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Straight White Men / Untitled Feminist Show

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&#8220Yong Jean Lee&#8217Untitled Feminist Show is one of the more moving and
imagina&#173tiv works I have ever seen on the American stage&#8230wht makes it so
transcendent is its delicious ability to alternate the pain of being different with a sense of humor
about lives not lived among the status quo.&#8221&#8212Hiton Als, New Yorker&#8220Th twisty,
turbulent, argumentative work of Young Jean Lee&#8230wil make you flinch, but it&#8217hard to
look away&#8230Le has always been interested in exposing how we perform our identities. But in
Straight White Men, she drills into something more core. Shuck off, subvert, cleave to your gender
or race all you like, but a universal horror of weakness remains&#8212acollective orientation
toward status, power, control.&#8221&#8212Paul Sehgal, New York Times&#8220Wh said the
spirit is willing, but the flesh is weak? Both are pretty damn fierce in director Young Jean
Lee&#8217all-nude dance suite cheekily (but purposefully) called Untitled Feminist Show. In a
scant (and scantily clad) hour, Lee and her gutsy danc&#173erstry on a dizzying variety of modes
and masks to shake up gender norms.&#8221&#8212Daid Cote, Time Out New
York&#8220Staight White Men might be the most subversive thing that Young Jean Lee, one of
American theater&#8217most keenly seditious practitioners, has ever done.&#8221&#8212Alxis
Soloski, Guardian&#8220Yong Jean Lee is, hands down, the most adventurous downtown
playwright of her generation.&#8221&#8212Chrles Isherwood, New York TimesYoung Jean Lee,
with Straight White Men, became the first Asian-American woman to have her play produced on
Broadway. She has directed her work in more than thirty cities around the world, and is the
recipient of a Guggenheim Fellowship, two OBIE Awards, a Prize in Literature from the American
Academy of Arts and Letters, and a PEN Literary Award.