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cover story<br />
Brian Cox was the<br />
original Hannibal<br />
The Other<br />
Hannibal Lecter<br />
Think Hannibal is the second movie about<br />
Hannibal Lecter, following in the freaky<br />
footsteps of 1991’s The Silence of the<br />
Lambs? Wrong. It’s actually the third.<br />
In 1986, a little-known, but critically<br />
acclaimed thriller called Manhunter was<br />
released with the tagline “Enter the mind<br />
of a serial killer…you may never come<br />
back.” Sound familiar? It should. The plot<br />
of this first movie was very similar to<br />
Jodie Foster and Anthony Hopkins’<br />
Lambs. In Manhunter, William Petersen,<br />
who you might remember from last<br />
year’s The Contender, plays an FBI agent<br />
trying to track down a serial killer<br />
dubbed “The Tooth Fairy.” Instead of<br />
killing women and making their skin into<br />
a dapper flesh suit like our chilling villain<br />
in Lambs, this killer’s M.O. is to murder an<br />
entire family at every full moon. Just as<br />
Clarice Starling (Foster) seeks help from<br />
psychologist/psycho Hannibal Lecter<br />
(Hopkins) to get inside the mind of the<br />
man she’s hunting in Lambs, so to does<br />
Petersen go to Lecter for advice in<br />
Manhunter. Only his Hannibal Lecter is<br />
played by British actor Brian Cox, who<br />
most recently played Hermann Göring in<br />
the CTV miniseries Nuremberg.<br />
All three movies are based on books<br />
by Thomas Harris, although Manhunter’s<br />
title was changed from that of the<br />
book: Red Dragon. And each of the<br />
movies was helmed by a different<br />
director. When Ridley Scott (Gladiator)<br />
signed on for Hannibal he was taking<br />
over for Lambs’ Jonathan Demme<br />
(Philadelphia), while Michael Mann<br />
(Heat, The Insider) was the big boss<br />
for Manhunter. —MW<br />
book was a process of Hannibal<br />
wooing Clarice Starling. The second book<br />
was much more in the direction of a real<br />
relationship between the two. It’s kind of a<br />
love story, really. But in much darker tones. I<br />
find the story far more interesting this time.”<br />
He says Hannibal isn’t a horror film.“I’ve<br />
never regarded Alien as a horror film,<br />
either. I took on the task ’cause I loved the<br />
dynamics and the characters and the<br />
engine of the story — and what came out<br />
of it was a very scary movie. Same thing<br />
here. Because I think to attach the word<br />
‘horror’ to a film of this calibre and to<br />
Silence of the Lambs is not correct. I mean<br />
there’s nothing wrong with horror films or<br />
the genre, but I think that Lambs was<br />
above that context. And so is Hannibal.”<br />
Appropriately, the last word goes to<br />
Hannibal Lecter himself. At that Italian press<br />
conference, Hopkins likened this sequel to<br />
a dark opera. “Lecter has a strange, bizarre<br />
love for Clarice,” he explained. “It’s a yearning<br />
he’s had for her for many years. It’s a dark<br />
romance...about obsession.” Though he<br />
wouldn’t elaborate further on the film’s<br />
twists and turns, Hopkins did reveal that<br />
we’ll see a new side of Hannibal the<br />
Cannibal. “He’s a man who is bored by his<br />
retirement from public life,” said Hopkins.<br />
“He’s a little world-weary. Then, suddenly,<br />
he hears that they’re after him again, and<br />
he thinks, ‘Good — back into action!’”<br />
And Hopkins thinks he knows why<br />
Hannibal has become one of the most<br />
enduring and genuinely terrifying screen<br />
▼ ▼<br />
famous 32 february 2001<br />
Hopkins gets subdued in<br />
Hannibal<br />
villains in motion picture history. “Jungian<br />
psychoanalysts would say it’s the shadow<br />
that we have in all of us,” he says. “Or maybe<br />
it’s his certainty, his calmness that we probably<br />
envy. Some of the most colourful figures<br />
in classical literature — Iago, Richard III,<br />
Faust — have those qualities. They’re so<br />
brilliant. They have no doubts. They have no<br />
uncertainty. That’s what makes them charismatic<br />
— they’re always in control.<br />
“And so a film like this,” he muses, “gives<br />
us a moment of coming close to the dark<br />
side of ourselves. Just for two hours. I<br />
believe a character like Hannibal Lecter is<br />
part of all our darker, deeper shadows.<br />
Deep inside.” F<br />
David Giammarco is an entertainment<br />
journalist based out of Toronto and L.A.<br />
Moore takes a shot at playing<br />
Clarice Starling