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Issue 43 / April 2014

April 2014 issue of Bido Lito! Featuring WE ARE CATCHERS, DROHNE, MOATS, LORELLE MEETS THE OBSOLETE, EVERISLAND, THE GIT AWARD 2014, JAGWAR MA and much more.

April 2014 issue of Bido Lito! Featuring WE ARE CATCHERS, DROHNE, MOATS, LORELLE MEETS THE OBSOLETE, EVERISLAND, THE GIT AWARD 2014, JAGWAR MA and much more.

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Bido Lito! <strong>April</strong> <strong>2014</strong> 3<br />

Editorial<br />

Partly out of burning intrigue and partly due to a procrastinating restlessness, I found<br />

myself rummaging through my Dad’s record collection the other day. I’d been meaning to do<br />

it for a while, purely from a curious (and slightly selfish) perspective to see how it matched up<br />

to my own, but also because I was convinced there were some hidden gems in there: I wasn’t<br />

wrong, but it took a fair amount of sifting to divide the nuggets from the waxy depths.<br />

Amid the assortment of dusty 45s and falling-apart LPs I uncovered some genuine<br />

surprises (Intermezzo from Cavalleria Rusticana among them), and more than a few guilty<br />

pleasures (the Xanadu and Flash Gordon soundtracks – oof!). The slightly anarchic jumble<br />

contained as much cause for hearty laughter as it did incredulity, not least the idea of<br />

scrawling your name on the middle of a record. Why anyone would want to lay claim to a<br />

Shakin’ Stevens LP I’ll never know.<br />

What really interested me was the story that the collection told, and how it held a set of<br />

memories that are passed on, in a way that digital libraries aren’t. The same holds true for<br />

the (occasionally dubious) cassette and CD collections of my five older siblings, from which a<br />

glimpse of the personalities of the individuals behind them can be gleaned. It took an awful lot<br />

more bottle back then to go down to Woolies and buy that<br />

Pato Banto single than it does to click buy on iTunes; the<br />

selections committed to these physical libraries therefore<br />

have even more than just a monetary investment in them.<br />

One 7” in particular stood out from the tottering piles<br />

of chipped vinyl and demanded to be listened to. Beat<br />

In Liverpool, a live recording put together by a German<br />

magazine, which claims – if my German is still up to scratch<br />

– to feature two of Liverpool’s “particularly popular groups”,<br />

The Clayton Squares and The Hideaways. Admittedly it’s<br />

not great, but through the warm crackle and pop of the records you can hear the band<br />

barrelling through some classics as a boisterous Cavern crowd cheers them on. The idea was<br />

to capture a moment in time, a cut that could stand as a record for future generations, and in<br />

this they succeeded. The twelve minutes or so of audio here aren’t gonna change the world;<br />

their value, to me at least, lies in the preservation of a set of feelings that give a backstory,<br />

something that it would take a thousand books to tell.<br />

For me, the beauty of records is that they’re chunky entities that can be passed on and<br />

shared, and in to which people’s memories can seep, alongside the dust and dirt accumulated<br />

over the years. In many ways this makes them richer things than when they were first<br />

pressed or bought, showing that they’ve played a part (however small) in someone’s life:<br />

physical things that have traversed the trials and tribulations of the world in a way that an<br />

mp3 (or a WAV, if you’re lucky) never can. If those grooves could talk, eh.<br />

What will our legacy be, from our pixelated, digitised age? What stories will future<br />

generations be able to glean from our iTunes libraries and Spotify playlists that say<br />

something about us? I don’t know about you, but I think the prospect of my kids one day<br />

leafing through my own record collection – the hits and the guilty pleasures alike – and<br />

discovering some half-forgotten tales along the way, is quite reassuring. There’s an art to<br />

assembling a good record collection; in essence it’s storytelling in another way.<br />

That’s why I’ll be queuing up outside Probe on Record Store Day on 19th <strong>April</strong>, to make sure<br />

that I add some limited edition chapters to my own story. What story are you going to tell?<br />

Christopher Torpey / @BidoLito<br />

Editor<br />

Features<br />

6<br />

WE ARE CATCHERS<br />

8<br />

LORELLE MEETS<br />

THE OBSOLETE<br />

10<br />

DROHNE<br />

12<br />

14<br />

16<br />

18<br />

MOATS<br />

EVERISLAND<br />

JAGWAR MA<br />

GIT AWARD <strong>2014</strong><br />

Regulars<br />

4 NEWS<br />

20<br />

PREVIEWS/SHORTS<br />

22<br />

REVIEWS<br />

Bido Lito!<br />

<strong>Issue</strong> Forty Three / <strong>April</strong> <strong>2014</strong><br />

bidolito.co.uk<br />

4th Floor, Mello Mello, 40-42 Slater St, Liverpool, L1 4BX<br />

Editor<br />

Christopher Torpey - chris@bidolito.co.uk<br />

Editor-In-Chief / Publisher<br />

Craig G Pennington - info@bidolito.co.uk<br />

Reviews Editor<br />

Sam Turner - live@bidolito.co.uk<br />

Online Editor<br />

Flossie Easthope - flossie@bidolito.co.uk<br />

Designer<br />

Luke Avery - info@luke-avery.com<br />

Proofreading<br />

Debra Williams - debra@wordsanddeeds.co.uk<br />

Intern<br />

Josh Ray<br />

Words<br />

Christopher Torpey, Craig G Pennington, Dave Tate, Mike<br />

Townsend, Ryan McElroy, Jack Graysmark, Sam Turner, Dan<br />

Brown, Josh Ray, Richard Lewis, Flossie Easthope, Alistair<br />

Dunn, Mat Oates, Patrick Clarke, Jessie Main, John Wise<br />

Photography, Illustration and Layout<br />

Luke Avery, Paul Hitchmough, Nata Moraru, Ria Fell, Alex<br />

Wynne, Robin Clewley, John Johnson, Keith Ainsworth, Adam<br />

Edwards, Andrew Ellis, Mark McNulty, Brian Roberts, Warren<br />

Millar, Andrew AB, Stuart Moulding, Adam Akins, Mike Sheerin,<br />

Glyn Akroyd<br />

Adverts<br />

To advertise please contact ads@bidolito.co.uk<br />

Distributed By Middle Distance<br />

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the North West. www.middledistance.org<br />

The views expressed in Bido Lito! are those of the respective contributors and do not necessarily reflect the opinions of the magazine, its staff or the publishers. All rights reserved.<br />

T<br />

WOODEN SHJIPS ------------- SPECTRUM ------------- SUUNS ------------- HOOKWORMS ------------- DISAPPEARS<br />

THE GROWLERS -------------- FÖLLAKZOID ---------------- PINK MOUNTAINTOPS --------------- TERAKAFT ---------------<br />

NIGHT BEATS ---------------- ELEPHANT STONE ---------------- MUGSTAR + MANY MORE ----------------------------------------------<br />

6 + 7 JUNE <strong>2014</strong><br />

EindhovenPsychLab.com

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