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2 The <strong>Nashville</strong> Musician October-December 2006<br />

. . . Schermerhorn Symphony Center officially opens<br />

NSO Music Advisor Leonard Slatkin.<br />

(Continued from page 1)<br />

found in <strong>Nashville</strong>.)<br />

Among those interviewed on the red carpet<br />

by various media types were singer<br />

Crystal Gayle, her trailing five-foot tresses<br />

giving a new meaning to long-hair; Dollar<br />

General heir Steve Turner, sporting a<br />

rhinestoned-emblazoned cutaway denim<br />

jacket designed by Manuel that would be<br />

the envy of Porter Wagoner; disco queen<br />

Donna Summer and husband Bruce<br />

Sudano; TV’s <strong>Nashville</strong> Star Search talent<br />

judge Anastasia Brown in a Christian Dior<br />

original, on the arm of producer-label chief<br />

husband Tony Brown; singer Trisha<br />

Yearwood and high-profile hubby Garth<br />

Brooks, wearing tuxedo jacket with black<br />

jeans; dapper <strong>Nashville</strong> Mayor Bill Purcell;<br />

television host Meryll Rose; songbirds Amy<br />

Grant and Vince Gill; and Governor Phil<br />

Bredesen and wife Andrea Conte.<br />

“The success of the <strong>Nashville</strong> Symphony<br />

has multiplied exponentially in recent<br />

years,” noted Alan Valentine, President &<br />

CEO of NSO, now in its 60th year. “Currently<br />

one of the most active recording orchestras<br />

in the world, it is earning critical<br />

acclaim around the globe, including multiple<br />

Grammy nominations. It is attracting<br />

the country’s finest musicians to its auditions.<br />

It is performing for the nation via radio<br />

and TV broadcasts. It is playing to<br />

packed houses on tour. Today, the <strong>Nashville</strong><br />

Symphony is internationally-recognized<br />

and respected. And there is no end in sight.”<br />

Patrons welcomed the opening Festive<br />

Overture (Opus 96) by Dmitri<br />

Shostakovich, which gave them their first<br />

inkling of what an acoustic marvel the Laura<br />

Turner Concert Hall truly is. From our vantage<br />

point we couldn’t spot an empty seat<br />

in the 1,860-capacity house named in honor<br />

of Dollar General’s First Lady, but everybody<br />

there joined in a standing ovation for<br />

the orchestra’s performance under the<br />

steady hand of Maestro Slatkin.<br />

After his thank you, the conductor<br />

greeted the receptive crowd: “Welcome to<br />

our home. It’s been a long time coming for<br />

<strong>Nashville</strong>.”<br />

At the conclusion of the intermission,<br />

however, most didn’t realize it, but the<br />

unique bit of attention-getting music played<br />

Frederica von Stade<br />

on chimes was conceived and recorded by<br />

the late NSO Conductor Kenneth<br />

Schermerhorn for opening night in the magnificent<br />

building bearing his name. Slatkin<br />

also said that the late conductor had planned<br />

most of the evening’s program prior to his<br />

April 18, 2005 death.<br />

Following intermission, NSO performed<br />

American composer Samuel Barber’s Essay<br />

No. 2, Opus 17, and then rendered<br />

Gustav Mahler’s Symphony No. 2 in C minor<br />

“Resurrection,” with its soaring solos<br />

by mezzo-soprano Frederica von Stade, and<br />

soprano Janice Chandler-Etemé. Another of<br />

the evening’s wonders was the exceptional<br />

<strong>Nashville</strong> Symphony Chorus, which joined<br />

the singers in a Scherzo finale featuring offstage<br />

brass to bring the performance to a<br />

fulfilling climax.<br />

Throughout the presentation one could<br />

sense the extraordinary energy pulsating<br />

through the players, proud to be part of such<br />

a breathtaking endeavor, a truly milestone<br />

event for the 81-member NSO - and Music<br />

City USA.<br />

Laura Turner Hall, of course, was a collaborative<br />

effort among the architecture, theater<br />

planning and acoustic design teams. Designed<br />

by David M. Schwarz/Architectural<br />

Services, Inc., Akustiks, and Fisher Dachs<br />

Associates, the 197,000-square-foot Symphony<br />

Center is the crowning jewel among<br />

<strong>Nashville</strong>’s great performance gems.<br />

Formerly while located in crowded<br />

TPAC, the musicians didn’t have access to<br />

the type of conveniences offered in their new<br />

surroundings, including a huge warm-up<br />

room, a semi-quiet lounge, a quiet lounge<br />

and, of course, lockers in which to secure<br />

their belongings.<br />

Janice Chandler-Eteme<br />

Following dinner, first-nighters returned<br />

to Turner Hall to enjoy one of the Symphony<br />

Center’s most distinctive features: the convertible<br />

flat-floor system, which allows for<br />

a huge cabarat-style room. NSO Director of<br />

Pops Albert-George Schram conducted the<br />

Symphony for dancing on the converted<br />

floor, serenading listeners with Strauss<br />

waltzes. Afterwards, the 11-piece Craig<br />

Duncan Orchestra continued to play for latenight<br />

dancers.<br />

Co-chairs for the opening night gala<br />

were Julie Boehm and Ellen Martin. Sponsored<br />

by Ingram Industries, the premiere<br />

evening’s earnings help fund NSO’s future<br />

programs. Currently, NSO schedules more<br />

than 200 concerts, including pops, classical<br />

and children’s fare.<br />

A splendid follow-up to the opening gala<br />

the next night boasted a pair of the gospel<br />

world’s brightest stars Amy Grant and<br />

Michael W. Smith, sharing the stage with<br />

pop-country diva LeAnn Rimes, Grand Ole<br />

Opry great Vince Gill, violin virtuoso Ruth<br />

McInnis, the Symphony and guest conductor<br />

David Hamilton, in an eclectic presentation<br />

(see concert review page 34), serving<br />

as the hall’s first paid public performance<br />

(with tickets ranging from $50 to $250, or<br />

higher for diners).<br />

Two earlier invitation-only concerts<br />

were rendered, however; the first in appreciation<br />

for the building’s construction workers<br />

(and their families) as they neared<br />

The trio in rehearsal.<br />

completion of the three-year project; and<br />

then on Sept. 1, only days before the official<br />

opening, twin-preview concerts for area<br />

students, in tune with the NSO’s ongoing<br />

commitment to music education, and which<br />

included selections from Aaron Copland’s<br />

Rodeo and Rimsky-Korsakov’s Cappriccio<br />

espagnol.<br />

A Free Day of Music scheduled Oct. 7,<br />

is a way to connect with the community,<br />

creating greater public awareness of the<br />

Schermerhorn Symphony Center and its<br />

programs. (Its co-sponsors are NSO and<br />

AmSouth Bank.)<br />

In addition to the contemporary opening<br />

night commissioned concerto by Fleck,<br />

Meyer and Hussain, there are two other<br />

works being commissioned for premiere<br />

performances by the Symphony early in<br />

2007: Philip Glass’ The Passion of<br />

Ramakrishna and Michael Daugherty’s<br />

Concerto For Piano.<br />

(Editor’s note: We would like to acknowledge<br />

NSO Director of Media Relations<br />

Christy Crytzer’s invaluable assistance<br />

in letting us cover this major event.)<br />

- Walt Trott<br />

Martha Rivers Ingram<br />

DON HASTY IGNATZ<br />

Public Accounting<br />

Computerized Bookkeeping<br />

and Tax Preparation<br />

Suite LL-20<br />

2200 21st Avenue South<br />

<strong>Nashville</strong>, TN 37212<br />

Tel: (615) 385-5224<br />

Leonard Slatkin named NSO<br />

Music Advisor, as a search<br />

continues for Music Director<br />

Leonard Slatkin, whose credentials are<br />

world class, was appointed Music Advisor<br />

of the <strong>Nashville</strong> Symphony Orchestra, Aug.<br />

23, for the next three years.<br />

The internationally-known conductor is<br />

also currently Music Director of the National<br />

Symphony Orchestra in Washington, D.C.,<br />

and serves as Principal Guest Conductor for<br />

both the Los Angeles Philharmonic and the<br />

Royal Philharmonic Orchestra in London.<br />

“We are thrilled and honored to have<br />

Leonard Slatkin as our Music Advisor,”<br />

noted Alan D. Valentine, NSO President and<br />

CEO. “Leonard worked with our orchestra<br />

for the first time in June, and quickly brought<br />

their performance to a whole new level. We<br />

jumped at the opportunity to share the expertise<br />

of one of the world’s greatest conductors<br />

and believe the collaboration will<br />

have a lasting impact, shaping the direction<br />

our orchestra takes in the coming years.”<br />

Maestro Slatkin, son of renowned violinist-conductor<br />

Felix Slatkin and cellist<br />

Eleanor Aller, is married to soprano Linda<br />

Hohenfeld and is father to their son David.<br />

“One of the greatest pleasures in recent<br />

memory for me was to spend several days<br />

with the <strong>Nashville</strong> Symphony,” said Slatkin.<br />

“This outstanding ensemble has a sense of<br />

direction and purpose. Their music-making<br />

is of the highest level and their commitment<br />

to excellence extends from the stage<br />

to the management. I am thrilled to have<br />

the opportunity to assist in these crucial<br />

years of transition, and I look forward to our<br />

collaborations over these next three years.”<br />

Following his tenure as Music Director<br />

for the St. Louis Symphony Orchestra<br />

(1979-’96), Slatkin was named Conductor<br />

Laureate. The American-born musician (he<br />

plays piano and violin) was Chief Conductor<br />

of the BBC Symphony Orchestra in London<br />

(2000-’04), after having served as Festival<br />

Director of the Cleveland Orchestra’s<br />

Blossom Festival nine years, and was Principal<br />

Guest Conductor of their Philharmonia<br />

Orchestra.<br />

In <strong>Nashville</strong>, his most significant assignment<br />

since assuming his Music Advisory<br />

role was conducting the NSO in a gala opening<br />

night performance in the Schermerhorn<br />

Symphony Center’s Laura Turner Concert<br />

Hall, Saturday, Sept. 9.<br />

Slatkin’s appearances have included performing<br />

with such celebrated musical contingents<br />

as the Berlin Philharmonic, the New<br />

York Philharmonic, the Chicago Symphony<br />

Orchestra and the Concertgebouw Orchestra<br />

of Amsterdam in The Netherlands, as<br />

well as with distinguished opera companies,<br />

among them the Metropolitan Opera in New<br />

York City, Lyric Opera in Chicago, the<br />

Washington National Opera, and the Vienna<br />

State Opera in Austria.<br />

This year’s dual wins for his recording<br />

“Bolcom: Songs of Innocence And of Experience”<br />

brings his Grammy total to seven.<br />

The Los Angeles-born conductor is founder-<br />

(Continued on page 10)<br />

Symphony CEO Alan Valentine continues the<br />

search for a Music Director to succeed the late<br />

maestro Kenneth Schermerhorn (with Alan above).

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