Brand_Standards_Book_FINAL
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BRAND STANDARDS GUIDE
HISTORY<br />
HISTORY<br />
CONTENTS<br />
HISTORY2–3<br />
WHO WE ARE 4–5<br />
LOGO6–9<br />
TYPOGRAPHY10<br />
COLOR11<br />
GRAPHICS12–13<br />
ASSETS IN USE 14–22<br />
HISTORY<br />
Ark Lodge Cinemas, opened its doors in December 2012<br />
in Seattle’s Columbia City neighborhood. It is owned<br />
and operated by the McRae family, who purchased<br />
the space and renovated it from it’s previous owner<br />
and incarnation, Columbia City Cinema. Occupying<br />
a historic building, formerly a Masonic Lodge, and<br />
boasting a vintage marquee, Ark Lodge Cinemas is<br />
the antithesis of modern strip mall multiplexes and<br />
big box theaters. Showing films on three screens, Ark<br />
Lodge has something for all types of movie fans and<br />
even diehard cinema buffs. ranging from mainstream<br />
blockbusters, family animated features, to fiercely<br />
independent arthouse films and documentaries, and<br />
horror and campy b-movies of the past.<br />
2 3
WHO WE ARE<br />
WHO WE ARE<br />
POSITIONING<br />
We believe that quality is what makes an experience an<br />
experience. Ark Lodge stands out from the competition<br />
by exposing its patrons to a variety of films, friendly<br />
staff, affordable prices for locally sourced products, and<br />
most importantly a comfortable atmosphere.<br />
ATTRIBUTES<br />
Friendly Staff<br />
Variety<br />
Comfortable<br />
Affordable<br />
Quality<br />
PILLARS<br />
TIMELESS<br />
KNOWLEDGEABLE<br />
INCLUSIVE<br />
PROMISE<br />
We are deeply committed to supporting local businesses,<br />
and to providing a curated experience for every<br />
member of the family at a reasonable price. We are<br />
your neighborhood theater, no matter who you are.<br />
4 5
LOGO<br />
LOGO<br />
LOGO SUITE<br />
LOGO TYPE<br />
The Ark Lodge logo is a combination mark consisting of<br />
slightly and tastefully modified type, and an illustrated<br />
icon representing the lens of the projector/camera and<br />
the geometry and architecture often associated with<br />
Masons. We feel this accurately reflects the feel of the<br />
environment and the spirit of the brand.<br />
This logo was meant to be used primarily black on<br />
white, or placed over vibrant color fields with the lens<br />
filled in white. The logo can also be reversed out white<br />
on black (for grayscale jobs), or gold on black (for<br />
CMYK or web implementation), though this should<br />
only be utilized if no other design solution is suitable.<br />
HORIZONTAL STACKED<br />
GRAPHIC MARK ONLY<br />
For the logo type we chose to use DynaGrotesk LM<br />
Bold which was created by Czech typographer Fratisek<br />
Storm at Stormtype Foundry. The spur of the G in the<br />
logo type was extended slightly beyond the baseline<br />
to give it a bit more character. See below the side by<br />
side of the original G and modified G. Other than that<br />
the logotype was simply tracked and kerned in a considerate<br />
and careful manner.<br />
ORIGINAL<br />
The logo should never be rendered in any color other<br />
than those mentioned above.<br />
VERTICAL SINGLE LINE<br />
TYPE ONLY<br />
G<br />
ON BLACK<br />
MODIFIED<br />
6 7
LOGO<br />
LOGO<br />
MINIMUM SIZE<br />
1"<br />
INCORRECT USE<br />
The minimum size is reflected to the right for all four<br />
itterations. Also note that the logo can be placed at<br />
13.25% of the original dimensions constrained to<br />
achieve these sizes.<br />
The logo type should always be at least 4pts bigger than<br />
the point size the body copy is set in as a reference.<br />
.8886"<br />
.5357"<br />
.8886"<br />
.4491"<br />
.1639"<br />
It is important that the dimensions of the logo always<br />
remain constrained at all times. This means not stretching,<br />
condensing, or squishing the logo horizontally or<br />
vertically. If placed over a color field, it is important<br />
that the white fill in the lens/sphere be in place. The<br />
logo is also not to be used with off brand color ways,<br />
with low contrast, as a mask, or deconstructed into<br />
different pieces. However the lens element can be used<br />
for signage as we'll explore in the coming pages.<br />
.5357"<br />
.7612"<br />
INCORRECT DIMENSIONS<br />
CLEAR SPACE<br />
The Ark Lodge logo should always be afforded a modest<br />
clear space when implemented in any instance. The<br />
clear are should be the width of the O found in the<br />
logo type on all sides. This applies to all of the logo<br />
variants in all situations.<br />
INCORRECT COLOR USAGE<br />
AND MASKING<br />
8 9
TYPOGRAPHY<br />
COLOR<br />
TYPOGRAPHY<br />
TYPE USAGE<br />
COLOR<br />
For the typography we chose the DynaGrotesk<br />
family for it's large variety of weights and styles for<br />
the logotype, headline, and subhead. To the right is<br />
DynaGrotesk LM which is used exclusively for the<br />
logotype.<br />
To the right is DynaGrotesk DE which is the primary<br />
typeface to be used for headlines.<br />
DynaGrotesk LM Bold<br />
ABCDEFGHIJKLMN<br />
OPQRSTUVWXYZ<br />
1234567890<br />
DynaGrotesk DE Bold<br />
ABCDEFGHIJKLMN<br />
OPQRSTUVWXYZ<br />
1234567890<br />
Correct Use:<br />
• All headlines and subheads should be set as<br />
uppercase<br />
• Kern headers and subheads as needed<br />
• Text color should be applied sparingly and only<br />
in brand oriented colors<br />
• Body copy can be set left justified or flush left<br />
ragged right as needed, justified is preferred<br />
Incorrect Use:<br />
• Never set the body copy as uppercase<br />
• Do not shear or distort the type for any reason<br />
• Never apply a stroke to the type<br />
• Set type color in low contrast color that will impair<br />
readability<br />
For the color palette .we wanted to capture the classic<br />
yet exciting nature of the brand and the theatre itself.<br />
Red and gold are very often associated with film, and<br />
we wanted to stay true to that but also increase the<br />
vibrancy to reflect the relevance and forward thinking<br />
nature of Ark Lodge. White and black can also be<br />
utilized as needed. Tints can be used but should be<br />
applied sparingly.<br />
MAIN COLORS<br />
To the right is DynaGrotesk RXC which is the primary<br />
typeface to be used for subheads or headlines that<br />
require a condensed typeface.<br />
DynaGrotesk RXC Bold<br />
ABCDEFGHIJKLMN<br />
OPQRSTUVWXYZ<br />
1234567890<br />
SECONDARY COLORS<br />
CMYK: 0, 90, 95, 0<br />
RGB: 239, 65, 41<br />
PANTONE 172c<br />
CMYK: 0, 15, 90, 0<br />
RGB: 255, 213, 48<br />
PANTONE 115c<br />
To the right is John Sans Medium Regular which is the<br />
primary typeface to be used for all body copy.<br />
John Sans Med Regular<br />
abcdefghijklmn<br />
opqrstuvwxyz<br />
1234567890<br />
CMYK: 0, 34, 81, 13<br />
RGB: 222, 158, 65<br />
PANTONE 110c<br />
CMYK: 40, 30, 30, 100<br />
SUGGESTED RICH BLACK CMYK BUILD<br />
10 11
GRAPHIC ELEMENTS<br />
PHOTO TREATMENT<br />
GRAPHIC ELEMENTS<br />
The brand colored rays emanating from a focal point<br />
with be a common graphic element to draw attention<br />
to said focal point. The lens element from the logomark<br />
can also have a numeral placed inside to denote the<br />
theatre number or other information. This signage<br />
treatment can be seen in the Assets in Use section,<br />
specifically on the ticket and environmental graphics.<br />
Very slight distressing can also be applied to amplify<br />
the character of the manufactured elements.<br />
RAYS AND DISTRESSING<br />
PHOTO TREATMENT<br />
When photography needs to be stylized, we suggest<br />
either treating it as a duotone, or contrasting the image<br />
and creating a high DPI bitmap image. All colors utilized<br />
in either style should be on brand. Continuous<br />
tone photos may also be utilized but sparingly.<br />
BITMAPPING<br />
LOGAN<br />
4:00 pm 7:00pm<br />
R<br />
LENS AND NUMERAL<br />
HIDDEN FIGURES<br />
DUOTONE<br />
LA LA LAND<br />
3:00 pm 9:00pm 1:00 pm 8:00pm<br />
PG<br />
PG<br />
12 13
ASSETS IN USE<br />
ASSETS IN USE<br />
ASSETS IN USE<br />
POSTER<br />
Here are an assortment of examples of assets being<br />
utilized accross print, environment, and screen according<br />
to the brand standards. From food packaging, to<br />
website, to wall adornment and signage, the visual<br />
system we have devised is flexible and can see satisfactory<br />
usage in nearly any situation.<br />
For all instances of implementation, color application<br />
should follow the previously covered guidelines.<br />
Applied paint or vinyl should be the closest possible<br />
equivalent of the Pantone calls in the color section.<br />
Signage should also adhere to the guidelines mentioned<br />
previously.<br />
It should be noted while these examples reflect options<br />
for implementation, they are not meant to limit what<br />
the working designer can create for Ark Lodge. The<br />
possibilities are without limit.<br />
14 15
ASSETS IN USE<br />
ASSETS IN USE<br />
ENVIRONMENTAL GRAPHICS<br />
ENVIRONMENTAL GRAPHICS<br />
A FRAME SIGN<br />
16 17
SECTION<br />
SECTION<br />
PRINT AD<br />
WEB AD<br />
18 19
ASSETS IN USE<br />
ASSETS IN USE<br />
WEBSITE (DESKTOP)<br />
ENAMEL PINS<br />
WEBSITE (MOBILE)<br />
20 21
ASSETS IN USE<br />
ASSETS IN USE<br />
TICKETS<br />
POPCORN BAG<br />
THANK YOU<br />
22 23
THE WAY MOVIES WERE MEANT TO BE SEEN