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1.5.1 Itiyori legcile kumbhali.<br />
Lena tiyori igcizelela kakhulu ligalelo lembhali<br />
kulowo mbhalo, ivete netinhloso tembhali ngalowo<br />
mbhalo wakhe.<br />
1.5.2 Itiyori legcile embhalweni.<br />
Kuletiyori umbhalo utsatfwa njengentfo letimele<br />
lengakanciki ndzawo. Lena tiyori yadala kutsi kube<br />
khona lamanye ematiyori lamanyenti lokubalwa kuwo leyo<br />
yenhlangano yeMarashiya “Russian Formalism”<br />
lekuyinhlangano lephikisa kutsi umsebenti wetembhalo<br />
utimele.<br />
1.5.3 Itiyori legcile kumfundzi<br />
Letiyori ibuke kakhulu umfundzi nendlela lakawemukela<br />
ngayo umbhalo.<br />
Uma sibuka indlela layisebentisile Ncongwane kuveta<br />
sibekandzaba kubonakala asebentisa indlela lesamlandvo<br />
loku lokutsiwa pheceleti „historical-biographical’<br />
approach. Swanepoel (1990) ubeka atsi ngalendlela:<br />
This approach saw the literary<br />
work, if not exclusively, then<br />
for the greater part, as a<br />
reflection of the author‟s life<br />
and times, of the life and times<br />
of the characters.<br />
(Swanepoel,1990:8)<br />
(Lendlela ibona umsebenti<br />
wetemibhalo kuyindlela yekuveta<br />
imphilo nesikhatsi sembhali<br />
nemphilo nesikhatsi sebalingisi.)<br />
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