Oklahoma! programme

‘GENTLEMEN 

– SHUT UP!’ 

AUNT ELLER ACT 2 SCENE 1

THE BARD SUMMERSCAPE PRODUCTION OF 

CREATIVE TEAM 

IN ASSOCIATION WITH EVA PRICE, SONIA FRIEDMAN PRODUCTIONS, MICHAEL HARRISON 

MUSIC BY RICHARD RODGERS 

BOOK AND LYRICS BY OSCAR HAMMERSTEIN II 

BASED ON THE PLAY “GREEN GROW THE LILACS” BY LYNN RIGGS 

ORIGINAL CHOREOGRAPHY BY AGNES DE MILLE 

CAST 

Ado Annie Carnes Marisha Wallace 

Ali Hakim Stavros Demetraki 

Andrew Carnes Greg Hicks 

Aunt Eller Liza Sadovy 

Cord Elam Ashley Samuels 

Curly McLain Arthur Darvill 

Gertie Cummings Rebekah Hinds 

Jud Fry Patrick Vaill 

Laurey Williams Anoushka Lucas 

Mike Raphael Bushay 

Will Parker James Davis 

Lead Dancer Marie-Astrid Mence 

Book, Music & Lyrics 

Rodgers & 

Hammerstein II 

Original Book 

Lynn Riggs 

Original Choreographer 

Agnes de Mille 

Director 

Daniel Fish 

& Jordan Fein 

Orchestrations & 

Arrangements & 

Co Musical Supervisor 

Daniel Kluger 

Choreographer 

John Heginbotham 

Co-Set Designer 

Laura Jellinek 

& Grace Laubacher 

Costume Designer 

Terese Wadden 

Lighting Designer 

Scott Zielinski 

Sound Designer 

Drew Levy 

Projection Designer 

Joshua Thorson 

Co Musical Supervisor, 

Vocal Arrangements 

Nathan Koci 

Musical Director 

Tom Brady 

Associate 

Choreographer 

Shelby Williams 

Associate Costume 

Designer 

Rachel Townsend 

Associate Lighting 

Designer 

Fiffi Thorsteinsson 

Associate Sound 

Designer 

Sam Lerner 

Associate Musical 

Director 

Huw Evans 

Dialect Coach 

Sam Lilja 

Assistant Director 

Nimmo Ismail 

Orchestral Manager 

David Gallagher 

Casting Director 

Jacob Sparrow 

Theatrical Handgun 

Consultant 

Ruth Cooper-Brown 

of Rc-Annie Ltd 

Singing Coach 

Mary King 

Company Stage 

Manager 

Kate Watkins 

Deputy Stage Manager 

Luke Chambers 

Assistant Stage 

Manager 

Catriona McHugh 

Assistant Stage 

Manager 

Leelah McEvoy 

Production Manager 

Sarah Barton 

Assistant Production 

Manager 

Esme Driscoll 

Production Assistant 

Maciek Zdobylak 

Original New York 

Consulting Producer 

Tamar Climan 

Production Electrician 

Sam McLeod 

Automation 

Programmer 

Craig Tye 

Automation Operator 

Ben Dootson 

Lighting Programmer 

Tamykha Patterson, 

Sam Ohlsson 

Very Special Thanks to Barbara Maier Gustern, 1935 – 2022 

Lighting Operator 

Luke Jackson 

Lead Production 

Sound Engineers 

Aidan Jones & 

Kyle MacPherson 

Production Sound 

Engineers 

Michael Paver, 

Joe Green, 

Callum Wills, 

Simon France, 

Dave Sorrell 

Sound No. 1 

Mat Williams 

Sound No. 2 

Mhairi Howison 

Sound No. 3 

Dylan Marsh 

Copyist 

Colin Rae 

Stage Crew 

Ben Dootson & 

Ryan Underwood 

Production 

Video Engineer 

Jake Stebbings 

Video Programmer 

Daberechi 

Ukoha-Kalu 

Costume Supervisor 

Zoë Thomas-Webb 

Costume Buyer 

Ellen Rey de Castro 

Hair and Makeup 

Supervisor 

Dominique Hamilton 

Assistant Costume 

Supervisor 

Annette Herold 

Maintenance Hair 

and Make Up Artists 

Fanny Burgos 

& Paul Burke 

Running Wardrobe 

Manager 

Maddie Bevan 

Dresser 

Anuccia Botto 

Laundry Technician 

Martina Porjesova 

Costume Makers 

Ann Sparks, 

Hilary Wili, 

Janna Bannon, 

Karen Smith, 

Laura Lejeune, 

Mai Fox 

Costume Maker 

and Alterations 

Edith Webb 

Textile Breakdown 

Artist 

Ysanne Tidd 

Head of Stage 

Craig Tye & 

Rhodri Sion Evans 

Deputy Head of Stage 


& Jack Tosney 

Production Carpenters 

Rachel MacLoughlin, 

Nick Aldrich, 

Harvey Barker, 

Tom Salmon 

Prop Supervisor 

Lizzie Frankl 

for Propworks 

Associate Prop 

Supervisor 

Zoë Wilson for 

Propworks 

Prop Assistant 

Sophie Haliburn 

for Propworks 

Props by 

Propworks 

London Workshop 

Audio Described by 

Eleanor Margolies 

Audio Described 

and Captioned by 

Miranda Yates 

Set built by 

Bower Wood 

Production Services 

Scenic art by 

Richard Nutbourne 

Scenic Studio 

Rigging services by 

Rigging Team 

Tech equipment 

suppliers: 

LX: 

PRG 

Sound 

Orbital Sound Ltd. 

Communication 

Creative Technology 

Automation 

TAIT 

Video Equipment 

supplied by 

Universal Pixels 

Special Effects 

Bloody Stuff 

Special Effects 

Consultant 

J&M Special Effects 

Transport provided by 

Paul Mathews 

Transport and React 

Transport Services 

Ltd. 

Special thanks to: Despina Tsatsas, Holly Aston, Donna Munday, Rebecca Gold, Diane Benjamin, David Nock, Josh Altman, Jake Hine, David Richards, Rachel Wingate, 

Danielle Karliner Nash, Jennifer Weber, Ted Chapin, Victoria Traube, Sean Flahaven, Lili Giblin-McGrady at ENO, London Embroidery Studio. 

This production was originally developed, produced, and premiered at the Richard B. Fisher Center for the Performing Arts at Bard College (Jeanne Donovan Fisher, 

Chair; Leon Botstein, President; Gideon Lester, Artistic Director; Bob Bursey, Executive Director; Caleb Hammons, Senior Producer) in July 2015. 

This production of Oklahoma! was subsequently developed and produced by St. Ann’s Warehouse and Eva Price at the Joseph S. and Diane H. Steinberg Theater, 

Brooklyn, NY, Fall 2018. 

Stock and amateur rights for Rodgers & Hammerstein’s Oklahoma! are represented by Concord Theatricals on behalf of The Rodgers & Hammerstein Organization 

www.concordtheatricals.co.uk 

Cover image: Art direction by Emilie Chen. Photography by Mads Perch. 

2 3

Poster from the 1945 Boston Production of Carousel 

50 YEARS OF RODGERS & HAMMERSTEIN’S 

GROUNDBREAKING MUSICALS 

After long and highly distinguished careers with other collaborators, 

Richard Rodgers (composer) and Oscar Hammerstein II (librettist/ 

lyricist) joined forces to create the most consistently fruitful and 

successful partnership in American musical theatre. Between them, 

their stage shows and respective film adaptations have earned them 

42 Tony Awards, 15 Academy Awards, 2 Pulitzer Prizes, 2 Grammy 

Awards and 2 Emmy Awards Tony Awards, ushering in a new era 

of Broadway musicals. 

1943 CARMEN JONES 

OKLAHOMA! Rodgers & Hammerstein’s partnership 

begins with their first musical, Oklahoma! 

1944 Awarded Pulitzer Prize for Oklahoma! 

1945 CAROUSEL 

1947 ALLEGRO 

1949 SOUTH PACIFIC 

1950 Awarded Pulitzer Prize for Best Drama, South Pacific 

1951 THE KING AND I 

1949 Broadway production of South Pacific 

1953 Broadway production of Me and Juliet 

1952 Winner of Best Musical at Tony Awards, The King and I 

1953 ME AND JULIET 

1955 PIPE DREAM 

1957 CINDERELLA 

1958 FLOWER DRUM SONG 

1959 THE SOUND OF MUSIC The last musical before Hammerstein’s passing 

1965 Film adaptation of The Sound of Music won 5 Oscars, including Best Picture and Director 

1990 Broadway’s 46th Street Theatre renamed The Richard Rodgers Theatre 

1959 Broadway rehearsals of The Sound of Music 

1999 Rodgers & Hammerstein awarded a United States Postal 

Service stamp commemorating their partnership 

4 

Richard Rodgers and Oscar Hammerstein II. 

All images: (from the R&H Archives). Courtesy of The Rodgers 

& Hammerstein Organization / A Concord Company, www.rnh.com. 

5

6 

Photography by Anne Tetzlaff 

7

THE COMPANY 

RAPHAEL BUSHAY 

MIKE 

Theatre includes: Red 

Riding Hood (Theatre Royal 

Stratford East); The Tempest, 

Henry V (Shakespeares 

Rose Theatre); Don Quixote 

(Royal Shakespeare Company); As You Like It (The 

Lamb Players); Peter Pan (Regents Park Open Air 

Theatre); Queen of Chapletown (West Yorkshire 

Playhouse); Roald Dahl’s ‘Fantastic Mr Fox’ (UK / 

UAE Tour) (NST / Lyric Hammersmith / Leicester 

Curve); Henry V (Regents Open Air Theatre); 

Kampala (The Miniaturists / Arcola Theatre) 

Television includes: Holby City (Series XVII). 

ARTHUR DARVILL 

CURLY McLAIN 

Previous Young Vic: Been 

So Long (Composer/MD). 

Theatre includes: Rare 

Earth Mettle (Royal 

Court); The Antipodes, 

Treasure Island (National Theatre); Sweet Charity 

(Donmar); Once (Broadway and West End); 

Genesis INC. (Hampstead); Hir (Bush Theatre); 

Elevenses/Beginning To End (Somerset House); 

Our Boys, Swimming With Sharks (West End); 

Marine Parade (Brighton Festival); Doctor Faustus 

(Globe); White Rabbit Red Rabbit (Gate); Is 

Everyone OK? (Nabokov); Stacey (Arcola); Terre 

Haute (Edinburgh Fringe/West End/Tour). 

Television includes: Grace (ITV); DC’s Legends of 

Tomorrow (CW); World on Fire (BBC), Danny & 

the Human Zoo (Red Prod), Broadchurch (Kudos/ 

ITV), Dr Who (BBC); The White Queen (BBC), 

The Paradise (BBC), Little Dorrit (BBC), He Kills 

Coppers, The Verdict. 

Film includes: Fairytale Sect; Robin Hood; 

Sex & Drugs & Rock & Roll; Pelican Blood. 

Short Film includes: Crazy for you; Captcha; 

In Wonderland; Bertie; People You May Know. 

Radio/Audio includes: Burning Both Ends, 

Gulliver’s Travels, The Sandman, Frankenstein, 

The Tales of Max Carrados, Good Omens. 

Music credits include: Been so Long (Young Vic/ 

Traverse/Netflix); I want my hat back (National); 

Frontline, Lightning Child (Globe); Artefacts 

(Bush); Stoopud Fucken Animals (Traverse). 

JAMES DAVIS 

WILL PARKER 

Young Vic and UK debut. 

New York theatre includes: 

Oklahoma! (Theatre 

World Award recipient for 

“breakthrough performance” 

on Broadway, also at St. Ann’s Warehouse & Bard 

Summerscape); The House of Blue Leaves 

(Broadway); We Are Proud to Present a 

Presentation...(Soho Rep); The Mother of 

Invention (Abingdon); The More Loving One 

(La MaMa ETC); and others. 

US regional theatre includes: Juliet Capulet 

in Romeo and Juliet (Shakespeare Theatre 

Company); King Richard II in Richard II, 

Long Day’s Journey into Night, As You Like It 

(Quintessence Theatre Group, ensemble member); 

Clybourne Park (Long Wharf Theatre); American 

Buffalo (Studio Theatre); and others. 

Television includes: Search Party (HBO Max), 

The Tony Awards (CBS). 

Recording: The Grammy nominated cast album 

of Oklahoma! 

Training: The Juilliard School. 

STAVROS DEMETRAKI 

ALI HAKIM 

Theatre includes: Peter Pan 

(Birmingham Repertory 

Theatre); The Vote 

(Donmar Warehouse); 

Timon of Athens, Antigone, 

She Stoops To Conquer, The Kitchen (National 

Theatre); Adventures In Wonderland, Supermarket 

Shakespeare (Teatro Vivo); As You Like It 

(Dash Arts / Curve); Blood Wedding (Liverpool 

Everyman); By The Way (Chopped Logic); 

Gilgamesh (Belgrade Theatre / National Tour); 

Birds Without Wings (Eastern Angles). 

Television includes: Miss Scarlett & The Duke; 

Doctor Who; Tyrant; White Van Man; Doctors. 

Film includes: The Phantom Warrior; Hampstead; 

Risen; Dracula Untold; The Hope Rooms; Blush 

Furiously; The Simple Equation. 

Video Games includes: Assassins Creed Origins and 

Assassins Creed Odyssey. 

Rehearsed reading / workshop includes: Unknown 

Warriors (National Theatre Platforms); Breaking 

The Code (McCabe / Smith); Upstairs, Hamlet 

(National Theatre). 

REBEKAH HINDS 

GERTIE CUMMINGS 

Rebekah trained at Royal 

Central School of Speech 

and Drama. 

Theatre includes: 

What’s New Pussycat? 

(Birmingham Rep); Paradise (Hampstead); Much 

Ado About Nothing (Watford Palace); Grotty 

(The Bunker); Humble Boy (Orange Tree); Anita 

& Me (UK Tour); The Government Inspector 

(Birmingham Rep/Ramps on the Moon UK Tour 

– Olivier Award Nominated); Billy Liar (Royal 

Exchange); Around the World (Sadler’s Wells & 

Mint Theater, New York); The Little Prince – 

Concert (Savoy); Sondheim Prom (Royal Albert 

Hall). 

Television includes: Scarborough, Inside No. 9, 

The Syndicate (BBC); Trollied (Sky1); Shameless 

(Channel 4); Aunties, Stains of Staines (Pilot). 

Film includes: Who Fired That Cannon? (Collab 

Films); Shandyland (Northern Stage); The Public 

Benefits (Zoom Films); Woman of the Night 

(Badgerboy Productions). 

Radio includes: I heart Amy, Omega (Wireless); 

Animal Instinct (Audible); The Phlebotomist (BBC 

Radio 3). 

Rebekah won the Audience Favourite Award in the 

Musical Comedy Awards 2019 as half of comedy 

duo Maris Piper. 

GREG HICKS 

ANDREW CARNES 

Theatre includes: The 

Oresteia (NT); The Open 

House (Bath/Print Room); 

Richard III, The Kreutzer 

Sonata, Clarion (Arcola); 

Play Strindberg (Ustinov Studio); All’s Well 

That Ends Well, Hamlet, Little Eagles, Anthony 

& Cleopatra, Julius Caesar, A Winter’s Tale; 

King Lear (All for the RSC); Angels in America 

(Headlong); Venice Preserved (Citizens); 

Coriolanus (Old Vic); Critics Circle Award & 

Olivier nomination Best Actor. 

TV includes: Domina; Citizen Charlie; Burton 

& Taylor; The Bible; Midsomer Murders. 

Film includes: The Mercy; Snow White & the 

Huntsman. 

ANOUSHKA LUCAS 

LAUREY WILLIAMS 

Theatre includes: Henry 

V (Donmar Warehouse); 

After Life (National 

Theatre); Jesus Christ 

Superstar (Regent’s Park 

Open Air Theatre); Chiaroscuro (Bush Theatre); 

Faces in the Crowd (Gate Theatre); Sparks 

(Edinburgh Fest / Vault Festival). 

Radio includes: U.Me (BBC World Service). 

Film includes: Murder On The Orient Express 

(Dir. Kenneth Branagh); Been So Long (Dir. 

Tinge Krishnan). 

Recording work includes: Dark Soul (debut album). 

Composing work includes: Sparks (BBC Radio 4 

/ Edinburgh Festival / Vault Festival); The Ballad 

of Klook and Vinette (Park Theatre / NAMT 

Festival NYC); The Etienne Sisters (Theatre 

Royal Stratford). 

MARIE-ASTRID MENCE 

LEAD DANCER 

Theatre includes: Then 

Or Now, Table Talk, The 

Waiting Game, Courage, 

Like Water, Click, 

Pendulum, Captured, 

Washa, Ingoma, House Of Dream, The Suit, 

Red Riding Hood, Storyville, A Dream Within 

A Midsummer Night’s Dream, Dépouillement, 

Tearfall, Melt, Mapping, Until Without Enough, 

Undivided Love. 

Television includes: Find me in Paris, L’Opera. 

Short films includes: The Uncomfortable Truth 

of Being a Black Ballerina, Like Water, Rising, 

The Waiting Game, Eightfold, Oranges. 

LIZA SADOVY 

AUNT ELLER 

Previous Young Vic: Annie 

Get Your Gun, The Good 

Soul of Szechuan, Six 

Characters Looking for 

an Author. 

Other theatre includes: Cabaret (KitKatClub 

at The Playhouse Theatre); Living Newspaper 

(Royal Court); Present Laughter (Old Vic); I’m 

Not Running, Absolute Hell, Tales from the 

Vienna Woods, The Heiress (National Theatre); 

Fiddler on the Roof (Chichester Festival Theatre); 

Pygmalion (Headlong); Wicked (Victoria Apollo); 

Oliver! (Sheffield Crucible); A Separate Reality 

(Royal Court); Mrs Klein (Northampton Theatre 

8 

9

THE BAND 

Royal. Winner of TMA Best Supporting Actress); 

La Bête (Comedy Theatre and Music Box Theatre 

New York); Sunday in the Park with George 

(West End and Menier Chocolate Factory); Secret 

Rapture (Bristol Old Vic); Richard II (Berkoff 

Productions); The Dresser and the British 

Premiere of Into The Woods (West End); Alice 

(RSC); The Slow Drag (Whitehall Theatre); 

Broken Glass (Manchester Library Theatre); 

Company (Donmar and West End); Sugar Hill 

Blues (Hampstead Theatre). Winner Olivier 

Award: best supporting actress in a musical. 

Television includes: Outlander, Ridley Road, Vera, 

Doctors, Babylon, EastEnders, The Honorable 

Woman, Emma, The Sarah Jane Adventures, 

Extras. 

Film includes: Kativta & Teresa, Disobedience, 

The Knot, Sweeney Todd. 

ASHLEY SAMUELS 

CORD ELAM 

Previous Young Vic: 

Fun Home. 

Other Theatre includes: 

Hairspray (London 

Coliseum); Sunset 

Boulevard (Royal Albert Hall); Taboo: 20th 

Anniversary (London Palladium); A Killer Party 

(Streamed Online); Cruel Intentions (Palais du 

Variété Spiegeltent, Assembly George Square 

Gardens); Night of the Living Dead – Live 

(Pleasance Theatre); Motown: The Musical 

(Shaftesbury Theatre); The Book of Mormon 

(Prince of Wales Theatre); The Toxic Avenger 

(Southwark Playhouse); The World Goes Round 

(Stephen Joseph Theatre); The Olivier Awards 

(Royal Opera House) 

Workshops: The Time Travellers Wife (Dominion 

Studios); The Monster Bride (Crazy Croqs); The 

Osmonds, Zombies, Pattie Shop Diaries (The 

Other Palace); Back to the Future: The Musical 

(American Church); Cult (Southwark Playhouse). 

Television includes: Sing On!; This Morning. 

Short film includes: FiveTwoSix. 

PATRICK VAILL 

JUD FRY 

Young Vic and UK debut. 

US Theatre includes: 

Oklahoma! (Broadway, 

St. Ann’s Warehouse, Bard 

SummerScape; (Drama 

Desk and Grammy Award Nominations); Macbeth 

(Lincoln Center Theatre); Peter Pan (Bedlam); 

Cabaret (National Tour, Roundabout Theatre 

Company); Edward II (Red Bull); Camelot, 

Othello, Henry IV Parts 1 & 2, Henry V, Richard 

II, As You Like It, Mrs. Warren’s Profession 

(Shakespeare Theatre Company, DC); also work 

with Bay Street Theatre, Capital Rep, and others. 

Television includes: Dash & Lily. 

Film includes: Bleecker, Xmas In July, and short 

films The Lovers and Research. 

Voice includes: the Audible podcast series Hot 

White Heist. 

Education: MFA, NYU Graduate Acting Program 

(Laura Pels Award for Acting); BA from Bard 

College where he originated the role of Jud in 

Daniel Fish’s Oklahoma! as a student in its first 

iteration. 

MARISHA WALLACE 

ADO ANNIE CARNES 

Theatre includes: 

Hairspray (West End); 

Waitress (West End); 

Dreamgirls (West End & 

Broadway); Something 

Rotten! (Original 

Broadway Cast); Aladdin (Original Broadway 

Cast); Sistas! (Off Broadway); The Book of 

Mormon (National Tour); Aladdin (Toronto); 

Oklahoma!, One Night with Janis Joplin, RENT, 

Hair (US Regional). 

Television includes: Feel Good; Almost Never; 

Strictly Come Dancing; Dancing on Ice; The 

Royal British Legion’s Festival of Remembrance; 

The Royal Variety Show; Good Morning Britain; 

This Morning; Songs of Praise; Lorraine; The 

Tony Awards; Good Morning America. 

Film includes: Jingle Jangle; Aladdin: Live Action 

Movie; Disney’s Frozen Fever. 

Recording work includes: Tomorrow (debut 

album). 

RICHARD COLLINS 

BANJO 

Previous Young Vic: A Winter’s Tale. 

Other Theatre includes: The Round House (Chalk 

house Green), The Royal Shakespeare Theatre 

(Stratford-Upon-Avon). 

Recordings include: The Newgrass Cutters 

(Mowing down the groove); The Mandolinquents, 

Dance of the Comedians (The Mandolinquents); 

A Band Like Alice. 

History: 

Richard Collins has been a multi instrumentalist 

for over 20 years. Having played in many different 

musical genres from Bluegrass to Classical to Rock 

n Roll. Recently been touring with Jo Brown, The 

Newgrass Cutters and the Mandolinquents. Also 

recorded in Nashville and toured the USA playing 

the Banjo. 

NICKI DAVENPORT 

DOUBLE BASS 

Theatre includes: South Pacific (CFT); Dick 

Whittington (NT); Les Mis in Concert (Gielgud); 

Flowers for Mrs Harris (Sheffield Crucible and 

CFT); Hadestown (NT); Translations (NT); 

Pinocchio (NT); Twelfth Night (NT); Fiddler 

on the Roof (CFT); This is My Family (Minerva 

at CFT). 

Theatre deputy credits include: Cabaret 

(Playhouse); Les miserables (Sondheim); 

Phantom of the Opera (Queens); Aladdin 

(Price Edward). 

Orchestras include: BBCCO, RPO, Aurora, LCO, 

Mozart Players. 

SHANE FORBES 

DRUM KIT 

Shane Forbes is a session musician/composer. 

He is the co-founder of the multi award-winning 

group Empirical (MOBO, Urban Music Awards, 

Parliamentary Jazz Awards, Jazzwise) who tour, 

perform and record original music in the jazz 

idiom. The ethos of Empirical is about taking 

musical risks while keeping interaction as pure 

and as in the moment as possible. Shane is also an 

Educator at Middlesex University and Trinity and 

Laban Conservatoire of Music and Dance. 

Previous Young Vic: Nina (A story about Nina 

Simone). 

Other Theatre includes: Nina (A story about Nina 

Simone) (Sweden Tour, Edinburgh Fringe, UK 

Tour); The Legend of Mike Smith (The Albany 

Theatre, Birmingham Rep); Guys and Dolls (Royal 

Exchange Theatre); King (Hackney Empire); 

The American Clock (The Old Vic); Blues in the 

Night (Kiln Theatre); Guys and Dolls (Crucible 

Theatre); The Visit (National Theatre); NHS the 

Musical (Theatre Royal Plymouth); A Chorus Line 

(Leicester Curve Theatre). 

Television includes: BBC Proms 34 and 57; 

Why Didn’t They Ask Evans. 

Film includes: Diana. 

TOM GREEN 

MANDOLIN AND 

ELECTRIC GUITAR 

Previous Young Vic: The Scottsboro Boys. 

Other Theatre includes: Carousel (Regents Park 

Open Air Theatre); As You Like It (National 

Theatre Public Acts/Queens Theatre Hornchurch); 

Violet (Charing Cross Theatre); Chicago, Evita 

(Phoenix Theatre); In The Heights (Kings Cross 

Theatre); The Scottsboro Boys (Garrick Theatre); 

Cabaret (Savoy Theatre); Blood Brothers, Evita, 

Cabaret (UK Tour). 

Deputy Theatre credits include: Come From 

Away (Phoenix Theatre); Only Fools and Horses 

(Theatre Royal Haymarket); Cinderella (Gillian 

Lynne Theatre); Romeo and Juliet (Royal Opera 

House); The Prince Of Egypt (Dominion Theatre); 

Half A Sixpence (Noel Coward Theatre); Whisper 

House (The Other Palace); RENT (St James 

Theatre); The Pajama Game (Shaftesbury 

Theatre); Top Hat (Aldwych Theatre); Cabaret 

(Lyric Theatre). 

Recordings include: Speakeasy (TAG productions); 

Em the Musical (Benjamin Till); The Scottsboro 

Boys (Original Westend cast recording); Broken 

Strings (TAG productions);Mandolin Swarm 

(Spitfire Audio). 

10 

11

CREATIVE TEAM 

KATHRYN JAMES 

VIOLIN 

DAVINA SHUM 

CELLO 

RODGERS & HAMMERSTEIN II 

BOOK, MUSIC & LYRICS 

LYNN RIGGS 

ORIGINAL BOOK 

DANIEL FISH 

DIRECTOR 

JORDAN FEIN 

DIRECTOR 

Theatre includes: South Pacific, This is my Family 

Flowers for Mrs Harris, Caroline, or Change 

(Chichester Festival Theatre); The Bridges of 

Madison County (Menier Chocolate Factory); 

Young Frankenstein (Garrick Theatre); Much Ado 

/ Love’s Labour’s Lost (Chichester Festival Theatre 

& Haymarket Theatre); Showboat (Sheffield 

Crucible & Gillian Lynne Theatre); West Side Story 

(Sadler’s Wells); Love Story (Chichester Festival 

Theatre & Duchess Theatre). 

Deputy theatre credits include: The Phantom of the 

Opera, Cinderella, Moulin Rouge, Pretty Woman, 

Bedknobs and Broomsticks, The Last Five Years, 

The Book of Mormon, Aladdin, Motown, Joseph, 

An American in Paris, Evita, On the Town and 

Charlie and the Chocolate Factory. 

JP RUGGIERI 

PEDAL STEEL GUITAR, ELECTRIC/ 

ACOUSTIC GUITAR 

Theatre includes: Oklahoma! (Circle In The Square 

Theatre, Broadway, NYC). 

JP has toured and/or recorded with such notable 

acts as: Charlie Hunter, Viktor Krauss (Robert 

Plant, Bill Frisell), Oliver Wood (The Wood 

Brothers), Jano Rix (The Wood Brothers), The 

Waterboys, Jools Holland, and David Ford. JP is 

also a touring singer/songwriter and is set to release 

his second album later this year. JPRuggieri.com 

Theatre includes: Spring Awakening (Almeida 

Theatre). 

Opera includes: The Silver Lake, Il Seraglio 

(English Touring Opera); Madame Butterfly (Iford 

Arts); La Traviata (Devon Opera); Il Trovatore 

(Winslow Hall Opera). 

Session and tour work: with ABC, Tony Hadley, 

Trevor Horn, Max Richter, Becky Hill, Celeste, 

Kate Simko and London Electronic Orchestra. 

Orchestra includes: Bournemouth Symphony 

Orchestra, Royal Philharmonic Orchestra, 

Manchester Camerata, Heritage Orchestra, 

Novello Orchestra, Southbank Sinfonia, Auckland 

Philharmonia Orchestra. 

After long and highly distinguished 

careers with other collaborators, 

Richard Rodgers (Composer, 

1902-79) and Oscar Hammerstein 

II (Librettist/Lyricist, 1895-1960) 

joined forces in 1943 to create 

the most successful partnership in 

American Musical Theatre. Prior to 

joining forces, Rodgers collaborated 

with lyricist Lorenz Hart on musical 

comedies that epitomized wit and 

sophistication (Pal Joey, On Your 

Toes, Babes In Arms, and more), 

while Hammerstein brought new life 

to operetta and created the classic 

Show Boat with Jerome Kern. 

Oklahoma!, the first Rodgers & 

Hammerstein musical, introduced an 

integrated form that became known 

as “the musical play.” Their shows 

that followed included Carousel, 

South Pacific, The King and I, and 

The Sound of Music. Collectively, 

the Rodgers & Hammerstein musicals 

have earned Tony, Oscar, Grammy, 

Emmy, Pulitzer, and Olivier Awards. 

The Rodgers & Hammerstein 

Organization is a Concord Company, 

www.rnh.com. 

(1899 -1954). Riggs was born in 

Claremore, Oklahoma, was the author 

of Green Grow the Lilacs, originally 

produced by the Theatre Guild in 

1931. Riggs, whose father was once 

a cowboy and whose mother was part 

Cherokee, often set his work in the 

Southwest, vividly depicting life in the 

Indian territory. He worked on several 

Hollywood films (The Plainsmen, The 

Garden of Allah and Sherlock Holmes 

in Washington) and wrote about 30 

plays (Roadside, Russet Mantle and 

The Cherokee Night). Riggs’ mother 

died when he was young and he was 

raised by his aunt and older sister. His 

beloved characters of Aunt Eller and 

Laurey were modeled after them. 

AGNES DE MILLE 

ORIGINAL CHOREOGRAPHER 

De Mille achieved fame both as a 

dancer and choreographer. Among 

her masterpieces are Rodeo, in which 

she danced, Fall River Legend and 

Three Virgins and a Devil. Miss 

de Mille changed the face of the 

American musical theatre with her 

choreography for Oklahoma!, which 

enjoyed a hit Broadway revival in 

1979, One Touch of Venus, Bloomer 

Girl, Carousel, Brigadoon, Gentlemen 

Prefer Blondes, Paint Your Wagon 

and other memorable shows. Miss 

de Mille directed and choreographed 

Allegro, The Rape of Lucretia, Out of 

This World and Come Summer, and 

she choreographed the film version 

of Oklahoma!. 

Daniel Fish is a New York-based 

director who makes work across 

the boundaries of theatre, film, and 

opera. He draws on a broad range of 

forms and subject matter including 

plays, film scripts, contemporary 

fiction, essays and found audio. 

His 2019 production of Oklahoma! 

transferred to Broadway from St. 

Ann’s Warehouse and won the Tony 

Award for Outstanding Musical 

Revival. 

Recent work includes: El Amor 

Brujo and The Diary 0f One Who 

Disappeared (Opera National du 

Rhin); White Noise (Ruhrfestspiele, 

Theater Freiburg, Skirball 

NYU); Michael Gordon’s opera, 

Acquanetta (Prototype Festival/ 

Bard Summerscape); Don’t Look 

Back (The Chocolate Factory); Ted 

Hearne’s The Source (BAM NEXT 

WAVE, L.A. Opera, San Francisco 

Opera). 

His work has been seen at theatres 

and festivals throughout the US 

and Europe: The Walker Arts 

Center, Mass MOCA, Festival 

TransAmériques, Teatro Nacional D. 

Maria, Lisbon/Estoril Film Festival, 

amongst others. He is graduate 

of Northwestern University’s 

Department of Performance Studies 

and the recipient of the 2017 Herb 

Alpert Award in the Arts for the 

Theater. www.danielfish.net 

Jordan Fein is a London based 

Theatre and Opera director. 

Theatre includes: Rags Parkland 

Sings the Songs of the Future 

(Ars Nova Theatre: New York 

Times Best of 2018 and Lortel 

award for Outstanding New 

Musical); Singlet by Erin Markey 

(The Bushwick Starr); Indecent 

(Weston Playhouse); A Ride on 

The Irish Cream (Abrons Arts 

Center, ART); The Dixon Family 

Album (Williamstown Theatre 

Festival); Dracula, Or The Undead 

(Williamstown Theatre Festival); 

War Lesbian (Harunalee); Die 

Tote Stadt (Bard Summerscape); 

Dialogues of the Carmelites (Opera 

Philadelphia); The Skin of our 

Teeth (Bard College); The Rape of 

Lucretia (Curtis Opera Theater); 

The Marriage of Figaro (Curtis 

Opera Theatre). 

Associate Director and Director of 

The Prologue for Cabaret (The Kit 

Kat Club at the Playhouse Theatre); 

Associate Director for Oklahoma! 

(Bard Summerscape & Circle in 

the Square Theatre on Broadway). 

jordanfein.net 

12 

13

DANIEL KLUGER 

ORCHESTRATIONS 

& ARRANGEMENTS 

& MUSIC SUPERVISION 

Broadway theatre includes: The 

Sound Inside, Seawall / A Life, revival 

of Marvin’s Room, world premiere of 

Significant Other. 

Off-Broadway theatre includes: 

premieres of I Was Most Alive With 

You, Animal, The Village Bike, Man 

From Nebraska, Tribes, and Women 

or Nothing. 

Film scores include: A Chrismas Carol 

(2021), The Courtroom (2021), Duolo 

(2017), Health to the King (2020), 

Hello Again (2017, Orchestrations). 

In 2021 Kluger launched the music 

label Archie & Fox Records. www. 

danielkluger.com [danielkluger.com] 

JOHN HEGINBOTHAM 

CHOREOGRAPHER 

Born in Lakenheath, England and 

raised in Anchorage, Alaska, USA, 

John Heginbotham graduated from 

The Juilliard School (1993), and was a 

member of Mark Morris Dance Group 

(1998-2012). In 2011, he founded 

Dance Heginbotham, a contemporary 

dance company based in Brooklyn, NY. 

John is the Director of the Dartmouth 

Dance Ensemble and is on faculty at 

Dartmouth College. He is a founding 

teacher of Dance for PD®. 

Other Theatre includes: Oklahoma! 

(Bard Summerscape, St.Ann’s 

Warehouse, Broadway, US National 

Tour). 

Opera includes: John Adams’ Girls 

of the Golden West (San Francisco 

Opera, Dutch National Opera); 

Candide (Orlando Philharmonic, 

Ravinia Festival); The Magic Flute 

(Opera Theatre of St. Louis); Maria 

de Buenos Aires (Cork Opera House). 

Commissions include: The Juilliard 

School, The Washington Ballet, 

Atlanta Ballet, Ballet X, Works & 

Process at the Guggenheim, Vail 

International Dance Festival, The 

John F. Kennedy Center for the 

Performing Arts, Bard Summerscape, 

Lincoln Center Out of Doors, 

The Hopkins Center for the Arts, 

NCCAkron, Jacob’s Pillow Dance 

Festival, Brooklyn Academy of Music, 

Baryshnikov Arts Center. 

LAURA JELLINEK 

CO SET DESIGNER 

Broadway theatre includes: 

Oklahoma! (Tony & Drama Desk 

Nominations, Obie award); Sea Wall / 

A Life; Marvin’s Room. 


The Antipodes, Everybody (Signature 

Theatre); Buzzer (The Public); Mary 

Page Marlowe (2ST); Mary Jane 

(NYTW); Rags Parkland (Ars Nova); 

The Wolves, Queens (LCT); Heroes 

of the Fourth Turning, The Treasurer, 

Marjorie Prime (Playwrights 

Horizons); A Life (Playwrights 

Horizons, Lortel Award, Hewes 

Design Award); Small Mouth Sounds 

(Ars Nova, Signature Theatre, 

National Tour); The Debate Society, 

The Mad Ones. 

Opera includes: Opera Theatre of 

St. Louis, Boston Lyric Opera, Opera 

Philadelphia, Atlanta Opera. 

Other: Obie for Sustained Excellence 

in Design. 

Education: MFA, NYU. 

GRACE LAUBACHER 

CO SET DESIGNER 

Theatre includes: The Sound of 

Music (Virginia Opera / Virginia 

Arts Festival); La Bohème (Santa 

Fe Opera); The Barber of Seville 

(Opera Columbus); Glory Denied and 

Enemies, A Love Story (Kentucky 

Opera); Trayf (New Rep Theater, 

Boston); Four Woke Baes (Edinbugh 

Fringe); Dido and Aeneas (Juilliard 

/ Opera Royal, Versailles); Riders to 

the Sea and Empty the House (Curtis 

Institute, Philadephia). 

Television includes: Manifest 

(NBC); The Greatest Beer Run Ever 

(Skydance Media), Jigsaw (Netflix); 

Prodigal Son (Fox). 

Associate set design includes: KPOP 

(Broadway); Oklahoma! (Broadway 

& First US tour); Sea Wall / A Life 

(Broadway); Hans Zimmer Live 

European Tour (various); Merrily We 

Roll Along (Huntington Theater Co., 

Boston). 

TERESE WADDEN 

COSTUME DESIGNER 

Theatre includes: Oklahoma! 

(Broadway, Touring, and St. Ann’s 

Warehouse); Cosi fan Tutte (Santa 

Fe Opera); Peter Pan (Bard 

Summerscape); A Quiet Place (Curtis 

Institute of Music), Acquanetta 

(Bard Summerscape and Prototype 

Festival); The Wake World (Opera 

Philadelphia). 

Opera includes: Il Farnace (Spoleto 

Festival USA); Dr. Atomic (Curtis 

Institute of Music); The Little Match 

Girl Passion (Perez Museum, Miami 

and Jack Shainman Gallery at The 

School, Kinderhook, NY); In The 

Penal Colony (Boston Lyric Opera); 

Pyramus and Thisbe (Canadian 

Opera Company); Orlando and 

Alcina(WhiteBox Art Center) 

Other: Glimmerglass Festival, 

Tanglewood, Lyric Opera of Chicago, 

Chicago Opera Theater, New 

York City Opera, Opera Colorado, 

Central City Opera, Portland Opera, 

Baryshnikov Arts Center, the Mark 

Taper Forum, Brooklyn Academy of 

Music, National Sawdust, LA Opera at 

RedCat, and the San Francisco Opera. 

Rome Prize Fellow at the American 

Academy in Rome 2020-2021. 

SCOTT ZIELINSKI 

LIGHTING DESIGNER 

Scott Zielinski lives in the U.S. and 

designs lighting for theater, dance, 

and opera throughout the world. In 

London his work has been seen at 

English National Opera, Institute of 

Contemporary Arts, LIFT Festival at 

Queen Elizabeth Hall, Lyric Theatre 

Hammersmith, National Theatre, 

Royal Court Theatre, and Royal 

Opera House. His designs at home 

include the Broadway productions of 

Oklahoma! and Topdog/Underdog as 

well as numerous other productions in 

New York as well as throughout many 

other cities in the United States. 

Productions outside the US: Adelaide, 

Amsterdam, Avignon, Beijing, Berlin, 

Edinburgh, Fukuoka, Gennevilliers, 

Hamburg, Hong Kong, Istanbul, Linz, 

Ljubljana, London, Lyon, Melbourne, 

Orleans, Oslo, Paris, Rennes, 

Reykjavik, Rotterdam, St. Gallen, 

Seoul, Singapore, Shanghai, Shizuoka, 

Stockholm, Taipei, Tokyo, Toronto, 

Vienna, Vilnius, and Zurich. 

DREW LEVY 

SOUND DESIGNER 

Broadway theatre includes: A Strange 

Loop; Oklahoma! (Tony nom., Drama 

Desk nom.); Honeymoon in Vegas 

(Drama Desk nom.); Chaplin (Drama 

Desk Award); The Winslow Boy; The 

Importance of Being Earnest; Present 

Laughter. 


Judgment Day (Park Avenue 

Armory); Oklahoma! (St. Ann’s); 

Cleopatra; One Day the Musical; 

The Weir; Why Torture is Wrong...; 

Emergence-See!; Rainbow Kiss; 

Dutchman (AUDELCO Viv nom.). 

Regional theatre includes: The Old 

Globe, Heartbreak Hotel (Chicago), 

ART, Williamstown, Huntington, 

Westport Country Playhouse, Two 

River Theater, McCarter Theater, 

Arena Stage, Long Wharf. 

Other: Reconfiguration – An 

Evening with Other Lives at 

BAM; Drama Desk Awards 2014 

& 2015; Metropolitan Opera 

125th Anniversary Gala; Holiday 

installations for Saks 5th Avenue, 

Cartier, and others. 

JOSHUA THORSON 

PROJECTION DESIGNER 

Joshua Thorson is a Brooklyn-based 

artist and writer. His video work has 

screened at MoMA NYC, Rotterdam 

International Film Festival, 

Rencontres Internationale (Paris/ 

Berlin), MIX NYC, Anthology Film 

Archives, among others. 

Theatre includes: Signature Theater, 

American Repertory Theater, 

Crossing the Line/New Settings 

Festivals, Bard SummerScape 

Festival, St. Ann’s Warehouse, 

Broadway and Broadway National 

Tour of Rodgers and Hammerstein’s 

Oklahoma! 

Education: BA in Film and Cultural 

Studies from the University of 

Minnesota, an MFA in Film/ 

Video from Bard College, a PhD 

in Electronic Art from Rensselaer 

Polytechnic. He is an Associate 

Professor in the School of 

Photographic Arts and Sciences 

at RIT. 

NATHAN KOCI 

CO MUSICAL SUPERVISOR, 

VOCAL ARRANGEMENTS 

Nathan Koci is a musician, conductor 

and collaborative artist working 

across multiple disciplines including 

folk music, jazz, contemporary 

classical music, dance, and theater. 

Theatre includes: Oklahoma! 

(Broadway, US Tour, St. Ann’s 

Warehouse, Bard Summerscape); 

Hadestown (Broadway, US Tour, 

Citadel Theater); Most Happy in 

Concert (Bard Summerscape); 

Brimstone and Glory (Wordless 

Music); The Head and the Load 

(Tate Modern, Ruhr Triennale, MASS 

MoCA); The Source (BAM Next 

Wave, SF Opera, LA Opera); The 

Principles of Uncertainty (BAM Next 

Wave); War Horse (US Tour). 

Nathan also records and performs 

with The Solomon Diaries and The 

Hands Free. nathankoci.com 

14 

15

TOM BRADY 

MUSICAL DIRECTOR 

Tom studied Music at Oxford 

University before training at the Royal 

Academy of Music, where he is a 

recipient of the ARAM award. 

Theatre includes: Pinocchio, The 

Light Princess (National Theatre); 

Show Boat, Caroline or Change 

(West End); Flowers for Mrs Harris, 

Fiddler on the Roof, Forty Years 

On (Chichester Festival Theatre); 

Everybody’s Talking About Jamie 

(Sheffield Crucible); The Magician’s 

Elephant (RSC); Romantics 

Anonymous (Wise Children, Bristol 

Old Vic); Anything Goes (Sheffield 

Crucible & UK Tour); Floyd Collins 

(Wilton’s Music Hall); The Empress 

(RSC & Kneehigh); Wah! Wah! 

Girls (Sadler’s Wells & Kneehigh); 

Abomination: A DUP Opera (Lyric, 

Belfast); A Tale of Two Cities 

(Royal & Derngate); Evita (Festival 

Ljubljana, Slovenia); Have A Nice 

Life (Edinburgh, NYC Fringe and 


Concerts include: The Music of 

Rodgers & Hammerstein with the 

Orchestre Nationale d’Lille. 

Tom teaches on the Musical Theatre 

postgraduate course at the Royal 

Academy of Music. 

SHELBY WILLIAMS 

ASSOCIATE 

CHOREOGRAPHER 

Theatre includes: As a dancer with 

Matthew Bourne: Cinderella, The 

Car-Man, Nutcracker!, Highland 

Fling, Edward Scissorhands, and 

Swan Lake; Ballet Work 1020 

(Martin Creed). 

As Choreographer/ Director/ 

Associate: Company (Mountview); 

Georgiana (Buxton Festival); Twilight 

Zone (Ambassadors); Little Women 

(Stanix); London Road (Mountview); 

Wind In The Willows (UK and 

Palladium); Bend It Like Beckham 

(Phoenix); Made in Dagenham 

(Adelphi); Turandot (ENO); Magical 

Night (ROH); Sweet Charity (Royal 

Exchange); Speech and Debate 

(Trafalgar Studios); Merchant of 

Venice (Almeida); Anna Nicole – The 

Opera (BAM); Idomeneo (Grange 

Park); Carmen (Salzburg Opera); 

Dido and Aeneas, La Voix Humane 

(Opera North); Midsummer Night’s 

Dream (Opera Lyon, La Scala, Opera 


Film includes: The Danish Girl; 

The Theory of Everything; Collette; 

WWZ; Great Expectations; The Car- 

Man; Nutcracker; Swan Lake 3D. 

RACHEL TOWNSEND 

ASSOCIATE COSTUME 

DESIGNER 

Young Vic debut. 

Select Assistant Theatre includes: 

Oklahoma! (Broadway,St. Ann’s 

Warehouse); West Side Story 

(Broadway); Network (Broadway); 

Lazarus (NYTW). 

Assistant Film includes: Better Nate 

Than Ever. 

Recognition includes: Co-Winner 

2020 Drama Desk, 2020 Lucille 

Lortel, 2020 Outer Critics Circle 

Honoree for Outstanding Costume 

Design for The Confession of Lily 

Dare (Primary Stages, NYC). 

FIFFI THORSTEINSSON 

ASSOCIATE LIGHTING 

DESIGNER 

Previous Young Vic: Oklahoma! is 

Fiffi’s first production at the Young Vic. 

Other theatre includes: The 

Intelligence Park (Music Theatre 

Wales & The Royal Opera House); 

The Lady of the Camellias (The 

Shanghai Ballet); Hadestown 

[associate] (The National Theatre); 

Spine (The Soho Theatre); Under 

the Umbrella (The Belgrade 

Theatre); This Flesh is Mine (Border 

Crossings); Fidelio (Operudagar); 

Benedikt Bualfur (Akureyri Theatre 

Company); The Blood Soaked Rabbit 

(Fimbulvetur). 

Other creative output: Architectural 

Theatre Consultant to over 50 venues 

worldwide, including theatres, opera 

houses, concert halls, arenas, museums 

and purpose built halls of spectacle; 

various catwalks at London, Paris 

and Milan fashion weeks; various 

events including for John Lewis, 

NBC/Universal and WPP; passionate 

educator and regularly lectures, 

mentors and designs at drama schools 

including The Royal Central School of 

Speech and Drama, Guildford School 

of Acting, Rose Bruford College and 

Mountview Academy of Theatre 

Arts, and has furthermore been 

commissioned to create a production 

lighting pathway within the Icelandic 

educational system. Fiffi also sits 

on the professional practitioners 

committee at the Icelandic Centre 

for the Performing Arts. 

SAM LERNER 

ASSOCIATE SOUND 

DESIGNER 

As Sound Designer: Hatuey: Memory 

of Fire (Kasser Theatre); In the Body 

of the World (Manhattan Theatre 

Club); Crossing: A New American 

Opera (Brooklyn Academy of Music). 

As Associate Sound Designer: Plaza 

Suite (Hudson Theatre); Rattlesnake 

Kate (Denver Theatre Center); 

Disney’s Aladdin (Teatro Telcel); 

Chicken & Biscuits, Oklahoma! (Circle 

in the Square); Natasha, Pierre and 

the Great Comet of 1812 (Imperial 

Theatre); Moby-Dick (American 

Repertory Theater); Tea At Five 

(Huntington Theatre). 

Sam served as the Manager of the 

American Repertory Theater’s Sound 

Department from 2013-2020. Prior to 

coming to ART, he headed the Sound 

Department at South Coast Repertory 

(Costa Mesa, CA) and served as 

the lead sound engineer at La Jolla 

Playhouse. 

Training: Royal Academy of Dramatic 

Art, the Royal Central School of 

Speech and Drama. 

HUW EVANS 

ASSOCIATE MUSICAL 

DIRECTOR 

Musical Director credits include: 

The Ruling Class (Trafalgar Studios). 

Associate / Assistant Musical Director 

credits include: Come From Away 

(Phoenix Theatre); Big Fish (The 

Other Palace); Funny Girl (UK Tour); 

Assassins (Menier Chocolate Factory); 

Evita (Dominion Theatre & UK Tour); 

Oliver! (Sheffield Crucible). 

Keyboard / Cover Conductor credits 

include: Chicago (Phoenix Theatre); 

Cats (UK Tour); The Lion King 

(Musical Theater, Basel). 

SAM LILJA 

DIALECT COACH 

Theatre includes: Ava: The Secret 

Conversations (Bush Theatre); 

Cat on a Hot Tin Roof (Theatre 

at St. Clements, NYC); Terms 

of Endearment (59E59, NYC); 

Assassins (Encores! Off-Center, 

NYC); Sundown, Yellow Moon (Ars 

Nova & WP Theater, NYC); Spill 

(Ensemble Studio Theatre, NYC); 

Charlie and the Chocolate Factory 

(US National Tour). 

Television includes: Tinkertown; 

Django; Interview with a Vampire; 

New Amsterdam; Grant; Blindspot; 

Madam Secretary. 

Film includes: Little Women; Boston 

Strangler; The Hustle; Humor Me; 

The Sunlit Night; UFO. 

Acting credits include: The 

Inheritance (Broadway); The 

Iceman Cometh (Broadway); 

Romeo & Juliet, The Winter’s Tale 

(Shakespeare Theatre Company, 

DC); Measure for Measure (The 

Acting Company, NYC); All Our 

Children (Sheen Center, NYC); 

Acolyte (59E59, NYC); Django 

(Sky); Billions (Showtime); Almost 

There (DirecTV). samlilja.com. 

NIMMO ISMAIL 

ASSISTANT DIRECTOR 

Nimmo is a Sky Arts Artistic 

Associate Artist at Theatre Royal 

Stratford East 2022/2023 and was 

named as one of The Stage 25 in 

January 2022. 

Previous Young Vic includes: 

Fragments by Cordelia Lynn as part of 

Five Plays and My England as part of 

Fresh Direction and as Boris Karloff 

Trainee Assitant Director on Wings by 

Arthur Kopit. 

Theatre work as a director includes: 

Two Billion Beats (Orange Tree 

Theatre); Holding Space, Glee & Me, 

The Christmas Star (Royal Exchange 

Manchester); a meal (Poleroid 

Theatre); SNAP as part of Connect 

Now (Old Vic); Two Palestinians Go 

Dogging (Sparkhaus Theatre); The 

Other Day (Camden People’s Theatre); 

Television Guide; The Displaced/We 

Came In a Tiny Red Boat, I Actually 

Have a Son (Guildhall School of Music 

& Drama with Squint Theatre). 

Theatre work as a staff/assistant 

director includes: The Antipodes 

(National Theatre); Shedding A Skin 

(Soho Theatre); Our Town (Open 

Air Theatre); A Very Very Very 

Dark Matter (Bridge Theatre); The 

Prudes, Goats (Royal Court); The 

Phlebotomist (Hampstead Theatre). 

JACOB SPARROW 

CASTING DIRECOR 

Theatre includes: Oklahoma! (Young 

Vic); Black Love (Kiln Theatre); 

Hedwig and the Angry Inch (Leeds/ 

Home Manchester); Anna Karenina, 

Much Ado About Nothing (Sheffield 

Crucible); Curious Incident of the 

Dog in the Night-Time (2021 tour); 

Jitney (Old Vic/Headlong/Leeds 

Playhouse); Burn It Down (Theatre 

Royal Stratford East); Carousel, Our 

Town (Regents Park); LOVE, Faith, 

Hope and Charity (European 2021 

tour), Perspectives (New Views); 

2021 Roundabout Season (Paines 

Plough); City of Angels (Garrick); 

Hadestown, Pericles, Follies, 

Amadeus (all Olivier Theatre); LOVE 

(Dorfman/International Tour/Film); 

Queer Season, Rutherford and Son, 

Faith Hope and Charity, Mr Gum, 

Downstate (National Theatre). 

Jacob worked in the NT Casting 

Department from 2015 to 2019 

before becoming a freelance Casting 

Director. Prior to working at the 

National Theatre, Jacob worked with 

Pippa Ailion Casting and Telsey and 

Company in New York, as well as 

alongside James Orange. 

DAVID GALLAGHER 

ORCHESTRAL MANAGER 

Theatre includes: Come From 

Away (Phoenix Theatre); Matilda 

(Cambridge Theatre); 42nd Street 

(Theatre Royal Drury Lane); Girl 

from the North Country (Noel 

Coward & Gielgud Theatre); Queen 

Anne (Theatre Royal Haymarket); 

From Here to Eternity (Shaftesbury 

Theatre); Spring Awakening (The 

Almeida); A Christmas Carol ,The 

American Clock, Sylvia, Fanny and 

Alexander, The Divide, The Lorax, 

Groundhog Day, Future Conditional, 

The Bridge Project, Cinderella (Old 

Vic); She Loves Me, Guys and Dolls 

(Sheffield Crucible); NHS The Musical 

(Plymouth Theatre Royal); The Wizard 

of Oz (Leeds Playhouse); Local Hero 

(Edinburgh Lyceum); Matilda, Jackie 

the Musical, Bernadette Peters, Crush, 

Play Without Words (UK tours); Wolf 

Hall recordings (Broadway); The 

National Symphony Orchestra, Various 

projects, amfar Gala Cannes Film 

Festival 2014 and 2015, Robin Hood 

film (Universal 2010). 

David was Music Manager at the 

National Theatre 2000 – 2010, and 

Music Manager at the RSC 2010 – 

2011 where he currently provides 

consultancy. 

16 

17

FISHER CENTER AT BARD 

Fisher Center at Bard is a leading 

professional performing arts producer 

and research/education hub in a 

landmark Frank Gehry building 

on Bard College’s Hudson Valley 

NY campus. Presenting more than 

200 events and welcoming 50,000 

visitors each year, the center supports 

artists, students, and audiences in 

the development and examination of 

artistic ideas, offering perspectives 

from the past, present, and visions 

of the future. Its commissioned 

productions have been seen in more 

than 100 communities around the 

world. In 2019 the Fisher Center 

won the Tony Award for Best Revival 

of a Musical for this production of 

Oklahoma! which began life in 2007 

as an undergraduate production at 

Bard and was produced professionally 

in the Fisher Center’s SummerScape 

Festival in 2015 before transferring 

to New York City. 

fishercenter.bard.edu 

ST. ANN’S WAREHOUSE 

“A bastion of adventurous theater” 

(The New York Times), St. Ann’s 

Warehouse plays a vital role on 

the global cultural landscape as 

an artistic home for international 

companies of distinction, American 

avant-garde masters and talented 

emerging artists. For over four 

decades it has brought some of the 

world’s most imaginative theater to 

America’s shores, and emerged as 

a key partner in the development of 

the Brooklyn waterfront, activating 

found spaces through preservation 

and adaptive re-use. Bolstered by 

a sense of sacred mission and an 

endless capacity for reconfiguration, 

St. Ann’s programming sits at the 

intersection where theater meets 

rock and roll. 

EVA PRICE 

CO-PRODUCER 

Eva Price is an NYCLU/ACLU 

honoree and three-time Tony Award 

winning producer. 

Broadway includes: Jagged Little Pill 

(2 Tony Awards), Oklahoma! (2 Tony 

Awards; National Tour); Tina – The 

Tina Turner Musical (Tony Award); 

What the Constitution Means to Me 

(Tony nominated; National Tour); 

Angels in America (3 Tony Awards); 

Dear Evan Hansen (6 Tony Awards; 

3 Olivier Awards); On Your Feet!; 

Frankie Valli and the Four Seasons on 

Broadway!; Peter and the Starcatcher 

(5 Tony Awards); Colin Quinn Long 

Story Short; Annie; The Merchant 

of Venice starring Al Pacino (Tony 

nom.); Carrie Fisher’s Wishful 

Drinking; The Addams Family. 

Off-Broadway/Touring: Cruel 

Intentions: The ’90s Musical; Found 

(LA/NY Premieres); The Lion (Drama 

Desk Award); Small Mouth Sounds; 

Sanctuary City (NYTW); and The Hip 

Hop Nutcracker (Emmy Award for 

PBS Special Live Capture). 

SONIA FRIEDMAN 

PRODUCTIONS 

CO-PRODUCER 

Sonia Friedman Productions (SFP) is 

a West End and Broadway production 

company responsible for some of the 

most successful theatre productions in 

London and New York. 

Current productions include: To Kill 

A Mockingbird at the Gielgud, The 

47th at the Old Vic, Jerusalem at the 

Apollo Theatre, The Book of Mormon, 

West End and UK & European Tour, 

Dreamgirls UK Tour, Harry Potter 

and the Cursed Child in London, New 

York, Melbourne, San Francisco and 

Hamburg, Funny Girl on Broadway and 

the Mean Girls US Tour. 

Forthcoming productions include: 

Harry Potter and the Cursed Child in 

Toronto and Tokyo. 

MICHAEL HARRISON 

CO-PRODUCER 

Michael Harrison’s West End musicals 

include The Drifters Girl at the 

Garrick, two seasons of Joseph and the 

Amazing Technicolor Dreamcoat at the 

London Palladium, Mel Brooks’ Young 

Frankenstein at the Garrick, Annie 

at the Piccadilly, Mrs Henderson 

Presents at the Noel Coward, Gypsy at 

the Savoy and The Bodyguard at both 

the Adelphi and Dominion Theatres. 

Michael’s current UK Touring 

productions include Disney’s Bedknobs 

& Broomsticks, Joseph and the 

Amazing Technicolor Dreamcoat and 

Singin‘ in the Rain. 

Michael’s London Palladium 

pantomimes – Cinderella, Dick 

Whittington, Snow White, Goldilocks 

and the Three Bears and Pantoland 

have proved to be huge popular hits 

with Dick Whittington winning the 

Olivier Award for Best Entertainment 

and Family. 

He is Chief Executive of Crossroads 

Pantomimes responsible for many of 

the major number one pantomimes 

across England, Northern Ireland, 

Scotland and Wales. 

18 

Photography by Anne Tetzlaff 

19

THE YOUNG VIC 

THE YOUNG VIC COMPANY 

OUR SHOWS 

We produce new plays, classics, musicals, 

adaptations of books, short films, digital projects 

and game changing forms of theatre. We tour and 

co-produce within the UK and internationally. 

OUR ARTISTS 

We foster emerging talent and collaborate with 

some of the world’s finest directors, performers 

and creatives, creating productions that say much 

about the world we live in. 

OUR AUDIENCES 

We attract large audiences from many different 

backgrounds and forge deep connections in our 

neighbourhood, where we provide extensive free 

activities. For many years, the Young Vic has been 

synonymous with inclusivity, accessibility and 

creativity. We keep our prices low and give 10% of 

our tickets to young people, schools and neighbours 

irrespective of box office demand. 

GET MORE FROM THE YOUNG VIC ONLINE 

Sign up to receive email updates at youngvic.org/e-newsletter 

@youngvictheatre 

@youngvictheatre 

/youngvictheatre 

/youngviclondon 

OUR PARTNERS NEAR AT HAND 

Each year we engage with over 15,000 local people – 

individuals and groups of all kinds including schools and 

colleges – by exploring theatre on and off stage. From 

time to time we invite our neighbours to appear on our 

stage alongside professionals. 

OUR PARTNERS FURTHER AWAY 

By co-producing with leading theatre, opera, dance, 

film and TV companies from London and around 

the world, we create shows neither partner could 

achieve alone. 

‘The most exciting theatre in Europe’ Cush Jumbo 

‘A theatre with a global outlook and an 

extraordinary record of nurturing talent’ 

Financial Times 

‘The Young Vic is where theatre 

magic happens’ Time Out 

‘Cool, creative, edgy Young Vic’ iNews 

‘London’s most essential theatre’ The Guardian 

‘Young Vic is London’s most lovable theatre. 

The building welcomes; the programming dares. 

It offers danger in a safe place.’ The Observer 

The Young Vic is a company limited by guarantee, registered 

in England No. 1188209. VAT registration No. 236 673 348 

Programme design: Eureka! Design Consultants Ltd 

Artistic Director 

Kwame Kwei-Armah 

Executive Director 

(incoming) 

Lucy Davies 

Interim Executive Director 

(outgoing) 

Sarah Nicholson 

Associate Artistic Director 

Sue Emmas 

Genesis Fellow / 

Associate Director 

Jennifer Tang 

Creative Associate 

Teunkie Van Der Sluijs 

Lead Producer 

(maternity leave) 

Holly Aston 

Lead Producer 

(maternity cover) 

Nisha Modhwadia 

General Manager 

(Maternity Leave) 

Robyn Keynes 

General Manager 

(Maternity Cover) 

Christabel Holmes 

Executive Assistant 

to the Artistic Director 

Olivia Nwabali 

Administrator 

(Producing Team) 

Lucy Steward 

Creators Program 

Administrator 

Tia Begum 

Channel 4 playwright 

Lulu Raczka 

Young Vic Artistic 

Associates 

Glenn Davis 

Alfred Enoch 

Anna Fleischle 

Marcus Gardley 

Kate Hewitt 

Afua Hirsch 

Kirsty Housley 

Alex Basco Koch 

Doña Kroll 

Gregory Maqoma 

Prema Mehta 

Duncan McLean 

Chinonyerem Odimba 

Wendell Pierce 

Caitriona Shoobridge 

Charles Randolph-Wright 

Charlotte Sutton 

XANA 

Associate Companies 

Belarus Free Theatre 

Crying In The Wilderness 

Productions 

Regional Theatre Young 

Director Scheme 

The What If Experiment 

Development 

Deputy Executive Director 

Alex Tonetta 

Head of Corporate 

Partnerships & Events 

Elisha Owen 

Trusts and Foundations 

Manager 

Bernadette Witham 

Individual Giving Manager 

Cameron Henderson-Begg 

Development Operations 

Manager 

Lewis Hammond 

Producing & Development 

Young Associate 

Megan Tze Ern Khor 

Finance 

Finance Director 

Ivor Stockdale 

Finance Officer 

Janine Carter 

Finance Administrator 

Hannah Turk 

Financial Planning and 

Analysis Assistant 

Fahim Uddin 

Marketing & Audiences 

Director of Marketing 

and Audiences 

Beatrice Burrows 

Interim Head of Press 

and Communications 

Kate Hassell 

Marketing Manager 

Steph Cullen 

Interim Social Media and 

Digital Marketing Manager 

Haniya Bhatty 

Social Media and Digital 

Content Manager 

(incoming) 

Florence Bell 

Ticketing Manager 

Zoe Fitzpatrick 

Marketing Officer 

Ella Kilford 

Press Officer 

Karl-Lydie Jean-Baptiste 

Press, Marketing & 

Audiences Young Associate 

Chamekir Hunte 

Operations 

Operations Director 

Rathi Kumar 

Senior IT Projects Manager 

Luke Taylor 

Digital Systems Analyst 

Damilola Senbanjo 

Company Administrator 

Isobel Ford 

Head of Theatre Operations 

Bryan Lewis 

Facilities Manager 

Samuel Hailey-Watts 

Interim Front of House 

Manager 

Ryan Melish 

Administration Assistant 

(Operations) 

Beth Fisher 

Duty Managers 

Coral Tarran 

Lauren Holden 

Maryam Shofowora 

Max Puplett 

Sebastian Houillon 

Ushers 

Aisha Edwards 

Albert Graver 

Alykhan Merali 

Andre Da Silva-Jenkins 

Anna-May Wood 

Benjamin Clarke 

Cassiopeia Berkeley- 

Agyepong 

Charlotte Micalef 

Chenta Mariqueo 

Daniella Connor 

Debbie Burningham 

Dynzell Muguti 

Eboni Dixon 

Francesca De Sica 

Glenn Mortimer 

Grace Kayibanda 

Gracjana Rejmer-Canovas 

Grainne PC 

Hana Jennings 

Isaac Vincent 

Jess James 

Joanna Selcott 

Josh Hitchman-Pinnock 

Julie Patten 

Kanishka Gupta 

Kitti Wells 

Lethaniel Stacey-Coombe 

Linden Sloan 

Luke Garner-Greene 

Lynn Knight 

Malika Sandover 

Maurice Chung 

Melina Morris 

Michael Asiamah 

Molly-Rose Curran 

Newton James Thomas 

Oliver Byng 

Owen Haslegrave 

Paula Shaw 

Rosemarie Akwafo 

Sahana Rackal 

Simone Bell 

Starr Ballard 

Susan Harrold 

Taz Munyaneza 

Thea Sandall 

Theo Hung 

Tia Wingate 

Tobi Oludipe 

Tom Sparkes 

Urielle Klein-Mekongo 

Production 

Technical Director 

(outgoing) 

Jaz Sandalli 

Production Manager 

Sarah Barton 

Head of Sound 

Kyle MacPherson 

Head of Stage 

Craig Tye 

Head of Costume 

Sarah Hamza 

Head of Lighting 

Sam McLeod 

Deputy Head of Stage 


Deputy Head of Sound 

Jet Sharp 

Deputy Head of Lighting 

Faye Hetherington 

Workshop Carpenter 

Rachel MacLoughlin 

Lighting Technician 

Saul Richardson 

Production Administrator 

(Interim) 

Kate Jones 

Production Young Associate 

Leelah McEvoy 

Production Assistant 

Maciek Zdobylak 

Taking Part 

Director of Taking Part 

Shereen Jasmin Phillips 

Neighbourhood Theatre 

Producer 

Alisha Artry 

Participation Producer 

Lorna McGinty 

Learning Producer 

Melanie Anouf 

Taking Part Administrator 

Vicky Olusanya 

Taking Part & Creators 

Program Young Associate 

Jordi Carter 

Taking Part Administration 

Assistant 

Charlotte Micalef 

Welcome Team 

Jo Keane 

Max Puplett 

Edd Soper 

Edward Jones 

Eimear Griffin 

Eleanor Kumar 

Joel Oladapo 

Julie Patten 

Kathy Bolt 

Lethaniel Stacey-Coombe 

Sofia Sousa 

Tia Wingate 

20 

21

YOUNG VIC – COMING SOON 

OF THE CUT 

30 JUL – 6 AUG 

A magical realism promenade performance 

piece which shines a light on the many lives 

lived on and around The Cut and explores what 

the next 25 years has in store. Written by 

Yasmin Joseph and the Company, directed by 

Philip J Morris. A Taking Part production from 

Young Vic and TEA films. 

THE 

SECRETARIES 

1 – 11 JUN 

Deirdre McLaughlin, Genesis 

Future Directors Award 

recipient, directs a murderously 

dark comedy that splits open 

gender stereotypes. Written by 

The Five Lesbian Brothers. 

CHASING 

HARES 

16 JUL – 13 AUG 

An epic tale about a father’s 

resistance and dignity in the 

face of global exploitation, set 

in West Bengal and the UK. 

Written by Sonali Bhattacharyya 

and directed by Milli Bhatia. A 

Young Vic and Theatre Uncut 

co-production. 

YOUNGVIC.ORG 020 7922 2922 #YoungVic 

WHO KILLED 

MY FATHER 

7 – 24 SEP 

An anger-soaked letter from 

a son to his father, telling 

the story of a life marked by 

social deprivation in the north 

of France. Adapted by Ivo van 

Hove from the book by Édouard 

Louis. An International Theater 

Amsterdam production in 

association with Young Vic 

MANDELA 

28 NOV – 4 FEB 2023 

A revolutionary new musical 

and world premiere that tells 

the story of Mandela the man 

and Mandela the movement. 

Developed in proud partnership 

with Nandi Mandela, Luvuyo 

Madasa and the Mandela 

family. 

COMMUNITIES OF RESISTANCE 

JUN – JUL 

Following the success of Sundown Kiki, a group of young Queer 

and Black or Global Majority artists will travel to the US to 

explore the political heritage of ballroom. A Taking Part and 

Hetrick-Martin Institute Project. 

YV UNPACKED: I WONDER IF... 

TOURING 10 – 21 OCT 

THE YOUNG VIC 24 – 29 OCT 

Fusing dance, music and dialogue to explore the human 

relationship in its many forms, I Wonder If... is a dazzling new 

play directed by Daniel Bailey and devised by the company. 

JOURNEYS THE PODCAST 

25 JUL – 25 DEC 

A six-part podcast series celebrating local heroes in Lambeth 

and Southwark and uncovering stories from the Young Vic 

community. 

THE TWENTY THRIVE EXHIBITION: CELEBRATING 

25 YEARS OF CREATING, EXPLORING AND 

TAKING PART IN OUR COMMUNITY 

14 – 21 OCT 

An immersive and interactive exhibition that celebrates the 

last 25 years of the Young Vic’s outreach and engagement work. 

A Young Vic Taking Part project 

22 

23

ACCESS AND INCLUSION PERFORMANCES 

TAKING PART AT THE YOUNG VIC 

Audio Described 

performances 

BSL 

performances 

Captioned 

performances 

Relaxed 

performances 


Chasing Hares 



Tue 24 May, 7.30pm 

Fri 29 Jul, 7.30pm 

Thu 9 Jun, 7.30pm 

Fri 10 Jun, 7.30pm 

Chasing Hares 

Mandela 

Chasing Hares 

Chasing Hares 

Tue 2 & Tue 9 Aug, 7.30pm 

Tue 13 Dec 2022 & 

Thu 4 Aug, 7.30pm 

Wed 3 Aug, 7.30pm 

The Secretaries 

Thu 12 Jan 2023, 7.30pm 



1 – 11 Jun 

1 – 11 Jun 

1 – 11 Jun 

Audio description is 

integrated into every 

performance. 

Mandela 

Mon 19 Dec 2022, 

Tue 10 & Tue 24 Jan 

2023, 7.30pm 

Creative captioning is 

integrated into every 

performance. 

Mandela 

Thu 15 Dec 2022 & 

Thu 5 Jan 2023, 7.30pm 

All performances 

are relaxed. 

Mandela 

Wed 4 Jan 2023, 7.30pm 

Taking Part is our creative engagement department that works with young people, 

adults, schools, and our local community for 25 years. We engage with over 15,000 

people a year, providing free tickets to all our shows and free creative and artistic 

opportunities to our participants. 

If you would like to book an induction loop, require someone to look after your 

assistance dog during a performance, or have any other access requirements, 

please let us know in advance so we can make your visit as enjoyable as possible. 

For more information call: 020 7922 2922 

Textphone 18001 020 7922 2922 

Our three strands, Learning, Participation, 

and Neighbourhood Theatre, create 

work that is the beating heart of the 

organisation. Each year Taking Part’s 

programme responds to a shared theme. 

Last year we responded to the provocation 

‘Freedom of Expression’. This year the 

theme is Culture and Displacement. 

Last autumn the Young Vic went back 

to school with a new project called 

INNOVATE. This project has embedded 

six artists into our two partner secondary 

schools – South Bank University Academy 

and Dunraven school. Working across 

the year 7 and 8 curricula, they are 

collaborating with teachers and students 

to explore the role of artists and arts 

organisations in teaching the curriculum, 

and more broadly the Young Vic’s civic 

responsibility as a local theatre. 

We think of the Young Vic as ‘the home 

you didn’t know you had’ – come in 

and join us. To find out more about our 

projects and how you can get involved, 

please visit youngvic.org/taking-part or 

follow @yvtakingpart on Twitter. 

24 

25

2022 SEASON SUPPORTERS 

THE YOUNG VIC BOARD 

Board of Trustees 

Development Board 

Public Support 

Season Support 

Hotel Partner 

Varun Chandra 

Nicky Dunn OBE 

Glenn Earle (Chair) 

Robert Easton 

Farah Ramzan Golant CBE 

Kobna Holdbrook-Smith MBE 

Ali Hossaini 

Kwame Kwei-Armah OBE 

Ebele Okobi 

Abigail Sewell 

Fiona Shaw 

Sita Thomas 

Steve Tompkins MBE 

Anna Williams 

Beatrice Bondy 

Rachel Conlan (Co-Chair) 

Gerard Crichlow 

Glenn Earle 

Sophie Hale 

Will Meldrum 

Ebele Okobi (Co-Chair) 

Barbara Reeves 

Sarah Thorpe Scott 

The Young Vic gratefully recognises 

the following Trustees who retired from 

board service between March 2020 

and April 2021: 

The Young Vic’s 2022 season is also supported by the Genesis Foundation and IHS Markit. 

We gratefully acknowledge Ian Burford and Alec Cannell for generously supporting the Young Vic’s mission. 

Sean Egan 

David Fletcher 

Rory Kinnear 

Rita Skinner 

26 27

YOUNG VIC SUPPORTERS 

£10,000 – £19,999 

Young Vic supporters realise our mission of creating extraordinary theatre, sharing 

the joy of creativity with our community and investing in the artists of tomorrow. 

They make everything we do possible, and we are deeply grateful to them all. 

For their recent support we thank: 

£100,000+ 

£20,000 – £49,999 

Anonymous 

Lionel Barber & 

Victoria Greenwood 

Sandra Cavlov 

Ian & Caroline Cormack 

Lin & Ken Craig 

Manfred & Lydia Gorvy 

Patrick Handley 

The Boris Karloff 

Charitable Foundation 

Jack & Linda Keenan 

Adam Kenwright 

Kidron Hall Charitable Trust 

Tracey, Eloise & Max Mayerson 

Richenthal Foundation 

Jon & NoraLee Sedmak 

Dasha Shenkman 

United St Saviour’s Charity 

Dominic Wallington 

The Harold Hyam 

Wingate Foundation 

Arts Council England 

Bloomberg* 

Ian Burford & Alec Cannell 

Culture Recovery Fund, DCMS 

Glenn Earle 

Esmée Fairbairn Foundation 

Garfield Weston Foundation 

Genesis Foundation 

IHS Markit 

Patrick & Sholpan McKenna 

£50,000 – £99,999 

The Charlotte Aitken Trust 

Backstage Trust 

Bank of America* 

Jo Braun 

Robert Easton & Elza Blankenburgs 

Sea Containers London 

Southwark Council 

Anonymous (1) 

Sarah & Tim Bunting 

Cockayne – Grants for the Arts 

The London Community Foundation 

Calouste Gulbenkian Foundation 

H&M Foundation 

Sophie Hale & Roland Rudd 

Paul Hamlyn Foundation 

Jerwood Arts 

Lambeth Council 

Sarah & Dominic Murphy 

Karl-Johan Persson 

The Austin & Hope Pilkington Trust 

Clive & Sally Sherling 

Rita & Paul Skinner 

*Young Vic Corporate Member 

Listing current as of 1 March 2022. 

£1,000 – £9,999 

Anonymous (8) 

The 29th of May 1961 

Charitable Trust 

AKA* 

Andor Charitable Trust 

Jennifer Bailey 

Jack Bamberger 

Chris & Frances Bates 

Lady Primrose Bell 

Sarah Billinghurst Solomon 

Adrian & Lisa Binks 

Tony & Gisela Bloom 

Beatrice Bondy 

The Charlotte Bonham-Carter 

Charitable Trust 

Simon & Sally Borrows 

The Boshier-Hinton Foundation 

The Martin Bowley Charitable Trust 

Katie Bradford 

CJ & LM Braithwaite 

Dr Neil & Sarah Brener 

Sylvie & Leon Bressler 

Clive & Helena Butler 

Monkey Chambers 

Chapman Charitable Trust 

Cleopatra Trust 

The John S Cohen Foundation 

Rachel Conlan 

James & Victoria Corcoran 

Noël Coward Foundation 

Lord Mervyn Davies 

Miel de Botton 

Roger & Alison De Haan 

Scott M Delman 

Annabel Duncan-Smith 

Robyn Durie 

Marielle Ednalino & Ken Lamb 

Jennifer & Jeff Eldredge 

Sir Vernon & Lady Ellis 

Don Ellwood & Sandra Johnigan 

Vanessa Johnson-Burgess 

Embassy of Spain 

David Fein & Liz Oestreich 

Finsbury Glover Hering* 

Adam Freudenheim 

Gillian Frumkin 

The Golden Bottle Trust 

The Golsoncott Foundation 

Alan & Ros Haigh 

Sarah Hall 

Katherine Hallgarten 

Frances Hellman & Warren Breslau 

Suzy Hester 

Madeleine Hodgkin 

Jacob Holt 

Nik Holttum & Helen Brannigan 

Mike & Caroline Howes 

The Hoxton Southwark 

Peter Hughes 

Tom & Caron Ilube 

Melanie Johnson 

Jones Day* 

John & Gerry Kinder 

Carol Lake 

Ben Langworthy 

Victoria Leggett 

Clive Lewis 

The Lowy Mitchell Foundation 

Frances Lynn 

John Lyon’s Charity 

Jill & Justin Manson 

Memery Crystal* 

Barbara Minto 

Carole Neuhaus 

Newcomen Collett Foundation 

Ebele Okobi 

Rob & Lesley O’Rahilly 

Bernadette O’Sullivan 

Simon & Midge Palley 

Sarig Peker 

Pi Capital* 

Richard Radcliffe Charitable Trust 

Heather & Julia Randall 

The Red Hill Trust 

Barbara Reeves 

The Rix-Thompson-Rothenberg 

Foundation 

Corinne Rooney 

Sue Roy 

The Royal Victoria Hall Foundation 

Sir Paul & Lady Ruddock 

Carol Sellars 

Dr Bhagat Sharma 

Jenny Sheridan 

Justin Shinebourne & 

Laurence Chaussinand 

Florian Simm 

Deborah E Mali Smith 

Demola Soremekun 

The John Thaw Foundation 

TowerBrook Foundation* 

Nick Tsatsas 

U+I Group Plc 

Bill Updegraff & Aliza Bartfield 

Valentino England Ltd. * 

Katleen van Roost 

Walcot Foundation 

Rob & Gillian Wallace 

Edgar & Judith Wallner 

Alice Whitaker 

Bill & Anda Winters 

Chavah Yentl 

Jill Hackel Zarzycki 

Julia Zilberman & Maxim Seltzer 

and all our members and supporters, 

whose generosity strengthens and 

sustains our work. 

*Young Vic Corporate Member 

Listing current as of 

1 March 2022. 

28 

29

the power to 

imagine, illuminate and inspire 

After an extended intermission, we are thrilled 

to join you at the Young Vic once again. 

As a major partner of cultural organizations, 

Bank of America believes in the power of the arts. 

What would you like the power to do? 

Learn more at bankofamerica.com/Arts 

© 2021 Bank of America Corporation. 

MAP3727647 

31

Oklahoma! programme

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