20.04.2020 Views

CFS Large Format Score (12x16, 1-up, 2-sided) (1)

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

7 P E R F O R M A N C E N O T E S 7<br />

Children’s Folksong Suite is based on five Hungarian folk melodies with a simple, child-like<br />

character that have been culled from sources published between 1813 and 1896. The five<br />

melodies are also found in a collection of Hungarian and Slovakian folk melodies in Béla Bartók’s<br />

piano collection entitled For Children. As with Bartók’s Mikrokosmos and his forty-four Violin<br />

Duets, For Children is an expression of Bartók’s interest in composing accessible works for<br />

young musicians that introduces them to contemporary harmonic resources rarely encountered<br />

at the beginning level. Similarly, the five folk melodies set in Children’s Folksong Suite have<br />

been completely re-harmonized and, in some instances, expanded. Although not bound by<br />

common-practice theoretical expectations, Children’s Folksong Suite preserves each piece’s<br />

unique, child-like character.<br />

Children's Folksong Suite is dedicated to the members of the Leslie Middle School band<br />

(Salem, Oregon) and their conductor Mr. Danh Pham, who commissioned the work.<br />

7 R E H E A R S A L N O T E S 7<br />

In general<br />

The work was composed with 3 optional mallet percussion parts (listed as percussion 4-6). These<br />

percussion parts are not required to perform the work and should only be utilized once the<br />

timpani and percussion parts 1-3 have been covered.<br />

Performances need not include all 5 movements. In the case that the complete work is not<br />

performed, conductors should feel free to present the selected movements in an order that<br />

makes musical sense for the program. The overall timing is approximately 8' 35" with the<br />

breakdown of each movement as follows:<br />

I. 1 25<br />

II. 2 35<br />

III. 1 15<br />

IV. 1 50<br />

V. 1 30<br />

The tenor clef used in the trombone part is only found in the score so as to facilitate notation<br />

and avoid collisions with staves immediately above it. The trombone parts, however, are notated<br />

in bass clef throughout.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!