Annual Report FY09_Layout 1 - Hill-Stead Museum

PHOTOGRAPHIC SERVICES
Rights and reproductions granted of objects
in the Alfred Atmore Pope Collection
Pierre Puvis de Chavannes, Peace, ca. 1861; Pierre
Puvis de Chavannes, Vol 1: The Artist and His Art, Vol 2:
A Catalogue Raisonne of the Painted Work; Aimee
Brown Price; Yale University Press, 2009
Edgar Degas, Blanchisseuse, 1869, from Vignt Dessins,
1861–1896; traveling educational presentation:
“Impressionism and the Industrial Revolution”;
Christine Drew; Syfr Corp., 2009
Gertrude Käsebier, Ada Brooks Pope in the Sunken
Garden, 1902; Beatrix Farrand: Private Gardens, Public
Landscapes; Judith Tankard; The Monacelli Press /
Random House, 2009
Édouard Manet, The Guitar Player, 1867; Westover
School brochure; Rich Beebe; 2009
Édouard Manet, The Guitar Player, 1867; Victoria
Williams; ZCZ Films; BBC Television, 2009
Édouard Manet, Toreadors, 1863; Édouard Manet:
Initial M, Hand and Eye; James H. Rubin; Flammarion,
Paris, 2009
Édouard Manet, Toreadors, 1863; Victoria Williams;
ZCZ Films; BBC Television, 2009
Claude Monet, Grainstacks, White Frost Effect, 1889;
Madame Tussaud’s Wax Museum, Hollywood, CA (The
Thomas Crown Affair, art gallery set); Rita Godlevskis;
2009
Claude Monet, Grainstacks, White Frost Effect, 1889;
traveling educational presentation: “Impressionism
and the Industrial Revolution”; Christine Drew; Syfr
Corp., 2009
William Nicholson, Morris Dancers at the Gate of
Blenheim Palace, 1903; William Nicholson Catalogue
Raisonné; Natalia Williams; 2009
Theodate Pope, Mary Cassatt and Mary Hillard, ca.
1903; Westover School brochure; Rich Beebe; 2009
Theodate Pope, Mary Cassatt Seated Beneath Her
Degas Fan, ca. 1905; Caterina Barbini; Pittura
Americana del XIX Secolo; Pittura Americana del XIX
Secolo; October 2008
Alfred Atmore Pope, Shipboard (photographer and
date unknown); traveling educational presentation:
“Impressionism and the Industrial Revolution”;
Christine Drew; Syfr Corp., 2009
12 Hill-Stead Museum
Hill-Stead Library (from Barr Ferree, “Notable
American Homes, ‘Hill-Stead,’ the Estate of Alfred
Atmore Pope, Esq., Farmington, Conn.,” American
Homes and Gardens, vol. VII, No. 2, February 1910;
Beatrix Farrand: Private Gardens, Public Landscapes;
Judith Tankard; The Monacelli Press/Random House,
2009
Summer House (from Barr Ferree, “Notable American
Homes, ‘Hill-Stead,’ the Estate of Alfred Atmore Pope,
Esq., Farmington, Conn.,” American Homes and
Gardens, vol. VII, No. 2, February 1910; Beatrix
Farrand: Private Gardens, Public Landscapes; Judith
Tankard; The Monacelli Press/Random House, 2009
Sunken Garden (from Barr Ferree, “Notable American
Homes, ‘Hill-Stead,’ the Estate of Alfred Atmore Pope,
Esq., Farmington, Conn.,” American Homes and
Gardens, vol. VII, No. 2, February 1910; Beatrix
Farrand: Private Gardens, Public Landscapes ; Judith
Tankard; The Monacelli Press/Random House, 2009
Theodate Pope, after Lusitania, 1915; Her Past is My
Prologue; Polly Greenberg; self-published
Theodate Pope, after Lusitania, 1915; Parallel Lives, A
Social History of Lizzie Borden and Her Fall River;
Michael Martins and Dennis A. Binette; Fall River (MA)
Historical Society; December 2009
Walk into the Garden (from Barr Ferree, “Notable
American Homes, ‘Hill-Stead,’ the Estate of Alfred
Atmore Pope, Esq., Farmington, Conn.,” American
Homes and Gardens, vol. VII, No. 2, February 1910;
Beatrix Farrand: Private Gardens, Public Landscapes;
Judith Tankard; The Monacelli Press/Random House,
2009
Letter #873, Theodate Pope to Ada Pope, describing
Lusitania experience; Her Past is My Prologue; Polly
Greenberg; self-published
Top: Édouard Manet, The Guitar Player, 1866
Oil on canvas, 25 1/2 x 31 1/2 inches
Alfred Atmore Pope Collection
Hill-Stead Museum, Farmington, CT