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3496 GJERN HERRED<br />
Fig. 73. Hammel 1799 og 1987, 1:10000. T.v. matrikelkort med ændringer indtil 1857, kopieret af Birgitte<br />
Andreasen 1982. T.h. samme område, kommunalt kort, kopieret af KdeFL. - Map of the village 1799 and 1987.<br />
ned about 1600, and a sepulchral chapel added in<br />
1737. A thoroughly comprehensive restoration<br />
took place during the 1860s, concluding with<br />
virtually the total rebuilding of the tower in<br />
1881-82.<br />
Hammel Church, as the parish church of Frijsenborg,<br />
was subject to the efforts of the church<br />
patrons to maintain and modernize it to a higher<br />
degree than the other churches belonging to the<br />
Frijsenborg estate. Among other things this meant<br />
that a fairly extensive exchange of furnishings<br />
and fittings occurred between the different<br />
churches. When the altar-piece with J. L. Lund's<br />
painting was acquired for Hammel in 1849, the<br />
altar-piece it replaced was transferred to Voldby.<br />
The font was discarded in favour of a new one<br />
designed by Hans I. Holm in 1898, partly modelled<br />
on the font in Uth, the baroque canopy of<br />
which was transferred to Hammel. A 1680s wall<br />
monument from the church in Gjern was remodelled<br />
for Hammel in 1890 to become a board<br />
listing the names of the incumbents.<br />
Among the modest furnishings of the church,<br />
marked particularly by the changes made in the<br />
1890s, can be mentioned the manorial pews,<br />
whose reconstructed bench-end tops are adorned<br />
with the coats of arms of the former church<br />
owner, Valdemar Parsberg of Jernit. He and his<br />
family are also commemorated by a wall monument<br />
from 1610, the work of the wood-carver<br />
Mikkel van Groningen, with a portrait painting<br />
by Laurits Andersen Riber; and likewise by a<br />
splendid tombstone from the beginning of the<br />
Uth century executed by an Århus workshop.<br />
The most striking feature of the interior is the<br />
large pulpit from 1694 in the so-called acanthus<br />
baroque style, probably made by the workshop<br />
of Christian Nerger, the sculptor. A chandelier<br />
from 1771 comes from the tchapel in Frijsenborg<br />
Manor. The sepulchral chapel of the Frijsenborg<br />
in Hammel Church contains eight large marble<br />
coffins, several of which are by the hand of<br />
C. F. Stanley, and one more recent coffin of<br />
wood.