Prototropic 0.1: Honolulu and Rio
Journal and media platform for discourse in design, culture, and critical issues of emerging tropical cities in the 21st century.Prologue, New Epicenter(s) | Dimitri Damiel Kim / [ Page 6~15 ] Honolulu Hot Tropics | Lindsea K. Wilbur / [ Page 30~47 ] Metrophilia | Kazi Ashraf / [ Page 48~65 ] House is a Decorated Shack | Dimitri Damiel Kim / [ Page 66~77 ] Tropical Case Study House | David Rockwood / [ Page 78~99 ] Rio Favela Que Saudade | Dimitri Damiel Kim / [ Page 102~115 ] Fluid City | Raul Correa-Smith / [ Page 116~133 ] AAA Forro | Steven Sanchez / [ Page 134~149]
Journal and media platform for discourse in design, culture, and critical issues of emerging tropical cities in the 21st century.Prologue, New Epicenter(s) | Dimitri Damiel Kim / [ Page 6~15 ]
Honolulu
Hot Tropics | Lindsea K. Wilbur / [ Page 30~47 ]
Metrophilia | Kazi Ashraf / [ Page 48~65 ]
House is a Decorated Shack | Dimitri Damiel Kim / [ Page 66~77 ]
Tropical Case Study House | David Rockwood / [ Page 78~99 ]
Rio
Favela Que Saudade | Dimitri Damiel Kim / [ Page 102~115 ]
Fluid City | Raul Correa-Smith / [ Page 116~133 ]
AAA Forro | Steven Sanchez / [ Page 134~149]
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Social Inventors Toolkit across America with the<br />
Millennial Trains Project. Exploring what it means<br />
to do human-centered political design, she used<br />
this h<strong>and</strong>s-on tool to explore citizen systems <strong>and</strong><br />
futures thinking in 7 cities <strong>and</strong> regions: the Bay<br />
Area, Salt Lake City, Denver, Omaha, Chicago,<br />
Pittsburgh, <strong>and</strong> Washington, D.C.<br />
In 2014, she was invited to talk at TEDx event in<br />
Maui, where she presented her research on social<br />
invention <strong>and</strong> human-centered political design.<br />
She’s now a research affiliate at the Institute<br />
for the Future <strong>and</strong> the Hawaii Research Center<br />
for Futures Studies, in addition to serving as a<br />
Resident Futurist at the Planetary Collective.<br />
HOT TROPICS BY LINDSEA K. WILBUR