Arisha Babarisha LAST (1)

harlie O’ Fisher was a fish like any other citizens that lived in
his town. His seven cousins, fifteen brothers, and six sisters had identical
patterns: blue with black fins. The other family had black and
yellow stripes. This was the problem. From generations on, there was
an ongoing rivalry between the two families of Chanelfish, arguing
which one of two patterns best matched their colorful town. The first
populations of fish which had discovered the Sunny Hill and began
building the town had scattered blue and yellow dots all over their
scales as a pattern.
Let’s move back in the story to a different part in time to see how the
Chanelfish have played an important role in the worldwide trendsetting.
They took care of making sure that history’s most prominent
figures always looked glamorous, luxurious, for the more plump to
appear thin, (Catherine), the miniscule to be tall, (Napoleon) and
unpleasant to be a little bit more pleasant to the eye (Elizabeth).
Louis XIV of France, Catherine the Great of Russia, Elizabeth I of
England and Cleopatra of Egypt all sought assistance with the combinations
of fabric and color from the Chanelfish. Except, Cleopatra
only had her clothes sewn. She was perfect in every way. These types
of aquatic species had a unique and keen taste for design, and could
even speak, though rarely chose to do so. The rest of the ocean’s
inhabitants even considered them to be the Purple Ocean’s very own
aesthetic designers. With their high ranking in the design world,
they controlled the deep sea’s trends of couture¹.
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