pdf✔download⚡ Nietzsche and Dostoevsky: Philosophy, Morality, Tragedy (Studies in Russian Literature
COPY LINK : https://fastpdf.bookcenterapp.com/yump/1442452633 After pulling a magical thunderbolt from a stone, ten-year-old Zeus goes on the adventure of a lifetime in this thrilling start to a brand-new series! The terrible Titans--merciless giants who enjoy snacking on humans--have dominated the earth and put the world into chaos. But their rule is about to be put to the test as a group of young Olympians discover their powers and prepare to righteously rule the universe.... Ten-year-old Zeus is mystified (and super-annoyed) by the fact that he keeps getting hit by lighten
COPY LINK : https://fastpdf.bookcenterapp.com/yump/1442452633
After pulling a magical thunderbolt from a stone, ten-year-old Zeus goes on the adventure of a lifetime in this thrilling start to a brand-new series! The terrible Titans--merciless giants who enjoy snacking on humans--have dominated the earth and put the world into chaos. But their rule is about to be put to the test as a group of young Olympians discover their powers and prepare to righteously rule the universe.... Ten-year-old Zeus is mystified (and super-annoyed) by the fact that he keeps getting hit by lighten
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Nietzsche and Dostoevsky: Philosophy, Morality, Tragedy
(Studies in Russian Literature and Theory)
Description :
After more than a century, the urgency with which the writing of
Fyodor Dostoevsky and Friedrich Nietzsche speaks to us is
undiminished. Nietzsche explicitly acknowledged
Dostoevsky’s relevance to his work, noting its affinities as
well as its points of opposition. Both of them are credited with laying
much of the foundation for what came to be called existentialist
thought. The essays in this volume bring a fresh perspective to a
relationship that illuminates a great deal of twentieth-century
intellectual history. Among the questions taken up by contributors
are the possibility of morality in a godless world, the function of
philosophy if reason is not the highest expression of our humanity,
the nature of tragedy when performed for a bourgeois audience, and
the justification of suffering if it is not divinely sanctioned. Above all,
these essays remind us of the supreme value of the questioning
itself that pervades the work of Dostoevsky and Nietzsche.
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