Dr Lucia Ruprecht - Publications Monograph 2006 Dances of the ...

Dr Lucia Ruprecht - Publications
Monograph
2006 Dances of the Self in Heinrich von Kleist, E. T. A. Hoffmann and Heinrich Heine
(Aldershot: Ashgate). Reviewed in Heine Jahrbuch (2007), Dance Critics
Association News Spring 2007, Seminar 44/4 (2008), Dance Research 26/1
(2008), MLR 103/3 (2008), Germanistik 49/3,4 (2008), KulturPoetik 8/2 (2008),
Goethe Yearbook 16 (2009).
Collected Essays, Co-editor
2012 with Susan Manning, New German Dance Studies (Urbana: University of Illinois
Press).
2009 with Michael Minden, German Life & Letters 62/3, Special Issue on ‘Cultural
Pleasure’.
2003 with Carolin Duttlinger and Andrew Webber, Performance and Performativity in
German Cultural Studies, German Linguistic and Cultural Studies14 (Oxford:
Lang). Reviewed in MEDIENwissenschaft 1(2005).
Journal Articles (including forthcoming)
2013 ‘Crossmapping Pathos in William Forsythe’s Three Atmospheric Studies’, Forum for
Modern Language Studies.
2012 ‘Werthers Walzer. Tanz als kulturelle Codierung von Liebe und Intimität’, Goethe
Jahrbuch 2011, 44-59.
2010 ‘Ambivalent Agency: Gestural Performances of Hands in Weimar Dance and Film’,
Seminar 46/3, 255-75.
‘Virtuoso Servitude and (De)Mobilization in Robert Walser, W. G. Sebald and the
Brothers Quay’, The German Quarterly 83/1, 58-76.
2009 ‘Pleasure and Affinity in W. G. Sebald and Robert Walser’, German Life & Letters
62/3, 311-26.
(with Michael Minden), ‘Introduction’, German Life & Letters 62/3, 245-51.
2008 ‘Der Virtuose geht. Waslaw Nijinskys L’Après-midi d’un faune’,
Arcadia 43/2, 237-56.
2007 ‘Entstelltes Ideal. Choreographie und Fehlleistung bei Heinrich von
Kleist’, Kleist Jahrbuch, 46-61.
2002 ‘Tanz-Fiktionen gegen den Strich: Heinrich von Kleist, E. T. A. Hoffmann, Heinrich
Heine’, Jahrbuch Tanzforschung 12 (Hamburg: Lit), 553-68.
1998 ‘Tanz und Text bei Stéphane Mallarmé’, Komparatistik, 37-63.
Chapters in Books (including forthcoming)
2013 ‘Autorschaft und Ausdruck in Kafka’s Betrachtung’, in Franz Kafka’s ‘Betrachtung’:
100 Years On, ed. by Carolin Duttlinger (Freiburg: Rombach).
2012 (with Susan Manning), ‘New Dance Studies/New German Cultural Studies’, in New
German Dance Studies, ed. by Susan Manning and Lucia Ruprecht (Urbana:
University of Illinois Press), 1-16.
2011 ‘Virtuosität als blinde Bewegung in der Romantik’, in Genie-Virtuose-Dilettant:
Konfigurationen Romantischer Schöpfungsästhetik, ed. by Gabriele Brandstetter
and Gerhard Neumann (Würzburg: Königshausen & Neumann), 199-212.
2009 ‘On the Road with mnemonic nonstop’ (with Martin Nachbar and Jochen Roller), in

Memory Culture and the Contemporary City: Building Sites, ed. by Uta Staiger,
Henriette Steiner and Andrew Webber (Basingstoke: Palgrave Macmillan), 223-33.
2007 ‘Choreography and Trauma in Pina Bausch’s Bluebeard — While Listening to a
Taped Recording of Béla Bartók’s Bluebeard’s Castle’, in The Shock of the Other:
Situating Alterities, ed. by Silke Horstkotte and Esther Peeren (Amsterdam:
Rodopi), 105-16.
‘The Romantic Ballet and its Critics: Dance Goes Public’, in The Cambridge
Companion to Ballet, ed. by Marion Kant (Cambridge: CUP), 175-83.
‘„Elle danse, tout est dit“ — die Metapher des Poetischen in der Kritik des
Romantischen Balletts’, in Souvenirs de Taglioni, ed. by Gunhild Oberzaucher-
Schüller (Munich: Kieser), 333-43.
‘Towards Discursive Discipline: Dance beyond Metaphor in Critical Writing’, in New
Languages for Criticism: In(ter)discipline, ed. by Gillian Beer, Malcolm Bowie and
Beate Perrey (Oxford: Legenda),199-210.
2005 ‘Heinrich Heine’s “Florentinische Nächte”: a Tale of Transgression’, in Field Studies:
German Language, Media and Culture (CUTG Proceedings 5), ed. by Holger Briel
and Carol Fehringer (Oxford: Lang), 139-55.
2003 (with Carolin Duttlinger), ‘Introduction’, in Performance and Performativity in
German Cultural Studies (Oxford: Lang), 9-19.
‘Körperbewegung — Sprachbewegung: Kleists Über das Marionettentheater aus
tanzästhetischer Perspektive’, in Internationale Konferenz “Heinrich von Kleist”, ed.
by Hans-Jochen Marquardt and Peter Ensberg (Stuttgart: Heinz), 143-58.
Reviews
2010 ‘Gerald Siegmund, Abwesenheit: Eine performative Ästhetik des Tanzes – William
Forsythe, Jérôme Bel, Xavier Le Roy, Meg Stuart’, Dance Research, 127-30.
2008 ‘Ann Cooper Albright, Traces of Light: Absence and Presence in the Work of Loïe
Fuller / Rhonda Garelick, Electric Salome: Loie Fuller’s Performance of Modernism’,
H-France Review.
2007 ‘Walter Salmen, Goethe und der Tanz’, Goethe Jahrbuch, 302-3.
2006 ‘Catherine Mazellier-Grünbeck et al. (eds), Représentations du corps dans les arts
du spectacle et la littérature des pays germaniques’, Journal of European Studies
36/2, 230-32.
Other Contributions
2009 ‘Grace Lost and Found: Heinrich von Kleist, “On the Marionette Theatre”’,
Animations in Print 3, 16-18.
2005 ‘Die Grazie ist tot. Es lebe die Grazie!’, Tanzjournal 1, 17-19.