Shakespeare Magazine 9
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Interview: James Shapiro <br />
All the<br />
King’s Men<br />
James Shapiro discovered so much about <strong>Shakespeare</strong> when<br />
exploring a single year, 1599, that he resolved to repeat the<br />
process. The result is a new book, 1606: William <strong>Shakespeare</strong><br />
and the Year of Lear, that opens a window into <strong>Shakespeare</strong>’s<br />
stellar career as a King’s Man during the reign of James I.<br />
Interview by Pat Reid<br />
Author photo by Mary Creggan<br />
You’ve said that your<br />
<strong>Shakespeare</strong> journey began<br />
when you were visiting<br />
London in the late ’70s<br />
and you got hooked on<br />
watching <strong>Shakespeare</strong> plays<br />
– seeing literally hundreds<br />
of productions in the space<br />
of a few years. Is this what<br />
propelled your approach<br />
as an academic – taking<br />
<strong>Shakespeare</strong> studies out of<br />
the ivory tower and returning<br />
it to the sweaty cockpit of<br />
London’s theatreland?<br />
“I’ve never really thought of those<br />
two sides of my identity – cultural<br />
historian and theatergoer – as quite<br />
so separate as your question implies.<br />
They are really complementary. It’s<br />
true that I didn’t enjoy <strong>Shakespeare</strong><br />
in high school and never took a<br />
<strong>Shakespeare</strong> course at university,<br />
and only became interested in<br />
<strong>Shakespeare</strong> after seeing scores of<br />
productions in the late ’70s and early<br />
’80s in London and Stratford-upon-<br />
Avon. But seeing those performances<br />
made me all the more eager to<br />
investigate the circumstances of their<br />
creation. I’ve spent the past three<br />
decades in archives on both sides of<br />
the Atlantic delving deeply into how<br />
those plays were a product of their<br />
times. Over the past few years I’ve<br />
summed the circle, and now spend<br />
a good deal of my time advising<br />
theater companies about the cultural<br />
pressures that helped shape the<br />
plays.”<br />
When your book 1599 came<br />
out a decade ago, it felt like<br />
a periscope into the past.<br />
Readers like myself were<br />
excited and inspired by how<br />
it allowed us to imagine<br />
<strong>Shakespeare</strong>’s life and work<br />
in the context of a historical<br />
moment.<br />
“I stumbled on the idea about<br />
writing about a single year quite<br />
by accident. I felt that I needed<br />
to learn everything I could about<br />
<br />
SHAKESPEARE magazine 27