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2009 Souvenir Program Guide - California Film Institute

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EAT THE SUN THE ECLIPSE AN EDUCATION<br />

VALLEY OF THE DOCS<br />

Hira Ratan Manek (aka HRM) has not eaten<br />

solid food for 411 days. Impossible, you say? But<br />

HRM takes nourishment through an alternate<br />

source: by staring directly at the sun for 44 minutes<br />

every day. Isn’t that damaging to the eyes?<br />

After two days with HRM, Mason Dwinell is ready<br />

to dismiss such minor concerns to explore “the<br />

possibility of a new truth” through sungazing.<br />

On a spiritual journey to achieve the 44-minute<br />

goal (you work up to it gradually), Mason also<br />

embarks on a physical voyage around the country<br />

(perhaps unsurprisingly, in a VW van) to meet<br />

other sungazers and better understand this solarpowered<br />

lifestyle. But confusion, identity crises<br />

and eye exams interfere with Mason’s progress,<br />

and many troubling questions arise. Throughout<br />

its subtle quirkiness and parched humor, Eat the<br />

Sun maintains a steady compassion for Mason’s<br />

luminous quest, and gives new meaning to “light”<br />

food.<br />

—Joanne Parsont<br />

Director/Producer Peter Sorcher Cinematographers<br />

John Baker, Keith Brauneis, Peter Sorcher Editors<br />

Peter Sorcher, Jed Stuber Print Source Sorcher<br />

<strong>Film</strong>s<br />

US <strong>2009</strong> 90 MINS<br />

Friday, October 9, 8:30 pm<br />

EAT09R, Rafael<br />

Saturday, October 17, 12:00 pm<br />

EAT17S, Sequoia<br />

tickets 877.874.6833<br />

WORLD CINEMA<br />

Acclaimed Irish dramatist Conor McPherson’s<br />

second feature fi lm as writer-director is a characteristically<br />

penetrating exploration of grief and<br />

mortality folded into an eerie, psychologically<br />

sophisticated and shockingly unpredictable<br />

ghost story. Set during an Irish literary festival<br />

in the picturesque city of Cobh, woodworking<br />

teacher (and closet writer) Michael Farr (Ciarán<br />

Hinds) is raising two kids after his wife’s death<br />

when he volunteers as a driver for the event,<br />

intrigued by the proximity and colorful behavior<br />

of its participants. Assigned to Lena (Iben Hjejle),<br />

an attractive author of a book about ghosts,<br />

Michael becomes increasingly intrigued. But also<br />

interested in Lena is pompous, frequently inebriated<br />

bestselling author Nicholas Holden (Aidan<br />

Quinn). As Lena and Michael draw closer, the shy<br />

widower confesses to being haunted, physically,<br />

by his wife. If The Eclipse is ultimately more existential<br />

drama than ghoulish tale, the enveloping<br />

narrative includes brilliantly jolting cinematic surprises.<br />

Indeed, McPherson’s well-acted, thoughtful<br />

tale is a genre-bending mood piece.<br />

—Rod Armstrong<br />

Director Conor McPherson Producer Robert<br />

Walpole Screenwriters Conor McPherson, Billy<br />

Roche Cinematographer Ivan McCollough Editor<br />

Emer Reynolds Cast Ciarán Hinds, Aidan Quinn,<br />

Iben Hjejle, Jim Norton, Eanna Hardwicke, Hannah<br />

Lynch Print Source Magnolia Pictures<br />

IRELAND 2008 88 MINS<br />

Sunday, October 11, 8:15 pm<br />

ECL11R, Rafael<br />

Wednesday, October 14, 9:15 pm<br />

ECL14R, Rafael<br />

SPONSORED BY DOLBY LABORATORIES.<br />

PRESENTED IN ASSOCIATION WITH<br />

SAN FRANCISCO IRISH FILM FESTIVAL.<br />

WORLD CINEMA<br />

FOCUS: UNITED KINGDOM London, 1961:<br />

An intellectually precocious 16-year-old named<br />

Jenny is on the cusp of adulthood, and the world<br />

is on the cusp of dramatic changes of its own,<br />

in this inspired coming-of-age tale from director<br />

Lone Scherfig (Italian for Beginners) and<br />

writer Nick Hornby. In a beguiling, star-making<br />

performance from Carey Mulligan, Jenny’s impatience<br />

with adolescent routine and eagerness to<br />

embrace life come fl avored with dreams of Paris<br />

and the songs of Juliette Gréco, but tempered by<br />

commitments to her Oxford-bound studies and<br />

stodgy parents (Emma Thompson and Alfred<br />

Molina). Then David (Peter Sarsgaard) enters the<br />

picture. A devilishly handsome, urbane charmer<br />

in his 30s, David woos Jenny from her studies—<br />

even winning over her parents—offering a life<br />

education in a glittering world of high culture and<br />

swanky nightclubs with attractive friends Danny<br />

and Helen. Dangling a trip to Paris before her,<br />

a path very different from Oxford opens before<br />

Jenny. Will it be her making or undoing?<br />

Director Lone Scherfi g Producers Finola Dwyer,<br />

Amanda Posey Screenwriter Nick Hornby, memoir<br />

by Lynn Barber Cinematographer John de Borman<br />

Editor Barney Pilling Cast Carey Mulligan, Emma<br />

Thompson, Peter Sarsgaard, Alfred Molina Print<br />

Source Sony Pictures Classics<br />

UK <strong>2009</strong> 100 MINS<br />

Friday, October 9, 6:30 pm<br />

EDUC09S, Sequoia<br />

FILMS B-E<br />

SPONSORED BY POST STREET SURGERY<br />

CENTER.<br />

87

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