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Christopher B. Smith Rafael Film Center - California Film Institute

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<strong>Christopher</strong> B.<br />

Welcome<br />

<strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong><br />

The first quarter of 2013 at the <strong>Christopher</strong> B.<br />

<strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong> brings some favorite<br />

programs back into the limelight. This year<br />

represents our tenth offering of “For Your Consideration,”<br />

a selection of films submitted by countries for Foreign<br />

Language eligibility in the Academy Award process. It has<br />

also become a tradition for us to show the short films<br />

nominated for the Oscar.<br />

Another short film program that we present this time of<br />

year is a curated selection from the Sundance <strong>Film</strong> Festival.<br />

This Sundance project is an outgrowth of our participation<br />

in the Art House Convergence, a network of independent<br />

film theaters across the United States.<br />

Through the support of the Marin Community<br />

Foundation, we have organized our second “<strong>Film</strong> Club,”<br />

which is part of an initiative to deepen our relationship with<br />

our audience through education and social connection.<br />

Last year our first six-week series was extremely popular,<br />

and the limited spaces for participants were quickly filled.<br />

Certainly this is one program for which the participants will<br />

strongly influence its future directions and activities.<br />

1<br />

2<br />

3<br />

4<br />

5<br />

Thanks to the Academy of Motion Picture Arts and<br />

Sciences, Robby the Robot was teleported from Altair<br />

IV to astound the <strong>Rafael</strong> audience with its profound<br />

intelligence and wry wit.<br />

With Robby onstage: his caretaker William Malone<br />

and Oscar-winners Craig Barron and Ben Burtt, who<br />

offered a presentation on Forbidden Planet.<br />

Keira Knightley and director Joe Wright presented an<br />

advance screening of Anna Karenina. Wright has visited<br />

the <strong>Rafael</strong> and Mill Valley <strong>Film</strong> Festival several times.<br />

Actor/writer/producer John Krasinski came to the<br />

<strong>Rafael</strong> for a screening of Promised Land and brought<br />

wife Emily Blunt.<br />

Writer John Gatins and director Robert Zemeckis<br />

discuss their film Flight with executive director Mark<br />

Fishkin at a CFI members’ screening.<br />

All photos: Tommy Lau<br />

LAURA<br />

1 3<br />

2<br />

CHRISTOPHER B. SMITH RAFAEL FILM CENTER<br />

The <strong>Christopher</strong> B. <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong> is owned and operated by the <strong>California</strong> <strong>Film</strong> <strong>Institute</strong>,<br />

a 501 (C)(3) non-profit arts organization.<br />

FOR ADMISSION PRICES PLEASE CHECK cafilm.org or call 415.454.1222<br />

We also continue our ongoing series “Science on<br />

Screen,” made possible by a grant from the Coolidge Corner<br />

Theatre and the Alfred P. Sloan Foundation and inspiring<br />

entirely new approaches for combining film and education.<br />

And we welcome back our friends at the Buddhist <strong>Film</strong><br />

Foundation, with the <strong>Rafael</strong>’s second presentation of the<br />

International Buddhist <strong>Film</strong> Showcase, in celebration of its<br />

tenth season.<br />

The film industry’s digital transition continues apace.<br />

While most independent filmmakers working with low<br />

budgets had long ago turned to digital means, it is a fact<br />

that all distributors, large and small, are actively phasing<br />

out their 35mm feature film releases, and the labs that<br />

make film prints are ceasing mass production. As we’ve<br />

often promised, we won’t abandon our 35mm capabilities,<br />

but the reality is that the means of film exhibition are<br />

transforming. At the <strong>Rafael</strong> and all the programs of the<br />

<strong>California</strong> <strong>Film</strong> <strong>Institute</strong>, including the Mill Valley <strong>Film</strong><br />

Festival and CFI Education, we remain dedicated to the<br />

finest possible presentation of films and ideas.<br />

4<br />

5<br />

- RICHARD PETERSON<br />

DIRECTOR OF PROGRAMMING<br />

RAFAEL<br />

AT A GLANCE<br />

SHORT FILMS FROM THE<br />

2012 SUNDANCE FILM FESTIVAL<br />

Opens Friday, January 4<br />

FOR YOUR CONSIDERATION:<br />

A SELECTION OF OSCAR SUBMISSIONS<br />

FROM AROUND THE WORLD<br />

January 11 to January 17<br />

THE SLEEPING BEAUTY Royal Ballet<br />

January 13 & 15<br />

AMOUR<br />

Opens Friday, January 18<br />

THE RABBI’S CAT- 3D<br />

Opens Friday, January 18<br />

PUCCINI’S GIRL OF THE GOLDEN<br />

WEST FOR FAMILIES<br />

Sunday, January 27, 11am<br />

SPARROWS Thursday, January 31, 7:00<br />

OSCAR-NOMINATED SHORT FILMS 2013<br />

Opens Friday, February 1<br />

AN EVENING WITH SOL LEON AND PAUL<br />

LIGHTFOOT Netherlands Dance Theater<br />

February 3 & 5<br />

ENVIRONMENTAL YOUTH FORUM<br />

February 11 & 12<br />

56 UP<br />

Opens Friday, February 15<br />

LA BAYADERE Bolshoi Ballet<br />

February 17 & 19<br />

SCIENCE ON SCREEN: WATER, WATER,<br />

EVERYWHERE…?<br />

Thursday, February 21, 7:00<br />

CFI FILM CLUB<br />

February 21 to March 28<br />

HAPPY PEOPLE: A YEAR IN THE TAIGA<br />

Opens Friday, February 22<br />

STILL MOVING: PILOBOLUS AT FORTY<br />

Saturday, February 23, 4:30<br />

A GLIMPSE INSIDE THE MIND<br />

OF CHARLES SWAN III<br />

Opens in February<br />

INTERNATIONAL BUDDHIST<br />

FILM FESTIVAL SHOWCASE<br />

March 1 to 3<br />

AN EVENING WITH CRYSTAL PITE<br />

March 3 & 5<br />

NOTRE-DAME DE PARIS La Scala Ballet<br />

March 10 & 12<br />

A FIERCE GREEN FIRE<br />

Opens Friday, March 15<br />

NO<br />

Opens in March<br />

GINGER & ROSA<br />

Opens in March<br />

YOUTH AMERICA GRAND PRIX GALA<br />

March 31 & April 2<br />

All programs listed here are subject to<br />

change, including their opening dates. Other<br />

programs will open that do not appear on<br />

this schedule. For up-to-date information:<br />

Sign-up for our weekly e-mail at cafilm.<br />

org, check your daily newspaper or call<br />

415.454.1222.<br />

RAFAEL CALENDAR STAFF<br />

RICHARD PETERSON<br />

Director of Programming/Editor<br />

DAN ZASTROW<br />

<strong>Rafael</strong> General Manager<br />

KEVIN HEVERIN<br />

Marketing & Communications Manager<br />

BRIAN LEHMAN / WORDWELDER.COM<br />

Calendar Design / Layout<br />

JAN KLINGELHOFER<br />

Program Consultant<br />

MELANIE NICHOLS<br />

Special Projects<br />

COVER PHOTO<br />

GINGER & ROSA<br />

OPENS IN MARCH


FOR YOUR CONSIDERATION<br />

A SELECTION OF OSCAR ® SUBMISSIONS FROM AROUND THE WORLD<br />

U.S Premiere<br />

Keep Smiling (Gaigimet)<br />

GEORGIA<br />

Friday January 11, 6:30 / Saturday, January 12, 3:00<br />

This hilarious satire from female writer-director Rusudan<br />

Chkonia follows ten highly desperate housewives who<br />

enter a beauty contest in the hopes of nabbing a coveted<br />

apartment and $25,000 prize. But dreams are quick to<br />

vanish as realization dawns that the competition is a<br />

complete farce, and they are subjected to media hounds,<br />

chauvinist pigs and their own domestic nightmares. 94 min.<br />

Blancanieves<br />

SPAIN<br />

Friday, January 11, 8:30<br />

A gorgeous, black-and-white homage to the Golden Age<br />

of Europe’s silent cinema, the intoxicating Blancanieves<br />

relocates the tale of Snow White to a sweepingly romantic<br />

vision of 1920s Spain, where young Carmen escapes from<br />

her wicked stepmother to find fame as a matador, joining a<br />

traveling troupe of bullfighting dwarves and rising to fame<br />

under the stage name Blancanieves. 104 min.<br />

Our Children (À perdre la raison)<br />

BELGIUM<br />

Saturday, January 12, 6:00<br />

Émilie Dequenne won an award at Cannes for her<br />

stunning performance as a lonely and isolated young<br />

mother caught in a strange and increasingly stultifying<br />

love triangle between her husband (Tahar Rahim) and a<br />

wealthy physician (Niels Arestrup). Director Joachim<br />

Lafosse deftly tackles the tough subjects of immigration,<br />

cross-cultural relations and “green-card marriage” in this<br />

expertly-crafted suspense drama. 111 min.<br />

Pieta<br />

SOUTH KOREA<br />

Saturday, January 12, 8:30<br />

Overlord of a small ramshackle industrial district in Seoul,<br />

young loan-shark Kang-do (Lee Jung-jin) exacts his pound<br />

of flesh – literally – from those who will not pay up with<br />

interest. When a beautiful and mysterious woman (Cho<br />

Min-soo) appears claiming to be his mother, Kang-do’s<br />

transformation brings shocking results. Director Kim<br />

Ki-duk won top prize at the 2012 Venice <strong>Film</strong> Festival for<br />

this electrifying commentary on loneliness, alienation and<br />

greed. 104 min.<br />

The Delay<br />

URUGUAY<br />

Sunday, January 13, 4:30<br />

Harried single mom María barely has a moment to herself<br />

between working in a garment factory, taking sewing jobs<br />

on the side, and caring for her three young children and her<br />

80-year-old father Agustin, who is senile and increasingly<br />

fragile. Unable to get Agustin placed in a proper facility,<br />

María makes a desperate move, in Rodrigo Pia’s sensitive<br />

exploration of family bonds pushed to the point of breaking.<br />

94 min.<br />

Nairobi Half Life<br />

KENYA<br />

Sunday, January 13, 6:30<br />

Despite his parents’ wishes, Mwas leaves his small village<br />

and embarks on a journey to Kenya’s capital to pursue<br />

a career in acting, but he quickly learns why the city is<br />

nicknamed “Nairobbery.” A few innocent mistakes land<br />

him in jail, then in a gang, and as he learns how to survive,<br />

Mwas is torn between his new lifestyle of theft and his<br />

dream of becoming an actor. 99 min.<br />

FRIDAY, JANUARY 11 TO THURSDAY, JANUARY 17<br />

Each year the Academy of Motion Picture Arts and Sciences invites dozens of countries to submit a single film for consideration in the category of Foreign<br />

Language <strong>Film</strong>. This year 71 films have been accepted for competition and for the tenth consecutive year, the <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong> presents a choice<br />

sampling. This is a rare opportunity to view some of the most distinguished works in international cinema, many of which are film festival prizewinners.<br />

Sponsored by the<br />

Consulate General of Spain<br />

Kauwboy<br />

War Witch (Rebelle)<br />

CANADA<br />

Sunday, January 13, 8:30<br />

This vibrant saga of a child soldier locates humanity and<br />

hope in a brutal world. Fourteen-year-old Komona finds<br />

her childhood abruptly, interrupted as soldiers take<br />

her away with other adolescents for training in guerilla<br />

warfare. Visually transporting, especially in surreal dream<br />

sequences, the film grounds its humane core in a deep<br />

appreciation of African myth and culture. 90 min.<br />

Special CFI Members’ Screening<br />

Kon-Tiki<br />

NORWAY<br />

Monday, January 14, 6:30<br />

Invitation Only - Join CFI Today!<br />

Directors Joachim Rønning and Espen Sandberg’s Golden<br />

Globe-nominated epic dramatizes the amazing adventures<br />

of Norwegian explorer Thor Heyerdahl, who crossed the<br />

Pacific in 1947 with five men on a balsa wood raft, relying<br />

solely on the stars, currents and a simple radio to guide<br />

them from Peru to Polynesia. Beautiful cinematography<br />

complements this tale of courage, conviction and bravado.<br />

118 min.<br />

The Intouchables<br />

FRANCE<br />

Monday, January 14, 9:00<br />

In this sidesplitting and poignant comedy of manners,<br />

directors Olivier Nakache and Eric Toledano cast two of<br />

France’s top contemporary actors. When quadriplegic<br />

aristocrat Philippe (François Cluzet) hires Driss (Omar Sy),<br />

a ne’er-do-well from the wrong side of the Métro tracks as<br />

his live-in caregiver, all hell breaks loose in this delightful<br />

odd-couple tale. 112 min.<br />

When Day Breaks<br />

(Kad svane dan)<br />

SERBIA<br />

Tuesday, January 15, 6:30<br />

A discovery at the site of a Nazi death camp leads a retired<br />

music professor to find out the secret of his true origins, in<br />

this moving drama from director Goran Paskaljevi. What<br />

do you do when you find out you’re not who you thought you<br />

were? Shock soon gives way to a determination to fulfill<br />

the shattered dreams that he has inherited- an iron resolve<br />

that infuses him with new purpose and a second lease on<br />

life. 90 min.<br />

SERIES PROGRAMMED BY KAREN DAVIS AND JANIS PLOTKIN<br />

The Third Half (Treto poluvreme)<br />

MACEDONIA<br />

Tuesday, January 15, 8:30<br />

Director Darko Mitrevski’s beautiful and haunting love<br />

story begins on the eve of Nazi invasion, when star soccer<br />

forward Kosta falls for the stunning Rebecca, and the<br />

young lovers suffer the scorn of their religious and class<br />

differences, especially from Rebecca’s father, a prominent<br />

Sephardic Jewish banker. Kosta dreams of taking the<br />

Macedonian Football Club to the Olympics until Nazi tanks<br />

roll in and the game changes for everyone. 113 min.<br />

Clandestine Childhood<br />

(Infancia clandestina)<br />

ARGENTINA<br />

Wednesday, January 16, 6:30<br />

Thursday, January 17, 8:15<br />

Set in 1979 during Argentina’s military dictatorship,<br />

Benjamín Ávila’s mesmerizing, semi-autobiographical<br />

story follows the travails of a fifth-grader who is forced<br />

to live under an assumed identity in order to protect<br />

his passionate resistance-fighter parents. Clandestine<br />

Childhood is a gripping, intensely personal account of a<br />

turbulent time and a meditation on the skewed perceptions<br />

of memory. 108 min.<br />

The Deep (Djúpi)<br />

ICELAND<br />

Wednesday, January 16, 8:30<br />

On March 11, 1984, a fishing boat sailing from the Westmann<br />

Islands sank in the frigid waters off the south coast of<br />

Iceland. Director Baltasar Kormákur’s gripping tale of one<br />

man’s incredible determination to survive is taken directly<br />

from the accounts of the lone survivor of the disaster, who<br />

swam nearly seven kilometers across the freezing water to<br />

shore, where his journey did not end. 91 min.<br />

Kauwboy<br />

NETHERLANDS<br />

Thursday, January 17, 6:30<br />

The Deep Our Children<br />

Blancanieves<br />

Ten-year-old Jojo lives with his sometimes erratic father,<br />

a security guard of few words. Missing his absent mother,<br />

a country singer, he finds an unexpected friend in an<br />

abandoned baby bird. A tender portrait of a boy trying to<br />

come to terms with a family that isn’t what it once was,<br />

this bittersweet but ultimately joyful portrait of acceptance<br />

and love was awarded Best First Feature at the 2012 Berlin<br />

<strong>Film</strong> Festival. 77 min.


Short <strong>Film</strong>s from the 2012<br />

Sundance <strong>Film</strong> Festival<br />

Opens Friday, January 4<br />

This rich program of 10 shorts from the 2012 Sundance <strong>Film</strong> Festival includes: The Arm,<br />

a “texting” comedy by Brie Larson, Sarah Ramos and Jessie Ennis; Bear from Australian<br />

filmmaker Nash Edgerton; Don’t Hug Me I’m Scared by English directors Joseph Pelling and<br />

Rebecca Sloan; First Birthday (dir. Andrew Ahn) about a gay Korean-American; Fishing Without<br />

Nets (dir. Cutter Hodierne, Short <strong>Film</strong> Grand Jury Prize), a story of Somali pirates, from the<br />

pirates’ perspective; Fungus (dir. Charlotta Miller) a romantic breakup tale from Sweden;<br />

Meaning of Robots, Matt Lenski’s short documentary about a truly obsessed filmmaker; The<br />

Return (dir. Blerta Zeqiri, Short <strong>Film</strong> Jury Prize- International Fiction), about a man who<br />

returns to his wife and son from a Serb prison; Robots of Brixton (dir. Kibwe Tavares, Short<br />

<strong>Film</strong> Special Jury Prize-Animation Direction), a British animation about young robots in the<br />

inner city; and Song of the Spindle, Drew Christie’s humorous animated conversation between<br />

a sperm whale and a man. Program 95 min.<br />

This exclusive Bay Area presentation reflects the <strong>Rafael</strong>’s participation in Sundance <strong>Institute</strong> Art<br />

House Project, a national alliance of independent cinemas supporting Sundance <strong>Institute</strong>’s mission<br />

to develop film culture, independent artists and audiences.<br />

Amour<br />

Opens Friday, January 18<br />

Winner of the Palme d’Or at the Cannes <strong>Film</strong> Festival, Amour recently swept the European<br />

<strong>Film</strong> Awards, and in the United States it has already become one of the most acclaimed foreign<br />

films of the year. Michael Haneke’s intense and intimate film stars veteran French actors<br />

Jean-Louis Trintignant and Emmanuelle Riva as Georges and Anne, retired music teachers<br />

in their 80s who are dedicated to each other. When Anne is debilitated by strokes, Georges<br />

honors her request to stay in their Parisian apartment, even over the objections of their<br />

daughter (Isabelle Huppert). Working with remarkable actors, Haneke powerfully depicts<br />

love’s greatest challenges in a stark yet tender drama. With William Shimell. In French with<br />

English subtitles. Writer/Director: Michael Haneke. (France/Austria 2012) 127 min.<br />

The Rabbi’s Cat<br />

Opens Friday, January 18<br />

Presented in Digital 3D- Special admission charge<br />

Robots of Brixton<br />

French filmmaker Joann Sfar (Gainsbourg: A Heroic Life) adapted his own bestselling graphic<br />

novel for this clever animated film set in 1930s Algeria at the intersection of Jewish, Arab<br />

and French culture. A cat belonging to a widowed rabbi and his beautiful daughter eats the<br />

family parrot and gains the ability to speak. Along with speech comes a sardonic wit, and<br />

the cat’s (and the filmmaker’s) words skewer faith, tradition and authority in a provocative<br />

exploration of God, love, religious intolerance and the search for truth. Rich with the colors,<br />

textures and music of Mediterranean Africa, this 3D odyssey crosses the tiled terraces of<br />

colonial Algiers through tent camps and deep Saharan nights in search of a lost Ethiopian<br />

city. In French with English subtitles. (Recommended for ages 13+) Directors: Joan Sfar,<br />

Antoine Delesvaux. (France 2011) 89 min.<br />

The Sleeping Beauty<br />

World Ballet<br />

on the Big Screen<br />

<strong>California</strong> <strong>Film</strong> <strong>Institute</strong> continues its partnership with Emerging Pictures<br />

presenting world-class performances filmed live in High Definition. Since<br />

many of these performances have not yet taken place at press time, there<br />

could be changes in casting and length. (Please note <strong>Rafael</strong> matinee prices<br />

are not applicable.)<br />

The Sleeping Beauty<br />

From the Royal Ballet, London<br />

Sunday, January 13, 1:00 / Tuesday, January 15, 6:30<br />

$15 (CFI members and children $12)<br />

The Royal Ballet’s signature work (and the pinnacle of classical ballet) features<br />

Tchaikovsky’s opulent music and choreography by Marius Petipa, Anthony Dowell,<br />

<strong>Christopher</strong> Wheeldon and Frederick Ashton, and stars Lauren Cuthbertson and<br />

Sergei Polunin. 170 min. plus intermission.<br />

An Evening with<br />

Sol León and Paul Lightfoot<br />

From the Netherlands Dance Theater<br />

Sunday, February 3, 6:30 / Tuesday, February 5, 6:30<br />

$15 (CFI members $12)<br />

The Netherland Dance Theater’s successful Spanish-British choreographer<br />

duo transport you to their artistic universe with the humorous SH-Boom and the<br />

powerfully theatrical Same Difference and Shoot the Moon, both set to music by Philip<br />

Glass. 145 min.<br />

La Bayadère<br />

From the Bolshoi Ballet, Moscow<br />

Sunday, February 17, 1:00 / Tuesday, February 19, 6:30<br />

$15 (CFI members and children $12)<br />

Set in lush, exotic India, this exquisite scenic version by Marius Petipa and Yuri<br />

Grigorovich tells the story of impossible love between the temple dancer Nikiya and<br />

the warrior Solor. (New production- cast to be announced.) 210 min.<br />

An Evening with<br />

Crystal Pite<br />

From the Netherlands Dance Theater<br />

Sunday, March 3, 6:30 / Tuesday, March 5, 6:30<br />

$15 (CFI members $12)<br />

Renowned for her flowing, organic and poetic style, Crystal Pite has succeeded in<br />

bringing her surprising and innovative approach to a wide audience, with familiar<br />

storylines of love and conflict. (New production- running time to be determined.)<br />

Notre-Dame de Paris<br />

From La Scala Ballet<br />

Sunday, March 10, 1:00 / Tuesday, March 12, 6:30<br />

$15 (CFI members and children $12)<br />

Inspired by Victor Hugo’s novel, the story of the Hunchback returns with music by<br />

Maurice Jarre (Lawrence of Arabia), sets by René Allio, costumes by Yves Saint-<br />

Laurent and choreography by Roland Petit, with two of ballet’s brightest stars, Roberto<br />

Bolle and Natalia Osipova. (New production- anticipated running time 120 min.)<br />

Youth America Grand Prix Gala<br />

Sunday, March 31, 1:00 / Tuesday, April 2, 6:30<br />

$15 (CFI members and children $12)<br />

Youth American Grand Prix is renowned as the world’s largest student ballet<br />

scholarship competition. This gala performance of “Ballet’s Greatest Hits” brings<br />

together stars from Joffrey Ballet, New York City Ballet, American Ballet Theatre,<br />

San Francisco Ballet and other companies. (New performance- running time to be<br />

determined.)<br />

Puccini’s Girl of the Golden West<br />

Sunday, January 27, 11am<br />

Free Admission - Presented by CFI Education<br />

For<br />

Families<br />

Created from San Francisco Opera’s 2010 production of Girl of the Golden<br />

West, this one-hour movie is a perfect way for families to learn about the<br />

magic of opera. Puccini’s opera is set during the <strong>California</strong> Gold Rush with<br />

a tough frontier woman with a tender heart at its center. Preceded by a live<br />

introduction, the film is in the opera’s original Italian with English subtitles and<br />

is recommended for ages 8 and up. Bring the children and grandchildren for a<br />

fun opera experience! Program approximately 75 min.


Mary Pickford’s<br />

Sparrows<br />

With Live Piano Accompaniment<br />

Thursday, January 31, 7:00<br />

$12 (CFI members $9)<br />

<strong>Film</strong> scholar Christel Schmidt will introduce a special screening of screen idol Mary<br />

Pickford’s penultimate silent film, presented in a beautiful 35mm restoration from the<br />

Library of Congress. Considered by business partner Charlie Chaplin to be her finest film,<br />

Sparrows is a “full-blooded melodrama about an intrepid girl who struggles to protect a band<br />

of younger orphans from their wicked captor (Leonard Maltin).” This Dickensian tale boasts<br />

highly stylized sets, including an ominous-looking swamp, and atmospheric cinematography<br />

influenced by German cinema. Screened with live piano<br />

accompaniment, the film will be preceded by the film’s<br />

original trailer and rare outtakes, also from the collection<br />

of the Library of Congress. Director: William Beaudine.<br />

(US 1926) <strong>Film</strong>s approx. 100 min.<br />

Christel Schmidt is the editor of the<br />

newly released Mary Pickford: Queen of<br />

the Movies (co-published by the Library<br />

of Congress and the University Press of<br />

Kentucky). Following the screening she<br />

will sign copies of her book, which will be<br />

available.<br />

2013 Oscar Nominated Short <strong>Film</strong>s<br />

Opens Friday, February 1<br />

Once again the <strong>Rafael</strong> participates in the national release of short films nominated<br />

for the upcoming Academy Awards. Audiences will have the opportunity to see<br />

the nominated live action and animated shorts prior to the 85th Academy Awards<br />

ceremony on Sunday, February 24, 2013. While we have no indication of the titles<br />

at press time, it‘s likely that several of the films will have already won awards at<br />

international film festivals. Each category will be screened in a separate program,<br />

each requiring separate admission.<br />

Valley of Saints<br />

56 Up<br />

Opens Friday, February 15<br />

Besides his large-scale feature films, director Michael Apted has been the steward of a<br />

remarkable British television series, filming the same 14 individuals (from diverse socioeconomic<br />

English backgrounds) every seven years. The UP series began in 1964, when the<br />

subjects were seven years old, and now Apted revisits them at 56. Every UP film subsumes<br />

the previous ones, therefore contemporary footage of the participants is juxtaposed here<br />

with significant moments from years past. From success to disappointment, from marriage<br />

and childbirth to poverty and illness, nearly every facet of life is discussed with them. Roger<br />

Ebert has called the “UP” series “an inspired, almost noble use of the film medium.” (UK<br />

2012) 144 min.<br />

Happy People:<br />

A Year in the Taiga<br />

Opens Friday, February 22<br />

Co-director Werner Herzog takes us on another unforgettable journey into remote and<br />

extreme landscapes with this visually stunning documentary about the lives of indigenous<br />

people in the heart of the Siberian Taiga. There are only two ways to reach the small village of<br />

Bakhtia at the river Yenisei: by helicopter or by boat. There are no telephones, running water<br />

or medical aid, and the locals’ daily routines have barely changed over the last centuries.<br />

Narrated in English by Herzog, the film follows one of the Siberian trappers through all four<br />

seasons of the year to tell the story of a culture virtually untouched by modernity. Directors:<br />

Werner Herzog, Dmitry Vasyukov. (Germany/Russia 2011) 94 min.<br />

Still Moving: Pilobolus at Forty<br />

In Person: Jun Kuribayashi, Dance Captain of Pilobolus<br />

Saturday, February 23, 4:30<br />

Fresh from the recent Mill Valley <strong>Film</strong> Festival, and screened in<br />

conjunction with the Marin <strong>Center</strong> performance by Pilobolus Dance<br />

Theatre on February 22, Still Moving: Pilobolus at Forty is a fascinating<br />

documentary on the company that transformed modern dance with<br />

its innovative dance vocabulary. Based in rural Connecticut, Pilobolus<br />

has been a dominant force on the international dance scene amusing,<br />

amazing and astonishing audiences with its breathtaking physicality<br />

that defies what is humanly possible. Jun Kuribayashi, dancer and<br />

Dance Captain of Pilobolus, will answer questions following the<br />

screening. Producer/Director: Jeffrey Ruoff. (US 2012) <strong>Film</strong> 40 min.<br />

plus discussion.<br />

Presentation by Peter Gleick<br />

Screening: Valley of Saints<br />

Thursday, February 21, 7:00<br />

$12 (CFI members $9)<br />

Peter Gleick, internationally recognized<br />

water expert, will deliver an illustrated<br />

presentation on world water issues,<br />

followed by a screening of the awardwinning<br />

feature film Valley of Saints.<br />

Dr. Peter H. Gleick is co-founder and<br />

president of the Pacific <strong>Institute</strong> for<br />

Studies in Development, Environment,<br />

and Security in Oakland. His research and<br />

writings address the critical connections<br />

between water and human health,<br />

sustainable water use and international<br />

conflicts over water resources. In 2003<br />

he was named a MacArthur Fellow for<br />

his work, and in 2006 he was elected to<br />

the National Academy of Sciences.<br />

Hailed by critic Anne Thompson as “a<br />

lyrical, beautiful, and satisfying journey<br />

of self-discovery,” Valley of Saints is<br />

a tender drama about Gulzar, a ferry<br />

pilot on Dal Lake in India’s beautiful<br />

Kashmir valley,<br />

who becomes<br />

enlightened about<br />

water pollution<br />

when he meets Asifa, a young woman<br />

conducting environmental research on<br />

the lake. Writer-director Musa Syeed’s<br />

compelling and poetic story was awarded<br />

the Alfred P. Sloan Foundation Feature<br />

<strong>Film</strong> Prize at the 2012 Sundance <strong>Film</strong><br />

Festival, as well as Sundance’s World<br />

Cinema Audience Award. In Kashmiri<br />

with English subtitles. (India 2012) <strong>Film</strong><br />

82 min. plus discussion.<br />

This program is part of Science<br />

on Screen, a program pairing film<br />

screenings with lively presentations<br />

by scientific experts. This series is<br />

made possible by a grant from the<br />

Coolidge Corner Theatre and the<br />

Alfred P. Sloan Foundation.


CFI FILM CLUB<br />

Screenings, Talks and Refreshments at <strong>Christopher</strong> B. <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong><br />

With the support of the Marin Community<br />

Foundation, and building on last year’s<br />

successful series, <strong>California</strong> <strong>Film</strong> <strong>Institute</strong><br />

offers the CFI <strong>Film</strong> Club, a weekly afternoon<br />

social activity combining education and<br />

entertainment in a comfortable setting.<br />

DESIGN FOR LIVING<br />

Presented by Richard Peterson<br />

THURSDAY, FEBRUARY 21, 1:00<br />

By no means a faithful adaptation of Noël<br />

Coward’s original play, this Pre-Code<br />

gem, written by Ben Hecht and directed by<br />

comedy maestro Ernst Lubitsch, remains<br />

captivating and sexy cinema, starring<br />

Gary Cooper, Fredric March and Miriam<br />

Hopkins as a trio of Americans in Paris<br />

who embark on a very adult “gentlemen’s agreement.” (US 1933) <strong>Film</strong> 91 min. plus<br />

discussion. Presenter Richard Peterson is Director of Programming for the <strong>Christopher</strong><br />

B. <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong> <strong>Center</strong>.<br />

RASHOMON<br />

Presented by John Morrison<br />

THURSDAY, FEBRUARY 28, 1:00<br />

Akira Kurosawa adapted stories by the<br />

Japanese writer Atukagawa for this<br />

landmark film, starring Toshiro Mifune,<br />

about a crime and the participants’ wildly<br />

different recollections. This award-winner<br />

introduced Japanese film to Western<br />

audiences and brought a new term to our<br />

vocabulary- the “Rashomon effect.” In Japanese with English subtitles. (Japan 1950)<br />

<strong>Film</strong> 88 min. plus discussion. John Morrison is Director of Education for <strong>California</strong> <strong>Film</strong><br />

<strong>Institute</strong>.<br />

PICNIC AT<br />

HANGING ROCK<br />

Presented by Maureen Galliani<br />

THURSDAY, MARCH 7, 1:00<br />

Peter Weir’s haunting drama was one of the<br />

hallmark productions of the New Australian<br />

Cinema of the 1970s. This beautiful film,<br />

about a mysterious disappearance during a<br />

schoolgirls’ Valentine’s Day picnic in 1900,<br />

was adapted from a novel by Joan Lindsay and bears a surprising relation to its source<br />

material. (Australia 1975) <strong>Film</strong> 102 min. plus discussion. Maureen Galliani is Executive<br />

Assistant, <strong>California</strong> <strong>Film</strong> <strong>Institute</strong>.<br />

This program is made possible with generous support from<br />

A Glimpse Inside the Mind<br />

of Charles Swan III<br />

Opens in February<br />

Six Thursday Afternoons at 1:00 – 4:00 with reception following<br />

FEBRUARY 21 TO MARCH 28<br />

Roman Coppola’s new film is a surreal, kaleidoscopic portrait of a 1970s graphic designer<br />

in Los Angeles’ fast lane, starring Charlie Sheen as the Proustian namesake whose life<br />

skids out of control when his girlfriend (Katheryn Winnick) walks out on him. As Swan dives<br />

in and out of elaborate fantasy sequences, he gets pulled back to earth by his friends: his<br />

closest pal (Jason Schwartzman), his business manager (Bill Murray), his sister (Patricia<br />

Arquette) and his office manager (Aubrey Plaza). Employing the whimsical tone he shared<br />

in his script collaborations with Wes Anderson, filmmaker Coppola assembles a rich cast<br />

and suffuses his comic psychodrama with pop-period visuals inspired by such 70s movies<br />

as All That Jazz. Music: Liam Hayes. Writer/Director: Roman Coppola. (US 2012) 86 min.<br />

Admission by series subscription only: $90 (CFI members $75)<br />

The theme of this six-week series is “Great Adaptations,” with<br />

discussions around films that were adapted from literature or<br />

theater. Presenters are staff members of <strong>California</strong> <strong>Film</strong> <strong>Institute</strong>.<br />

Each presenter introduces a feature film, and following the screening,<br />

leads a discussion with the group. Participants are encouraged to<br />

exchange questions and ideas.<br />

TO PAY BY CHECK:<br />

<strong>Rafael</strong> <strong>Film</strong> Club<br />

<strong>California</strong> <strong>Film</strong> <strong>Institute</strong><br />

1001 Lootens Place, Suite 220<br />

San <strong>Rafael</strong>, Ca. 94901<br />

Make check payable to<br />

“<strong>California</strong> <strong>Film</strong> <strong>Institute</strong>”<br />

MOBY DICK<br />

Presented by Dan Zastrow<br />

THURSDAY, MARCH 14, 1:00<br />

Can you adapt Herman Melville’s epic for a<br />

conventional-length film? Maybe you can’t,<br />

but director John Huston and screenwriter<br />

Ray Bradbury gave it a great try with their<br />

intelligent distillation. Gregory Peck stars<br />

as Ahab, with Richard Basehart as Ishmael,<br />

in this beautiful and eerily atmospheric<br />

adventure also starring Leo Genn and Orson Welles. (UK/US 1956) <strong>Film</strong> 116 min. plus<br />

discussion. Dan Zastrow is General Manager of the <strong>Christopher</strong> B. <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong><br />

<strong>Center</strong>.<br />

“SURPRISE” FILM<br />

Presented by Zoë Elton<br />

THURSDAY, MARCH 21, 1:00<br />

This session features a surprise screening, and it will also explore adaptations from<br />

page to screen through a short creative exercise. Please bring a notebook or paper, your<br />

imagination and something to write with. Presenter Zoë Elton is Director of Programming<br />

for the Mill Valley <strong>Film</strong> Festival.<br />

BEING THERE<br />

Presented by Mark Fishkin<br />

THURSDAY, MARCH 28, 1:00<br />

Jerzy Kosinski adapted his own novel<br />

for director Hal Ashby with this superb<br />

comedy-drama starring Peter Sellers in<br />

his penultimate role as Chance, a simpleminded<br />

gardener who becomes a star of<br />

media and politics when his TV-inspired<br />

statements are mistaken for profundity.<br />

With Shirley MacLaine, Melvyn Douglas. (US 1979) <strong>Film</strong> 130 min. plus discussion. Mark<br />

Fishkin is Director of the Mill Valley <strong>Film</strong> Festival and Executive Director of <strong>California</strong><br />

<strong>Film</strong> <strong>Institute</strong>.<br />

A Fierce Green Fire<br />

Opens Friday, March 15<br />

Depending on a film’s length, a session<br />

may last up to 3 hours, followed by a<br />

private reception with complimentary<br />

refreshments. Places are limited- Please<br />

note that the first <strong>Film</strong> Club sold out in a<br />

few days!<br />

PAYMENT OPTIONS TO SUBSCRIBE TO THE SERIES<br />

Please add “CFI <strong>Film</strong> Club” to the memo line<br />

TO PAY VIA CREDIT CARD:<br />

go to cfifilmclub.eventbrite.com<br />

Questions?<br />

Call: (415) 526-5835 or Email: cfifilmclub@cafilm.org<br />

Bay Area filmmaker Mark Kitchell’s long-awaited documentary is the first big-picture<br />

exploration of the environmental movement, on grassroots and global activism spanning<br />

50 years from conservation to climate change. Environmentalism is one of the great causes<br />

of the 20th century, as well as a key to the 21st, when humans rival nature as a power<br />

determining the fate of the earth. Rich with archival footage, the film focuses on activism<br />

and on movements, including: David Brower and the Sierra Club; Lois Gibbs and the Love<br />

Canal; Paul Watson, Greenpeace and the whales and seals; Chico Mendes and the Amazon<br />

workers; Bill McKibben and climate change. Narrators include Ashley Judd, Robert<br />

Redford and Meryl Streep. Writer/Director: Mark Kitchell. (US 2012) 110 min.


When the Iron Bird Flies<br />

In Person: Director Victress Hitchcock<br />

and special guest Anam Thubten<br />

FRIDAY, MARCH 1, 7:00<br />

In 1959 a great migration from Tibet was violently set in motion. The Dalai Lama was<br />

joined in exile by thousands of refugees, among them important Tibetan Buddhist<br />

teachers, opening a window on what had been a hidden realm. Interviews and rare<br />

archival footage offer an insider’s view of Tibetan Buddhism made manifest beyond its<br />

original home. (US 2012) 96 min. plus discussion. Bay Area Premiere<br />

Olo, The Boy From Tibet<br />

SATURDAY, MARCH 2, 1:30<br />

Six-year-old Olo is sent from Tibet to India by his mother to get an education. Now a<br />

student at the famed Tibetan Children’s Village in Dharamsala (founded by Jetsun Pema,<br />

sister of the Dalai Lama), he has to make his way in a world quite different from his own.<br />

Director Hisaya Iwasa takes a creative and intimate approach to this true story. (Japan<br />

2012) 108 min. US Premiere<br />

Karma<br />

SATURDAY, MARCH 2, 4:00<br />

In a Tibetan Buddhist nunnery a revered<br />

abbess dies. Prayers and rituals must be<br />

performed, but there’s no money, so one<br />

of the nuns, Karma, must journey to find<br />

the man who may owe a debt. <strong>Film</strong>ed in<br />

the remote Himalayan region of Mustang,<br />

we follow Karma to Kathmandu, where she<br />

discovers that many things are not what she<br />

thought. (Nepal 2006) 90 min. US Premiere<br />

Digital Dharma<br />

Invited Guest: Director Dafna Yachin<br />

SATURDAY, MARCH 2, 6:15<br />

The late Gene <strong>Smith</strong> was amazing–a Mormon, a pacifist and a Buddhist who, against<br />

all odds, managed to organize the successful mission to rescue the written legacy of<br />

the Tibetan culture from destruction and loss. The film documents his epic efforts<br />

toward an ongoing project to preserve, digitize and translate 20,000 volumes of Tibetan<br />

literature, from medicine and history to poetry and Buddhist texts. (US 2012) 90 min. plus<br />

discussion. Bay Area Premiere<br />

Mindfulness and Murder<br />

SATURDAY, MARCH 2, 8:45<br />

Thai-English director Tom Waller takes on<br />

one of the popular Father Ananda mysteries.<br />

Former cop Ananda is now a senior monk<br />

and is asked by the abbot to solve a murder<br />

inside his monastery because the police<br />

don’t want to get involved. Not everything in<br />

the monastery is what it should be…(Thailand<br />

2011) 90 min. US Premiere<br />

NO<br />

Opens in March<br />

INTERNATIONAL<br />

BUDDHIST FILM FESTIVAL<br />

Chile’s official selection for Academy Award consideration, this riveting historical drama<br />

takes place in 1988, when military dictator Augusto Pinochet, under international pressure,<br />

calls for a referendum on his presidency, so that the country would vote YES or NO on<br />

extending his rule for another eight years. Gael Garcia Bernal stars as René Saavedra,<br />

a brash young advertising executive approached by Opposition leaders to spearhead the<br />

NO campaign. With scant resources, and under close scrutiny by the despot’s minions,<br />

Saavedra and his team devise an audacious plan, using advertising techniques, to win the<br />

election and set their country free. Rated R for language. In Spanish with English subtitles.<br />

Writer: Pedro Peirano. Director: Pablo Larrain. (Chile 2012) 110 min.<br />

SHOWCASE 2013<br />

Friday, March 1 to Sunday, March 3<br />

Presented by Buddhist <strong>Film</strong> Foundation and <strong>California</strong> <strong>Film</strong> <strong>Institute</strong><br />

To celebrate the 10th anniversary season of the International Buddhist <strong>Film</strong> Festival, we present nine premieres from<br />

seven countries- rare screenings, global diversity and guest filmmakers. Berkeley-based Buddhist <strong>Film</strong> Foundation<br />

is the world’s leading resource for Buddhist-themed and Buddhist-inspired cinema, serving audiences, educators and<br />

filmmakers. www.buddhistfilmfoundation.org<br />

The Great Pilgrim<br />

SUNDAY, MARCH 3, 1:30<br />

One of the most celebrated journeys in history<br />

is that of Tang dynasty Chinese monk Xuanzang,<br />

who traveled to India and brought back essential<br />

Buddhist texts and teachings. This compelling<br />

film uses reenactments, stunning locations and<br />

animation to introduce a truly legendary figure<br />

(the inspiration for the many Journey to the West<br />

and Monkey stories and films). (China 2009) 98<br />

min. US Premiere<br />

The Mourning Forest (Mogari no mori)<br />

SUNDAY, MARCH 3, 4:00<br />

Set in tea country near Kyoto, Japan, this Cannes Grand Prix award-winner is a<br />

masterful meditation on loss and love and happiness...on what it is to be alive. Intimately<br />

directed by prolific artist/filmmaker Naomi Kawase with astonishing, nearly wordless<br />

performances. And the bright Buddhist priest doesn’t get the last word... “There are no<br />

formal rules...” (Japan/France 2007) 97 min. Bay Area Premiere<br />

KanZeOn<br />

Invited Guest: Co-Director Neil Cantwell<br />

SUNDAY, MARCH 3, 6:15<br />

A mysterious and engaging journey through<br />

sound, song, story, ritual, performance, nature,<br />

tradition and Japanese Buddhism... A fearless<br />

merging of medieval and modern, beautifully<br />

filmed on location in Japan with a variety<br />

of techniques. “Kanzeon” is another way of<br />

saying “Kannon” (Chinese: “Kuanyin”), the<br />

embodiment of compassion, and can also be<br />

written in Japanese as “to see sounds.” (UK/<br />

Japan 2011) 86 min. plus discussion. Bay Area<br />

Premiere<br />

Thangka<br />

SUNDAY, MARCH 3, 8:45<br />

In this surprising and fresh feature from China, a Tibetan thangka painting master needs<br />

to identify his successor from among his students, his talented son, or the possible<br />

reincarnation of his own teacher. Tradition, family, talent and difference are all colorfully<br />

explored with compassion and humor. Beautifully filmed on location in Tibet. (China<br />

2011) 112 min. US Premiere<br />

Ticket prices for each program:<br />

$12 general, $10 seniors, $8 for CFI members.<br />

(Please note that <strong>Rafael</strong> passes and matinee prices are not applicable.)<br />

Ginger & Rosa<br />

Opens in March<br />

Sally Potter’s beautiful, stylish new film is set in 1962 London, at the height of the Cold War,<br />

and focuses on two teenage girls, born on the same day in 1945 and best friends all their<br />

lives. Ginger (Elle Fanning, in a riveting performance) and Rosa (newcomer Alice Englert,<br />

daughter of Jane Campion) are inseparable. From a family of intellectuals, Ginger channels<br />

her adolescent insecurity into fierce anti-nuclear activism, and Rosa, with a working class<br />

background, comes along to the rallies, at least until a major betrayal of trust. Potter’s<br />

camera vividly captures the heady energy of her teenage protagonists as well as the temper<br />

of the changing times, in a compelling drama that also features strong performances by<br />

Christina Hendricks, Alessandro Nivola, Timothy Spall, Oliver Platt and Annette Bening,<br />

Writer/Director: Sally Potter. (UK 2012) 90 min.


<strong>California</strong> <strong>Film</strong> <strong>Institute</strong> is a 501c3 non-profit organization that relies on the generosity of its community to thrive. Your support enables CFI to continue to<br />

offer quality programming and events you love. For more information on how to be involved, please e-mail LBender@cafilm.org, or call 415.526.5838.<br />

CFI BOARD OF DIRECTORS CFI THANKS THE FOLLOWING INDIVIDUALS AND FOUNDATIONS<br />

FOUNDER /<br />

EXECUTIVE DIRECTOR<br />

Mark Fishkin<br />

CFI BOARD OF<br />

DIRECTORS<br />

Kenneth Broad<br />

(Co-Vice President)<br />

Douglas Dolton<br />

Michael Dyett<br />

Lynne Hale<br />

Richard J. Idell<br />

(Secretary)<br />

Bruce Katz<br />

Amy Keroes<br />

Jennifer Coslett<br />

MacCready<br />

(President)<br />

Cathy Nourafshan<br />

Jonathan Parker<br />

Susan Schwartz<br />

Dr. Joel Sklar<br />

<strong>Christopher</strong> B. <strong>Smith</strong><br />

(Co-Vice President)<br />

Jann Stanley<br />

Evelyn Topper<br />

Zach Zeisler<br />

(Treasurer)<br />

EMERITUS BOARD<br />

Ann Brebner<br />

Rita Cahill<br />

Sid Ganis<br />

Gary Meyer<br />

Gordon Radley<br />

Henry Timnick<br />

FOUNDING BOARD<br />

Rita Cahill<br />

Mark Fishkin<br />

Lois Kohl Shore<br />

HONORARY ADVISORY<br />

BOARD<br />

Barbara Boxer<br />

Stewart Boxer<br />

Drusie Davis<br />

Jim Davis<br />

Jeff Fisher<br />

Peter Flaxman<br />

Robert Greber<br />

Linda Gruber<br />

Peggy Haas<br />

Michael Klein<br />

Roxanne Klein<br />

KC Lauck<br />

Andrew McGuire<br />

Mary Poland<br />

Eric Schwartz<br />

Michael Schwartz<br />

Skip Whitney<br />

LEADERSHIP CIRCLE<br />

<strong>Christopher</strong> B. and<br />

Jeannie Meg <strong>Smith</strong><br />

Jennifer Coslett<br />

MacCready<br />

Jackie and Ken Broad<br />

INVESTOR CIRCLE<br />

Gruber Family<br />

Foundation<br />

Drusie and Jim Davis,<br />

Drusie Davis Family Fund<br />

Margaret E. Haas<br />

PLATINUM CIRCLE<br />

Michael and Roxanne<br />

Klein<br />

Macquarie Group<br />

Foundation<br />

The Jay Pritzker<br />

Foundation<br />

Nancy and Rich Robbins<br />

Michael and<br />

Susan Schwartz Fund<br />

Lois and Mel Tukman<br />

Christine Zecca<br />

Foundation<br />

GOLD CIRCLE<br />

Anonymous<br />

Katz Family Foundation<br />

Monahan Parker, Inc.<br />

Eric Schwartz, EAS Fund<br />

Marjorie Swig<br />

Saul Zaentz Trust<br />

SILVER CIRCLE<br />

Elizabeth and Alex Aal<br />

Anonymous (3)<br />

The Allen Family Fund<br />

Jean Bedecarrax<br />

Kamala Geroux-Berry<br />

and David Berry<br />

Sheryle Bolton and Steve<br />

Shane<br />

Beverly and Michael<br />

Butler<br />

Joe and Sue Carlomagno<br />

Nancy and Gary Carlston<br />

Brian and Marie Collins<br />

Alice Corning<br />

Gail and Doug Dolton<br />

Joanne Dunn<br />

Tedi Dunn and William<br />

Svabek<br />

Dennis P. Fisco and<br />

Pamela Polite Fisco<br />

Sharon A. Fox<br />

Amy Keroes and Jeff<br />

Fisher<br />

Eliza Koeppel and Judy<br />

Webb<br />

K.C. and Steve Lauck<br />

Fred M. Levin and<br />

Nancy Livingston, The<br />

Shenson Foundation<br />

Karen and Gregg Lund<br />

Cindy and John McCauley<br />

Bobbie Meyer<br />

Stephen and Mary<br />

Mizroch<br />

Cathy and Robert<br />

Nourafshan<br />

Maggie O’Donnell Floum<br />

Terese and Robert Payne<br />

Gordon Radley<br />

Heidi Richardson and<br />

Michael Dyett<br />

Carolyn Cavalier<br />

Rosenberg, Sanford<br />

Rosenberg and Media<br />

Research Associates<br />

Susan and Joel Sklar<br />

Jann Stanley<br />

Henry Timnick<br />

Richard Torretto<br />

Peggy and Peter<br />

Trethewey<br />

Paul Violich and Ana<br />

Maria Delgado<br />

BRONZE CIRCLE<br />

Suzette DeVogelaere<br />

Julie Erickson and Art<br />

Rothstein<br />

Melanie Farkas<br />

Catherine and Peter<br />

Flaxman<br />

Lisa Graeber<br />

Lynne Hale<br />

Ann-Eve Hazen Family<br />

Fund<br />

Susan and Richard Idell<br />

Lisa Lord<br />

Arch & Stella Rowan<br />

Foundation<br />

Deborah Santana<br />

Elliott and Shayna Stein<br />

The Whitney Family<br />

MAJOR FOUNDATION<br />

SUPPORT<br />

The Bernard Osher<br />

Foundation<br />

Marin Community<br />

Foundation<br />

Fenwick Foundation<br />

Horace W. Goldsmith<br />

Foundation<br />

GOVERNMENT SUPPORT<br />

County of Marin


JANUARY - MARCH 2013<br />

NON PROFIT<br />

US POSTAGE<br />

PAID<br />

PERMIT #27<br />

MILL VALLEY CA<br />

CALIFORNIA FILM INSTITUTE 1001 Lootens Place, Suite 220 San <strong>Rafael</strong>, CA 94901<br />

www.cafilm.org www.mvff.com<br />

IT’S COMING... 02/24/2013<br />

5 TH ANNUAL<br />

ENVIRONMENTAL YOUTH FORUM<br />

Engage / Connect / Act / Lead<br />

Monday, February 11 (grades 1 – 8)<br />

Tuesday, February 12 (grades 9 – 12)<br />

The Environmental Youth Forum (EYF), produced by CFI Education, will feature more than 13<br />

films with premieres, speakers, and workshops on all three of the screens at the <strong>Smith</strong> <strong>Rafael</strong> <strong>Film</strong><br />

<strong>Center</strong>. We will also have an active cinema room where students can talk with national and local<br />

groups who will be represented. One of the Brower Youth Award winners from 2012 will be the<br />

keynote speaker. Last year, the EYF was attended by more than 600 students from all over the Bay<br />

Area. Our program for Elementary and Middle Schools has been expanded this year.<br />

Free. Open to all Bay Area Schools. Limited free buses available.<br />

Keep up-to-date at cafilm.wordpress.com as we build this program<br />

SIX DOLLARMOVIE TICKETS<br />

Only with<br />

CFI Membership<br />

cafilm.org/membership<br />

cafilm.org 415.454.1222<br />

1118 Fourth Street, San <strong>Rafael</strong><br />

MEMBERSHIP<br />

SPONSOR

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