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cover story<br />

Brian Cox was the<br />

original Hannibal<br />

The Other<br />

Hannibal Lecter<br />

Think Hannibal is the second movie about<br />

Hannibal Lecter, following in the freaky<br />

footsteps of 1991’s The Silence of the<br />

Lambs? Wrong. It’s actually the third.<br />

In 1986, a little-known, but critically<br />

acclaimed thriller called Manhunter was<br />

released with the tagline “Enter the mind<br />

of a serial killer…you may never come<br />

back.” Sound familiar? It should. The plot<br />

of this first movie was very similar to<br />

Jodie Foster and Anthony Hopkins’<br />

Lambs. In Manhunter, William Petersen,<br />

who you might remember from last<br />

year’s The Contender, plays an FBI agent<br />

trying to track down a serial killer<br />

dubbed “The Tooth Fairy.” Instead of<br />

killing women and making their skin into<br />

a dapper flesh suit like our chilling villain<br />

in Lambs, this killer’s M.O. is to murder an<br />

entire family at every full moon. Just as<br />

Clarice Starling (Foster) seeks help from<br />

psychologist/psycho Hannibal Lecter<br />

(Hopkins) to get inside the mind of the<br />

man she’s hunting in Lambs, so to does<br />

Petersen go to Lecter for advice in<br />

Manhunter. Only his Hannibal Lecter is<br />

played by British actor Brian Cox, who<br />

most recently played Hermann Göring in<br />

the CTV miniseries Nuremberg.<br />

All three movies are based on books<br />

by Thomas Harris, although Manhunter’s<br />

title was changed from that of the<br />

book: Red Dragon. And each of the<br />

movies was helmed by a different<br />

director. When Ridley Scott (Gladiator)<br />

signed on for Hannibal he was taking<br />

over for Lambs’ Jonathan Demme<br />

(Philadelphia), while Michael Mann<br />

(Heat, The Insider) was the big boss<br />

for Manhunter. —MW<br />

book was a process of Hannibal<br />

wooing Clarice Starling. The second book<br />

was much more in the direction of a real<br />

relationship between the two. It’s kind of a<br />

love story, really. But in much darker tones. I<br />

find the story far more interesting this time.”<br />

He says Hannibal isn’t a horror film.“I’ve<br />

never regarded Alien as a horror film,<br />

either. I took on the task ’cause I loved the<br />

dynamics and the characters and the<br />

engine of the story — and what came out<br />

of it was a very scary movie. Same thing<br />

here. Because I think to attach the word<br />

‘horror’ to a film of this calibre and to<br />

Silence of the Lambs is not correct. I mean<br />

there’s nothing wrong with horror films or<br />

the genre, but I think that Lambs was<br />

above that context. And so is Hannibal.”<br />

Appropriately, the last word goes to<br />

Hannibal Lecter himself. At that Italian press<br />

conference, Hopkins likened this sequel to<br />

a dark opera. “Lecter has a strange, bizarre<br />

love for Clarice,” he explained. “It’s a yearning<br />

he’s had for her for many years. It’s a dark<br />

romance...about obsession.” Though he<br />

wouldn’t elaborate further on the film’s<br />

twists and turns, Hopkins did reveal that<br />

we’ll see a new side of Hannibal the<br />

Cannibal. “He’s a man who is bored by his<br />

retirement from public life,” said Hopkins.<br />

“He’s a little world-weary. Then, suddenly,<br />

he hears that they’re after him again, and<br />

he thinks, ‘Good — back into action!’”<br />

And Hopkins thinks he knows why<br />

Hannibal has become one of the most<br />

enduring and genuinely terrifying screen<br />

▼ ▼<br />

famous 32 february 2001<br />

Hopkins gets subdued in<br />

Hannibal<br />

villains in motion picture history. “Jungian<br />

psychoanalysts would say it’s the shadow<br />

that we have in all of us,” he says. “Or maybe<br />

it’s his certainty, his calmness that we probably<br />

envy. Some of the most colourful figures<br />

in classical literature — Iago, Richard III,<br />

Faust — have those qualities. They’re so<br />

brilliant. They have no doubts. They have no<br />

uncertainty. That’s what makes them charismatic<br />

— they’re always in control.<br />

“And so a film like this,” he muses, “gives<br />

us a moment of coming close to the dark<br />

side of ourselves. Just for two hours. I<br />

believe a character like Hannibal Lecter is<br />

part of all our darker, deeper shadows.<br />

Deep inside.” F<br />

David Giammarco is an entertainment<br />

journalist based out of Toronto and L.A.<br />

Moore takes a shot at playing<br />

Clarice Starling

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