04.07.2018 Views

summer bird wood

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B i r d <br />

S u m m e r <br />

F i e l d <br />

W o o d


All Images copyright Jim Lloyd 2018<br />

For further information and contact see<br />

https://www.jamesjosephlloyd.com/


About<br />

Images in this book were produced using a digital camera modified to record radiation in the ultraviolet and<br />

infrared as well as visible light. By placing filters in front of the lens different parts of the electromagnetic<br />

spectrum may be selected.<br />

This book is part of a series of three books produced during an open-door residency at Allenheads Contemporary<br />

Arts, (ACA). This involved being part of a group of artists, curators and scientists using the word BEYOND as an<br />

open ended starting point for discussion, research, and creation of new work. Many artists drew inspiration from<br />

the newly installed North Pennine Observatory at ACA and considered distant worlds. I have drawn inspiration<br />

from animals that can perceive aspects of our world that are hidden beyond our own senses. I have been inspired<br />

in this book by <strong>bird</strong> vision; <strong>bird</strong>s tend to have a very wide field of view but limited binocular vision.<br />

Technical information<br />

Photographs taken with Nikon D3200 full spectrum converted camera (supplied by uvircameras (see eBay shop)<br />

Additional filters (supplied by uviroptics ‒ see eBay shop): Hoya U-330 1.5 mm plus Schott S8612 2mm filter ‒ this<br />

combination passes UV, blue and green light which is supposed to mimic bee vision. Lenses- Nikkor-EL 80mm<br />

f/5.6 (Enlarger lens adapted for camera, - older metal style) All images in natural sunlight. Images acquired in RAW<br />

format and processed in Adobe Lightroom (and Photoshop in some cases)<br />

Acknowledgements<br />

http://www.ultravioletphotography.com/ is a mine of valuable information on all things related to UV and<br />

multispectral imaging and I thank the founders and managers of this site (Andrea G Blum and Bjørn Birna<br />

Rørslett ) as well as all regular contributors who have given me tips and encouragement.<br />

This work was produced during a residency supported by Allenheads Contemporary Arts<br />

https://www.acart.org.uk/

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