Musicians Web pages - Nashville Musicians Association
Musicians Web pages - Nashville Musicians Association
Musicians Web pages - Nashville Musicians Association
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2 The <strong>Nashville</strong> Musician October-December 2006<br />
. . . Schermerhorn Symphony Center officially opens<br />
NSO Music Advisor Leonard Slatkin.<br />
(Continued from page 1)<br />
found in <strong>Nashville</strong>.)<br />
Among those interviewed on the red carpet<br />
by various media types were singer<br />
Crystal Gayle, her trailing five-foot tresses<br />
giving a new meaning to long-hair; Dollar<br />
General heir Steve Turner, sporting a<br />
rhinestoned-emblazoned cutaway denim<br />
jacket designed by Manuel that would be<br />
the envy of Porter Wagoner; disco queen<br />
Donna Summer and husband Bruce<br />
Sudano; TV’s <strong>Nashville</strong> Star Search talent<br />
judge Anastasia Brown in a Christian Dior<br />
original, on the arm of producer-label chief<br />
husband Tony Brown; singer Trisha<br />
Yearwood and high-profile hubby Garth<br />
Brooks, wearing tuxedo jacket with black<br />
jeans; dapper <strong>Nashville</strong> Mayor Bill Purcell;<br />
television host Meryll Rose; songbirds Amy<br />
Grant and Vince Gill; and Governor Phil<br />
Bredesen and wife Andrea Conte.<br />
“The success of the <strong>Nashville</strong> Symphony<br />
has multiplied exponentially in recent<br />
years,” noted Alan Valentine, President &<br />
CEO of NSO, now in its 60th year. “Currently<br />
one of the most active recording orchestras<br />
in the world, it is earning critical<br />
acclaim around the globe, including multiple<br />
Grammy nominations. It is attracting<br />
the country’s finest musicians to its auditions.<br />
It is performing for the nation via radio<br />
and TV broadcasts. It is playing to<br />
packed houses on tour. Today, the <strong>Nashville</strong><br />
Symphony is internationally-recognized<br />
and respected. And there is no end in sight.”<br />
Patrons welcomed the opening Festive<br />
Overture (Opus 96) by Dmitri<br />
Shostakovich, which gave them their first<br />
inkling of what an acoustic marvel the Laura<br />
Turner Concert Hall truly is. From our vantage<br />
point we couldn’t spot an empty seat<br />
in the 1,860-capacity house named in honor<br />
of Dollar General’s First Lady, but everybody<br />
there joined in a standing ovation for<br />
the orchestra’s performance under the<br />
steady hand of Maestro Slatkin.<br />
After his thank you, the conductor<br />
greeted the receptive crowd: “Welcome to<br />
our home. It’s been a long time coming for<br />
<strong>Nashville</strong>.”<br />
At the conclusion of the intermission,<br />
however, most didn’t realize it, but the<br />
unique bit of attention-getting music played<br />
Frederica von Stade<br />
on chimes was conceived and recorded by<br />
the late NSO Conductor Kenneth<br />
Schermerhorn for opening night in the magnificent<br />
building bearing his name. Slatkin<br />
also said that the late conductor had planned<br />
most of the evening’s program prior to his<br />
April 18, 2005 death.<br />
Following intermission, NSO performed<br />
American composer Samuel Barber’s Essay<br />
No. 2, Opus 17, and then rendered<br />
Gustav Mahler’s Symphony No. 2 in C minor<br />
“Resurrection,” with its soaring solos<br />
by mezzo-soprano Frederica von Stade, and<br />
soprano Janice Chandler-Etemé. Another of<br />
the evening’s wonders was the exceptional<br />
<strong>Nashville</strong> Symphony Chorus, which joined<br />
the singers in a Scherzo finale featuring offstage<br />
brass to bring the performance to a<br />
fulfilling climax.<br />
Throughout the presentation one could<br />
sense the extraordinary energy pulsating<br />
through the players, proud to be part of such<br />
a breathtaking endeavor, a truly milestone<br />
event for the 81-member NSO - and Music<br />
City USA.<br />
Laura Turner Hall, of course, was a collaborative<br />
effort among the architecture, theater<br />
planning and acoustic design teams. Designed<br />
by David M. Schwarz/Architectural<br />
Services, Inc., Akustiks, and Fisher Dachs<br />
Associates, the 197,000-square-foot Symphony<br />
Center is the crowning jewel among<br />
<strong>Nashville</strong>’s great performance gems.<br />
Formerly while located in crowded<br />
TPAC, the musicians didn’t have access to<br />
the type of conveniences offered in their new<br />
surroundings, including a huge warm-up<br />
room, a semi-quiet lounge, a quiet lounge<br />
and, of course, lockers in which to secure<br />
their belongings.<br />
Janice Chandler-Eteme<br />
Following dinner, first-nighters returned<br />
to Turner Hall to enjoy one of the Symphony<br />
Center’s most distinctive features: the convertible<br />
flat-floor system, which allows for<br />
a huge cabarat-style room. NSO Director of<br />
Pops Albert-George Schram conducted the<br />
Symphony for dancing on the converted<br />
floor, serenading listeners with Strauss<br />
waltzes. Afterwards, the 11-piece Craig<br />
Duncan Orchestra continued to play for latenight<br />
dancers.<br />
Co-chairs for the opening night gala<br />
were Julie Boehm and Ellen Martin. Sponsored<br />
by Ingram Industries, the premiere<br />
evening’s earnings help fund NSO’s future<br />
programs. Currently, NSO schedules more<br />
than 200 concerts, including pops, classical<br />
and children’s fare.<br />
A splendid follow-up to the opening gala<br />
the next night boasted a pair of the gospel<br />
world’s brightest stars Amy Grant and<br />
Michael W. Smith, sharing the stage with<br />
pop-country diva LeAnn Rimes, Grand Ole<br />
Opry great Vince Gill, violin virtuoso Ruth<br />
McInnis, the Symphony and guest conductor<br />
David Hamilton, in an eclectic presentation<br />
(see concert review page 34), serving<br />
as the hall’s first paid public performance<br />
(with tickets ranging from $50 to $250, or<br />
higher for diners).<br />
Two earlier invitation-only concerts<br />
were rendered, however; the first in appreciation<br />
for the building’s construction workers<br />
(and their families) as they neared<br />
The trio in rehearsal.<br />
completion of the three-year project; and<br />
then on Sept. 1, only days before the official<br />
opening, twin-preview concerts for area<br />
students, in tune with the NSO’s ongoing<br />
commitment to music education, and which<br />
included selections from Aaron Copland’s<br />
Rodeo and Rimsky-Korsakov’s Cappriccio<br />
espagnol.<br />
A Free Day of Music scheduled Oct. 7,<br />
is a way to connect with the community,<br />
creating greater public awareness of the<br />
Schermerhorn Symphony Center and its<br />
programs. (Its co-sponsors are NSO and<br />
AmSouth Bank.)<br />
In addition to the contemporary opening<br />
night commissioned concerto by Fleck,<br />
Meyer and Hussain, there are two other<br />
works being commissioned for premiere<br />
performances by the Symphony early in<br />
2007: Philip Glass’ The Passion of<br />
Ramakrishna and Michael Daugherty’s<br />
Concerto For Piano.<br />
(Editor’s note: We would like to acknowledge<br />
NSO Director of Media Relations<br />
Christy Crytzer’s invaluable assistance<br />
in letting us cover this major event.)<br />
- Walt Trott<br />
Martha Rivers Ingram<br />
DON HASTY IGNATZ<br />
Public Accounting<br />
Computerized Bookkeeping<br />
and Tax Preparation<br />
Suite LL-20<br />
2200 21st Avenue South<br />
<strong>Nashville</strong>, TN 37212<br />
Tel: (615) 385-5224<br />
Leonard Slatkin named NSO<br />
Music Advisor, as a search<br />
continues for Music Director<br />
Leonard Slatkin, whose credentials are<br />
world class, was appointed Music Advisor<br />
of the <strong>Nashville</strong> Symphony Orchestra, Aug.<br />
23, for the next three years.<br />
The internationally-known conductor is<br />
also currently Music Director of the National<br />
Symphony Orchestra in Washington, D.C.,<br />
and serves as Principal Guest Conductor for<br />
both the Los Angeles Philharmonic and the<br />
Royal Philharmonic Orchestra in London.<br />
“We are thrilled and honored to have<br />
Leonard Slatkin as our Music Advisor,”<br />
noted Alan D. Valentine, NSO President and<br />
CEO. “Leonard worked with our orchestra<br />
for the first time in June, and quickly brought<br />
their performance to a whole new level. We<br />
jumped at the opportunity to share the expertise<br />
of one of the world’s greatest conductors<br />
and believe the collaboration will<br />
have a lasting impact, shaping the direction<br />
our orchestra takes in the coming years.”<br />
Maestro Slatkin, son of renowned violinist-conductor<br />
Felix Slatkin and cellist<br />
Eleanor Aller, is married to soprano Linda<br />
Hohenfeld and is father to their son David.<br />
“One of the greatest pleasures in recent<br />
memory for me was to spend several days<br />
with the <strong>Nashville</strong> Symphony,” said Slatkin.<br />
“This outstanding ensemble has a sense of<br />
direction and purpose. Their music-making<br />
is of the highest level and their commitment<br />
to excellence extends from the stage<br />
to the management. I am thrilled to have<br />
the opportunity to assist in these crucial<br />
years of transition, and I look forward to our<br />
collaborations over these next three years.”<br />
Following his tenure as Music Director<br />
for the St. Louis Symphony Orchestra<br />
(1979-’96), Slatkin was named Conductor<br />
Laureate. The American-born musician (he<br />
plays piano and violin) was Chief Conductor<br />
of the BBC Symphony Orchestra in London<br />
(2000-’04), after having served as Festival<br />
Director of the Cleveland Orchestra’s<br />
Blossom Festival nine years, and was Principal<br />
Guest Conductor of their Philharmonia<br />
Orchestra.<br />
In <strong>Nashville</strong>, his most significant assignment<br />
since assuming his Music Advisory<br />
role was conducting the NSO in a gala opening<br />
night performance in the Schermerhorn<br />
Symphony Center’s Laura Turner Concert<br />
Hall, Saturday, Sept. 9.<br />
Slatkin’s appearances have included performing<br />
with such celebrated musical contingents<br />
as the Berlin Philharmonic, the New<br />
York Philharmonic, the Chicago Symphony<br />
Orchestra and the Concertgebouw Orchestra<br />
of Amsterdam in The Netherlands, as<br />
well as with distinguished opera companies,<br />
among them the Metropolitan Opera in New<br />
York City, Lyric Opera in Chicago, the<br />
Washington National Opera, and the Vienna<br />
State Opera in Austria.<br />
This year’s dual wins for his recording<br />
“Bolcom: Songs of Innocence And of Experience”<br />
brings his Grammy total to seven.<br />
The Los Angeles-born conductor is founder-<br />
(Continued on page 10)<br />
Symphony CEO Alan Valentine continues the<br />
search for a Music Director to succeed the late<br />
maestro Kenneth Schermerhorn (with Alan above).