Prototropic 0.1: Honolulu and Rio
Journal and media platform for discourse in design, culture, and critical issues of emerging tropical cities in the 21st century.Prologue, New Epicenter(s) | Dimitri Damiel Kim / [ Page 6~15 ] Honolulu Hot Tropics | Lindsea K. Wilbur / [ Page 30~47 ] Metrophilia | Kazi Ashraf / [ Page 48~65 ] House is a Decorated Shack | Dimitri Damiel Kim / [ Page 66~77 ] Tropical Case Study House | David Rockwood / [ Page 78~99 ] Rio Favela Que Saudade | Dimitri Damiel Kim / [ Page 102~115 ] Fluid City | Raul Correa-Smith / [ Page 116~133 ] AAA Forro | Steven Sanchez / [ Page 134~149]
Journal and media platform for discourse in design, culture, and critical issues of emerging tropical cities in the 21st century.Prologue, New Epicenter(s) | Dimitri Damiel Kim / [ Page 6~15 ]
Honolulu
Hot Tropics | Lindsea K. Wilbur / [ Page 30~47 ]
Metrophilia | Kazi Ashraf / [ Page 48~65 ]
House is a Decorated Shack | Dimitri Damiel Kim / [ Page 66~77 ]
Tropical Case Study House | David Rockwood / [ Page 78~99 ]
Rio
Favela Que Saudade | Dimitri Damiel Kim / [ Page 102~115 ]
Fluid City | Raul Correa-Smith / [ Page 116~133 ]
AAA Forro | Steven Sanchez / [ Page 134~149]
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include sites beyond southern California to<br />
Arizona before finally ending in 1964.<br />
The project, whether built or not, was to be<br />
documented <strong>and</strong> published with full plans <strong>and</strong><br />
details with the purpose of being built later<br />
or to be used as a model towards the design of<br />
other houses. The program also included the<br />
requirement for the housing to be affordable <strong>and</strong><br />
the construction of the houses to be relatively<br />
easy <strong>and</strong> duplicable. At the end of the program, 36<br />
prototype houses were designed, with astounding<br />
26 of them being built. 1<br />
Whether it was the spirit of its time or perhaps<br />
it was mostly about collective expression of<br />
modernity, The CSH program did not include<br />
any specific consideration for climate as a<br />
requirement. At the time (or perhaps still is),<br />
the consensus among modernists’ <strong>and</strong> their<br />
proponent’s attitude toward climate <strong>and</strong> natural<br />
environment was primarily indifferent <strong>and</strong> if not,<br />
cold.<br />
However, did climate have any influence in the<br />
design of the case study houses? Was the moderate<br />
climate of Southern California a factor in the<br />
success (or ease) of the design? ><br />
1. Number of Houses in the series, including CSH No.17, 18, 20, 21 were followed<br />
by second variation of the previous house; the last 2 CSH houses were Apts.