Christopher B. Smith Rafael Film Center - California Film Institute
Christopher B. Smith Rafael Film Center - California Film Institute
Christopher B. Smith Rafael Film Center - California Film Institute
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>Christopher</strong> B.<br />
Welcome<br />
<strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong><br />
The first quarter of 2013 at the <strong>Christopher</strong> B.<br />
<strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong> brings some favorite<br />
programs back into the limelight. This year<br />
represents our tenth offering of “For Your Consideration,”<br />
a selection of films submitted by countries for Foreign<br />
Language eligibility in the Academy Award process. It has<br />
also become a tradition for us to show the short films<br />
nominated for the Oscar.<br />
Another short film program that we present this time of<br />
year is a curated selection from the Sundance <strong>Film</strong> Festival.<br />
This Sundance project is an outgrowth of our participation<br />
in the Art House Convergence, a network of independent<br />
film theaters across the United States.<br />
Through the support of the Marin Community<br />
Foundation, we have organized our second “<strong>Film</strong> Club,”<br />
which is part of an initiative to deepen our relationship with<br />
our audience through education and social connection.<br />
Last year our first six-week series was extremely popular,<br />
and the limited spaces for participants were quickly filled.<br />
Certainly this is one program for which the participants will<br />
strongly influence its future directions and activities.<br />
1<br />
2<br />
3<br />
4<br />
5<br />
Thanks to the Academy of Motion Picture Arts and<br />
Sciences, Robby the Robot was teleported from Altair<br />
IV to astound the <strong>Rafael</strong> audience with its profound<br />
intelligence and wry wit.<br />
With Robby onstage: his caretaker William Malone<br />
and Oscar-winners Craig Barron and Ben Burtt, who<br />
offered a presentation on Forbidden Planet.<br />
Keira Knightley and director Joe Wright presented an<br />
advance screening of Anna Karenina. Wright has visited<br />
the <strong>Rafael</strong> and Mill Valley <strong>Film</strong> Festival several times.<br />
Actor/writer/producer John Krasinski came to the<br />
<strong>Rafael</strong> for a screening of Promised Land and brought<br />
wife Emily Blunt.<br />
Writer John Gatins and director Robert Zemeckis<br />
discuss their film Flight with executive director Mark<br />
Fishkin at a CFI members’ screening.<br />
All photos: Tommy Lau<br />
LAURA<br />
1 3<br />
2<br />
CHRISTOPHER B. SMITH RAFAEL FILM CENTER<br />
The <strong>Christopher</strong> B. <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong> is owned and operated by the <strong>California</strong> <strong>Film</strong> <strong>Institute</strong>,<br />
a 501 (C)(3) non-profit arts organization.<br />
FOR ADMISSION PRICES PLEASE CHECK cafilm.org or call 415.454.1222<br />
We also continue our ongoing series “Science on<br />
Screen,” made possible by a grant from the Coolidge Corner<br />
Theatre and the Alfred P. Sloan Foundation and inspiring<br />
entirely new approaches for combining film and education.<br />
And we welcome back our friends at the Buddhist <strong>Film</strong><br />
Foundation, with the <strong>Rafael</strong>’s second presentation of the<br />
International Buddhist <strong>Film</strong> Showcase, in celebration of its<br />
tenth season.<br />
The film industry’s digital transition continues apace.<br />
While most independent filmmakers working with low<br />
budgets had long ago turned to digital means, it is a fact<br />
that all distributors, large and small, are actively phasing<br />
out their 35mm feature film releases, and the labs that<br />
make film prints are ceasing mass production. As we’ve<br />
often promised, we won’t abandon our 35mm capabilities,<br />
but the reality is that the means of film exhibition are<br />
transforming. At the <strong>Rafael</strong> and all the programs of the<br />
<strong>California</strong> <strong>Film</strong> <strong>Institute</strong>, including the Mill Valley <strong>Film</strong><br />
Festival and CFI Education, we remain dedicated to the<br />
finest possible presentation of films and ideas.<br />
4<br />
5<br />
- RICHARD PETERSON<br />
DIRECTOR OF PROGRAMMING<br />
RAFAEL<br />
AT A GLANCE<br />
SHORT FILMS FROM THE<br />
2012 SUNDANCE FILM FESTIVAL<br />
Opens Friday, January 4<br />
FOR YOUR CONSIDERATION:<br />
A SELECTION OF OSCAR SUBMISSIONS<br />
FROM AROUND THE WORLD<br />
January 11 to January 17<br />
THE SLEEPING BEAUTY Royal Ballet<br />
January 13 & 15<br />
AMOUR<br />
Opens Friday, January 18<br />
THE RABBI’S CAT- 3D<br />
Opens Friday, January 18<br />
PUCCINI’S GIRL OF THE GOLDEN<br />
WEST FOR FAMILIES<br />
Sunday, January 27, 11am<br />
SPARROWS Thursday, January 31, 7:00<br />
OSCAR-NOMINATED SHORT FILMS 2013<br />
Opens Friday, February 1<br />
AN EVENING WITH SOL LEON AND PAUL<br />
LIGHTFOOT Netherlands Dance Theater<br />
February 3 & 5<br />
ENVIRONMENTAL YOUTH FORUM<br />
February 11 & 12<br />
56 UP<br />
Opens Friday, February 15<br />
LA BAYADERE Bolshoi Ballet<br />
February 17 & 19<br />
SCIENCE ON SCREEN: WATER, WATER,<br />
EVERYWHERE…?<br />
Thursday, February 21, 7:00<br />
CFI FILM CLUB<br />
February 21 to March 28<br />
HAPPY PEOPLE: A YEAR IN THE TAIGA<br />
Opens Friday, February 22<br />
STILL MOVING: PILOBOLUS AT FORTY<br />
Saturday, February 23, 4:30<br />
A GLIMPSE INSIDE THE MIND<br />
OF CHARLES SWAN III<br />
Opens in February<br />
INTERNATIONAL BUDDHIST<br />
FILM FESTIVAL SHOWCASE<br />
March 1 to 3<br />
AN EVENING WITH CRYSTAL PITE<br />
March 3 & 5<br />
NOTRE-DAME DE PARIS La Scala Ballet<br />
March 10 & 12<br />
A FIERCE GREEN FIRE<br />
Opens Friday, March 15<br />
NO<br />
Opens in March<br />
GINGER & ROSA<br />
Opens in March<br />
YOUTH AMERICA GRAND PRIX GALA<br />
March 31 & April 2<br />
All programs listed here are subject to<br />
change, including their opening dates. Other<br />
programs will open that do not appear on<br />
this schedule. For up-to-date information:<br />
Sign-up for our weekly e-mail at cafilm.<br />
org, check your daily newspaper or call<br />
415.454.1222.<br />
RAFAEL CALENDAR STAFF<br />
RICHARD PETERSON<br />
Director of Programming/Editor<br />
DAN ZASTROW<br />
<strong>Rafael</strong> General Manager<br />
KEVIN HEVERIN<br />
Marketing & Communications Manager<br />
BRIAN LEHMAN / WORDWELDER.COM<br />
Calendar Design / Layout<br />
JAN KLINGELHOFER<br />
Program Consultant<br />
MELANIE NICHOLS<br />
Special Projects<br />
COVER PHOTO<br />
GINGER & ROSA<br />
OPENS IN MARCH
FOR YOUR CONSIDERATION<br />
A SELECTION OF OSCAR ® SUBMISSIONS FROM AROUND THE WORLD<br />
U.S Premiere<br />
Keep Smiling (Gaigimet)<br />
GEORGIA<br />
Friday January 11, 6:30 / Saturday, January 12, 3:00<br />
This hilarious satire from female writer-director Rusudan<br />
Chkonia follows ten highly desperate housewives who<br />
enter a beauty contest in the hopes of nabbing a coveted<br />
apartment and $25,000 prize. But dreams are quick to<br />
vanish as realization dawns that the competition is a<br />
complete farce, and they are subjected to media hounds,<br />
chauvinist pigs and their own domestic nightmares. 94 min.<br />
Blancanieves<br />
SPAIN<br />
Friday, January 11, 8:30<br />
A gorgeous, black-and-white homage to the Golden Age<br />
of Europe’s silent cinema, the intoxicating Blancanieves<br />
relocates the tale of Snow White to a sweepingly romantic<br />
vision of 1920s Spain, where young Carmen escapes from<br />
her wicked stepmother to find fame as a matador, joining a<br />
traveling troupe of bullfighting dwarves and rising to fame<br />
under the stage name Blancanieves. 104 min.<br />
Our Children (À perdre la raison)<br />
BELGIUM<br />
Saturday, January 12, 6:00<br />
Émilie Dequenne won an award at Cannes for her<br />
stunning performance as a lonely and isolated young<br />
mother caught in a strange and increasingly stultifying<br />
love triangle between her husband (Tahar Rahim) and a<br />
wealthy physician (Niels Arestrup). Director Joachim<br />
Lafosse deftly tackles the tough subjects of immigration,<br />
cross-cultural relations and “green-card marriage” in this<br />
expertly-crafted suspense drama. 111 min.<br />
Pieta<br />
SOUTH KOREA<br />
Saturday, January 12, 8:30<br />
Overlord of a small ramshackle industrial district in Seoul,<br />
young loan-shark Kang-do (Lee Jung-jin) exacts his pound<br />
of flesh – literally – from those who will not pay up with<br />
interest. When a beautiful and mysterious woman (Cho<br />
Min-soo) appears claiming to be his mother, Kang-do’s<br />
transformation brings shocking results. Director Kim<br />
Ki-duk won top prize at the 2012 Venice <strong>Film</strong> Festival for<br />
this electrifying commentary on loneliness, alienation and<br />
greed. 104 min.<br />
The Delay<br />
URUGUAY<br />
Sunday, January 13, 4:30<br />
Harried single mom María barely has a moment to herself<br />
between working in a garment factory, taking sewing jobs<br />
on the side, and caring for her three young children and her<br />
80-year-old father Agustin, who is senile and increasingly<br />
fragile. Unable to get Agustin placed in a proper facility,<br />
María makes a desperate move, in Rodrigo Pia’s sensitive<br />
exploration of family bonds pushed to the point of breaking.<br />
94 min.<br />
Nairobi Half Life<br />
KENYA<br />
Sunday, January 13, 6:30<br />
Despite his parents’ wishes, Mwas leaves his small village<br />
and embarks on a journey to Kenya’s capital to pursue<br />
a career in acting, but he quickly learns why the city is<br />
nicknamed “Nairobbery.” A few innocent mistakes land<br />
him in jail, then in a gang, and as he learns how to survive,<br />
Mwas is torn between his new lifestyle of theft and his<br />
dream of becoming an actor. 99 min.<br />
FRIDAY, JANUARY 11 TO THURSDAY, JANUARY 17<br />
Each year the Academy of Motion Picture Arts and Sciences invites dozens of countries to submit a single film for consideration in the category of Foreign<br />
Language <strong>Film</strong>. This year 71 films have been accepted for competition and for the tenth consecutive year, the <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong> presents a choice<br />
sampling. This is a rare opportunity to view some of the most distinguished works in international cinema, many of which are film festival prizewinners.<br />
Sponsored by the<br />
Consulate General of Spain<br />
Kauwboy<br />
War Witch (Rebelle)<br />
CANADA<br />
Sunday, January 13, 8:30<br />
This vibrant saga of a child soldier locates humanity and<br />
hope in a brutal world. Fourteen-year-old Komona finds<br />
her childhood abruptly, interrupted as soldiers take<br />
her away with other adolescents for training in guerilla<br />
warfare. Visually transporting, especially in surreal dream<br />
sequences, the film grounds its humane core in a deep<br />
appreciation of African myth and culture. 90 min.<br />
Special CFI Members’ Screening<br />
Kon-Tiki<br />
NORWAY<br />
Monday, January 14, 6:30<br />
Invitation Only - Join CFI Today!<br />
Directors Joachim Rønning and Espen Sandberg’s Golden<br />
Globe-nominated epic dramatizes the amazing adventures<br />
of Norwegian explorer Thor Heyerdahl, who crossed the<br />
Pacific in 1947 with five men on a balsa wood raft, relying<br />
solely on the stars, currents and a simple radio to guide<br />
them from Peru to Polynesia. Beautiful cinematography<br />
complements this tale of courage, conviction and bravado.<br />
118 min.<br />
The Intouchables<br />
FRANCE<br />
Monday, January 14, 9:00<br />
In this sidesplitting and poignant comedy of manners,<br />
directors Olivier Nakache and Eric Toledano cast two of<br />
France’s top contemporary actors. When quadriplegic<br />
aristocrat Philippe (François Cluzet) hires Driss (Omar Sy),<br />
a ne’er-do-well from the wrong side of the Métro tracks as<br />
his live-in caregiver, all hell breaks loose in this delightful<br />
odd-couple tale. 112 min.<br />
When Day Breaks<br />
(Kad svane dan)<br />
SERBIA<br />
Tuesday, January 15, 6:30<br />
A discovery at the site of a Nazi death camp leads a retired<br />
music professor to find out the secret of his true origins, in<br />
this moving drama from director Goran Paskaljevi. What<br />
do you do when you find out you’re not who you thought you<br />
were? Shock soon gives way to a determination to fulfill<br />
the shattered dreams that he has inherited- an iron resolve<br />
that infuses him with new purpose and a second lease on<br />
life. 90 min.<br />
SERIES PROGRAMMED BY KAREN DAVIS AND JANIS PLOTKIN<br />
The Third Half (Treto poluvreme)<br />
MACEDONIA<br />
Tuesday, January 15, 8:30<br />
Director Darko Mitrevski’s beautiful and haunting love<br />
story begins on the eve of Nazi invasion, when star soccer<br />
forward Kosta falls for the stunning Rebecca, and the<br />
young lovers suffer the scorn of their religious and class<br />
differences, especially from Rebecca’s father, a prominent<br />
Sephardic Jewish banker. Kosta dreams of taking the<br />
Macedonian Football Club to the Olympics until Nazi tanks<br />
roll in and the game changes for everyone. 113 min.<br />
Clandestine Childhood<br />
(Infancia clandestina)<br />
ARGENTINA<br />
Wednesday, January 16, 6:30<br />
Thursday, January 17, 8:15<br />
Set in 1979 during Argentina’s military dictatorship,<br />
Benjamín Ávila’s mesmerizing, semi-autobiographical<br />
story follows the travails of a fifth-grader who is forced<br />
to live under an assumed identity in order to protect<br />
his passionate resistance-fighter parents. Clandestine<br />
Childhood is a gripping, intensely personal account of a<br />
turbulent time and a meditation on the skewed perceptions<br />
of memory. 108 min.<br />
The Deep (Djúpi)<br />
ICELAND<br />
Wednesday, January 16, 8:30<br />
On March 11, 1984, a fishing boat sailing from the Westmann<br />
Islands sank in the frigid waters off the south coast of<br />
Iceland. Director Baltasar Kormákur’s gripping tale of one<br />
man’s incredible determination to survive is taken directly<br />
from the accounts of the lone survivor of the disaster, who<br />
swam nearly seven kilometers across the freezing water to<br />
shore, where his journey did not end. 91 min.<br />
Kauwboy<br />
NETHERLANDS<br />
Thursday, January 17, 6:30<br />
The Deep Our Children<br />
Blancanieves<br />
Ten-year-old Jojo lives with his sometimes erratic father,<br />
a security guard of few words. Missing his absent mother,<br />
a country singer, he finds an unexpected friend in an<br />
abandoned baby bird. A tender portrait of a boy trying to<br />
come to terms with a family that isn’t what it once was,<br />
this bittersweet but ultimately joyful portrait of acceptance<br />
and love was awarded Best First Feature at the 2012 Berlin<br />
<strong>Film</strong> Festival. 77 min.
Short <strong>Film</strong>s from the 2012<br />
Sundance <strong>Film</strong> Festival<br />
Opens Friday, January 4<br />
This rich program of 10 shorts from the 2012 Sundance <strong>Film</strong> Festival includes: The Arm,<br />
a “texting” comedy by Brie Larson, Sarah Ramos and Jessie Ennis; Bear from Australian<br />
filmmaker Nash Edgerton; Don’t Hug Me I’m Scared by English directors Joseph Pelling and<br />
Rebecca Sloan; First Birthday (dir. Andrew Ahn) about a gay Korean-American; Fishing Without<br />
Nets (dir. Cutter Hodierne, Short <strong>Film</strong> Grand Jury Prize), a story of Somali pirates, from the<br />
pirates’ perspective; Fungus (dir. Charlotta Miller) a romantic breakup tale from Sweden;<br />
Meaning of Robots, Matt Lenski’s short documentary about a truly obsessed filmmaker; The<br />
Return (dir. Blerta Zeqiri, Short <strong>Film</strong> Jury Prize- International Fiction), about a man who<br />
returns to his wife and son from a Serb prison; Robots of Brixton (dir. Kibwe Tavares, Short<br />
<strong>Film</strong> Special Jury Prize-Animation Direction), a British animation about young robots in the<br />
inner city; and Song of the Spindle, Drew Christie’s humorous animated conversation between<br />
a sperm whale and a man. Program 95 min.<br />
This exclusive Bay Area presentation reflects the <strong>Rafael</strong>’s participation in Sundance <strong>Institute</strong> Art<br />
House Project, a national alliance of independent cinemas supporting Sundance <strong>Institute</strong>’s mission<br />
to develop film culture, independent artists and audiences.<br />
Amour<br />
Opens Friday, January 18<br />
Winner of the Palme d’Or at the Cannes <strong>Film</strong> Festival, Amour recently swept the European<br />
<strong>Film</strong> Awards, and in the United States it has already become one of the most acclaimed foreign<br />
films of the year. Michael Haneke’s intense and intimate film stars veteran French actors<br />
Jean-Louis Trintignant and Emmanuelle Riva as Georges and Anne, retired music teachers<br />
in their 80s who are dedicated to each other. When Anne is debilitated by strokes, Georges<br />
honors her request to stay in their Parisian apartment, even over the objections of their<br />
daughter (Isabelle Huppert). Working with remarkable actors, Haneke powerfully depicts<br />
love’s greatest challenges in a stark yet tender drama. With William Shimell. In French with<br />
English subtitles. Writer/Director: Michael Haneke. (France/Austria 2012) 127 min.<br />
The Rabbi’s Cat<br />
Opens Friday, January 18<br />
Presented in Digital 3D- Special admission charge<br />
Robots of Brixton<br />
French filmmaker Joann Sfar (Gainsbourg: A Heroic Life) adapted his own bestselling graphic<br />
novel for this clever animated film set in 1930s Algeria at the intersection of Jewish, Arab<br />
and French culture. A cat belonging to a widowed rabbi and his beautiful daughter eats the<br />
family parrot and gains the ability to speak. Along with speech comes a sardonic wit, and<br />
the cat’s (and the filmmaker’s) words skewer faith, tradition and authority in a provocative<br />
exploration of God, love, religious intolerance and the search for truth. Rich with the colors,<br />
textures and music of Mediterranean Africa, this 3D odyssey crosses the tiled terraces of<br />
colonial Algiers through tent camps and deep Saharan nights in search of a lost Ethiopian<br />
city. In French with English subtitles. (Recommended for ages 13+) Directors: Joan Sfar,<br />
Antoine Delesvaux. (France 2011) 89 min.<br />
The Sleeping Beauty<br />
World Ballet<br />
on the Big Screen<br />
<strong>California</strong> <strong>Film</strong> <strong>Institute</strong> continues its partnership with Emerging Pictures<br />
presenting world-class performances filmed live in High Definition. Since<br />
many of these performances have not yet taken place at press time, there<br />
could be changes in casting and length. (Please note <strong>Rafael</strong> matinee prices<br />
are not applicable.)<br />
The Sleeping Beauty<br />
From the Royal Ballet, London<br />
Sunday, January 13, 1:00 / Tuesday, January 15, 6:30<br />
$15 (CFI members and children $12)<br />
The Royal Ballet’s signature work (and the pinnacle of classical ballet) features<br />
Tchaikovsky’s opulent music and choreography by Marius Petipa, Anthony Dowell,<br />
<strong>Christopher</strong> Wheeldon and Frederick Ashton, and stars Lauren Cuthbertson and<br />
Sergei Polunin. 170 min. plus intermission.<br />
An Evening with<br />
Sol León and Paul Lightfoot<br />
From the Netherlands Dance Theater<br />
Sunday, February 3, 6:30 / Tuesday, February 5, 6:30<br />
$15 (CFI members $12)<br />
The Netherland Dance Theater’s successful Spanish-British choreographer<br />
duo transport you to their artistic universe with the humorous SH-Boom and the<br />
powerfully theatrical Same Difference and Shoot the Moon, both set to music by Philip<br />
Glass. 145 min.<br />
La Bayadère<br />
From the Bolshoi Ballet, Moscow<br />
Sunday, February 17, 1:00 / Tuesday, February 19, 6:30<br />
$15 (CFI members and children $12)<br />
Set in lush, exotic India, this exquisite scenic version by Marius Petipa and Yuri<br />
Grigorovich tells the story of impossible love between the temple dancer Nikiya and<br />
the warrior Solor. (New production- cast to be announced.) 210 min.<br />
An Evening with<br />
Crystal Pite<br />
From the Netherlands Dance Theater<br />
Sunday, March 3, 6:30 / Tuesday, March 5, 6:30<br />
$15 (CFI members $12)<br />
Renowned for her flowing, organic and poetic style, Crystal Pite has succeeded in<br />
bringing her surprising and innovative approach to a wide audience, with familiar<br />
storylines of love and conflict. (New production- running time to be determined.)<br />
Notre-Dame de Paris<br />
From La Scala Ballet<br />
Sunday, March 10, 1:00 / Tuesday, March 12, 6:30<br />
$15 (CFI members and children $12)<br />
Inspired by Victor Hugo’s novel, the story of the Hunchback returns with music by<br />
Maurice Jarre (Lawrence of Arabia), sets by René Allio, costumes by Yves Saint-<br />
Laurent and choreography by Roland Petit, with two of ballet’s brightest stars, Roberto<br />
Bolle and Natalia Osipova. (New production- anticipated running time 120 min.)<br />
Youth America Grand Prix Gala<br />
Sunday, March 31, 1:00 / Tuesday, April 2, 6:30<br />
$15 (CFI members and children $12)<br />
Youth American Grand Prix is renowned as the world’s largest student ballet<br />
scholarship competition. This gala performance of “Ballet’s Greatest Hits” brings<br />
together stars from Joffrey Ballet, New York City Ballet, American Ballet Theatre,<br />
San Francisco Ballet and other companies. (New performance- running time to be<br />
determined.)<br />
Puccini’s Girl of the Golden West<br />
Sunday, January 27, 11am<br />
Free Admission - Presented by CFI Education<br />
For<br />
Families<br />
Created from San Francisco Opera’s 2010 production of Girl of the Golden<br />
West, this one-hour movie is a perfect way for families to learn about the<br />
magic of opera. Puccini’s opera is set during the <strong>California</strong> Gold Rush with<br />
a tough frontier woman with a tender heart at its center. Preceded by a live<br />
introduction, the film is in the opera’s original Italian with English subtitles and<br />
is recommended for ages 8 and up. Bring the children and grandchildren for a<br />
fun opera experience! Program approximately 75 min.
Mary Pickford’s<br />
Sparrows<br />
With Live Piano Accompaniment<br />
Thursday, January 31, 7:00<br />
$12 (CFI members $9)<br />
<strong>Film</strong> scholar Christel Schmidt will introduce a special screening of screen idol Mary<br />
Pickford’s penultimate silent film, presented in a beautiful 35mm restoration from the<br />
Library of Congress. Considered by business partner Charlie Chaplin to be her finest film,<br />
Sparrows is a “full-blooded melodrama about an intrepid girl who struggles to protect a band<br />
of younger orphans from their wicked captor (Leonard Maltin).” This Dickensian tale boasts<br />
highly stylized sets, including an ominous-looking swamp, and atmospheric cinematography<br />
influenced by German cinema. Screened with live piano<br />
accompaniment, the film will be preceded by the film’s<br />
original trailer and rare outtakes, also from the collection<br />
of the Library of Congress. Director: William Beaudine.<br />
(US 1926) <strong>Film</strong>s approx. 100 min.<br />
Christel Schmidt is the editor of the<br />
newly released Mary Pickford: Queen of<br />
the Movies (co-published by the Library<br />
of Congress and the University Press of<br />
Kentucky). Following the screening she<br />
will sign copies of her book, which will be<br />
available.<br />
2013 Oscar Nominated Short <strong>Film</strong>s<br />
Opens Friday, February 1<br />
Once again the <strong>Rafael</strong> participates in the national release of short films nominated<br />
for the upcoming Academy Awards. Audiences will have the opportunity to see<br />
the nominated live action and animated shorts prior to the 85th Academy Awards<br />
ceremony on Sunday, February 24, 2013. While we have no indication of the titles<br />
at press time, it‘s likely that several of the films will have already won awards at<br />
international film festivals. Each category will be screened in a separate program,<br />
each requiring separate admission.<br />
Valley of Saints<br />
56 Up<br />
Opens Friday, February 15<br />
Besides his large-scale feature films, director Michael Apted has been the steward of a<br />
remarkable British television series, filming the same 14 individuals (from diverse socioeconomic<br />
English backgrounds) every seven years. The UP series began in 1964, when the<br />
subjects were seven years old, and now Apted revisits them at 56. Every UP film subsumes<br />
the previous ones, therefore contemporary footage of the participants is juxtaposed here<br />
with significant moments from years past. From success to disappointment, from marriage<br />
and childbirth to poverty and illness, nearly every facet of life is discussed with them. Roger<br />
Ebert has called the “UP” series “an inspired, almost noble use of the film medium.” (UK<br />
2012) 144 min.<br />
Happy People:<br />
A Year in the Taiga<br />
Opens Friday, February 22<br />
Co-director Werner Herzog takes us on another unforgettable journey into remote and<br />
extreme landscapes with this visually stunning documentary about the lives of indigenous<br />
people in the heart of the Siberian Taiga. There are only two ways to reach the small village of<br />
Bakhtia at the river Yenisei: by helicopter or by boat. There are no telephones, running water<br />
or medical aid, and the locals’ daily routines have barely changed over the last centuries.<br />
Narrated in English by Herzog, the film follows one of the Siberian trappers through all four<br />
seasons of the year to tell the story of a culture virtually untouched by modernity. Directors:<br />
Werner Herzog, Dmitry Vasyukov. (Germany/Russia 2011) 94 min.<br />
Still Moving: Pilobolus at Forty<br />
In Person: Jun Kuribayashi, Dance Captain of Pilobolus<br />
Saturday, February 23, 4:30<br />
Fresh from the recent Mill Valley <strong>Film</strong> Festival, and screened in<br />
conjunction with the Marin <strong>Center</strong> performance by Pilobolus Dance<br />
Theatre on February 22, Still Moving: Pilobolus at Forty is a fascinating<br />
documentary on the company that transformed modern dance with<br />
its innovative dance vocabulary. Based in rural Connecticut, Pilobolus<br />
has been a dominant force on the international dance scene amusing,<br />
amazing and astonishing audiences with its breathtaking physicality<br />
that defies what is humanly possible. Jun Kuribayashi, dancer and<br />
Dance Captain of Pilobolus, will answer questions following the<br />
screening. Producer/Director: Jeffrey Ruoff. (US 2012) <strong>Film</strong> 40 min.<br />
plus discussion.<br />
Presentation by Peter Gleick<br />
Screening: Valley of Saints<br />
Thursday, February 21, 7:00<br />
$12 (CFI members $9)<br />
Peter Gleick, internationally recognized<br />
water expert, will deliver an illustrated<br />
presentation on world water issues,<br />
followed by a screening of the awardwinning<br />
feature film Valley of Saints.<br />
Dr. Peter H. Gleick is co-founder and<br />
president of the Pacific <strong>Institute</strong> for<br />
Studies in Development, Environment,<br />
and Security in Oakland. His research and<br />
writings address the critical connections<br />
between water and human health,<br />
sustainable water use and international<br />
conflicts over water resources. In 2003<br />
he was named a MacArthur Fellow for<br />
his work, and in 2006 he was elected to<br />
the National Academy of Sciences.<br />
Hailed by critic Anne Thompson as “a<br />
lyrical, beautiful, and satisfying journey<br />
of self-discovery,” Valley of Saints is<br />
a tender drama about Gulzar, a ferry<br />
pilot on Dal Lake in India’s beautiful<br />
Kashmir valley,<br />
who becomes<br />
enlightened about<br />
water pollution<br />
when he meets Asifa, a young woman<br />
conducting environmental research on<br />
the lake. Writer-director Musa Syeed’s<br />
compelling and poetic story was awarded<br />
the Alfred P. Sloan Foundation Feature<br />
<strong>Film</strong> Prize at the 2012 Sundance <strong>Film</strong><br />
Festival, as well as Sundance’s World<br />
Cinema Audience Award. In Kashmiri<br />
with English subtitles. (India 2012) <strong>Film</strong><br />
82 min. plus discussion.<br />
This program is part of Science<br />
on Screen, a program pairing film<br />
screenings with lively presentations<br />
by scientific experts. This series is<br />
made possible by a grant from the<br />
Coolidge Corner Theatre and the<br />
Alfred P. Sloan Foundation.
CFI FILM CLUB<br />
Screenings, Talks and Refreshments at <strong>Christopher</strong> B. <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong><br />
With the support of the Marin Community<br />
Foundation, and building on last year’s<br />
successful series, <strong>California</strong> <strong>Film</strong> <strong>Institute</strong><br />
offers the CFI <strong>Film</strong> Club, a weekly afternoon<br />
social activity combining education and<br />
entertainment in a comfortable setting.<br />
DESIGN FOR LIVING<br />
Presented by Richard Peterson<br />
THURSDAY, FEBRUARY 21, 1:00<br />
By no means a faithful adaptation of Noël<br />
Coward’s original play, this Pre-Code<br />
gem, written by Ben Hecht and directed by<br />
comedy maestro Ernst Lubitsch, remains<br />
captivating and sexy cinema, starring<br />
Gary Cooper, Fredric March and Miriam<br />
Hopkins as a trio of Americans in Paris<br />
who embark on a very adult “gentlemen’s agreement.” (US 1933) <strong>Film</strong> 91 min. plus<br />
discussion. Presenter Richard Peterson is Director of Programming for the <strong>Christopher</strong><br />
B. <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong>.<br />
RASHOMON<br />
Presented by John Morrison<br />
THURSDAY, FEBRUARY 28, 1:00<br />
Akira Kurosawa adapted stories by the<br />
Japanese writer Atukagawa for this<br />
landmark film, starring Toshiro Mifune,<br />
about a crime and the participants’ wildly<br />
different recollections. This award-winner<br />
introduced Japanese film to Western<br />
audiences and brought a new term to our<br />
vocabulary- the “Rashomon effect.” In Japanese with English subtitles. (Japan 1950)<br />
<strong>Film</strong> 88 min. plus discussion. John Morrison is Director of Education for <strong>California</strong> <strong>Film</strong><br />
<strong>Institute</strong>.<br />
PICNIC AT<br />
HANGING ROCK<br />
Presented by Maureen Galliani<br />
THURSDAY, MARCH 7, 1:00<br />
Peter Weir’s haunting drama was one of the<br />
hallmark productions of the New Australian<br />
Cinema of the 1970s. This beautiful film,<br />
about a mysterious disappearance during a<br />
schoolgirls’ Valentine’s Day picnic in 1900,<br />
was adapted from a novel by Joan Lindsay and bears a surprising relation to its source<br />
material. (Australia 1975) <strong>Film</strong> 102 min. plus discussion. Maureen Galliani is Executive<br />
Assistant, <strong>California</strong> <strong>Film</strong> <strong>Institute</strong>.<br />
This program is made possible with generous support from<br />
A Glimpse Inside the Mind<br />
of Charles Swan III<br />
Opens in February<br />
Six Thursday Afternoons at 1:00 – 4:00 with reception following<br />
FEBRUARY 21 TO MARCH 28<br />
Roman Coppola’s new film is a surreal, kaleidoscopic portrait of a 1970s graphic designer<br />
in Los Angeles’ fast lane, starring Charlie Sheen as the Proustian namesake whose life<br />
skids out of control when his girlfriend (Katheryn Winnick) walks out on him. As Swan dives<br />
in and out of elaborate fantasy sequences, he gets pulled back to earth by his friends: his<br />
closest pal (Jason Schwartzman), his business manager (Bill Murray), his sister (Patricia<br />
Arquette) and his office manager (Aubrey Plaza). Employing the whimsical tone he shared<br />
in his script collaborations with Wes Anderson, filmmaker Coppola assembles a rich cast<br />
and suffuses his comic psychodrama with pop-period visuals inspired by such 70s movies<br />
as All That Jazz. Music: Liam Hayes. Writer/Director: Roman Coppola. (US 2012) 86 min.<br />
Admission by series subscription only: $90 (CFI members $75)<br />
The theme of this six-week series is “Great Adaptations,” with<br />
discussions around films that were adapted from literature or<br />
theater. Presenters are staff members of <strong>California</strong> <strong>Film</strong> <strong>Institute</strong>.<br />
Each presenter introduces a feature film, and following the screening,<br />
leads a discussion with the group. Participants are encouraged to<br />
exchange questions and ideas.<br />
TO PAY BY CHECK:<br />
<strong>Rafael</strong> <strong>Film</strong> Club<br />
<strong>California</strong> <strong>Film</strong> <strong>Institute</strong><br />
1001 Lootens Place, Suite 220<br />
San <strong>Rafael</strong>, Ca. 94901<br />
Make check payable to<br />
“<strong>California</strong> <strong>Film</strong> <strong>Institute</strong>”<br />
MOBY DICK<br />
Presented by Dan Zastrow<br />
THURSDAY, MARCH 14, 1:00<br />
Can you adapt Herman Melville’s epic for a<br />
conventional-length film? Maybe you can’t,<br />
but director John Huston and screenwriter<br />
Ray Bradbury gave it a great try with their<br />
intelligent distillation. Gregory Peck stars<br />
as Ahab, with Richard Basehart as Ishmael,<br />
in this beautiful and eerily atmospheric<br />
adventure also starring Leo Genn and Orson Welles. (UK/US 1956) <strong>Film</strong> 116 min. plus<br />
discussion. Dan Zastrow is General Manager of the <strong>Christopher</strong> B. <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong><br />
<strong>Center</strong>.<br />
“SURPRISE” FILM<br />
Presented by Zoë Elton<br />
THURSDAY, MARCH 21, 1:00<br />
This session features a surprise screening, and it will also explore adaptations from<br />
page to screen through a short creative exercise. Please bring a notebook or paper, your<br />
imagination and something to write with. Presenter Zoë Elton is Director of Programming<br />
for the Mill Valley <strong>Film</strong> Festival.<br />
BEING THERE<br />
Presented by Mark Fishkin<br />
THURSDAY, MARCH 28, 1:00<br />
Jerzy Kosinski adapted his own novel<br />
for director Hal Ashby with this superb<br />
comedy-drama starring Peter Sellers in<br />
his penultimate role as Chance, a simpleminded<br />
gardener who becomes a star of<br />
media and politics when his TV-inspired<br />
statements are mistaken for profundity.<br />
With Shirley MacLaine, Melvyn Douglas. (US 1979) <strong>Film</strong> 130 min. plus discussion. Mark<br />
Fishkin is Director of the Mill Valley <strong>Film</strong> Festival and Executive Director of <strong>California</strong><br />
<strong>Film</strong> <strong>Institute</strong>.<br />
A Fierce Green Fire<br />
Opens Friday, March 15<br />
Depending on a film’s length, a session<br />
may last up to 3 hours, followed by a<br />
private reception with complimentary<br />
refreshments. Places are limited- Please<br />
note that the first <strong>Film</strong> Club sold out in a<br />
few days!<br />
PAYMENT OPTIONS TO SUBSCRIBE TO THE SERIES<br />
Please add “CFI <strong>Film</strong> Club” to the memo line<br />
TO PAY VIA CREDIT CARD:<br />
go to cfifilmclub.eventbrite.com<br />
Questions?<br />
Call: (415) 526-5835 or Email: cfifilmclub@cafilm.org<br />
Bay Area filmmaker Mark Kitchell’s long-awaited documentary is the first big-picture<br />
exploration of the environmental movement, on grassroots and global activism spanning<br />
50 years from conservation to climate change. Environmentalism is one of the great causes<br />
of the 20th century, as well as a key to the 21st, when humans rival nature as a power<br />
determining the fate of the earth. Rich with archival footage, the film focuses on activism<br />
and on movements, including: David Brower and the Sierra Club; Lois Gibbs and the Love<br />
Canal; Paul Watson, Greenpeace and the whales and seals; Chico Mendes and the Amazon<br />
workers; Bill McKibben and climate change. Narrators include Ashley Judd, Robert<br />
Redford and Meryl Streep. Writer/Director: Mark Kitchell. (US 2012) 110 min.
When the Iron Bird Flies<br />
In Person: Director Victress Hitchcock<br />
and special guest Anam Thubten<br />
FRIDAY, MARCH 1, 7:00<br />
In 1959 a great migration from Tibet was violently set in motion. The Dalai Lama was<br />
joined in exile by thousands of refugees, among them important Tibetan Buddhist<br />
teachers, opening a window on what had been a hidden realm. Interviews and rare<br />
archival footage offer an insider’s view of Tibetan Buddhism made manifest beyond its<br />
original home. (US 2012) 96 min. plus discussion. Bay Area Premiere<br />
Olo, The Boy From Tibet<br />
SATURDAY, MARCH 2, 1:30<br />
Six-year-old Olo is sent from Tibet to India by his mother to get an education. Now a<br />
student at the famed Tibetan Children’s Village in Dharamsala (founded by Jetsun Pema,<br />
sister of the Dalai Lama), he has to make his way in a world quite different from his own.<br />
Director Hisaya Iwasa takes a creative and intimate approach to this true story. (Japan<br />
2012) 108 min. US Premiere<br />
Karma<br />
SATURDAY, MARCH 2, 4:00<br />
In a Tibetan Buddhist nunnery a revered<br />
abbess dies. Prayers and rituals must be<br />
performed, but there’s no money, so one<br />
of the nuns, Karma, must journey to find<br />
the man who may owe a debt. <strong>Film</strong>ed in<br />
the remote Himalayan region of Mustang,<br />
we follow Karma to Kathmandu, where she<br />
discovers that many things are not what she<br />
thought. (Nepal 2006) 90 min. US Premiere<br />
Digital Dharma<br />
Invited Guest: Director Dafna Yachin<br />
SATURDAY, MARCH 2, 6:15<br />
The late Gene <strong>Smith</strong> was amazing–a Mormon, a pacifist and a Buddhist who, against<br />
all odds, managed to organize the successful mission to rescue the written legacy of<br />
the Tibetan culture from destruction and loss. The film documents his epic efforts<br />
toward an ongoing project to preserve, digitize and translate 20,000 volumes of Tibetan<br />
literature, from medicine and history to poetry and Buddhist texts. (US 2012) 90 min. plus<br />
discussion. Bay Area Premiere<br />
Mindfulness and Murder<br />
SATURDAY, MARCH 2, 8:45<br />
Thai-English director Tom Waller takes on<br />
one of the popular Father Ananda mysteries.<br />
Former cop Ananda is now a senior monk<br />
and is asked by the abbot to solve a murder<br />
inside his monastery because the police<br />
don’t want to get involved. Not everything in<br />
the monastery is what it should be…(Thailand<br />
2011) 90 min. US Premiere<br />
NO<br />
Opens in March<br />
INTERNATIONAL<br />
BUDDHIST FILM FESTIVAL<br />
Chile’s official selection for Academy Award consideration, this riveting historical drama<br />
takes place in 1988, when military dictator Augusto Pinochet, under international pressure,<br />
calls for a referendum on his presidency, so that the country would vote YES or NO on<br />
extending his rule for another eight years. Gael Garcia Bernal stars as René Saavedra,<br />
a brash young advertising executive approached by Opposition leaders to spearhead the<br />
NO campaign. With scant resources, and under close scrutiny by the despot’s minions,<br />
Saavedra and his team devise an audacious plan, using advertising techniques, to win the<br />
election and set their country free. Rated R for language. In Spanish with English subtitles.<br />
Writer: Pedro Peirano. Director: Pablo Larrain. (Chile 2012) 110 min.<br />
SHOWCASE 2013<br />
Friday, March 1 to Sunday, March 3<br />
Presented by Buddhist <strong>Film</strong> Foundation and <strong>California</strong> <strong>Film</strong> <strong>Institute</strong><br />
To celebrate the 10th anniversary season of the International Buddhist <strong>Film</strong> Festival, we present nine premieres from<br />
seven countries- rare screenings, global diversity and guest filmmakers. Berkeley-based Buddhist <strong>Film</strong> Foundation<br />
is the world’s leading resource for Buddhist-themed and Buddhist-inspired cinema, serving audiences, educators and<br />
filmmakers. www.buddhistfilmfoundation.org<br />
The Great Pilgrim<br />
SUNDAY, MARCH 3, 1:30<br />
One of the most celebrated journeys in history<br />
is that of Tang dynasty Chinese monk Xuanzang,<br />
who traveled to India and brought back essential<br />
Buddhist texts and teachings. This compelling<br />
film uses reenactments, stunning locations and<br />
animation to introduce a truly legendary figure<br />
(the inspiration for the many Journey to the West<br />
and Monkey stories and films). (China 2009) 98<br />
min. US Premiere<br />
The Mourning Forest (Mogari no mori)<br />
SUNDAY, MARCH 3, 4:00<br />
Set in tea country near Kyoto, Japan, this Cannes Grand Prix award-winner is a<br />
masterful meditation on loss and love and happiness...on what it is to be alive. Intimately<br />
directed by prolific artist/filmmaker Naomi Kawase with astonishing, nearly wordless<br />
performances. And the bright Buddhist priest doesn’t get the last word... “There are no<br />
formal rules...” (Japan/France 2007) 97 min. Bay Area Premiere<br />
KanZeOn<br />
Invited Guest: Co-Director Neil Cantwell<br />
SUNDAY, MARCH 3, 6:15<br />
A mysterious and engaging journey through<br />
sound, song, story, ritual, performance, nature,<br />
tradition and Japanese Buddhism... A fearless<br />
merging of medieval and modern, beautifully<br />
filmed on location in Japan with a variety<br />
of techniques. “Kanzeon” is another way of<br />
saying “Kannon” (Chinese: “Kuanyin”), the<br />
embodiment of compassion, and can also be<br />
written in Japanese as “to see sounds.” (UK/<br />
Japan 2011) 86 min. plus discussion. Bay Area<br />
Premiere<br />
Thangka<br />
SUNDAY, MARCH 3, 8:45<br />
In this surprising and fresh feature from China, a Tibetan thangka painting master needs<br />
to identify his successor from among his students, his talented son, or the possible<br />
reincarnation of his own teacher. Tradition, family, talent and difference are all colorfully<br />
explored with compassion and humor. Beautifully filmed on location in Tibet. (China<br />
2011) 112 min. US Premiere<br />
Ticket prices for each program:<br />
$12 general, $10 seniors, $8 for CFI members.<br />
(Please note that <strong>Rafael</strong> passes and matinee prices are not applicable.)<br />
Ginger & Rosa<br />
Opens in March<br />
Sally Potter’s beautiful, stylish new film is set in 1962 London, at the height of the Cold War,<br />
and focuses on two teenage girls, born on the same day in 1945 and best friends all their<br />
lives. Ginger (Elle Fanning, in a riveting performance) and Rosa (newcomer Alice Englert,<br />
daughter of Jane Campion) are inseparable. From a family of intellectuals, Ginger channels<br />
her adolescent insecurity into fierce anti-nuclear activism, and Rosa, with a working class<br />
background, comes along to the rallies, at least until a major betrayal of trust. Potter’s<br />
camera vividly captures the heady energy of her teenage protagonists as well as the temper<br />
of the changing times, in a compelling drama that also features strong performances by<br />
Christina Hendricks, Alessandro Nivola, Timothy Spall, Oliver Platt and Annette Bening,<br />
Writer/Director: Sally Potter. (UK 2012) 90 min.
<strong>California</strong> <strong>Film</strong> <strong>Institute</strong> is a 501c3 non-profit organization that relies on the generosity of its community to thrive. Your support enables CFI to continue to<br />
offer quality programming and events you love. For more information on how to be involved, please e-mail LBender@cafilm.org, or call 415.526.5838.<br />
CFI BOARD OF DIRECTORS CFI THANKS THE FOLLOWING INDIVIDUALS AND FOUNDATIONS<br />
FOUNDER /<br />
EXECUTIVE DIRECTOR<br />
Mark Fishkin<br />
CFI BOARD OF<br />
DIRECTORS<br />
Kenneth Broad<br />
(Co-Vice President)<br />
Douglas Dolton<br />
Michael Dyett<br />
Lynne Hale<br />
Richard J. Idell<br />
(Secretary)<br />
Bruce Katz<br />
Amy Keroes<br />
Jennifer Coslett<br />
MacCready<br />
(President)<br />
Cathy Nourafshan<br />
Jonathan Parker<br />
Susan Schwartz<br />
Dr. Joel Sklar<br />
<strong>Christopher</strong> B. <strong>Smith</strong><br />
(Co-Vice President)<br />
Jann Stanley<br />
Evelyn Topper<br />
Zach Zeisler<br />
(Treasurer)<br />
EMERITUS BOARD<br />
Ann Brebner<br />
Rita Cahill<br />
Sid Ganis<br />
Gary Meyer<br />
Gordon Radley<br />
Henry Timnick<br />
FOUNDING BOARD<br />
Rita Cahill<br />
Mark Fishkin<br />
Lois Kohl Shore<br />
HONORARY ADVISORY<br />
BOARD<br />
Barbara Boxer<br />
Stewart Boxer<br />
Drusie Davis<br />
Jim Davis<br />
Jeff Fisher<br />
Peter Flaxman<br />
Robert Greber<br />
Linda Gruber<br />
Peggy Haas<br />
Michael Klein<br />
Roxanne Klein<br />
KC Lauck<br />
Andrew McGuire<br />
Mary Poland<br />
Eric Schwartz<br />
Michael Schwartz<br />
Skip Whitney<br />
LEADERSHIP CIRCLE<br />
<strong>Christopher</strong> B. and<br />
Jeannie Meg <strong>Smith</strong><br />
Jennifer Coslett<br />
MacCready<br />
Jackie and Ken Broad<br />
INVESTOR CIRCLE<br />
Gruber Family<br />
Foundation<br />
Drusie and Jim Davis,<br />
Drusie Davis Family Fund<br />
Margaret E. Haas<br />
PLATINUM CIRCLE<br />
Michael and Roxanne<br />
Klein<br />
Macquarie Group<br />
Foundation<br />
The Jay Pritzker<br />
Foundation<br />
Nancy and Rich Robbins<br />
Michael and<br />
Susan Schwartz Fund<br />
Lois and Mel Tukman<br />
Christine Zecca<br />
Foundation<br />
GOLD CIRCLE<br />
Anonymous<br />
Katz Family Foundation<br />
Monahan Parker, Inc.<br />
Eric Schwartz, EAS Fund<br />
Marjorie Swig<br />
Saul Zaentz Trust<br />
SILVER CIRCLE<br />
Elizabeth and Alex Aal<br />
Anonymous (3)<br />
The Allen Family Fund<br />
Jean Bedecarrax<br />
Kamala Geroux-Berry<br />
and David Berry<br />
Sheryle Bolton and Steve<br />
Shane<br />
Beverly and Michael<br />
Butler<br />
Joe and Sue Carlomagno<br />
Nancy and Gary Carlston<br />
Brian and Marie Collins<br />
Alice Corning<br />
Gail and Doug Dolton<br />
Joanne Dunn<br />
Tedi Dunn and William<br />
Svabek<br />
Dennis P. Fisco and<br />
Pamela Polite Fisco<br />
Sharon A. Fox<br />
Amy Keroes and Jeff<br />
Fisher<br />
Eliza Koeppel and Judy<br />
Webb<br />
K.C. and Steve Lauck<br />
Fred M. Levin and<br />
Nancy Livingston, The<br />
Shenson Foundation<br />
Karen and Gregg Lund<br />
Cindy and John McCauley<br />
Bobbie Meyer<br />
Stephen and Mary<br />
Mizroch<br />
Cathy and Robert<br />
Nourafshan<br />
Maggie O’Donnell Floum<br />
Terese and Robert Payne<br />
Gordon Radley<br />
Heidi Richardson and<br />
Michael Dyett<br />
Carolyn Cavalier<br />
Rosenberg, Sanford<br />
Rosenberg and Media<br />
Research Associates<br />
Susan and Joel Sklar<br />
Jann Stanley<br />
Henry Timnick<br />
Richard Torretto<br />
Peggy and Peter<br />
Trethewey<br />
Paul Violich and Ana<br />
Maria Delgado<br />
BRONZE CIRCLE<br />
Suzette DeVogelaere<br />
Julie Erickson and Art<br />
Rothstein<br />
Melanie Farkas<br />
Catherine and Peter<br />
Flaxman<br />
Lisa Graeber<br />
Lynne Hale<br />
Ann-Eve Hazen Family<br />
Fund<br />
Susan and Richard Idell<br />
Lisa Lord<br />
Arch & Stella Rowan<br />
Foundation<br />
Deborah Santana<br />
Elliott and Shayna Stein<br />
The Whitney Family<br />
MAJOR FOUNDATION<br />
SUPPORT<br />
The Bernard Osher<br />
Foundation<br />
Marin Community<br />
Foundation<br />
Fenwick Foundation<br />
Horace W. Goldsmith<br />
Foundation<br />
GOVERNMENT SUPPORT<br />
County of Marin
JANUARY - MARCH 2013<br />
NON PROFIT<br />
US POSTAGE<br />
PAID<br />
PERMIT #27<br />
MILL VALLEY CA<br />
CALIFORNIA FILM INSTITUTE 1001 Lootens Place, Suite 220 San <strong>Rafael</strong>, CA 94901<br />
www.cafilm.org www.mvff.com<br />
IT’S COMING... 02/24/2013<br />
5 TH ANNUAL<br />
ENVIRONMENTAL YOUTH FORUM<br />
Engage / Connect / Act / Lead<br />
Monday, February 11 (grades 1 – 8)<br />
Tuesday, February 12 (grades 9 – 12)<br />
The Environmental Youth Forum (EYF), produced by CFI Education, will feature more than 13<br />
films with premieres, speakers, and workshops on all three of the screens at the <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong><br />
<strong>Center</strong>. We will also have an active cinema room where students can talk with national and local<br />
groups who will be represented. One of the Brower Youth Award winners from 2012 will be the<br />
keynote speaker. Last year, the EYF was attended by more than 600 students from all over the Bay<br />
Area. Our program for Elementary and Middle Schools has been expanded this year.<br />
Free. Open to all Bay Area Schools. Limited free buses available.<br />
Keep up-to-date at cafilm.wordpress.com as we build this program<br />
SIX DOLLARMOVIE TICKETS<br />
Only with<br />
CFI Membership<br />
cafilm.org/membership<br />
cafilm.org 415.454.1222<br />
1118 Fourth Street, San <strong>Rafael</strong><br />
MEMBERSHIP<br />
SPONSOR