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Sam Francis - Agnellini Arte Moderna

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in collaboration with<br />

Debra Burchett-Lere,<br />

<strong>Sam</strong> <strong>Francis</strong> Foundation ©<br />

Biographical Notes<br />

<strong>Sam</strong> <strong>Francis</strong>, born in 1923 in San Mateo,<br />

California, died in 1994 in Santa Monica,<br />

California.<br />

The artist originally studied psychology and<br />

medicine. Turning to art, he studied painting<br />

under Clyfford Still before going to Paris,<br />

where he stayed from 1948 until 1950, attending<br />

the Académie Léger. In 1952 he had<br />

his first one-man-show in Paris and met exponents<br />

of French informel. Accepted as a<br />

member of the young European avant-garde,<br />

he showed his work at exhibitions in Paris,<br />

London and Bern. The participation in Twelve<br />

Americans, an exhibition mounted in New<br />

York by the Museum of Modern Art in 1956,<br />

made <strong>Francis</strong> well-known in America too.<br />

During this period his style changed from<br />

compositions with the picture surface covered<br />

in monochrome values to brightly coloured<br />

“islands of colour” on white canvases.<br />

His calligraphic handling of brushwork<br />

and the lyrical character of his fluid colour<br />

now linked <strong>Francis</strong> with Far Eastern art,<br />

which he studied intensively. In 1957 he<br />

travelled around the world, visiting India,<br />

Thailand and Japan. His work was shown<br />

at exhibitions in Tokyo and Osaka.<br />

After moving restlessly between Paris,<br />

his home, and other great cities, <strong>Francis</strong><br />

returned to California in 1962, settling at<br />

first in Santa Barbara and then establishing<br />

a studio in Venice, Santa Monica in 1963.<br />

During the 1960s <strong>Francis</strong> developed his<br />

own distinctive style of spontaneous and<br />

gestural dripping. He guided oils, acrylic and<br />

watercolours across his canvases with circling<br />

and spraying movements. In his 1970s<br />

“grid pictures” the surface is covered with<br />

rectangular structures.<br />

<strong>Francis</strong> was not only a distinguished exponent<br />

of action painting. He also explored<br />

media such as lithography, etching and<br />

monotype. His preoccupation with printmaking<br />

led to the production of attractive<br />

experimental work in the early 1980s.<br />

Forcefully expressive compositions in several<br />

parts, some of them with running paint,<br />

are the hallmark of these years. In his final<br />

phase, <strong>Francis</strong> executed commissions for<br />

large-scale murals.<br />

1946-1958<br />

<strong>Sam</strong> <strong>Francis</strong> paints and studies in San<br />

<strong>Francis</strong>co area, California after plane<br />

crash and illness hospitalizes him for<br />

years. Receives B.A. degree in 1949 and<br />

M.A. degree in 1950 from University of<br />

California, Berkeley. Between 1950 and<br />

1958 he lives and works primarily in Paris,<br />

France, with travels to Mexico, Japan,<br />

Europe, and USA.<br />

1952<br />

First solo exhibition at Galerie Nina<br />

Dausset, Paris.<br />

1955<br />

Solo exhibition at Galerie Rive Droite,<br />

Paris.<br />

1956<br />

Included in Twelve Americans show at the<br />

Museum of Modern Art, New York City.<br />

Solo exhibitions: Galerie Rive Droite, Paris,<br />

France; Zoe Dusanne Gallery, Seattle,<br />

Washington; Martha Jackson Gallery, New<br />

York City; Galerie Ad Libitum, Antwerpen.<br />

Time Magazine describes <strong>Francis</strong> as “the<br />

hottest American painter in Paris these<br />

days”.<br />

1957<br />

He travels to Japan and paints a mural<br />

for the Sogetsu School, Tokyo. Solo<br />

exhibitions at Zoe Dusanne Gallery,<br />

Seattle, Washington, and Gimpel Fils,<br />

London, England.<br />

1959<br />

He rents additional studio in New York<br />

City and begins work on Chase Manhattan<br />

Bank mural, Pasadena, California. Solo<br />

exhibition at Pasadena Art Museum,<br />

travelling to San <strong>Francis</strong>co Museum<br />

of Art and Seattle Art Museum.<br />

<strong>Sam</strong> <strong>Francis</strong> marries the painter Teruko<br />

Yokoi; birth of their daughter, Kayo.<br />

1960-1966<br />

Lives and works in Bern, Switzerland,<br />

during another period of hospitalization.<br />

He divorces Teruko Yokoi.<br />

Solo exhibitions: Kunsthalle, Bern, travelling<br />

to <strong>Moderna</strong> Museet, Stockholm; Minami<br />

Gallery, Tokyo; Kornfeld and Klipstein,<br />

Bern; Galerie Benador, Zurich; Esther<br />

Bear Gallery, Santa Barbara, California.<br />

Group exhibition at Documenta III, Kassel,<br />

Germany (Basel mural panels are shown).<br />

In 1962, after release from hospital, he<br />

moves back to California, first staying in<br />

Santa Barbara and then Santa Monica. He<br />

purchases property and designs new studio<br />

at 345 West Channel Road, Santa Monica,<br />

which becomes his permanent home base.<br />

He maintains studio in Paris until it is razed<br />

in 1983. In 1966 he creates Sky Painting<br />

performance over Tokyo Bay, Japan.<br />

He marries Mako Idemitsu; birth of their<br />

son Osamu.<br />

1967<br />

Solo exhibitions at Pierre Matisse<br />

Gallery, New York; Museum of Fine Arts,<br />

Houston, Texas, travelling to University<br />

Art Museum, Berkeley, California. Creates<br />

another performance work, Snow Painting,<br />

in Naibara, Japan.<br />

1968<br />

He receives honorary Ph.D. from<br />

University of California, Berkeley.<br />

Solo exhibitions: Centre National d’Art<br />

Contemporain, Paris; Kunsthalle, Basel;<br />

Minami Gallery, Tokyo.<br />

1969-1972<br />

Birth of <strong>Francis</strong>’ third child, Shingo (1969).<br />

He creates mural-sized canvas for the<br />

Nationalgalerie, Berlin. Solo exhibitions:<br />

Andre Emmerich Gallery, New York;<br />

Nicholas Wilder Gallery, Los Angeles;<br />

Los Angeles County Museum of Art,<br />

Los Angeles; Martha Jackson Gallery,<br />

New York; Felix Landau Gallery,<br />

Los Angeles.<br />

Establishes The Litho Shop, Inc. to print<br />

and publish his own limited edition prints.<br />

1972-1973<br />

Solo exhibitions: Albright-Knox Art Gallery,<br />

Buffalo, travelling to Corcoran Gallery,<br />

Washington, D.C.; Whitney Museum<br />

of American Art, New York; Museum<br />

of Fine Arts, Dallas; Oakland Museum<br />

of Art, Oakland; University Museum of Art,<br />

Stanford.<br />

1973-1974<br />

Lives and works primarily in Tokyo. Solo<br />

exhibitions: Idemitsu Art Museum, Tokyo;<br />

Minami Gallery, Tokyo.<br />

1975-1977<br />

Solo exhibitions: Nicholas Wilder Gallery,<br />

Los Angeles; Galerie Jean Fournier, Paris;<br />

Andre Emmerich Gallery, New York;<br />

Richard Gray Gallery, Chicago; Kornfeld<br />

and Klipstein, Bern; Smith Andersen<br />

Gallery, Palo Alto, California. Begins series<br />

of collaborations on monotypes with<br />

Garner Tullis.<br />

1977-1978<br />

Solo exhibitions: Louisiana Museum<br />

of Art, Humlebaek, Denmark, travelling<br />

to Centre Pompidou, Paris, Liljevalchs<br />

89

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