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Bob Chilcott - Birdland

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  • Oxford
  • Chilcott
  • Birdland
  • Wwwoupcom
Vocal score A musical drama for soloists, unison voices, SATB chorus, and instrumental ensemble. This engaging musical drama follows the quest of Pip the Sparrow to be accepted into the Dawn Chorus. Along the way Pip meets characters like the Doc Rock Peacocks, who promise to transform the sparrow into a star, and the troubled residents of The Bewilderness. With the help of two friendly owls, Pip meets singing sensation Shamira the Golden Nightingale and discovers a great secret, causing the sparrow to at last understand the power of having a song that is completely their own. As well as the rich variety of solo roles, which feature spoken narration, the work provides great dramatic potential for the unison and mixed choruses, who play an integral role in the storytelling. The memorable, eminently singable melodies are complimented by a characterful orchestration, for 10-part instrumental ensemble, with Chilcott drawing on a broad range of musical styles. Exploring themes of identity, inclusivity, and self-belief, this heart-warming work is a testament to the unifying, healing power of music.

A musical drama for

A musical drama for soloists, unison voices, SATB chorus, and instrumental ensemble for online perusal only STORY AND TEXTS BY CHARLES BENNETT VOCAL SCORE B

3 Great Clarendon Street, Oxford OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2020 Bob Chilcott and Charles Bennett have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as the Authors of this Work Database right Oxford University Press (maker) for online perusal only First published 2020 Impression: 1 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press A licence to perform this work in public must be obtained from the publisher or its overseas agent as appropriate Permission to make and exploit a recording of this work must be obtained in advance from the Mechanical-Copyright Protection Society Ltd (MCPS) at www.prsformusic.com or a local mechanical copyright licensing organization Enquiries concerning reproduction outside the scope of the above should be directed to the Music Rights Department, Oxford University Press, at music.permissions.uk@oup.com or at the address above ISBN 978–0–19–352300–5 Music and text origination by Andrew Jones Printed in Great Britain on acid-free paper by Halstan & Co. Ltd, Amersham, Bucks.