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HAMMEL KIRKE

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3496 GJERN HERRED<br />

Fig. 73. Hammel 1799 og 1987, 1:10000. T.v. matrikelkort med ændringer indtil 1857, kopieret af Birgitte<br />

Andreasen 1982. T.h. samme område, kommunalt kort, kopieret af KdeFL. - Map of the village 1799 and 1987.<br />

ned about 1600, and a sepulchral chapel added in<br />

1737. A thoroughly comprehensive restoration<br />

took place during the 1860s, concluding with<br />

virtually the total rebuilding of the tower in<br />

1881-82.<br />

Hammel Church, as the parish church of Frijsenborg,<br />

was subject to the efforts of the church<br />

patrons to maintain and modernize it to a higher<br />

degree than the other churches belonging to the<br />

Frijsenborg estate. Among other things this meant<br />

that a fairly extensive exchange of furnishings<br />

and fittings occurred between the different<br />

churches. When the altar-piece with J. L. Lund's<br />

painting was acquired for Hammel in 1849, the<br />

altar-piece it replaced was transferred to Voldby.<br />

The font was discarded in favour of a new one<br />

designed by Hans I. Holm in 1898, partly modelled<br />

on the font in Uth, the baroque canopy of<br />

which was transferred to Hammel. A 1680s wall<br />

monument from the church in Gjern was remodelled<br />

for Hammel in 1890 to become a board<br />

listing the names of the incumbents.<br />

Among the modest furnishings of the church,<br />

marked particularly by the changes made in the<br />

1890s, can be mentioned the manorial pews,<br />

whose reconstructed bench-end tops are adorned<br />

with the coats of arms of the former church<br />

owner, Valdemar Parsberg of Jernit. He and his<br />

family are also commemorated by a wall monument<br />

from 1610, the work of the wood-carver<br />

Mikkel van Groningen, with a portrait painting<br />

by Laurits Andersen Riber; and likewise by a<br />

splendid tombstone from the beginning of the<br />

Uth century executed by an Århus workshop.<br />

The most striking feature of the interior is the<br />

large pulpit from 1694 in the so-called acanthus<br />

baroque style, probably made by the workshop<br />

of Christian Nerger, the sculptor. A chandelier<br />

from 1771 comes from the tchapel in Frijsenborg<br />

Manor. The sepulchral chapel of the Frijsenborg<br />

in Hammel Church contains eight large marble<br />

coffins, several of which are by the hand of<br />

C. F. Stanley, and one more recent coffin of<br />

wood.

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