Paul Wong CV selected from 1995-2012 - paul wong projects
Paul Wong CV selected from 1995-2012 - paul wong projects
Paul Wong CV selected from 1995-2012 - paul wong projects
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PAUL WONG PROJECTS<br />
1 – 200 East 20 th Avenue, Vancouver, B.C., V5V 1M1<br />
Tel: 604-872-7713 Email: <strong>paul</strong><strong>wong</strong><strong>projects</strong>@shaw.ca<br />
<strong>CV</strong> – PAUL WONG (Edited <strong>1995</strong>-<strong>2012</strong>)<br />
Born Prince Rupert, B.C. 1955. Lives in Vancouver<br />
VISUAL, MEDIA and INTERDISCIPLINARY ARTIST and CURATOR<br />
SOLO EXHIBTIONS<br />
<strong>2012</strong> Double Bill: Two Sides of the Same Coin, Centre for Art Tapes and Saint Mary’s University Art<br />
Gallery, Halifax NS<br />
2011 immanent, Winsor Gallery, Vancouver, BC<br />
Feature Artist <strong>Paul</strong> <strong>Wong</strong>, Your Kontinent, Richmond International Film and Media Arts Festival,<br />
Richmond, BC<br />
Made In China, Barristers Lounge, Vancouver Art Gallery Rental and Sales<br />
2011 Unplugged, video installation, Room 103, The Waldorf Hotel, Vancouver, BC<br />
The Maid, video installation, Room 103, The Waldorf Hotel, Vancouver, BC<br />
Karen’s Room, video installation, Room 103, The Waldorf Hotel, Vancouver, BC<br />
2010 The Hotel, performance installation, The Waldorf Hotel, Vancouver, BC<br />
Gulf, video installation, ON MAIN Gallery, Vancouver, BC<br />
5, 5 site-specific installations, Commissioned by City of Vancouver<br />
5 Mural, Canada Line City Centre Station, Commissioned by InTransit BC, Winsor<br />
Gallery, Vancouver<br />
2009 2 HOT 2 HANDLE, The Glenbow Museum, Calgary, AB.<br />
PAUL WONG : PORTRAITS VIDEO, Curated by Philippe Hamelin, L’Espace<br />
Videographe, Montreal, QC<br />
RGB Window Installation, ON MAIN Gallery, Vancouver, BC<br />
2008 EastVan 'John', Curated by Lisa Steele, Vtape Video Salon, Toronto<br />
Running In A Maze, Blackwood Gallery, University of Toronto Mississauga<br />
Class of Refugees, Malton Public Library, Video Wall, Mississauga<br />
<strong>Wong</strong>-Mobile-A-Go-Go, Movies & Mischief Aboard <strong>Paul</strong> <strong>Wong</strong>'s Mississauga Motorcoach (401<br />
Richmond Street W. en-route to Blackwood Gallery, U of T Mississauga), City of Mississauga<br />
ROSS House, Commission 313 Alexander Street, Vancouver<br />
Made in China, Shanghai, Ottawa<br />
Day Without Art, On Main, Vancouver<br />
2005 Edgewise: A slice of video by <strong>Paul</strong> <strong>Wong</strong>, Curator by Lisa Steele, Vtape Video Salon,<br />
Toronto<br />
2003 Hungry Ghosts, Venice Biennale, Curator: Elspeth Sage / Vittorio Ubrbani, On Edge /<br />
Nouva Icona Gallery. June 12 - 15, 2003.<br />
Hungry Ghosts, Neutral Ground, Regina<br />
<strong>Paul</strong> <strong>Wong</strong> Collects VOX Gallery Vancouver<br />
2002 <strong>Paul</strong> <strong>Wong</strong> From The Collection, Curator: Diana Augaitis, Vancouver Art Gallery<br />
1998 WINDOWS 97, The Nunnery (debut opening), London, England<br />
1997 WINDOWS 97, Video In Studio, Vancouver<br />
WINDOWS 97, Site Gallery, Sheffield, U.K.<br />
<strong>1995</strong> ON BECOMING A MAN, National Gallery of Canada, Ottawa<br />
“On Becoming A Man” Book Launch, grunt gallery, Vancouver<br />
MULTIMEDIA PRESENTATIONS & PERFORMANCES<br />
2008 HIVE, Hive Magnetic North Festival, Great Northern Way Campus, Vancouver<br />
2007 <strong>Paul</strong> <strong>Wong</strong> Three Decades of Punk Perversions, York Univiversity, Toronto<br />
2007 Unplugged, VIVO Media Arts Centre, Vancouver<br />
2007 Everyobody is Somebody, Co-presented by Centre A, InterUrban Gallery & Projections,<br />
Pigeon Park, Vancouver<br />
2004 Simulation and Other Re-enactments: Modeling the Unseen, Apr. 30/04, Banff Centre<br />
2003 Habituation Cage - 24 hour Lock Up Dutch Electronic Arts Festival, Rotterdam.Feb. 25/03<br />
No Cam No Chat - performance, Western Front, Vancouver. Jan. 25/03<br />
Hungry Ghosts, performance - various locations: Venice Biennale, Neutral Ground,<br />
NEW FORMS FESTIVAL, Roundhouse, VOX GALLERY, Vancouver, RED 8 at Video In,
PAUL WONG PROJECTS<br />
LIVE ART BIENNALE at Western Front, Hungry Ghosts website - with Art Engine, Ottawa<br />
2002 Mainstreet Dinner for the Homeless - web performance on www.horizonzero.ca<br />
1999 RE-ACT - live art retrospective 1970-1990’s, 60 min multimedia performances.<br />
Produced by Video In for Live At The End of The Century Performance Art Festival<br />
Vancouver. RE-ACT website and publication.<br />
1998 WAH-Q THE OVERSEAS CHINESE, produced for Journey To The East, the first<br />
international experimental performance art festival in post-handover Hong Kong.<br />
Performances: Shousen Theatre, Hong Kong. Installation Version 1 - Experimental<br />
Gallery, Hong Kong Art Centre. Installation Version 2 - Center For The Arts, Hong Kong<br />
University of Science & Technology.<br />
1998 DEAD MAN TALKING: Performance as part of international series on medicine + ritual.<br />
Parallel Universe, produced by Arts Catalyst, South London Gallery<br />
WAH-Q, performance, grunt gallery, Vancouver<br />
The First Emperor’s Last Days, performance, Theatreworks. Victoria Theatre, Singapore<br />
1997 Hong Kong Multimedia Celebration, Video In Studio, Vancouver<br />
Windows 97 photocanvases, neon<br />
Windows 97, laser vinyl, photographs, flags<br />
Hong Kong, multi-media - slide/video projection<br />
Chinese Cafes, photo panels<br />
The Five Energies, Limited Edition Silkscreen Prints<br />
1996 Blending Milk and Water: Sex in the New World, Video In, July 10/96 - in conjunction with<br />
the 11th Annual World AIDS Conference, Vancouver<br />
<strong>1995</strong> Mixed Messages (installation) 2 channels, video projector & monitor<br />
GROUP EXHIBITIONS<br />
<strong>2012</strong> Empires: Les Recontres Internationales Paris/Madrid/Berlin, Palais De Tokyo, Paris, France<br />
Extreme Self: Art in the Radical First Person, Saw Gallery, Ottawa, Ont<br />
Random Acts of Queerness, Queer Arts Festival, Vancouver, BC<br />
2011 Vancouver/Vancouver, Curator Michael Turner, 1965 Gallery, Vancouver, BC<br />
Vancouver 50, The Crista Dahl Media Library and Archive at VIVO, Vanouver, BC<br />
TOP TEN 1982, The Crista Dahl Media Library and Archive at VIVO, Vancouver, BC<br />
TOP TEN 1976, The Crista Dahl Media Library and Archive at VIVO, Vancouver, BC<br />
Home Session, Curator Alexandra Laudo, Barcelona, Spain<br />
Black/White Art Auction 2011, The Vancouver Art Gallery, Van., BC<br />
Vancouver 125 Summer LIVE, Curator Marlene Madison, Brockton Point Oval, Stanley Park, Van.,<br />
BC<br />
Vancouver 125 Birthday LIVE, Curator Marlene Madison, Jack Poole Plaza, Van. BC<br />
Wide Open Wide, National Queer Film and Video, Artistic Director Gary Varro, National Tour<br />
(locations various)<br />
Spatial Poetics X, Curator Cindy Mochizuki and Miko Hoffman, SFU Woodwards, Van., BC<br />
Out On Screen, Vancouver Queer Film Festival, Vancouver Visionaries Program, Director of<br />
Programming Amber Dawn, Van., BC<br />
We: Vancouver, The Vancouver Art Gallery, Van., BC<br />
Toronto Urban Film Festival, Juried, TTC Video Screens, Toronto, ON<br />
Everyday Heroes Film Festival, Juried, TTC Video Screens, Toronto, ON<br />
An Autobiography of Our Collection, Curator Ian Thom and Heidi Reitmaier, The Vancouver Art<br />
Gallery, Van., BC<br />
2010 <strong>Paul</strong> <strong>Wong</strong> home-style, video screening, Curator J.J. Kegan McFadden, Platform, Winnipeg, MB<br />
Night of All Souls, video installation, Mountain View Cemetery, Van., BC<br />
New Forms Festival 10: Traversing Electronic Narratives, W2’s Storyeum, Vancouver, BC<br />
TUFF (Toronto Urban Film Festival), Juried, Toronto, ON<br />
Hold Still Wild Youth: The Gina Show Archive, Curator: Allison Collins, OR Gallery &<br />
VIVO Media Arts Centre, Vancouver, B.C.<br />
Resistance is Fertile, Curator: Steve Loft, A Space Gallery, Toronto, ON<br />
Visions of British Columbia: A Landscape Manual, Curator: Bruce Grenville, Assistant<br />
Curtaor: Emmy Lee, Vancouver Art Gallery<br />
Olympic Group Show, Curator: Jennifer Winsor, Winsor Gallery, Vancouver
PAUL WONG PROJECTS<br />
CUE, Artists’ Videos, Curators: Daina Augaitis & Christopher Eamon, Vancouver Art<br />
Gallery<br />
Tian Tian Xiang Shang" (everyday looking up), Curator: Danny Yung, Beijing/Hong TBA<br />
Ordinary Shadows Chinese Shade, On-Line Hot Docs Portal<br />
2009 Perfect Day, Panorama, Impakt Festival, Utrecht, Holland<br />
BC Scene, Saw Video, National Arts Centre, Ottawa, ON<br />
How Soon Is Now, Curated by Kathleen Ritter, Vancouver Art Gallery, Vancouver<br />
Recent Work, 556 Seymour Street (formerly A&B Sound), Vancouver<br />
Selector, PLSMIS Gallery, Tokyo, JPN.<br />
Decadent Resistance: The Aesthetics of Politics in Vancouver Video Practice, 1967-<br />
2008, Curated by Amy Kazymerchyk and Michael Lithgow, Pacific Cinematheque,<br />
Vancouver<br />
Eating Irregular, Curated by Minh Nguyen, Ottawa Public Library, Ottawa, ON<br />
an Oboro, Oboro 25th Anniversary Celebration, Oboro, Montreal, QC<br />
Etat d’Urgenece ’06, ATSA, Montreal, QC<br />
TUFF (Toronto Urban Film Festival), Juried, Toronto, ON<br />
16th Our Tube: Almost LIVE co-presented by LIVE Biennale 2009. Centre A, Vancouver<br />
2008 Canadian Spotlight: <strong>Paul</strong> <strong>Wong</strong> ReMASTERED, MIRROR-BALL PAUL, Ordinary Shadows.<br />
Chinese Shade Curated by Heather Keung, Reel Asians Intl Film Festival, Toronto<br />
Perfect Day, Curated by Gary Varro, ‘Queer City Cinema 7 - Regina, SK’, Saskatchewan<br />
FilmPool Cooperative<br />
60 Unit: Bruise, ASpace symposium: Asian Canada, The Toronto Reel Asian Film<br />
Festival<br />
“New Art Festival” Yangtze City, China<br />
2007 CAMPsites, Confederation Centre of the Arts, Prince Edward Island<br />
60 Unit: Bruise, ASpace symposium: Asian Canada, The Toronto Reel Asian Film Festival<br />
Vtape, Rotterdam Film Festival<br />
<strong>Paul</strong> <strong>Wong</strong> Three Decades of Punk Perversions, York U., Toronto<br />
Unplugged, VIVO Media Arts Centre, Vancouver<br />
Art Star 3: Video Art Biennial, Galerie SAW Gallery, Ottawa, Canada<br />
Reel Asians, Asian Canada On Screen , International Festial & Book Launch, Toronto<br />
ANALOGUE: Pioneering Video <strong>from</strong> UK, Canada & Poland, Curator: Peggy Gale, TATE<br />
Britain, FACT Liverpool, Norwhich Art Gallery, MOCCA, TO., Art Gallery of Sudbury,<br />
Kitchener-Waterloo Art Gallery, Art Gallery of Windsor, The Ottawa Art Gallery, The Art<br />
Gallery of Peterborough<br />
Presence Exhibition, National Networking Forum, Harbourfront Centre, TO.<br />
Limits of Tolerance: Re-framing Multicultural State Policy, Curator: Liz Park, Centre<br />
A,Van.<br />
Riots To Astronauts & Show & Tell ,Out on Screen, Vancouver Queer Film Festival<br />
Show & Tell , Curator: Winston Xin, Out on Screen, Vancouver Queer Film Festival<br />
Riot In Vancouver , Outdoor Projection, Vancouver Chinatown Night Market<br />
The Art of Splash 2007, Arts Umbrella’s Exhibition, Gala, Auction<br />
Umeboshi, commissioned shoe art, Vancouver<br />
Screening, University of Victoria Students’ Society<br />
Presence, Screening, National Networking Forum, Harbourfront Centre, Toronto<br />
Forces of Migration, Curator: Cindi Mochizuki, Cinewroks, Vancouver<br />
Refuge Class of 2000, Classroom Screening, Carleton University, Ottawa<br />
2006 Ciao da Vancouver, Portraits Of A City, Curator: Elspeth Page, Velan Centre for<br />
Contemporary Art, Turin, Italy as part of the 2006 Winter Olympics<br />
RENC. International Screenings, Paris, Berlin<br />
Shimmer, Spash 2006 , Arts Umbrella’s Exhibition, Gala, Auction<br />
Be Somebody Seminal Video By <strong>Wong</strong>, Steele, Tomczajk Pleasure Dome, Rivoli, Tor.<br />
2005 CAMPsites , Walter Philips Gallery , The Banff Centre, Museum London<br />
In The Line of Flight, Curator: Sara Diamond, Millennium Art Museum, Beijing<br />
Video Lounge, Curator: Peggy GaleToronto Art Fair, Toronto<br />
2005 Governor General Visual + Media Art Awarrd Artists National Gallery of Canada,<br />
Ottawa<br />
2005 Governor General Visual + Media Art Awarrd Artists, Art Bank, Ottawa
PAUL WONG PROJECTS<br />
2004 Facing History, Canadian Cultural Centre, Paris, circulated by Presentation House, N.<br />
Van<br />
Eternal Network, Western Front<br />
Performance and Photography, Dazibao, Montreal<br />
2003 Hungry Ghosts - Western Front - Oct. 2003 - part of LIVE! Biennial<br />
Eternal Network - Western Front Video 1973-2001 - March 2003<br />
Unfinished Business, Vancouver Street Photographs, Presentation House, Jan. 11/03<br />
Centrifugal Vision: Video Circle - 10 city Asian Pacific tour<br />
2002 Red 8 Film + Video, Video In Studio, Vancouver<br />
2001 Stealing To Subvert, Brazil<br />
Facing History, Presentation House, North Vancouver, Video Pool, Winnipeg Video In,<br />
Vancouver<br />
Knock-Offs, Or Gallery, Vancouver, Saidye Bronfman Centre, Montreal, Pleasure Dome,<br />
Toronto<br />
Art In The Hood, Flower Factory, Vancouver<br />
Broadcast: Blending Milk + Water, Knowledge Network<br />
Chinese Taboos, Vision TV<br />
2000 CENTRIFUGAL VISION: VIDEO CIRCLE international media art collaboration, 108<br />
artists, 12 cities, Shanghai, Taipei, Tokyo, Hong Kong, Shenzhen, Bangkok, Macau,<br />
Beijing, Vancouver, Singapore, and Seoul.<br />
Magnetic North, Canadian Experimental Video, Walker Art , Minneapolis and Plug-In<br />
Gallery, Winnipeg<br />
Montecantini Film + Video Festival , Italy<br />
WORLD PRIDE. ROMA 2000, series of 7 digital photo montages, Pride Exhibition,<br />
Roundhouse, Vancouver<br />
San Diego Asian Film Festival<br />
Invision Project; Void, Vancouver<br />
1999 Available Light, Saw Video, Ottawa<br />
Gay Shorts and Go Boys, Germany<br />
Bellevue Art Museum, Washington<br />
Past Life Future Tense, Buenes Aires, Museo Nacional<br />
Trinity Square screening, Karen Kew curator<br />
Tranz tech, Toronto International Video Art Biennial<br />
Canadian Currents: Video View Canada, Pleasure Dome<br />
Images 99, Toronto<br />
1998 Journey to the East, performance & installation, Shousen Theatre Expo Hall, Second<br />
Annual Conference on Urban Culture in Hong Kong<br />
The Five Energies - Chinese Cafes, Open Studio, Toronto<br />
Parallel Universe, “Dead Man Talking”, South London Gallery, U.K.<br />
New Print Editions, Open Studio Gallery, Toronto<br />
THEM=US ,Canadian national tour, 1998-2000<br />
1997 Fortune Cookies, Institute of Contemporary Art, London<br />
Many Faces, One Voice, Harmony Movement, 40 city touring exhibition, Hong Kong<br />
Bank, Vancouver<br />
Track Records, Trains & Contemporary Photography, 6 city touring exhibition, circulated<br />
by Oakville Galleries, CMCP (Ottawa), Presentation House, North Vancouver<br />
Asian Heritage Month, Metro Cinema, Edmonton<br />
Video Rampage, Vancouver<br />
Ed Video, Guelph, Ont.<br />
The Male of the Species, Helsinki, Finland<br />
Life/Live, Museo Cultural, Lisbon<br />
1996 Life/Live, Musee d’Art Moderne de la ville de Paris<br />
Day Without Art, Walter Phillips Gallery, Banff<br />
Blending Milk & Water; Video Viewpoint Series, Museum of Modern Art, New York
PAUL WONG PROJECTS<br />
Blending Milk & Water; Video In Studio, Vancouver<br />
New Documentaries, Museum of Modern Art, New York<br />
Bereft, Hallwalls Contemporary Arts, Buffalo, NY<br />
Transient Moments: Vancouver and the Performance Photograph,<br />
Presentation House, North Vancouver<br />
History’s Exiles, Whyte Museum, Banff, Alberta<br />
Where Does It Hurt?, Walter Phillips Gallery Off-Site, Calgary, Alta.<br />
Beyond The Rock Garden, Wing Luke Museum, Seattle<br />
20th Powell Street Festival, Video screening, Aug. 3/96<br />
Sexy FM, CFRO (Coop Radio), Vancouver<br />
Through the Lens #4, by Loretta todd, Knowledge Network, Vancouver<br />
Festival du Nouveau Cinema, Cinema Parallel, Montreal<br />
Lotus Roots, Mount Pleasant Community House, Vancouver<br />
Family Snapshots, Asian Heritage Month, Studio Theatre, Toronto<br />
Electronic Arts Festival ‘96, Western Front, Video In, Artspeak & Vancouver ProMusica<br />
<strong>1995</strong> Halfbred, grunt gallery, Vancouver<br />
Temple of My Familiar, On Edge Productions, Video In Studios, Vancouver<br />
Circonvolutions, OPERA (Montreal), Carillo Gil Museum (Mexico City)<br />
Out On Screen, Video In, Vancouver<br />
Videoscape 95, Asian Cinevision, New York<br />
2nd Bienal de Video, Santiago, Chile<br />
Exchange Resources, Europa Hotel, Belfast, Northern Ireland<br />
CURATORIAL AND RELATED WORK: SPEAKER, PRODUCER, CONSULTANT, WRITER<br />
<strong>2012</strong> Curator/Editor, “The Long Time: 21 st Century Art of Steele + Tomczak”, exhibition and<br />
publication, On Main<br />
Co-presenter, “Ghostkeeper”, Ahasiw Maskegon-Iskwew, On Main in conjunction with<br />
grunt gallery<br />
Producer, “Camera/whore”, On Main<br />
Jury, “Painting on the Edge”, Canadian Federation of Artists<br />
2011 Curator/Commissioner, 10 Seconds, as part of the City Of Vancouver Public Art Program<br />
with support of Vancouver 125 and the participation of Government of Canada<br />
2010 Executive Producer, Lead Artist and Curator of ‘5’, as part of the City Of Vancouver’s<br />
Olympic and Paralympic Public Art Program.<br />
“OOOOO” Canada, Skeena Reece.<br />
“Zooooom”, Brian Kent Gotro and Tony Pantages.<br />
“LED Down The Garden Path”, Brian Howell, Heather Keung and Tom Waits.<br />
“One More Than Three”, Rebecca Belmore, Joe Keithley, Kenneth Fletcher, Steve Lacy,<br />
Tim Hill and Jeff Little.<br />
“Five Elements”, Dana Claxton, Karen Lee, Ali Kazimi, John Greyson, Richard Fung<br />
Brian Kent Gotro, Steve Lacy, Tim Hill, Jeff Little and Sahara Exodus.<br />
Awards Jury, 2010 Toronto Reel Asians International Film Festival.<br />
Jury Member, 2010 VIVA Awards, Vancouver.<br />
Speaker, Dr. Shirley Thompson Memorial Service, National Gallery of Canada, Ottawa.<br />
Curator, “Beautiful Frontier”, Rosanne Bennett/Katherine Coe, ON MAIN Gallery,<br />
part of the Drawn Festival, Vancouver.<br />
Co-Curator, “Mirrorface”, Angela Fama, ON MAIN/Grace Gallery, Vancouver, (Rachel<br />
Zottenberg).<br />
Speaker, “Vancouver Art Hop”, Canadian Art Foundation, ON MAIN/Grace Gallery.<br />
Speaker, “Let’s Twist Again” Symposium, Centre A, Vancouver.<br />
Speaker, “Radical Now Or Never” Independent Media Arts Alliance (IMMA) Conference,<br />
Toronto.<br />
MFA Critiques, Visual Studies, University of Toronto.<br />
Speaker and Jury, Maple Ridge Highs School Media Art class.
PAUL WONG PROJECTS<br />
Moderator, Artist Talk with Terry Haines’ “Blood Storm”, VIVO Media Arts, Vancouver.<br />
2009 Curator, “Barbarian” Dana Claxton, ON Main Gallery, Vancouver.<br />
Co-Curator, “Garlands” Michele Quan, ON MAIN Gallery, Vancouver. (Pottery Guild, BC)<br />
Curator, “Garlands” Michele Quan, Public Art Installation, Canada Line Subway<br />
Station, Vancouver. (InTransitBC)<br />
2008 Curator/Publisher, “3 Diptychs” Attila Richard Lukacs (in conjunction with Presentation<br />
House Gallery).<br />
Curator, “Surrey Houses”, Brian Howell, ON MAIN Gallery, Vancouver.<br />
Curator, “Polaroids”, Attila Richard Lukacs, ON MAIN Gallery, Vancouver.<br />
Curator, “The White Room”, Brian Kent Gotro, ON MAIN Gallery, Vancouver.<br />
Curator, “Window Installation”, Laiwan, ON MAIN Gallery, (in conjunction with Vancouver<br />
Queer Film Festival and Orr Gallery).<br />
Curator, “Drawing The Anonymous Subject”,Brian Boulton, ON MAIN Gallery, Vancouver.<br />
Jury Member, 28 th Anniversary Award, Vancouver Queer Film Festival.<br />
Jury Member, Media Art Productions, Canada Council.<br />
2007 Speaker, Canadian Race Relations Conference, Calgary.<br />
Speaker, Presence Networking Forum, Where Have We Been, Where Are We Going?,<br />
Harbourfront Centre, Toronto<br />
Panelist, Plenary Session 4: The Force of Markets,Visual Arts Summitt 2007, Ottawa<br />
Panelist, Wrestling With Angels, Out on Screen, Vancouver Queer Film Festival<br />
Lecturer, Punk Revisited, Emily Carr Institute of Art and Design, Vancouver<br />
Artistic Director, ON MAIN Gallery: Launch of ON MAIN March 2007 - Present, Van.<br />
2006 Artistic Director: Launch of On Edge TV (1985-2007) www.onedge.tv<br />
Curator: Lida Abdul Live, On Edge / Live Art Bi-Annual, Video In, Van.<br />
Curatorial Residency: Split Decisions, Vtape, Tor.<br />
2005 Visiting Professor, University of Guelph,<br />
Visiting Professor, U of T, Scarborough Campus<br />
Advisor, Cultural Strategy for the International Space Station, a project of Arts Catalyst.<br />
Visiting Professor, U of T, Advanced Video and Media, Dept. Visual Studies,<br />
Presenter, Everyday Fears, Colloquim on Visual Culture, University of Toronto<br />
Curatorial/Artist In Residence, Vtape, Toronto<br />
2004 Lead Artist, Intranation Residency, Banff Centre, April - July 2004<br />
Presenter, 92nd Annual Conference of the College Art Association in Seattle, Wash.<br />
Curator, Leaks beneath the Surface Ed Video, Guelph<br />
Curator, Meta-Culture, Asian Heritage Month, Roundhouse, Vancouver<br />
Media Arts Advisory panel, Arts Umbrella, Vancouver<br />
2003 Curatorial Essayist, “Anatomica Nervosa” essay, March 2003. grunt gallery, Vancouver<br />
Presenter, Simulations/Re-enactments Symposium, Banff Center<br />
Presenter, “Terms of Address” Symposium on the Pedagogy & Politics of Film & Video<br />
Programming, University of Toronto<br />
Canadian Curator, Centrifugal Vision: Video Circle, 108 artists, Vancouver Museum<br />
Speaker, “From Shanghai Alley to Tinseltown” Vancouver Library, Feb 5/03<br />
2002 Speaker, IntraNation: Race, Politics, and Canadian art Symposium, ECIAD, Vancouver<br />
Curator, Digital Tensions, Leaks beneath the Surface, Centre For Art Tapes, Halifax<br />
Moderator, Convergence Conference, Ottawa<br />
Consultant, Culture, Diversity, Everyday Life, Montreal<br />
Teacher, Arts Umbrella, Vancouver<br />
Member, Media Arts Advisory Committee, Canada Council<br />
Videographer: Grunt Gallery<br />
2001 Speaker, Concordia University, Montreal<br />
Director, Canadian Race Relations Foundation Video<br />
Member, Media Arts Advisory Committee, Canada Council<br />
Board Member, Columbia Street Studio, Vancouver<br />
2000 Co-Curator: Video Circle: Centrifugal Vision. Hong Kong
PAUL WONG PROJECTS<br />
Speaker: Twisting The Box Symposium, Vancouver<br />
Member, Media Arts Advisory Committee, Canada Council<br />
Jury Member, VIVA Awards, Vancouver Institute of Visual Art<br />
Jury Member, Bell Canada Award for Video Art<br />
Board Member, Asian Heritage Month Festival Society<br />
Curator & Director of Programming www.cyberartsite.net (off-line)<br />
Selection Committee, 2nd DEAF Video Production School at Video In<br />
Juror, Experimental Film and Video Production Grants, Canada Council<br />
1999 Designer/Co-Director, Launch or www.onedgeonline.com (off-line)<br />
Writers’ Panel, Live At The End Of The Century Symposium, Vancouver<br />
Designer: Launch of www.<strong>paul</strong><strong>wong</strong>.net (off-line)<br />
1998 Co-director, with Ong Keng Sen, The First Emperor’s Last Days, Victoria Theatre,<br />
Singapore<br />
Writer, “Sitting Out Desert Storm in Paris”, Front Magazine, May/June issue<br />
Visiting Professor, Bishops University, Sherbrooke, Quebec<br />
Artist Talk, Nunnery Gallery, London, U.K.<br />
Visiting Professor, Mackenzie Art Gallery (Regina); Moosejaw Gallery, University<br />
of Regina<br />
Curator, Born Under Surveillance, Video In 25th Anniversary, Vancouver<br />
1997 Photography Critic & Curator, Gallery 44, Toronto Month of Photography<br />
Judge, Best of Canada and BC, Out On Screen Festival, Vancouver<br />
Producer/Director, Hong Kong Multimedia Event, Video In Studios<br />
Publisher & Editor, On Edge Retrospective, Vancouver<br />
Editor, Jazz Slave Ships, Witness, I Burn documentary, Director: Elspeth Sage<br />
Commentator, Eat Now, NFB Documentary, Director: Pierre Falardeau, Montreal<br />
1996 Co-producer, Jazz Slave Ships by Jan Wade, Whitehaven, U.K.<br />
Advisory Committee, Beyond The Rock Garden, Wing Luke Museum, Seattle<br />
Advisory Committee, A.S.I.A. (Asian Society for the Intervention of AIDS)<br />
Actor: The Wiry Man, “Hell Money” X-Files #3 x 19, Director: Tucker Gates, FOX Network<br />
Judge, Miss Chinese Vancouver Pageant, Fairchild Television<br />
Curator, Visiting artist De Xiang Chen (Shenzhen, China), Banff, Vancouver<br />
Videographer, Summer Love, X-TV pilot, Vancouver<br />
Actor, The Wirey Man, in-store event, Forbidden Planet, Newcastle, U.K.<br />
Visiting Professor, Carlisle College of Art & Design, Carlisle, U.K.<br />
Presenter, Blending Milk & Water, Museum of Modern Art, NYC<br />
Presenter, Blending Milk & Water, Video In Studio, Vancouver<br />
Panelist, Family Snapshots, Asian Heritage Month Festival, Harbourfront, Toronto<br />
Co-producer/Designer, Pride Parade float, Video In Studios<br />
Jury Member, BC Cultural Film & Video Production Grants<br />
Jury Member, Canada Council Interdisciplinary Awards<br />
Panelist, Tendencies : Nationalism lecture, Contemporary Art Gallery/Emily Carr Institute<br />
Panelist, Electronic Arts Festival, Video In/Western Front, Vancouver<br />
Panelist, National Conference of Asian Art Presenters, Toronto<br />
<strong>1995</strong> Workshop, Multimedia Identities, National Gallery, Ottawa<br />
Board member, Satellite Video Exchange Society<br />
Actor, The Red Paper, Director: Dana Claxton, Hunkpapa Films<br />
Actor, Neon Rider, television series<br />
Writer, Guerrilla Television, Video In 20th Anniversary Book<br />
Artistic Director, On Edge Productions<br />
Videographer, South Africa: The Johannesburg Bienale, Producer: Walter Phillips Gallery<br />
Actor, “Crying Freeman” (feature), Director Kristof Gans, <strong>1995</strong><br />
Director, Blending Milk and Water, Video, Asian Society for the Intervention of AIDS<br />
1994 Director/Videographer, TEMPLE OF MY FAMILIAR mural project by Nhan Duc<br />
Nguyen, Flax Art Studios, Belfast<br />
Facilitator, Performance and Multimedia workshop, EM Media, Calgary<br />
Host, National Minquon Panchayat Gathering, Vancouver<br />
1993 Adjudicator, Images & Objects XI, Assembly of B.C. Community Arts Councils<br />
Feng Shui Advisor, FENG SHUI exhibition, Newcastle-upon-Tyne<br />
Host, It’s A Cultural Thing, Chinese Cultural Centre, Calgary<br />
Member, National Minquon Panchayat Movement, ANNPAC
PAUL WONG PROJECTS<br />
Chairman, Homebase Team, relocating and designing new Video In facilities<br />
Exhibition designer, 20 Bold Brash + Beautiful Years, Video In Studio<br />
Producer, Guerrilla Television event, Video in Studio<br />
1992 Curator, Kikyo: Coming Home To Powell Street, Vancouver Museum<br />
Associate Editor/Writer, Kikyo: Coming Home To Powell Street, Harbour Press<br />
Panelist, In/Exclusion Forum, Vancouver Museum<br />
Panelist, Identities, Powerplant, Toronto<br />
Panelist, Contemporary Arts In Canada at the end of the 20th Century, Moncton, N.B.<br />
Member, Minquon Panchayat National Committee, ANNPAC<br />
Nominating Committee, 1993 Bell Canada Award for Video Art<br />
1991 Consultant, Masque Of The Red Death, Grunt Gallery/Public Dreams, Vancouver<br />
Adjudicator, Seattle Arts Commission<br />
Visiting Professor, Nova Scotia College of Art & Design, Halifax<br />
Speaker, 20 Years Of Multiculturalism, University Of Manitoba, Winnipeg<br />
Curatorial Lecturer, Yellow Peril: Reconsidered, Eye Level Gallery, Halifax<br />
Curatorial Lecturer, Yellow Peril: Reconsidered, Plug In Gallery, Winnipeg<br />
Panelist, Yellow Peril: Reconsidered, SAW Gallery, Ottawa<br />
Panelist, Yellow Peril: Reconsidered, Video In, Vancouver<br />
Curatorial Lecturer, Yellow Peril: Reconsidered, Plug-In, Winnipeg<br />
1990 Curator: Acts Of Denial, Images Film & Video Festival, Toronto<br />
Panelist, Race & Representation Panel, Euclid Theatre, Images 90<br />
Curator, Yellow Peril: Reconsidered Exhibition, On Edge, Vancouver<br />
Editor/Writer: Yellow Peril: Reconsidered publication, On Edge, Van.<br />
Curatorial Lecturer, Yellow Peril: Reconsidered, Oboro Gallery, Montreal<br />
Assessment Committee Member: Canada Council Media Arts<br />
Video Production Juror, Ontario Arts Council<br />
Acquisitions Committee Member, Video Out Distribution<br />
Interim Editor, Video Guide Magazine<br />
Moderator,Yellow Peril :Reconsidered Writers Panel, Gallery 44, Toronto<br />
Cameraman, Inter-Dialogue, Director: Henry Tsang, Vancouver<br />
Performer, The Last Supper, Director: Dalibor Martinis, Vancouver<br />
Speaker, Task Force on Professional Training for the Cultural Sector<br />
1989 Writer, “Feature Length Video” for Cinevue, April 1989<br />
Writer, Video Guide #44, “Is Longer Better?”<br />
Executive Producer/Director, F.L.V. Video Document, Video In<br />
Videographer/Editor, Greenpeace Actions Against U.S.S. Merrill & U.S.S.<br />
Independence<br />
Consultant, World Of Beauty (Stage Play) Fringe Festival<br />
Videographer, Allen Ginsberg Reading<br />
Juror, Video In Grants To Individuals<br />
Videographer/Editor, Summer Solstice Event, Evelyn Roth,Ed Varney<br />
Co-Curator, on Bewley & Simon Herbert (UK artists), Vancouver<br />
Co-Curator, Skip Blumberg presentations and video production (USA), Vancouver<br />
Producer, “Eating Noodles Backwards”, Skip Blumberg (USA), Vancouver<br />
Stage Manager/Projections: Industrial Cabaret, Western Front<br />
1988 Cover Designer: Parallelogramme Vol. 13, no. 3<br />
Juror: l2th Atlanta Film & Video Festival<br />
Co-Editor: “Europa” Issue of Video Guide<br />
Panelist: NAMAC, National Assoc. Media Art Centers, Atlanta, Georgia<br />
Lecturer: Barking In The New Media Wilderness, National Gallery<br />
Curator: In Absentia, Independent Film /Video Alliance Festival<br />
Editor: “Stars & Stripes” issue of Video Guide<br />
Curator: Yellow Peril: New World Asians, Chisenhale Gallery, London<br />
Adjudicator: Arts Awards Grants, Canada Council, Ottawa<br />
Videographer: William Burroughs Reading, Vancouver<br />
Panelist: Edge 88 Int'l Conference on Experimental Art, London (UK)<br />
1987 Speaker: Action Now, CARFAC Conference, Nova Scotia<br />
Panelist: Visual Evidence, Women In Focus, Vancouver<br />
Co-Curator: Asian New World, Video In, Vancouver<br />
Editor: “Asian New World” issue of Video Guide<br />
Projections: Tops All Productions, Twizzles Hair Show<br />
Facilitator, Multi-Media In Performance Workshop, SAW Video Co-op, Ottawa
PAUL WONG PROJECTS<br />
1986 Curator, Bruce Yonemoto at Video In<br />
Curator, Edgar Heap of Birds at Native Education Centre, Vancouver<br />
Videographer: ENG clips for Japan Pavilion, Expo 86<br />
Curator, Hanif Kureishi (UK),Vancouver<br />
Assistant Director/Stylist: “Rise and Fall of an Empire” by Joe Sarahan<br />
Adjudicator: Video Production Grants, Canada Council<br />
Speaker: Vancouver High School Teachers’ Professional Days<br />
1985 Speaker: “Rally For The Arts” Queen Elizabeth Theatre, Vancouver<br />
Speaker: “Gay & Lesbian Conference” University of B.C., Vancouver<br />
Curator/Producer:, Joolz (UK) performance at Gangland, Vancouver<br />
Director, Homelands Video by Joolz (UK)<br />
Stage & Light Designer: Trevor Jones performance at Luv A Fair<br />
Co-Founding Director of On The Cutting Edge Productions Society<br />
1984 Assistant Director: “Either/Or In Chinatown” by Gabor Body (Hungary), Vancouver<br />
Curator, Woody Vasulka at Video Inn, Vancouver<br />
Producer: Video Rock Sock Hop at Gangland for Video Inn<br />
Video Archivist: Vertigo Computer Graphics, Vancouver<br />
Co-Curator: “Street Culture” for Video Inn/Western Front<br />
Curator/Programming Director: Montgomery Cafe, Ultra Suede Lounge<br />
Co-Founding Committee Member, Vancouver Artists League<br />
Co-producer/Curator: “Under Five” Video Competition, Firehall Theatre<br />
1983 Assistant Director: “As The Petals Fall” by Terry Ewasiuk<br />
Curator: “Video Vacation” Arts, Science & Technology Centre, Vancouver<br />
Panelist: Video Culture Symposium & Festival, Toronto<br />
Panelist: Digicon Conference, Vancouver<br />
1982 Programming Director, Video Inn<br />
Curator/Producer: “Video Rock Weekend” Vancouver<br />
Curator: “Independent Video” Vancouver<br />
Editor: “New York” issue of Video Guide Magazine<br />
1980 Photo Editor: Ennui Magazine, Vancouver (1980-82)<br />
Curator: “The Raymonds” Documentary Film & Video Series, Video Inn, VAG<br />
Juror: San Francisco Video Festival<br />
Producer/Manager: Elizabeth Chitty, Vancouver<br />
Manager: Satellite Video Exchange Society/Video Inn<br />
1979 Managing Editor: Video Guide Magazine<br />
Panelist: Kingston Video Symposium<br />
Co-Curator/Producer: Living Art Performance Festival Vancouver<br />
Co-Curator: Perform, Vancouver Art Gallery<br />
Production Assistant: Western Front Video<br />
Co-Owner: Plastic Amp Accessories<br />
Member: 13 Cameras Collective<br />
1978 Canadian Co-Curator: INPUT Festival, Milano, Italy<br />
Organizer: Video Library for Fifth Network Festival, Toronto<br />
Member of Advisory Arts Panel of Canada Council to 1980<br />
Co-Producer: Video Cabaret/Hummer Sisters,Vancouver Tour<br />
Co-Producer: Sanja Ivekovic/Dalibor Martinis Canadian Tour<br />
Co-Director: Mainstreet Inc. Artist Collective<br />
1977 Co-Founding Director: Performance Tapes/Performance Warehouse, Vancouver<br />
Video Curator: “From This Point Of View” Vancouver Art Gallery<br />
Videographer: “Hot Property” performance, General Idea, Winnipeg<br />
Vice-President: ANNPAC, Assn. of National Non-Profit Artist-Run Centres<br />
1976 Editor: 5th International Video Exchange Directory, Video Inn<br />
Video Production Consultant: Western Front, Vancouver<br />
Video Production Consultant: A Space, Toronto<br />
1975 Special Events Coordinator, Video Inn<br />
Co-Programmer, Video Inn National Tour<br />
Production Assistant: “Chain of Kisses” by Michael Goldberg<br />
1974 Production Assistant: Western Front<br />
Editor: 4th International Video Exchange Directory, Video Inn<br />
Faciliator, Artists In The School Project, Vancouver Art Gallery<br />
Exhibitions Organizer: Video Inn - Vancouver Public Library
PAUL WONG PROJECTS<br />
Exhibition Organizer, Video Inn, Bumbershoot Arts Festival, Seattle<br />
Graphics Designer: Life Rhythm Project, Burnaby Art Gallery<br />
Graphics Contributor: “Accessible Portapak Manual”, Michael Goldberg, ed.,Video Inn<br />
1973 Co-Founding Director: Satellite Video Exchange Society/Video Inn<br />
Organization Assistant: Matrix International Video Conference<br />
1972 Film Projectionist: Vancouver Art Gallery<br />
Assistant to the Director: Satellite Project (to 1975),Vancouver Art Gallery<br />
1971 Staff Member: Stadium Gallery Project, Vancouver Art Gallery<br />
TEACHING, TALKS, LECTURES & WORKSHOPS<br />
Conceptual Art Performance Practices, Vancouver Art Gallery; EastVan 'John', Vtape, Toronto; Running In<br />
A Maze, Blackwood Gallery, U of T Mississauga; A Space, Toronto; And/Or Gallery, Seattle; Artspace,<br />
Peterborough, Ont.; Asakaya University, Tokyo; Carlisle Art College, Carlisle, U.K.; Concordia University,<br />
Montreal; Contemporary Art Gallery, Vancouver; Dundas School Of Art; Emily Carr College of Art,<br />
Vancouver; Flax Art Studios, Belfast; Institute of Communication Arts, Vancouver; Kwantlin College, Surrey;<br />
Langara Community College, Vancouver; Mass. College of Art, Boston; Newcastle Polytechnic, Newcastle<br />
U.K.; Nova Scotia College of Art & Design, Halifax; Ontario College of Art, Toronto; Orchard Gallery, Derry;<br />
Otis Institute of Art, San Diego; Ottawa University, Ottawa; Random Access, Dublin; SAW Video Co-op,<br />
Ottawa; Simon Fraser University, Vancouver; St. Lawrence College, Kingston; Tama Art University, Tokyo;<br />
Trinity Square Video, Toronto; University of British Columbia, Vancouver; University of Regina,Saskatoon;<br />
Vancouver Secondary School Teachers’ Professional Day, Vancouver School of Art, Video In, Vancouver;<br />
York University; Toronto; Institute of Contemporary Art, London. Vancouver School of Art, Video In,<br />
Vancouver; York University; Toronto; Institute of Contemporary Art, London.<br />
AWARDS, ARTIST-IN-RESIDENCE, COMMISSIONS<br />
<strong>2012</strong> Surrey Art Gallery, Urban Screen Commission<br />
2011 City Of Vancouver 125 th Anniversary Public Art Program Commission<br />
In Kontinent Festival, City of Richmond Commission<br />
2009 City Of Vancouver Olympic and Paralympic Public Art Program<br />
2008 Best Canadian Film or Video Award, NFB, Reel Asians International Film Festival 2008,<br />
Toronto<br />
Canada Council Media Arts Grant<br />
2005 Governor General Visual and Media Arts Award 2005, Exhibitions: Art Bank, National<br />
Gallery, Shanghai Restaurant/Bar, Ottawa. March 2005<br />
2004 Collaborator: House of Words Opera, work-in-progress with Linda Bouchard, San<br />
Francisco<br />
2003 Winner of the inaugural XpressionsTrailblazer Award, National Film Board, Ottawa.<br />
April 22-23, 2003.<br />
2002 Winner of inaugural Asian Art Award for “Transforming Art”, Vancouver, May 2, 2002.<br />
1998 Commission, Journey to the East, Hong Kong University of Science & Technology,<br />
Hong Kong Art Centre International Association of Theatre Critics, H.K. ICA and<br />
Second Annual Conference on Urban Culture<br />
1997 Commission, Chinese Cafes Road Tour, Harmony Movement & Kodak<br />
Commission, Windows 97, Institute of Contemporary Art (London), LOCUS +<br />
(Newcastle) Sponsor, China-Canada Cultural Exchange Project, Canadian<br />
Heritage & Languages Sponsor, CHINATOWN PROJECT, Canada’s Year of the Asia<br />
Pacific<br />
Artist-in-residency, Open Studio Printmaking Gallery, Toronto<br />
1996 Artist-in-Residence, POP, MASS, SUBCULTURES, Banff Centre<br />
Commission, BLENDING MILK & WATER: Sex In The New World, ASIA Asian Society for the<br />
Intervention of AIDS<br />
<strong>1995</strong> Commission, TEMPLE OF MY FAMILIAR, LOCUS + and On Edge Productions<br />
PUBLICATIONS LIST/BIBLIOGRAPHY<br />
-Pictures are out - experience is in, by Sarah Milroy, Globe + Mail, Feb. 14, 2009<br />
-<strong>Paul</strong> <strong>Wong</strong> - A Portrait, Essay by Phillippe Hamelin, Curator - Video Portraits, National Art Centre<br />
BC Scene, Saw Video, Ottawa
PAUL WONG PROJECTS<br />
-A Party of B.C. proportions: B.C.’s best: <strong>from</strong> Diana Krall to the punks, by Fiona Morrow, Globe + Mail, Apr.<br />
21, 2009<br />
-Selector Magazine, Spring/Summer 2009 Lifetime Collective, Vancouver<br />
-EastVan John, Essay by Michael Turner, V/Tape<br />
-The King of the Main, <strong>Paul</strong> <strong>Wong</strong> Interview by Mike Hoolboom, Toronto, upcoming publication<br />
-Art Star 3: Video Art Biennial. Smash: Reflecting Sex, Essay by Winston Zin<br />
Voices Rising, asian canadian cultural activism. Xiaoping Li pg. 1,16 & 47, UBC Press ISBN 9780-7748-<br />
1221-4 (bound) 978-0-7748-1222-1 (pbk.)<br />
The Art of Splash, pg. 58 (2007)<br />
Art event shines light on troubled downtown corner, Cheryl Rossi, The Van. Courier, Nov. 30, 07<br />
Casting rays of hope, Robin Laurence, The Georgia Straight, Dec. 6-13, 07<br />
Limits of Tolerance: Re-framing Multicultural State Policy. Liz Park pg.11,12,13 & 24 (2007)<br />
Reel Asian, Asian Canada on Screen THE KING OF MAIN: UNPLUGGED, Essay by <strong>Paul</strong> <strong>Wong</strong> &<br />
Christine Miguel pg. 127-133 Coach House Books ISBN 1 55245 192 5 / ISBN13 978 155245 192 2<br />
Heart of the City Festival Program, Vancouver pg. 23 & 24, (2007)<br />
Out on Screen, VancouverQueer Film and Video Festival Program, pg. 46,47 & 49, (2007)<br />
In The Mix, Hywel Tuscano, XTRA West, Aug. 30, 07<br />
ANALOGUE, Pioneering Video <strong>from</strong> the UK, Canada and Poland (1968-88). Essay by Peggy Gale pg. 55,<br />
56, 67 & 72 University of Central Lancashire ISBN 1 901922 59 6 (2006)<br />
Shimmer, The Art of Splash pg. 56 (2006)<br />
Unfinished Business, Photgraphing Vancouver Streets 1955-1985. pg. 244-246 & 287<br />
west coast line, Hingell Books ISBN 0-920293-67-0 (2005)<br />
The Governor General’s Awards In Visual and Media Arts. Essay by Elspeth Sage pg.70-79 (2005)<br />
Caught In The Act, Anthology of Performance Art. The SS Girls + Edited Versions<br />
pg. 48 YYZ Books ISBN 0-920397-84-0 (2004)<br />
Point and Shoot, Essay by Francine Choiniere, Michele Theriault<br />
pg. 11 & 121 Daziboa ISBN 2-922135-25X (2004)<br />
In The Line Of Flight, Essay by Sara Diamond. Tsinghao University Beijing China<br />
Governor General’s Visual, Media Arts Awards, The Ottawa Citizen, March 18, 2005.<br />
Local artists win big, Georgia Straight, March 10, 2005.<br />
Change makers honoured in G-G visual awards, Globe & Mail, March 9, 2005.<br />
“City video artist wins Governor-General’s Award”, Vancouver Sun, March 9, 2005.<br />
“Vancouver’s <strong>Paul</strong> <strong>Wong</strong> among Gov. Gen. winners in visual, media arts”, National Post, Mar. 9/05<br />
“Video artists earn top honours”, Toronto Star, March 9, 2005.<br />
“Visual artists awarded by Governor General”, CBC The National, March 8, 2005.<br />
“<strong>Paul</strong> <strong>Wong</strong>: COLLECT”, Robin Laurence, The Georgia Straight, Sept. 18, 2003, page 115<br />
“<strong>Paul</strong> <strong>Wong</strong>, Galleries West”, Sept. 15, 2003<br />
“La Biennale di Venezia - 50 Esposizione Internazionale d’Arte” (Catalogue), June, 2003<br />
“Vindication of an art pioneer”, Sarah Milroy, The Globe and Mail, Oct. 22, 2002, page R1<br />
“Felix Magazine” (New York) 2001<br />
“SeaBus terminal poster banned”, Jeremy Sandler, Vancouver Sun, Sept. 5, 2001.<br />
“MAKING VIDEO IN” (Vancouver) 2000<br />
“LIVE AT THE END OF THE CENTURY” (Vancouver) 2000<br />
“MAGNETIC NORTH and VOYEURISM” 2000<br />
“Misfits together - <strong>Paul</strong> <strong>Wong</strong> on Art, Community and Vancouver in the 1970’s and 80’s”, Richard Fung,<br />
“FUSE” Magazine, vol. 21, no. 3, Summer 1998, pp. 41-46<br />
“Exhibit shows audiences that them and us are often the same”, Michael Scott, Van. Sun, Oct. 30, 1997<br />
“Sex Migrants - <strong>Paul</strong> <strong>Wong</strong>’s Video Geographies of Erotic and Cultural Displacement in Pacific Canada”,<br />
“FUSE”, vol. 20, #1, Winter 1997, Gordon Brent Ingram, pp.17-26<br />
“Track Records: Trains and Contemporary Photography”, Oakville Galleries & the Canadian Museum of<br />
“Contemporary Photography”, 1997. ISBN0-921027-70-2<br />
“East Heats West”, Globe & Mail, May 3, 1997, Chris Dafoe, p. C4<br />
“Speak Volumes”, Oboro, by Clive Robertson, 1997<br />
“<strong>Paul</strong> <strong>Wong</strong> speaks”, TAXI, vol. 1 #6, Mo Ling, cover story, page 1-4<br />
“Watch and Wait”, Vancouver Echo, vol. 80 #10, Ross McLaren, p. 1-3<br />
“The Greater Vancouver Book”, ed. Chuck Davis, Inkman Press, pp. 654, 658, 745, ISBN1-896846-00-9<br />
“An Archaeology of Desires”, Border Crossings, Summer 1996, Douglas Ord, pp. 51-53<br />
“Feng Shui”, LOCUS + 1993-96 catalogue, Summer 1996, pp. 30-31, ISBN 1 899377 06 9<br />
“Queer Happenings” by Cindy Filipenko, Xtra West, May 2/96<br />
“The Asian Invasion” by Glenn Sumi, Xtra Toronto, April 25/96<br />
“1996 V Tape Reference Guide”, Editor: Cheryl Rondeau-Hoekstra, pp. 203-204<br />
“Examining Asian attitudes towards sex and sexuality”, XTRA! West, No. 74, June 27/96, p. 29
PAUL WONG PROJECTS<br />
“Video veteran explores immigrant attitudes about sex”, Georgia Straight, July 4-11/96 p. 41<br />
“Life/Live” eds. Laurence Bosse, Hans-Ulrich Obrist, Carrie Pilto, Le Musee de la Ville de Paris,p. 206-08<br />
“<strong>Paul</strong> <strong>Wong</strong>: On Becoming A Man” (catalogue), National Gallery of Canada, Ottawa (<strong>1995</strong>). Writers: Jean<br />
Gagnon, Monika Gagnon, Elspeth Sage. French, English & Chinese, 84 pages, colour plates, videography,<br />
bibliography. ISBN0-88884-644-4<br />
“Video re/View”, eds. Peggy Gale & Lisa Steele, Art Metropole,/V/Tape. pg. 14, 135, 136, 167,<strong>1995</strong><br />
“Questions of Community”, Banff Centre Press, <strong>1995</strong>. “Inside, Outside, Upside Down” by Henry Tsang, pp.<br />
221-240. ISBN0-929159-74-5<br />
“Racy Sexy”, Chinese Cultural Centre, <strong>1995</strong>. p. 16-17. ISBN0-9697594-1-4<br />
“Cultural Re-mix” by Elspeth Sage, CIRCA Magazine, Dublin, Nov. 95, pp. 48-51<br />
“Frank, rank and raw” Ottawa X Press, Kirk Finken, Sept. 20/95<br />
“Etre ou ne pas etre, selon <strong>Paul</strong> <strong>Wong</strong>” Ledroit, Ottawa-Hull, Sara Champagne, Sept. 21/95, p. 33<br />
“National Gallery rolls with the videotape” Ottawa Citizen, Alan King, Sept. 24/95<br />
“photography and Death” by Martha Langford, Boder Crossings, Spring <strong>1995</strong><br />
“Videotexts” by Peggy Gale, The Power Plant, pp. 3, 15, 42 ISBN 0-8890-252-4<br />
“<strong>Wong</strong>’s World” The Montreal Gazette, Anne Delaney, Nov. 25/95<br />
TELEVISION PROGRAMMES<br />
Adrienne Clarkson Presents, “Journey Around The Mountain”, C.B.C. (30 minutes),19 Oct. 1994<br />
THROUGH THE LENS, Episode #6, Director: Loretta Todd, Western Moving Picture Co., 1996 (30 min.)<br />
DIVERSITY, City TV, Sunday Oct. 13, 2002<br />
Studio 4, SHAW TV, with Fanny Kiefer, January 29, 2003.<br />
Breakfast TV, CITY TV, with Fiona Forbes & Michael Eckford, Feb. 4/03<br />
SELECTED WEBSITES<br />
www.<strong>paul</strong><strong>wong</strong><strong>projects</strong>.com<br />
www.5.<strong>paul</strong><strong>wong</strong><strong>projects</strong>.com<br />
www.onmaingallery.com<br />
www.hungryghosts.net<br />
www.ccac<br />
www.vtape.org<br />
PUBLIC ART COLLECTIONS<br />
McMaster University, 49th Parallel Gallery, New York; University of Toronto; University of Winnipeg;<br />
Department of Art, Queen’s University; Concordia University Library; Art Bank, Ottawa; Art Metropole,<br />
Toronto; Centre Cultural Canadien, Paris; Donnell Film Library, New York; Kijkhuis, Den Haag, Holland;<br />
Museum Of Modern Art, New York; National Film Board - Photography Division, Ottawa; National Gallery of<br />
Canada, Ottawa; Toronto Metropolitan Library, Toronto; Vancouver Art Gallery; Video In, Vancouver; Walter<br />
Phillips Gallery, Banff; Western Front, Vancouver, Oakville Galleries, Emily Carr Institute of Art & Design,<br />
Ontario College of Art & Design, Pennsylvania State University, McMaster University