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BRAND STANDARDS GUIDE


HISTORY<br />

HISTORY<br />

CONTENTS<br />

HISTORY2–3<br />

WHO WE ARE 4–5<br />

LOGO6–9<br />

TYPOGRAPHY10<br />

COLOR11<br />

GRAPHICS12–13<br />

ASSETS IN USE 14–22<br />

HISTORY<br />

Ark Lodge Cinemas, opened its doors in December 2012<br />

in Seattle’s Columbia City neighborhood. It is owned<br />

and operated by the McRae family, who purchased<br />

the space and renovated it from it’s previous owner<br />

and incarnation, Columbia City Cinema. Occupying<br />

a historic building, formerly a Masonic Lodge, and<br />

boasting a vintage marquee, Ark Lodge Cinemas is<br />

the antithesis of modern strip mall multiplexes and<br />

big box theaters. Showing films on three screens, Ark<br />

Lodge has something for all types of movie fans and<br />

even diehard cinema buffs. ranging from mainstream<br />

blockbusters, family animated features, to fiercely<br />

independent arthouse films and documentaries, and<br />

horror and campy b-movies of the past.<br />

2 3


WHO WE ARE<br />

WHO WE ARE<br />

POSITIONING<br />

We believe that quality is what makes an experience an<br />

experience. Ark Lodge stands out from the competition<br />

by exposing its patrons to a variety of films, friendly<br />

staff, affordable prices for locally sourced products, and<br />

most importantly a comfortable atmosphere.<br />

ATTRIBUTES<br />

Friendly Staff<br />

Variety<br />

Comfortable<br />

Affordable<br />

Quality<br />

PILLARS<br />

TIMELESS<br />

KNOWLEDGEABLE<br />

INCLUSIVE<br />

PROMISE<br />

We are deeply committed to supporting local businesses,<br />

and to providing a curated experience for every<br />

member of the family at a reasonable price. We are<br />

your neighborhood theater, no matter who you are.<br />

4 5


LOGO<br />

LOGO<br />

LOGO SUITE<br />

LOGO TYPE<br />

The Ark Lodge logo is a combination mark consisting of<br />

slightly and tastefully modified type, and an illustrated<br />

icon representing the lens of the projector/camera and<br />

the geometry and architecture often associated with<br />

Masons. We feel this accurately reflects the feel of the<br />

environment and the spirit of the brand.<br />

This logo was meant to be used primarily black on<br />

white, or placed over vibrant color fields with the lens<br />

filled in white. The logo can also be reversed out white<br />

on black (for grayscale jobs), or gold on black (for<br />

CMYK or web implementation), though this should<br />

only be utilized if no other design solution is suitable.<br />

HORIZONTAL STACKED<br />

GRAPHIC MARK ONLY<br />

For the logo type we chose to use DynaGrotesk LM<br />

Bold which was created by Czech typographer Fratisek<br />

Storm at Stormtype Foundry. The spur of the G in the<br />

logo type was extended slightly beyond the baseline<br />

to give it a bit more character. See below the side by<br />

side of the original G and modified G. Other than that<br />

the logotype was simply tracked and kerned in a considerate<br />

and careful manner.<br />

ORIGINAL<br />

The logo should never be rendered in any color other<br />

than those mentioned above.<br />

VERTICAL SINGLE LINE<br />

TYPE ONLY<br />

G<br />

ON BLACK<br />

MODIFIED<br />

6 7


LOGO<br />

LOGO<br />

MINIMUM SIZE<br />

1"<br />

INCORRECT USE<br />

The minimum size is reflected to the right for all four<br />

itterations. Also note that the logo can be placed at<br />

13.25% of the original dimensions constrained to<br />

achieve these sizes.<br />

The logo type should always be at least 4pts bigger than<br />

the point size the body copy is set in as a reference.<br />

.8886"<br />

.5357"<br />

.8886"<br />

.4491"<br />

.1639"<br />

It is important that the dimensions of the logo always<br />

remain constrained at all times. This means not stretching,<br />

condensing, or squishing the logo horizontally or<br />

vertically. If placed over a color field, it is important<br />

that the white fill in the lens/sphere be in place. The<br />

logo is also not to be used with off brand color ways,<br />

with low contrast, as a mask, or deconstructed into<br />

different pieces. However the lens element can be used<br />

for signage as we'll explore in the coming pages.<br />

.5357"<br />

.7612"<br />

INCORRECT DIMENSIONS<br />

CLEAR SPACE<br />

The Ark Lodge logo should always be afforded a modest<br />

clear space when implemented in any instance. The<br />

clear are should be the width of the O found in the<br />

logo type on all sides. This applies to all of the logo<br />

variants in all situations.<br />

INCORRECT COLOR USAGE<br />

AND MASKING<br />

8 9


TYPOGRAPHY<br />

COLOR<br />

TYPOGRAPHY<br />

TYPE USAGE<br />

COLOR<br />

For the typography we chose the DynaGrotesk<br />

family for it's large variety of weights and styles for<br />

the logotype, headline, and subhead. To the right is<br />

DynaGrotesk LM which is used exclusively for the<br />

logotype.<br />

To the right is DynaGrotesk DE which is the primary<br />

typeface to be used for headlines.<br />

DynaGrotesk LM Bold<br />

ABCDEFGHIJKLMN<br />

OPQRSTUVWXYZ<br />

1234567890<br />

DynaGrotesk DE Bold<br />

ABCDEFGHIJKLMN<br />

OPQRSTUVWXYZ<br />

1234567890<br />

Correct Use:<br />

• All headlines and subheads should be set as<br />

uppercase<br />

• Kern headers and subheads as needed<br />

• Text color should be applied sparingly and only<br />

in brand oriented colors<br />

• Body copy can be set left justified or flush left<br />

ragged right as needed, justified is preferred<br />

Incorrect Use:<br />

• Never set the body copy as uppercase<br />

• Do not shear or distort the type for any reason<br />

• Never apply a stroke to the type<br />

• Set type color in low contrast color that will impair<br />

readability<br />

For the color palette .we wanted to capture the classic<br />

yet exciting nature of the brand and the theatre itself.<br />

Red and gold are very often associated with film, and<br />

we wanted to stay true to that but also increase the<br />

vibrancy to reflect the relevance and forward thinking<br />

nature of Ark Lodge. White and black can also be<br />

utilized as needed. Tints can be used but should be<br />

applied sparingly.<br />

MAIN COLORS<br />

To the right is DynaGrotesk RXC which is the primary<br />

typeface to be used for subheads or headlines that<br />

require a condensed typeface.<br />

DynaGrotesk RXC Bold<br />

ABCDEFGHIJKLMN<br />

OPQRSTUVWXYZ<br />

1234567890<br />

SECONDARY COLORS<br />

CMYK: 0, 90, 95, 0<br />

RGB: 239, 65, 41<br />

PANTONE 172c<br />

CMYK: 0, 15, 90, 0<br />

RGB: 255, 213, 48<br />

PANTONE 115c<br />

To the right is John Sans Medium Regular which is the<br />

primary typeface to be used for all body copy.<br />

John Sans Med Regular<br />

abcdefghijklmn<br />

opqrstuvwxyz<br />

1234567890<br />

CMYK: 0, 34, 81, 13<br />

RGB: 222, 158, 65<br />

PANTONE 110c<br />

CMYK: 40, 30, 30, 100<br />

SUGGESTED RICH BLACK CMYK BUILD<br />

10 11


GRAPHIC ELEMENTS<br />

PHOTO TREATMENT<br />

GRAPHIC ELEMENTS<br />

The brand colored rays emanating from a focal point<br />

with be a common graphic element to draw attention<br />

to said focal point. The lens element from the logomark<br />

can also have a numeral placed inside to denote the<br />

theatre number or other information. This signage<br />

treatment can be seen in the Assets in Use section,<br />

specifically on the ticket and environmental graphics.<br />

Very slight distressing can also be applied to amplify<br />

the character of the manufactured elements.<br />

RAYS AND DISTRESSING<br />

PHOTO TREATMENT<br />

When photography needs to be stylized, we suggest<br />

either treating it as a duotone, or contrasting the image<br />

and creating a high DPI bitmap image. All colors utilized<br />

in either style should be on brand. Continuous<br />

tone photos may also be utilized but sparingly.<br />

BITMAPPING<br />

LOGAN<br />

4:00 pm 7:00pm<br />

R<br />

LENS AND NUMERAL<br />

HIDDEN FIGURES<br />

DUOTONE<br />

LA LA LAND<br />

3:00 pm 9:00pm 1:00 pm 8:00pm<br />

PG<br />

PG<br />

12 13


ASSETS IN USE<br />

ASSETS IN USE<br />

ASSETS IN USE<br />

POSTER<br />

Here are an assortment of examples of assets being<br />

utilized accross print, environment, and screen according<br />

to the brand standards. From food packaging, to<br />

website, to wall adornment and signage, the visual<br />

system we have devised is flexible and can see satisfactory<br />

usage in nearly any situation.<br />

For all instances of implementation, color application<br />

should follow the previously covered guidelines.<br />

Applied paint or vinyl should be the closest possible<br />

equivalent of the Pantone calls in the color section.<br />

Signage should also adhere to the guidelines mentioned<br />

previously.<br />

It should be noted while these examples reflect options<br />

for implementation, they are not meant to limit what<br />

the working designer can create for Ark Lodge. The<br />

possibilities are without limit.<br />

14 15


ASSETS IN USE<br />

ASSETS IN USE<br />

ENVIRONMENTAL GRAPHICS<br />

ENVIRONMENTAL GRAPHICS<br />

A FRAME SIGN<br />

16 17


SECTION<br />

SECTION<br />

PRINT AD<br />

WEB AD<br />

18 19


ASSETS IN USE<br />

ASSETS IN USE<br />

WEBSITE (DESKTOP)<br />

ENAMEL PINS<br />

WEBSITE (MOBILE)<br />

20 21


ASSETS IN USE<br />

ASSETS IN USE<br />

TICKETS<br />

POPCORN BAG<br />

THANK YOU<br />

22 23


THE WAY MOVIES WERE MEANT TO BE SEEN

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