja<br />

meg a város lakosságát,<br />

hiszen központi eseménye a<br />

minden év szeptember utolsó<br />

szombatján tartandó szüreti<br />

karnevál. Ezen a programon<br />

felvonul a város apraja-nagyja,<br />

az iskolák, civil szervezetek,<br />

cégek különböző mókás<br />

jelmezekben. A felvonulás<br />

köré épül a további két nap<br />

programja, mely pénteken<br />

este fúvósszerenáddal indul<br />

italian<br />

Questa duca partì da Arezzo<br />

il 20 aprile 1527, alla testa di<br />

35.000 soldati, approfittando<br />

delle precarie situazioni in<br />

cui si trovavano i veneziani<br />

ed i loro alleati a causa<br />

dell’insurrezione di Firenze<br />

contro i Medici. Le truppe<br />

a difesa della città erano<br />

poco numerose (non più di<br />

cinquemila), ma avevano<br />

dalla loro parte le solide<br />

mura e l’artiglieria, di cui gli<br />

assedianti erano sprovvisti.<br />

Borbone doveva prendere la<br />

città in fretta, per evitare di<br />

portuguese<br />

Na Região de Lisboa produzemse<br />

vinhos brancos, tintos, rosés<br />

e espumantes, bem como<br />

aguardentes únicas.<br />

As regiões com maior tradição<br />

vinícola têm os seus vinhos<br />

classificados com a sigla DOC,<br />

que significa Denominação<br />

de Origem Controlada. Esta<br />

denominação é uma garantia<br />

de proveniência e qualidade, já<br />

que o vinho tem que obedecer<br />

a regras muito rigorosas quanto<br />

à sua composição, tempo de<br />

estágio, etc.<br />

Na Região de Lisboa existem<br />

18 DOC: Santarém, Cartaxo,<br />

Chamusca, Coruche, Almeirim,<br />

Tomar, Óbidos, Alenquer,<br />

Lourinhã, Torres Vedras,


1973<br />

proportional<br />

tabular lining<br />

swash<br />

ligatures<br />

roman<br />

fractions<br />

superior/inferior<br />

ordinals<br />

0123456789€$¢£¥ƒ%‰<br />

0123456789€$¢£¥ƒ%‰<br />

23 5679<br />

49 73 75<br />

<br />

½⅓⅔¼¾ 1/5 2/5 3/5 4/5 1/6 5/6 1/7 2/7 3/7 4/7<br />

5/7 6/7 ⅛ ⅜ ⅝ ⅞ 1/9 2/9 4/9 5/9 7/9 8/9 11/22<br />

(0123456789⁾ ₍0123456789₎ H2O nota4<br />

1st 2nd 3rd 1a 1o 2a adnorst<br />

<strong>Basile</strong> has four different sets<br />

of numbers: proportional<br />

lowercase numbers a default, a<br />

tabular lining set of figures. In<br />

addition it has a set of swash<br />

numbers and roman for a<br />

more decorative use.<br />

It also has a complete set of<br />

fractions, superior, inferior and<br />

english/spanish ordinal system.


Duetto, caligraphy exhibition<br />

communication typeface


giacomo casanova<br />

Von Seingalts<br />

memoiren<br />

carl henschel-verlag/berlin<br />

historical sample<br />

editorial<br />

j<br />

EDE gebildete Sprache sam-<br />

melt die Darstellungen<br />

mittels Öl, Fresko, Gouache,<br />

Aquarell, Pastell-Farben unter<br />

der präzisen Bezeichnung Male-<br />

rei. Für Kunstwerke, die sich auf-<br />

einfarbige Wiedergabe von Litch,<br />

Schatten und Form beschränken,<br />

ist dagegen eine genaue, zusam-<br />

menfassende Benennung nicht<br />

vorhanden.<br />

m ax k linger<br />

Malerei & Zeichnung<br />

Wer den Prinzipien der bildenden<br />

Künste nähertritt, wird bald fühlen,<br />

daß die Handzeichnung, vor allem<br />

aber Stich, Radierung, Schnitt und<br />

Lithographie in ihren selbständigen


Malvón restaurante<br />

packaging, stickers, bread labels


Siesta en el Tahuantinsuyu<br />

wine label


Locura malbec<br />

wine label


<strong>Basile</strong> typeface v. OTF 1.0<br />

© Darío Manuel Muhafara 2011<br />

Argentina<br />

Published by tipo.net.ar<br />

digital type foundry | fundidora de tipos digitales<br />

www.tipo.net.ar contact us at: info@tipo.net.ar

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