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BCN´s Årsberetning 2012.pdf - Bevaringscenter Nordjylland

BCN´s Årsberetning 2012.pdf - Bevaringscenter Nordjylland

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ate, what ailed them, what they looked like, and<br />

so much more. Argument for keeping all the<br />

excavated osteological material in storage, and<br />

maintaining them in good condition, is that in<br />

the future we might have even more means and<br />

methods of learning from them. Palaeopathological<br />

and anthropological sciences have taken<br />

great leaps in the resent decades.<br />

All these aspects and different opinions<br />

should be taken into consideration when museum<br />

professionals are dealing with human<br />

remains, though conservators rarely need to<br />

concern themselves with the osteological aspects.<br />

The knowledge of how to treat objects<br />

made of bone, can also be applied on human<br />

skeletons and bone material. Usually commonsense<br />

should be enough to tell, how to treat the<br />

remains with due respect.<br />

As an example, how this particular conservator<br />

came in contact with human remains at the<br />

BCN, we have the case of the Tollestrup Mose<br />

bog skeleton from the collection of Vendsyssel<br />

Historiske Museum. The female skeleton had<br />

already been excavated from a bog in the 1940’s<br />

and stored ever since, apparently without much<br />

cleaning and in the original packaging. She<br />

came to the workshop to be cleaned, put together,<br />

and set in anatomically correct order for<br />

the upcoming exhibition.<br />

Almost all of the bones were present and in<br />

a relatively good condition. Most of the acidic<br />

turf could be brushed off with just soft brushes.<br />

Unfortunately some of the bones had developed<br />

a speckled moldy surface due to, either<br />

being backed while still moist or some humidity<br />

issues during their long stay in the storage.<br />

Luckily this problem was just on the surface<br />

and mainly aesthetic. The skull was broken<br />

into several pieces and had most likely cracked<br />

due to the pressure in the bog. Pieces could still<br />

be fitted together and a relatively whole skull<br />

could be constructed by gluing them together.<br />

The main part of the job was to invent functional<br />

packaging for the skeleton. The body had<br />

to be packed in an anatomically correct position<br />

so that the museum personnel putting up<br />

the exhibition could easily unpack and assemble<br />

it again. The solution was to photograph<br />

each significant part of the anatomy, pack it<br />

in the right order into separate boxes, and attach<br />

the photo on the lid of the container. The<br />

bones were also labeled to help future assembly<br />

and all the materials used were acid free and<br />

selected so they will not damage the delicate<br />

surface of the bone.<br />

Sometimes when working with mere objects,<br />

it is easy to forget that people in the past<br />

were just like us. They had their own worries,<br />

moments of happiness, daily duties, their ordinary<br />

lives. When you come in contact with<br />

the actual person from the past you might take<br />

a pause to imagine what their life might have<br />

been like. Even though science is not yet advanced<br />

enough to make the skeletons speak, it<br />

might give them a voice that can give us valuable<br />

information of the past we work so hard to<br />

bring back to life.<br />

The skeleton was packed<br />

in anatomical order in<br />

acid free boxes and paper.<br />

Photos of the content was<br />

taped on the lid of each<br />

box. Photo: Nora Salonen.<br />

Årsberetning 2012 11

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