ODDER KIRKE - Danmarks Kirker - Nationalmuseet
ODDER KIRKE - Danmarks Kirker - Nationalmuseet
ODDER KIRKE - Danmarks Kirker - Nationalmuseet
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The churchyard is noteworthy for the remains<br />
of its Medieval enclosing wall which was once<br />
of a considerable height. The present churchyard<br />
portal was constructed late in the 15th<br />
century. The church belongs to a group of rural<br />
buildings of some size and was probably<br />
erected in the 12th century, its original parts<br />
being the chancel with an apse and the nave.<br />
The portals like the facades and the east wall of<br />
the nave as well as the chancel arch are done in<br />
fine ashlar work. Vaulting was constructed in<br />
the church in the period around the year 1500, a<br />
tower was added at the west end of the nave<br />
and a porch built in front of the north door. In<br />
the last decades of the 17th century Jens Rodsteen,<br />
patron of the church and a former admiral<br />
in the Royal Navy, had a sepulchral chapel<br />
built on the south side of the church.<br />
One item of the Early Medieval church furniture<br />
has been in the National Museum since<br />
1821. This is one of the so-called »golden altars«,<br />
which with a corresponding crucifix belongs<br />
to a group which also includes that of the<br />
Lisbjerg altar. As previously described (cf.<br />
summary of Lisbjerg p. 1427) this has been<br />
dealt with in great detail by Poul Nørlund<br />
(Gyldne Altre, Kbh. 1926, re-issued with appendix<br />
in 1968, both with summaries in English).<br />
The altar's decoration consists not only of<br />
a retable with a »vault of heaven« from c. 1150-<br />
75, but also of a frontal from 1225-50, possibly<br />
assembled from the churches of Odder and<br />
Saksild. A crucifix contemporary with the ret-<br />
<strong>ODDER</strong> <strong>KIRKE</strong> 2581<br />
SUMMARY<br />
able, which for a time was set up under the<br />
raised »vault of heaven«, is unlikely because of<br />
its size to have been placed there originally. All<br />
the articles mentioned are carved from oak and<br />
faced with embossed and chased sheet copper<br />
plates, decorated with gilding and fired brown<br />
varnish. In accordance with Poul Nørlund it<br />
must be assumed that both the retable and the<br />
crucifix, like the more recent frontal, were produced<br />
in Jutland workshops which might have<br />
been in Århus, the cathedral city.<br />
Among the church's early furniture was a<br />
censer which is now in the National Museum<br />
and the Romanesque baptismal font of granite.<br />
The simple pulpit dating from the period of<br />
about 1600 bears paintings of the Evangelists<br />
executed in 1631 by a painter who presumably<br />
is also responsible for the paintings on the pulpits<br />
in Nølev and Randlev. In 1640 the »golden«<br />
altar was replaced by a »modern« altarpiece<br />
from the workshop of the wood-carver<br />
Peder Jensen Kolding. The above-mentioned<br />
Admiral Jens Rodsteen donated among other<br />
things the sounding-board and stairway to the<br />
pulpit with paintings in 1703. In about 1706 he<br />
had a monument set up in the family's sepulchral<br />
chapel. It includes portrait busts of himself<br />
and his wife, thought to have been made in the<br />
workshop of the distinguished sculptor<br />
Thomas Quellinus. - The crypt beneath the<br />
chapel contains 22 coffins some of which bear<br />
decorations in the form of coats of arms and<br />
allegorical figures.