Albinoni - Peters Edition Ltd
Albinoni - Peters Edition Ltd
Albinoni - Peters Edition Ltd
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I Muratori (Etudes Concertantes)<br />
Ballett zur freien Choreographie / Freely Choreographed Ballet<br />
Orchestra I: Vc Solo—2.Picc.2.2.B-cl.0—2.1.2.0—4Perc—Cel—<br />
Cemb—Str;<br />
Orchestra II: Vc Solo—2.2.2.2—1.1.1.0—4Sax(or Cl,Hn,Tpt&Bsn)—<br />
4Perc—Cel—Pf—Str;<br />
Orchestra III: Mez Solo—Vc Solo—2.2.2.2—2.2.2.0—4Perc—Pf—<br />
Cemb—Str / 60'<br />
Also see Stage Works (Section 2) / Siehe auch Bühnenwerke (Teil 2)<br />
<strong>Edition</strong> Kunzelmann GmbH<br />
Icares<br />
Fl & Vla Soli—0.0.0.0—2.2.1.1—2Perc—Cel / 8'<br />
<strong>Edition</strong> Kunzelmann GmbH<br />
Legend<br />
Vc Solo—1.0.1.1—0.1.0.0—Perc—Pf—Str / 16'<br />
<strong>Edition</strong> Kunzelmann GmbH<br />
Mara-(Im) Pulse<br />
Str (min. 4.4.3.2.1) / 10'<br />
<strong>Edition</strong> Kunzelmann GmbH<br />
Die Mutter des Mörders<br />
See Stage Works (Section 2) / Siehe Bühnenwerke (Teil 2)<br />
Passages<br />
Tpt Solo—Str (min. 2.2.2.2.1) / 16'<br />
<strong>Edition</strong> Kunzelmann GmbH<br />
Petite Suite “des temps jadis”<br />
Freely Choreographed Ballet (or concert performance)<br />
2.2.2.2—2.2.0.0—Timp—Perc—Hp—Cemb—Str / 16'<br />
Also see Stage Works (Section 2) / Siehe auch Bühnenwerke (Teil 2)<br />
<strong>Edition</strong> Kunzelmann GmbH<br />
Seventeen Millions<br />
Mez Solo—Narrator—2.Picc.2.2.B-cl.3—4.4.3.1—6Perc—Hp—Cel—<br />
Pf—Str / 36'<br />
<strong>Edition</strong> Kunzelmann GmbH<br />
Six Reactions on a Rhythmic Theme<br />
Str (1.1.1.1.0)<br />
<strong>Edition</strong> Kunzelmann GmbH<br />
Three Events<br />
Pf Solo—1.2.2.2—2.1.1.0—Timp—Str / 17'<br />
<strong>Edition</strong> Kunzelmann GmbH [2Pf/4h/Ausgabe für 2 Klav. vierhändig GM 190]<br />
Trois Esquisses<br />
A-sax/Vln/Vla/Vc/Db Solo—Str (min. 3.4.2.2.1) / 9'<br />
<strong>Edition</strong> Kunzelmann GmbH [Soli & Piano/Klavierauszug mit Solostimmen GM<br />
981]<br />
Two Pieces<br />
Fl/A-sax/Vln Solo—Str<br />
<strong>Edition</strong> Kunzelmann GmbH [Soli & Piano/Klavierauszug mit Solost. GM 1702]<br />
_________________________________________________________<br />
Ferneyhough, Brian (b. 1943)<br />
Adagissimo<br />
String Quartet / 1'45''<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7309]<br />
Allgebrah<br />
Ob Solo—String Ensemble (4Vln, 2Vla, 2Vcl, Db) / 17'<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7363]<br />
85<br />
The Carceri d’Invenzione Cycle<br />
— 1. Superscriptio<br />
— 2. Carceri d’Invenzione I<br />
— 3. Intermedio alla ciaccona<br />
— 4. Carceri d’Invenzione II<br />
— 5. Etudes Transcendentales/Intermedio II<br />
— 6. Carceri d’Invenzione III<br />
— 7. Mnemosyne<br />
Ferneyhough<br />
These seven works form The Carceri d’Invenzione Cycle. They may<br />
be performed individually or as a cycle in the above order (see<br />
individual catalogue entries for details).<br />
Carceri d’Invenzione I<br />
Part 2 of the “Carceri d’Invenzione” cycle of seven works<br />
1(Picc).1(Ca&Tgl).1(ClEb).B-cl.1(Cbsn)—1(Tgl).1(Tgl).1.1—Perc—Pf—<br />
Str (1.1.1.1.1) / 12'30''<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7291]<br />
Carceri d’Invenzione II<br />
Part 4 of the “Carceri d’Invenzione” cycle of seven works<br />
Fl Solo—0.2(II=Ca).2(I=ClEb,II=B-cl).1—2.0.0.0—Str (8.0.2.2.1) / 14'<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7292]<br />
Carceri d'Invenzione IIc<br />
Fl Solo—Tape / 10'<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Performing Score/Partitur EP 7292b/c]<br />
Carceri d’Invenzione III<br />
Part 6 of the “Carceri d’Invenzione” cycle of seven works<br />
2(I=Picc,II=Picc&A-fl).2(II=Ca).2(II=ClEb).B-cl.1(Cbsn)—2.2.2.1—3Perc<br />
/ 10'30''<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7293]<br />
La Chute d’Icare<br />
Cl Solo—1(Picc,A-fl&B-fl).1(Ca).0.0—0.0.0.0—Perc—Pf—Str (1.0.0.1.1)<br />
/ 10'30''<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7362]<br />
The Doctrine of Similarity<br />
Scene 3 of the opera Shadowtime. Text: Charles Bernstein<br />
SSSAAATTTBBB Chorus—2Cl(I=ClEb, II=B-cl)—B-cl(Cb-cl)—Vln—<br />
Pf—Perc / 29'<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7564]<br />
Dum Transisset I-IV<br />
String Quartet / 12'<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen<br />
Epicycle<br />
for twenty solo strings<br />
Str (6.0.6.6.2) / 15'<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7119]<br />
Etudes Transcendentales/Intermedio II<br />
Part 5 of the “Carceri d’Invenzione” cycle of seven works<br />
Text: Ernst Meister and Alrun Moll (German)<br />
Soprano(Claves) Solo—1(Picc&A-fl).1(Ca).0.0—0.0.0.0—Hpd—Vc /<br />
c. 27'<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7310]<br />
Fanfare for Klaus Huber<br />
2Perc (Instrumentation is at the discretion of the performers) / 1'<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Score/Partitur EP 7426]<br />
Flurries<br />
0.Picc.0.1.0—1.0.0.0—Pf—Str (1.0.0.1.0) / 9'30''<br />
<strong>Peters</strong> <strong>Edition</strong>/Hinrichsen [Study Score/Studienpartitur EP 7509]
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